
About this episode
The episode discusses the political satire 'Wag the Dog' and its themes of media manipulation and narrative precision.
“This is nothing. This is nothing. Why does the dog wag its tail? Because a dog is smarter than its tail.” Join Ian & Liam for our 325th episode as we step into the spin rooms, sound stages, and manufactured realities of Barry Levinson’s razor-sharp political satire Wag the Dog (1997). Megs isn’t with us this week — she’s been hired to produce a last-minute war in Albania (tight turnaround, great exposure). Kev? He’s currently composing a patriotic anthem that may or may not exist by the time you hear this. This week we discuss: Dustin Hoffman’s Stanley Motss — flamboyant, obsessive, and desperate for credit. Is this one of the great comedic performances of the ’90s? Robert De Niro’s Conrad Brean — calm, calculated, and morally untethered. Is he the real power in the film… or just the most efficient? The central satire — media manipulation, political theatre, and the terrifying ease of creating “truth.” We share many stories of what it means to guide an actor, when you should back off, and what do we do when we simply 'can't find the character' ourselves Ian breaks down the film’s narrative precision — lean, fast, and ruthlessly efficient storytelling. Liam explores the…
People in this episode
Hosts: Ian, Liam
Topics covered
- political satire
- media manipulation
- narrative precision
- actor guidance
- relevance of film
- deception in media
Keywords
- Wag the Dog
- political satire
- Dustin Hoffman
- Robert De Niro
- media manipulation
- narrative storytelling
- actor guidance
Mentioned in this episode
Organizations: Barry Levinson
Books & works: Wag the Dog
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