
Brian Cottington reviews Luc Besson's 2026 film Dracula, critiquing its lack of coherence and respect for the source material.
Luc Besson finally made a Dracula movie in 2026… and somehow turned it into a boring, horny, perfume‑addled fever dream instead of a gothic horror classic. In this episode of The Cinema Psychos Show, Brian tears into Dracula (2026) and explains why this shiny new take on the Count feels more like a knockoff of better Dracula films than a bold reinvention. We break down everything that went wrong: Vlad accidentally killing his own wife, God apparently "rewarding" him with vampirism, the unhinged sex‑perfume subplot, cartoonish suicide jumps, rubbery CGI gargoyles, and a tone that ping‑pongs between tragic romance, goofy comedy, and Axe body spray commercial. Brian also digs into Caleb Landry Jones' off‑kilter Dracula, Christoph Waltz on autopilot, and a Danny Elfman score that deserves a much better movie. Along the way, we compare Besson's vision to Coppola's Bram Stoker's Dracula , modern Nosferatu takes, and other adaptations that actually respect the character, and ask the big question: what the hell happened to Luc Besson as a filmmaker? Plus, we dip into some wild online reviews from people who genuinely think this is the best Dracula in years. If you're a horror nerd…
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