
The episode discusses the enduring legacy of 'Wuthering Heights' and its various adaptations over time.
When Emily Brontë published “Wuthering Heights,” in 1847, critics were baffled, alarmed, and mostly unimpressed. James Lorimer, writing in the North British Review , promised that the novel would “never be generally read.” Nearly two centuries later, it’s regarded as one of the great works of English literature. In a live taping of Critics at Large at the 92nd Street Y, Vinson Cunningham, Naomi Fry, and Alexandra Schwartz discuss the staying power of the original text and the countless adaptations it’s inspired, from the 1939 film featuring Laurence Olivier to Andrea Arnold’s 2011 version. The most recent attempt comes from the director Emerald Fennell, whose new “Wuthering Heights,” starring Margot Robbie and Jacob Elordi, reads as a romantic fever dream. The movie has been polarizing in part for the way it excises some of the weirder and wilder aspects of its source material. But what’s discarded—or emphasized—can also be revealing. “It’s an audacious proposition to adapt a great novel … I don’t think it needs to be faithful, necessarily,” Fry says. “The adaptation itself becomes a portrait of the time in which it’s made.” Read, watch, and listen with the critics: “ Wuthering…
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