
The episode explores the literary genius of Toni Morrison and the complexity of her characters through discussions of her major works.
Toni Morrison was many things in her lifetime—Nobel laureate, renowned author, Princeton professor, and generous mentor to young writers. Her appeal translated seamlessly to the internet, where old interview clips still bubble up regularly on social media, reminding us of her sharp wit and commanding presence. But, as Namwali Serpell argues in a new book of essays, “On Morrison,” this undeniable star persona risks eclipsing the genius—and complexity—of the eleven novels she wrote. On this episode of Critics at Large, Vinson Cunningham, Naomi Fry, and Alexandra Schwartz dive back into these works to rediscover the writer as she was on the page. The hosts discuss Morrison’s début novel, “The Bluest Eye”; “Beloved,” which is widely regarded as her masterpiece; and “Jazz,” the experimental 1992 novel believed to be her personal favorite. Throughout her career, she insisted on writing flawed, dynamic characters rather than paragons of virtue. “The Morrison project is to put Black life, and particularly the lives of Black women, at the very center of literature—but to do it in a way that’s true to character and to human experience,” Schwartz says. “The people she’s writing about are…
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