
Do kilns really need peep holes?
From For Flux Sake by Kathy King, Rose Katz, Matt Katz
January 15, 2026 · 34 min · Season 5 · Episode 121
About this episode
The episode discusses the necessity of peep holes in kilns and explores various glazing techniques.
Have you ever wondered why kilns have peep holes? Today Matt, Rose, and Kathy debate the function and necessity of peep holes, while also tackling a question about glazing only the interior of a pot. They also start the episode talking about the research Kathy is doing at Harvard Ceramics into the historic use of graphite as a ceramic sealer. Do you have questions or need advice on glazes? Drop us a line at ForFluxSakePodcast@gmail.com and you could be featured on an upcoming show. Have you checked out the new For Flux Sake Patreon? This is a great way to show your support and have access to discounted merch, live hangouts, and extra episodes. Head over to Patreon and sign up today. Today's episode is brought to you by Monkey Stuff , The Rosenfield Collection , Cornell Studio Supply , and Ceramic Materials Workshop's Making Glaze Make Sense . This week's episode features the following topics: Peep hole, kiln venting, glaze tension, glaze compression, dunting, vitrification
People in this episode
Hosts: Kathy King, Rose Katz, Matt Katz
Topics covered
- Peep hole
- kiln venting
- glaze tension
- glaze compression
- dunting
- vitrification
Keywords
- kilns
- peep holes
- glazing
- ceramics
- vitrification
- dunting
- glaze tension
- glaze compression
Sponsors
Monkey Stuff, The Rosenfield Collection, Cornell Studio Supply, Ceramic Materials Workshop's Making Glaze Make Sense
Mentioned in this episode
Organizations: Harvard Ceramics
More episodes of For Flux Sake
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- Is it best to use the medium or fast fire setting on my kiln? · April 1, 2026 · 35 min
- Why are my plates cracking? · March 11, 2026 · 37 min
- What causes carbon coring in clays? · March 4, 2026 · 37 min
- Do I really need to sieve my glazes? · February 11, 2026 · 34 min
- Should I make my own clay? · February 4, 2026 · 39 min
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