Vase-mania
About this episode
The episode discusses the phenomenon of 'vase-mania' in eighteenth century Britain, exploring its cultural significance and impact on society.
Melvyn Bragg and guests discuss eighteenth century 'vase-mania'. In the second half of the century, inspired by archaeological discoveries, the Grand Tour and the founding of the British Museum, parts of the British public developed a huge enthusiasm for vases modelled on the ancient versions recently dug up in Greece. This enthusiasm amounted to a kind of ‘vase-mania’. Initially acquired by the aristocracy, Josiah Wedgwood made these vases commercially available to an emerging aspiring middle class eager to display a piece of the Classical past in their drawing rooms. In the midst of a rapidly changing Britain, these vases came to symbolise the birth of European Civilisation, the epitome of good taste and the timelessness that would later be celebrated by John Keats in his Ode on a Grecian Urn. With Jenny Uglow Writer and Biographer Rosemary Sweet Professor of Urban History at the University of Leicester And Caroline McCaffrey-Howarth Lecturer in the History of Art at the University of Edinburgh Producer: Eliane Glaser Reading list: Viccy Coltman, Fabricating the Antique: Neoclassicism in Britain 1760–1800 (University of Chicago Press, 2006) David Constantine, Fields of Fire: A…
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