About this episode

Alexi and music critic Ella Dorn discuss Giallobrutalism as a defining visual language of mid-2020s pop, exploring its connections to Italian giallo cinema and modern pop aesthetics.

This week, Alexi is joined by music critic and columnist Ella Dorn to unpack her viral essay declaring Giallobrutalism as the defining visual language of mid-2020s pop, informed by the stylish delirium of Italian giallo cinema and a pervasive unease about surveillance and stardom. We discuss the aesthetic’s formal signatures—cool temperatures, split diopters, painterly tableaux, and more— as well as the rise of early-onset popstar histrionics, the existential glamour of centripetal girls in centrifugal settings, and the decade’s watershed fashion moments so far, from Miu Miu micro-minis to Sandy Liang mega-bows. We also challenge the default Y2K reading of modern pop aesthetics, arguing for a closer look at their 20th-century antecedents, and reflect on our shared past as stans of doomed K-pop girl groups. Links: “‘Giallobrutalism,’ or why everything looks like that” by Ella Dorn on Fairyland! Ella Dorn on Twitter Fairyland! on Instagram K-Pop Music Video Analysis w/ Alexi One on Top of the Other (1969) dir. Lucio Fulci A Lizard in a Woman’s Skin (1971) dir. Lucio Fulci “ Music, Fashion, Film is Charli xcx at her subversive best” by Ella Dorn in The New Statesman Balenciaga F/W…

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