
Kimberly Campanello discusses her visual poetry project MOTHERBABYHOME and the intersection of poetry and priesthood in a conversation with Pádraig Ó Tuama.
“It had to involve more than just a slim volume of verse,” says Kimberly Campanello about MOTHERBABYHOME, her ongoing visual poetry project which centers the 796 infants and children who died at the St. Mary's Mother and Baby Home in Tuam, in the west of Ireland, between 1926 and 1961. So it consists of 796 sheets of vellum with text from archival and contemporary sources that she’s shaped into a work that blends documentation and lamentation, reportage and rite. In this Zoom conversation between Kimberly and Pádraig Ó Tuama — part two of two — recorded in 2025, Kimberly reads an excerpt from MOTHERBABYHOME, and then she and Pádraig discuss whether all poets want to be priests and how poetry is the ultimate DIY activity. Or, as Kimberly puts it, “You don't have to learn an instrument to be a poet.” We invite you to subscribe to Pádraig’s weekly Poetry Unbound Substack, read the Poetry Unbound books and his newest work, Kitchen Hymns, or listen to all our Poetry Unbound episodes.
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