
Rob Fitterman discusses his poetry and the intersections of history, race, and art.
In episode #32 poet Rob Fitterman reads from and talks about two of his books: Holocaust Museum (Counterpath 2013), made entirely of captions from the US Holocaust Memorial Museum’s photo archive, and Creve Coeur (Winter Editions 2024), a “translation” of William Carlos Williams’ epic poem Paterson . Following Williams’ form line-by-line, Rob exposes the deep history of anti-Black racism in St. Louis, especially in regards to housing policy. Along the way we discuss his experiences growing up in a lower middle-class Jewish family in suburban St. Louis and his youthful (and continued) fascination with the poetry of “coterie” or group. We revisit the heated conversation around appropriation in poetry and art and consider the “empire-impulse” of some US conceptual poetry. How does “failure hallucinate repair” (Paul Chan’s line)? Why does some art about atrocities elicit a feeling of responsibility and not just empathy? And how might the “I” in a poem be just another “passenger on the bus” and not its driver? Texts, films, videos and people mentioned and discussed: Paul Chan Rob Fitterman reading from Holocaust Museum , Counterpath Denver, 2013 (video) Walter Johnson, The Broken…
Host: Julie Carr
Guest: Rob Fitterman
Organizations: Counterpath
Books & works: Holocaust Museum, Creve Coeur, Paterson, The Broken Heart of America: St. Louis and the Violent History of the United States, The Emancipated Spectator, Holocaust, The Color of Law, Katyn, East St. Louis Massacre
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