
E221: Phast Phreddie Patterson on the world's biggest record collection
From Rock's Backpages by Barney Hoskyns, Mark Pringle, Jasper Murison-Bowie
February 2, 2026 · 1h 3m · Episode 221
About this episode
Fred Patterson discusses his work at the ARChive of Contemporary Music and his musical projects.
In this episode, we talk to Fred Patterson, aka Phast Phreddie, about his work at the ARChive of Contemporary Music, plus his own magazine Back Door Man and his band Thee Precisions. Beginning with his early musical life teaching classes with Don Waller at UCLA's Experimental College, we hear about how he named Back Door Man after a Howlin Wolf song and wanted to cover "hard core rock n roll". Phreddie remembers how different it was working with R. Meltzer compared to Lester Bangs, who both contributed to the mag. Next, we hear about where Thee Precisions got their name and how they were intended as a garage rhythm 'n' blues combo that might fit into south central L.A.'s rockabilly scene without doing rockabilly. After telling us about moving across the country to help set up a record shop in Albany, Phreddie then takes us back to the ARChive of Contemporary Music's original mission statement to collect two of every record and explains how they operate. Three clips from a 1977 Mary Wilson audio interview prompt Barney to wonder whether the Supremes are the greatest girl group of all time. To wrap things up, we pay tribute to Sly Dunbar of Sly & Robbie before Mark and Jasper talk…
People in this episode
Hosts: Barney Hoskyns, Mark Pringle, Jasper Murison-Bowie
Guest: Fred Patterson
Topics covered
- record collection
- music history
- garage rock
- interviews
- music archives
Keywords
- Phast Phreddie
- ARChive of Contemporary Music
- Back Door Man
- Thee Precisions
- music interviews
Mentioned in this episode
Organizations: ARChive of Contemporary Music, Back Door Man, Thee Precisions
Books & works: Back Door Man, Howlin Wolf, Mary Wilson, The Supremes, Isaac Hayes, De La Soul
Places: south central L.A., Albany
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