About this episode

The episode discusses the implications of the Venice Biennale's decision to include Russia and Israel, featuring an interview with Arnold van Bruggen about migrant workers in southern Spain.

‘Art and politics can totally be separated!’ said no one ever – apart from the organisers of the Venice Biennale, a.k.a. the Olympics of the art world. This week we’re diving into the fallout from the Biennale’s decision to allow both Russia and Israel to participate. We’re also looking at a case study of why it’s so problematic to welcome Moscow to events that showcase its (Kremlin-approved) cultural offerings: the film Mr Nobody Against Putin, whose co-director Pavel Talankin, we are happy to report, has now happily been reunited with his mislaid Oscar. A round of applause for Lufthansa! It’s taken us many years to get over our bitterness that there are some other kids on the block called The Europeans , but since it’s Europe Day this Saturday, we’ve decided to bury the hatchet. This week we’re delighted to be joined by the Dutch writer Arnold van Bruggen, one half of the photo-documentary project The Europeans . Along with the photographer Rob Hornstra, Arnold is spending the decade chronicling life around a continent that, as he puts it, is being rocked by a perfect storm of political, social and environmental changes. We spoke to Arnold about the latest chapter of the…

Sponsors

European Cultural Foundation

Explore listener stats, chart rankings, contacts and more on the The Europeans | European news, politics and culture podcast page.