Four Practical Steps To Make A Major Pentatonic Solo Musical
About this episode
Steve Stine discusses practical steps to enhance major pentatonic solos using specific chord progressions and rhythm techniques.
Send Steve a Text Message Your major key solo sounds “happy,” but it does not sound believable. That is the gap we close here, using a track in A major and a chord progression that stays diatonic and musical: A major, C sharp minor, D major, and E major. We start with the practical foundation most players skip, knowing the key, hearing the chords, and understanding why those changes matter even if you are “just jamming” over a backing track. From there, we zoom in on rhythm subdivision, beca...
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