WCA #599 with Alex Newport – Three Decades of Production, a Studio in the Desert, Engineering at Tiny Telephone, and Why Unique Always Beats Good

WCA #599 with Alex Newport – Three Decades of Production, a Studio in the Desert, Engineering at Tiny Telephone, and Why Unique Always Beats Good

June 8, 2026 · 1h 31m · Episode 599

About this episode

Matt interviews producer and engineer Alex Newport about his extensive career in music production and studio design.

Matt welcomes producer, engineer, and mixer Alex Newport for his first appearance on Working Class Audio. Alex grew up in the UK Midlands with few music resources, and found his way into production after his band got signed to a UK label with an upstream deal to Columbia, and ended up recording at Sawmills, a legendary residential studio on a tidal island at the tip of Cornwall. Working there with producer Colin Richardson changed everything. From there Alex spent decades moving between LA, San Francisco, and New York — engineering at Tiny Telephone, producing records for At the Drive-In, City and Colour, and many more — before eventually building his own residential studio in Joshua Tree, designed from the ground up to let bands show up and make records without distraction. The conversation covers production philosophy, surviving as a freelancer across three decades, why he intentionally avoids getting pigeonholed, and what really matters when designing a studio space. In This Episode, We Discuss: Growing Up in the UK Midlands With Few Music Resources The Band That Got Signed: Upstream Deal to Columbia Records Recording at Sawmills — The Tidal Island Studio in Cornwall Colin…

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