Our History | SOIL: COMMON GROUND

About this episode

This episode explores the relationship between soil, art, and history, highlighting the political implications of land ownership and indigenous practices of soil care.

Much of the history of human making springs from the soil. Cuneiform, the earliest form of writing, was engraved into clay; paint pigments come from minerals in the soil; and much of our material history is held in ceramics. But soil is not neutral; it is deeply entangled with politics of ownership embedded in the land. In this episode Shenece Oretha probes the ways the soil and clay are inspiring artists today, looking at the stories soil can tell about our past and our potential future. Ceramicist and writer Jennifer Lucy Allan reflects on the ways clay connects us to the earliest forms of making. Artists Annalee Davis and Lauren Gault look at the ways soil bears witness to our histories, from the trauma of the plantation to the deep time of paleontology. We create art from soil, but through our extraction and interaction, it is also changed. How can we heal our relationship with the soil and in so doing, transform our relationship with the planet? Farmer and food justice advocate Leah Penniman unpacks how indigenous practices of soil care can reverse some of the most egregious effects of climate change. The series launches off from the Somerset House exhibition SOIL: The World…

People in this episode

Host: Shenece Oretha

Guests: Jennifer Lucy Allan, Annalee Davis, Lauren Gault, Leah Penniman

Topics covered

• soil
• art
• history
• climate change
• indigenous practices
• ceramics
• politics of ownership

Keywords

• soil
• clay
• ceramics
• art
• climate change
• indigenous practices
• history
• politics

Mentioned in this episode

Organizations: Somerset House

Books & works: SOIL: The World at Our Feet

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