About this episode

The episode discusses the themes of existence and expectancy in Samuel Beckett's play 'Waiting for Godot'.

Who is Godot? Whether God, objet a, or an abstraction from any object that is supposed to resolve dramatic suspense, it is clear that Vladimir and Estragon imagine him to be an agent of salvation (even if they can’t remember exactly what it is that needs saving). Perhaps the name is meant to satirize any states of expectancy—aspirational, libidinal, political, or religious—insofar they seem to be a means to a kind of spiritual completion that is impossible. Except, arguably, in the imagination, including its refinements in the products of the arts. If Samuel Beckett is too cool to provide us with ordinary entertainment and edification, does he mean to bore us, berate us, or do nothing at all? Erin & Wes pass time by discussing “Waiting for Godot,” and whether frustrating expectations is sometimes better than either violating or gratifying them. Upcoming Episodes : The Mummy Pre-order Erin’s forthcoming book “Avail” here: http://subtextpodcast.com/avail For bonus content, become a paid subscriber at Patreon or directly on the Apple Podcasts app. Patreon subscribers also get early access to ad-free regular episodes. This podcast is part of the Airwave Media…

People in this episode

Hosts: Wes Alwan, Erin O'Luanaigh

Topics covered

• existentialism
• theater
• literature
• salvation
• expectation
• art

Keywords

• Godot
• existentialism
• Beckett
• theater
• salvation
• expectation
• art

Mentioned in this episode

Books & works: Waiting for Godot

More episodes of Subtext: Conversations about Classic Books and Films

• Existence and Expectancy in “Waiting for Godot” · June 22, 2026 · 49 min

Explore listener stats, chart rankings, contacts and more on the Subtext: Conversations about Classic Books and Films podcast page.