
Subtext: Conversations about Classic Books and Films
by Wes Alwan and Erin O'Luanaigh
Is this your podcast?Insights from recent episode analysis
Audience Interest
Podcast Focus
Publishing Consistency
Platform Reach
Insights are generated by CastFox AI using publicly available data, episode content, and proprietary models.
Most discussed topics
Brands & references
Total monthly reach
Estimated from 2 chart positions in 2 markets.
By chart position
- 🇦🇺AU · Books#1065K to 30K
- 🇫🇮FI · Books#3810K to 30K
- Per-Episode Audience
Est. listeners per new episode within ~30 days
7.5K to 30K🎙 ~2x weekly·165 episodes·Last published 2w ago - Monthly Reach
Unique listeners across all episodes (30 days)
15K to 60K🇦🇺50%🇫🇮50% - Active Followers
Loyal subscribers who consistently listen
6K to 24K
Market Insights
Platform Distribution
Reach across major podcast platforms, updated hourly
Total Followers
—
Total Plays
—
Total Reviews
—
* Data sourced directly from platform APIs and aggregated hourly across all major podcast directories.
On the show
From 10 epsHosts
Recent guests
No guests detected in recent episodes.
Recent episodes
The Romance of Self-Destruction in “Withnail and I” (1987) – Part 2
May 18, 2026
Unknown duration
The Romance of Self-Destruction in “Withnail and I” (1987)
May 10, 2026
Unknown duration
The Ethics of Seeing in Susan Sontag’s “On Photography” (Part 2)
Mar 23, 2026
39m 26s
The Ethics of Seeing in Susan Sontag’s “On Photography”
Mar 17, 2026
44m 03s
The Music of Longing in “Amadeus” (1984) – Part 2
Mar 9, 2026
33m 14s
Social Links & Contact
Official channels & resources
Official Website
Login
RSS Feed
Login
| Date | Episode | Topics | Guests | Brands | Places | Keywords | Sponsor | Length | |
|---|---|---|---|---|---|---|---|---|---|
| 5/18/26 | ![]() The Romance of Self-Destruction in “Withnail and I” (1987) – Part 2 | Wes & Erin continue their discussion of the cult classic “Withnail and I,” and whether our capacity for sublimation suffers less from the crisis of modernity than from our attempts to transcend it. Upcoming Episodes: Waiting for Godot, The Mummy Pre-order Erin’s forthcoming book “Avail” here: http://subtextpodcast.com/avail For bonus content, become a paid subscriber at Patreon or directly on the Apple Podcasts app. Patreon subscribers also get early access to ad-free regular episodes. This podcast is part of the Airwave Media podcast network. Visit AirwaveMedia.com to listen and subscribe to other Airwave shows like Good Job, Brain and Big Picture Science. Email advertising@airwavemedia.com to enquire about advertising on the podcast. Follow: Twitter | Facebook | Website | — | ||||||
| 5/10/26 | ![]() The Romance of Self-Destruction in “Withnail and I” (1987) | It’s 1969, and as drug guru Danny tells us, “the greatest decade in the history of mankind is over.” There will, he says, be many refugees, and the film’s implication is that Withnail—who combines self-importance and lofty ambition with substance abuse and urban squalor—will not be one of them. Marwood, by contrast, has seen the writing on the wall, in the form of the salacious tabloid stories that, while they threaten to outcompete the world’s attention for the arts, ultimately can’t be used to excuse the pair’s failure to find work as actors. Countering this attentional collapse perhaps requires getting serious: leaving bohemian pretensions behind—and along with them, as Marwood finds out in their jaunt to the countryside—a backward-looking romanticism that can be used as a cover not just for artistic paralysis but upper class predations, both economic and sexual. Wes & Erin discuss the cult classic “Withnail and I,” and whether our capacity for sublimation suffers less from the crisis of modernity than from our attempts to transcend it. Upcoming Episodes: Waiting for Godot, The Mummy Pre-order Erin’s forthcoming book “Avail” here: http://subtextpodcast.com/avail For bonus content, become a paid subscriber at Patreon or directly on the Apple Podcasts app. Patreon subscribers also get early access to ad-free regular episodes. This podcast is part of the Airwave Media podcast network. Visit AirwaveMedia.com to listen and subscribe to other Airwave shows like Good Job, Brain and Big Picture Science. Email advertising@airwavemedia.com to enquire about advertising on the podcast. Follow: Twitter | Facebook | Website | — | ||||||
| 3/23/26 | ![]() The Ethics of Seeing in Susan Sontag’s “On Photography” (Part 2)✨ | photographyethics+4 | — | On PhotographyIn Plato’s Cave+1 | — | photographyethics of seeing+3 | — | 39m 26s | |
| 3/17/26 | ![]() The Ethics of Seeing in Susan Sontag’s “On Photography”✨ | photographyethics+3 | — | On PhotographyIn Plato’s Cave+1 | — | photographySusan Sontag+3 | — | 44m 03s | |
| 3/9/26 | ![]() The Music of Longing in “Amadeus” (1984) – Part 2✨ | musicgenius+5 | — | AvailAirwave Media+2 | — | AmadeusMozart+5 | — | 33m 14s | |
| 3/3/26 | ![]() The Music of Longing in “Amadeus” (1984)✨ | musicauthority+4 | — | AvailAmadeus | — | AmadeusMozart+6 | — | 39m 18s | |
| 2/23/26 | ![]() The Character of Authority in Shakespeare’s “Julius Caesar” (Part 6)✨ | Shakespearepolitical power+3 | — | AvailAirwave Media+2 | — | ShakespeareJulius Caesar+5 | — | 31m 53s | |
| 2/18/26 | ![]() The Character of Authority in Shakespeare’s “Julius Caesar” (Part 5)✨ | Shakespearepolitical power+4 | — | AvailAirwave Media+2 | — | ShakespeareJulius Caesar+5 | — | 50m 48s | |
| 2/9/26 | ![]() The Character of Authority in Shakespeare’s “Julius Caesar” (Part 4)✨ | Shakespearepolitical power+4 | — | AvailAirwave Media+3 | — | ShakespeareJulius Caesar+4 | — | 44m 31s | |
| 2/2/26 | ![]() The Character of Authority in Shakespeare’s “Julius Caesar” (Part 3)✨ | Shakespearepolitical power+3 | — | AvailAirwave Media+3 | — | Julius CaesarShakespeare+3 | — | 45m 58s | |
Want analysis for the episodes below?Free for Pro Submit a request, we'll have your selected episodes analyzed within an hour. Free, at no cost to you, for Pro users. | |||||||||
| 1/26/26 | ![]() The Character of Authority in Shakespeare’s “Julius Caesar” (Part 2)✨ | Shakespearepolitical power+3 | — | AvailAirwave Media+1 | — | ShakespeareJulius Caesar+4 | — | 49m 27s | |
| 1/20/26 | ![]() The Character of Authority in Shakespeare’s “Julius Caesar”✨ | authoritypolitical power+5 | — | Julius Caesar | — | ShakespeareJulius Caesar+6 | — | 49m 51s | |
| 1/12/26 | ![]() Society as Swindle in “The Third Man” (1949) – Part 2 | Wes & Erin continue their discussion of the 1949 classic film “The Third Man,” about friendship and betrayal, and about the stories we tell ourselves in order to love, survive, kill, or even die. Upcoming Episodes: “Julius Caesar.” Pre-order Erin’s forthcoming book “Avail” here: http://subtextpodcast.com/avail For bonus content, become a paid subscriber at Patreon or directly on the Apple Podcasts app. Patreon subscribers also get early access to ad-free regular episodes. This podcast is part of the Airwave Media podcast network. Visit AirwaveMedia.com to listen and subscribe to other Airwave shows like Good Job, Brain and Big Picture Science. Email advertising@airwavemedia.com to enquire about advertising on the podcast. Follow: Twitter | Facebook | Website | — | ||||||
| 1/5/26 | ![]() Society as Swindle in “The Third Man” (1949) | The so-called “third man factor” is a phenomenon in which people in dire circumstances experience the presence of an extra person in their midst who gives comfort and aid when it’s most needed—a guardian angel, perhaps, or some figure of divine intervention. Harry Lime seems to have played just such a role in the lives of Holly Martins and Anna Schmidt. But is Lime from heaven or from hell? Perhaps a less-than-angelic third man might estrange rather than bring together, muddle rather than clarify, adulterate rather than help. And indeed, as a black market middle-man, Lime has the devilish power to intervene in people’s lives for the worse—like a narrator who edits out characters and manipulates the plot. Wes & Erin discuss the 1949 classic film “The Third Man,” about friendship and betrayal, and about the stories we tell ourselves in order to love, survive, kill, or even die. Upcoming Episodes: “Julius Caesar.” Pre-order Erin’s forthcoming book “Avail” here: http://subtextpodcast.com/avail For bonus content, become a paid subscriber at Patreon or directly on the Apple Podcasts app. Patreon subscribers also get early access to ad-free regular episodes. This podcast is part of the Airwave Media podcast network. Visit AirwaveMedia.com to listen and subscribe to other Airwave shows like Good Job, Brain and Big Picture Science. Email advertising@airwavemedia.com to enquire about advertising on the podcast. Follow: Twitter | Facebook | Website | — | ||||||
| 12/22/25 | ![]() The Meaning of Christmas Spirit in “Elf” (2003) – Part 2 | Like many of its genre, the film “Elf” connects Christmas spirit to the sorts of bonds that hold together families and communities, despite their inevitable tendencies towards conflict and dissolution. Wes & Erin discuss this 2003 classic, what it means to believe in Christmas, and how this is connected to the possibility of a genuine community. Upcoming Episodes: “Julius Caesar.” Pre-order Erin’s forthcoming book “Avail” here: http://subtextpodcast.com/avail For bonus content, become a paid subscriber at Patreon or directly on the Apple Podcasts app. Patreon subscribers also get early access to ad-free regular episodes. This podcast is part of the Airwave Media podcast network. Visit AirwaveMedia.com to listen and subscribe to other Airwave shows like Good Job, Brain and Big Picture Science. Email advertising@airwavemedia.com to enquire about advertising on the podcast. Follow: Twitter | Facebook | Website | — | ||||||
| 12/16/25 | ![]() The Meaning of Christmas Spirit in “Elf” (2003) | Half the plot involves a man reuniting with his father—and his species—after being raised by Christmas elves. The other involves saving Christmas itself from the growing cynicism of humanity. And so like many of its genre, the film “Elf” connects Christmas spirit to the sorts of bonds that hold together families and communities, despite their inevitable tendencies towards conflict and dissolution. Indeed, there’s a sense in which Christmas elves are, in making gifts, hard at work maintaining the social fabric against the forces of individual selfishness. But in this story, the elf in question turns out to be a bumbling man-child—a holy fool of sorts—who helps re-enchant communal life by holding up its social deficits to a naive mirror. Wes & Erin discuss this 2003 classic, what it means to believe in Christmas, and how this is connected to the possibility of a genuine community. Upcoming Episodes: “Julius Caesar.” Pre-order Erin’s forthcoming book “Avail” here: http://subtextpodcast.com/avail For bonus content, become a paid subscriber at Patreon or directly on the Apple Podcasts app. Patreon subscribers also get early access to ad-free regular episodes. This podcast is part of the Airwave Media podcast network. Visit AirwaveMedia.com to listen and subscribe to other Airwave shows like Good Job, Brain and Big Picture Science. Email advertising@airwavemedia.com to enquire about advertising on the podcast. Follow: Twitter | Facebook | Website | — | ||||||
| 11/30/25 | ![]() Erin’s New Book “Avail” | Erin just published her first book, “Avail,” which you can order here: https://www.pauldrybooks.com/products/avail “Avail” features a long prose-poem which titles the book and winds through sections of lineated, often formal poems. The prose-poem comprises a series of lyric meditations on the image of the veil—from religious and cultural veils, to veils imbedded in idiom and metaphor, to veiled women in art and classic films, to veils drawn and parted by illness and death—which slowly divulge the harrowing details of the poet’s blood disorder. Throughout, allusions to classic film, literature, and art serve as the “veils” with which the poet attempts to obscure the self-estrangement and vulnerability her illness has induced—insecurities which follow her long after her recovery. In a poem about a break-up set during her career as a jazz singer and against the backdrop of a 1930s screwball comedy, she longs “to shake life by the martini (but stay self- / possessed), to star in the movie of myself / instead of playing second lead.” During a visit to Naples, Mt. Vesuvius becomes “a Crawford eyebrow / arched over the bay.” And in California, after a trip to the Getty Villa, she recalls Sontag’s “missive on allusion, that no part / of any work is new, that all is reproduction.” By the end of the collection, O’Luanaigh has fashioned from the sum of these various allusions her own poetic identity, unveiled in the poems themselves. Upcoming Episodes: “The Third Man,” “Elf,” “Julius Caesar.” Pre-order Erin’s forthcoming book “Avail” here: http://subtextpodcast.com/avail For bonus content, become a paid subscriber at Patreon or directly on the Apple Podcasts app. Patreon subscribers also get early access to ad-free regular episodes. This podcast is part of the Airwave Media podcast network. Visit AirwaveMedia.com to listen and subscribe to other Airwave shows like Good Job, Brain and Big Picture Science. Email advertising@airwavemedia.com to enquire about advertising on the podcast. Follow: Twitter | Facebook | Website | — | ||||||
| 11/25/25 | ![]() Bacchic Redemption in “One Flew Over the Cuckoo’s Nest” (1975) (Part 2) | What happens when the Godzilla of superegos takes on a libidinal King Kong? Wes & Erin continue their discussion of the 1975 film “One Flew Over the Cuckoo’s Nest.” Upcoming Episodes: Erin’s book “Avail,” “The Third Man,” “Julius Caesar.” Pre-order Erin’s forthcoming book “Avail” here: http://subtextpodcast.com/avail For bonus content, become a paid subscriber at Patreon or directly on the Apple Podcasts app. Patreon subscribers also get early access to ad-free regular episodes. This podcast is part of the Airwave Media podcast network. Visit AirwaveMedia.com to listen and subscribe to other Airwave shows like Good Job, Brain and Big Picture Science. Email advertising@airwavemedia.com to enquire about advertising on the podcast. Follow: Twitter | Facebook | Website | — | ||||||
| 11/17/25 | ![]() Bacchic Redemption in “One Flew Over the Cuckoo’s Nest” (1975) | Nurse Ratched likes a rigged game, according to R.P. McMurphy. And it’s true that the game he is playing—lawless and hedonistic, but also vital and free-spirited—is unwinnable on her sandlot. As their conflict develops, we seem to be asked to compare the therapeutic value of McMurphy’s introduction of the Dionysian, to Ratched’s attempt to enforce an ordered calm within the psychiatric ward over which she is absolute ruler. What happens when the Godzilla of superegos takes on a libidinal King Kong? Wes & Erin discuss the 1975 film “One Flew Over the Cuckoo’s Nest.” Upcoming Episodes: Erin’s book “Avail,” “The Third Man,” “Julius Caesar.” Pre-order Erin’s forthcoming book “Avail” here: http://subtextpodcast.com/avail For bonus content, become a paid subscriber at Patreon or directly on the Apple Podcasts app. Patreon subscribers also get early access to ad-free regular episodes. This podcast is part of the Airwave Media podcast network. Visit AirwaveMedia.com to listen and subscribe to other Airwave shows like Good Job, Brain and Big Picture Science. Email advertising@airwavemedia.com to enquire about advertising on the podcast. Follow: Twitter | Facebook | Website | — | ||||||
| 11/3/25 | ![]() Spirit Unbound in Hawthorne’s “The Birth-Mark” and “Drowne’s Wooden Image” (Part 2) | What’s the difference between collaborating with Nature and mining her secrets? Where is the line between imitation and interpretation? And can love only work its magic through the creative, rather than the critical, faculty? Wes & Erin continue their discussion of two short stories by Nathaniel Hawthorne: “The Birth-Mark” and “Drowne’s Wooden Image.” Upcoming Episodes: “One Flew Over the Cuckoo’s Nest,” “Julius Caesar.” Pre-order Erin’s forthcoming book “Avail” here: http://subtextpodcast.com/avail For bonus content, become a paid subscriber at Patreon or directly on the Apple Podcasts app. Patreon subscribers also get early access to ad-free regular episodes. This podcast is part of the Airwave Media podcast network. Visit AirwaveMedia.com to listen and subscribe to other Airwave shows like Good Job, Brain and Big Picture Science. Email advertising@airwavemedia.com to enquire about advertising on the podcast. Follow: Twitter | Facebook | Website | — | ||||||
| 10/27/25 | ![]() Spirit Unbound in Hawthorne’s “The Birth-Mark” and “Drowne’s Wooden Image” | The short stories we cover in this episode pit the magic of art against that of scientific discovery. In one story, a woodcarver transcends his materials and his own humble talents to create a sculpture that bears an otherworldly resemblance to a real woman. In the other, a scientist uses his estimable but flawed powers to improve on Nature’s design by removing a birthmark from his wife’s otherwise-perfect face. The varying results of these efforts seem to correspond to the extent with which love, that most magical of forces, underscores them. “You cannot love what shocks you,” the scientist’s wife remarks when her husband expresses how disturbed he is by her imperfection. What’s the difference between collaborating with Nature and mining her secrets? Where is the line between imitation and interpretation? And can love only work its magic through the creative, rather than the critical, faculty? Wes & Erin discuss two short stories by Nathaniel Hawthorne: “The Birth-Mark” and “Drowne’s Wooden Image.” Upcoming Episodes: “One Flew Over the Cuckoo’s Nest,” “Julius Caesar.” Pre-order Erin’s forthcoming book “Avail” here: http://subtextpodcast.com/avail For bonus content, become a paid subscriber at Patreon or directly on the Apple Podcasts app. Patreon subscribers also get early access to ad-free regular episodes. This podcast is part of the Airwave Media podcast network. Visit AirwaveMedia.com to listen and subscribe to other Airwave shows like Good Job, Brain and Big Picture Science. Email advertising@airwavemedia.com to enquire about advertising on the podcast. Follow: Twitter | Facebook | Website | — | ||||||
| 10/13/25 | ![]() Faith and Industry in “There Will Be Blood” (Part 2) | What is a gift without control or discipline, a skill without purpose or meaning? And is there a difference between a gift and luck? Wes & Erin continue their discussion of Paul Thomas Anderson’s 2007 film “There Will Be Blood.” For more analysis, check out Way Too Close on YouTube: https://youtu.be/J3usJ4fqOJU Upcoming Episodes: Hawthorne’s “The Birth-Mark” and “Drowne’s Wooden Image,” “One Flew Over the Cuckoo’s Nest,” “Julius Caesar.” Pre-order Erin’s forthcoming book “Avail” here: http://subtextpodcast.com/avail For bonus content, become a paid subscriber at Patreon or directly on the Apple Podcasts app. Patreon subscribers also get early access to ad-free regular episodes. This podcast is part of the Airwave Media podcast network. Visit AirwaveMedia.com to listen and subscribe to other Airwave shows like Good Job, Brain and Big Picture Science. Email advertising@airwavemedia.com to enquire about advertising on the podcast. Follow: Twitter | Facebook | Website | — | ||||||
| 10/7/25 | ![]() Faith and Industry in “There Will Be Blood” | The clash between Eli Sunday and Daniel Plainview, between religion and industry, steeple and oil derrick, might come down to something like the difference between a gift and a skill. Eli calls himself a son of the hills of Little Boston, an inheritor of land and legacy, a member of a family, and of a faith imagined as a family. Daniel calls himself an oil man, but only after reciting his resume as proof that he’s earned the title. He tends flocks of derricks, not people, and he leases both land and family to strategic, rather than communal, ends. Yet ultimately, each lacks what the other has. What is a gift without control or discipline, a skill without purpose or meaning? And is there a difference between a gift and luck? Wes & Erin discuss Paul Thomas Anderson’s 2007 film “There Will Be Blood.” For more analysis, check out Way Too Close on YouTube: https://youtu.be/J3usJ4fqOJU Upcoming Episodes: Hawthorne’s “The Birth-Mark” and “Drowne’s Wooden Image,” “One Flew Over the Cuckoo’s Nest,” “Julius Caesar.” Pre-order Erin’s forthcoming book “Avail” here: http://subtextpodcast.com/avail For bonus content, become a paid subscriber at Patreon or directly on the Apple Podcasts app. Patreon subscribers also get early access to ad-free regular episodes. This podcast is part of the Airwave Media podcast network. Visit AirwaveMedia.com to listen and subscribe to other Airwave shows like Good Job, Brain and Big Picture Science. Email advertising@airwavemedia.com to enquire about advertising on the podcast. Follow: Twitter | Facebook | Website | — | ||||||
| 9/22/25 | ![]() Freedom and Authority in Ibsen’s “An Enemy of the People” (Part 2) | In Ibsen’s “An Enemy of the People,” two conceptions of communal health do battle. Dr. Stockmann’s is progressive, focused as it is on the vitality of the young, their new ideas, and the possibility of growth into a better future, even if that means encroaching on the powers that be. His brother’s is conservative, focused on the use of authority and ascetic self-restraint to preserve existing achievements and ideas. But once in conflict, these conceptions seem to reveal themselves to be competing forms of elitism, and expressions of contempt respectively for both past and future. Wes & Erin discuss whether there is a more nuanced conception of the common good available to us, and how it might be related to the sudden turn at the end of the play to the the role of education. Upcoming Episodes: “There Will Be Blood,” “Julius Caesar,” “One Flew Over the Cuckoo’s Nest.” Pre-order Erin’s forthcoming book “Avail” here: http://subtextpodcast.com/avail For bonus content, become a paid subscriber at Patreon or directly on the Apple Podcasts app. Patreon subscribers also get early access to ad-free regular episodes. This podcast is part of the Airwave Media podcast network. Visit AirwaveMedia.com to listen and subscribe to other Airwave shows like Good Job, Brain and Big Picture Science. Email advertising@airwavemedia.com to enquire about advertising on the podcast. Follow: Twitter | Facebook | Website | — | ||||||
| 9/15/25 | ![]() Freedom and Authority in Ibsen’s “An Enemy of the People” | In Ibsen’s “An Enemy of the People,” two conceptions of communal health do battle. Dr. Stockmann’s is progressive, focused as it is on the vitality of the young, their new ideas, and the possibility of growth into a better future, even if that means encroaching on the powers that be. His brother’s is conservative, focused on the use of authority and ascetic self-restraint to preserve existing achievements and ideas. But once in conflict, these conceptions seem to reveal themselves to be competing forms of elitism, and expressions of contempt respectively for both past and future. Wes & Erin discuss whether there is a more nuanced conception of the common good available to us, and how it might be related to the sudden turn at the end of the play to the the role of education. Upcoming Episodes: “There Will Be Blood,” “Julius Caesar,” “One Flew Over the Cuckoo’s Nest.” Pre-order Erin’s forthcoming book “Avail” here: http://subtextpodcast.com/avail For bonus content, become a paid subscriber at Patreon or directly on the Apple Podcasts app. Patreon subscribers also get early access to ad-free regular episodes. This podcast is part of the Airwave Media podcast network. Visit AirwaveMedia.com to listen and subscribe to other Airwave shows like Good Job, Brain and Big Picture Science. Email advertising@airwavemedia.com to enquire about advertising on the podcast. Follow: Twitter | Facebook | Website | — | ||||||
Showing 25 of 167
Sponsor Intelligence
Sign in to see which brands sponsor this podcast, their ad offers, and promo codes.
Chart Positions
3 placements across 2 markets.
Chart Positions
3 placements across 2 markets.











