About this episode

Wes and Erin explore the complexities and ethical considerations of photography through Susan Sontag's essays.

Photography is a technology of contradictions. It is at once mechanical and mysterious, even magical. It furnishes evidence of presence while being a token of absence. It can show us proof but can’t, without accompanying narration or context, make us understand. And perhaps most perplexing of all, it is an imperialistic technology which, paradoxically, atomizes the world and democratizes all events and experiences, making each viewer of photographs the owner of a facsimile-world in his or her head. Wes & Erin discuss two essays from Susan Sontag’s collection, “On Photography,” “In Plato’s Cave” and “America, Seen Through Photographs, Darkly,” and ask what constitutes photography’s “ethics of seeing,” and whether Sontag suggests an alternative comportment towards the camera, the subject, and the photographic image. Upcoming Episodes : Withnail & I ; Waiting for Godot Pre-order Erin’s forthcoming book “Avail” here: http://subtextpodcast.com/avail For bonus content, become a paid subscriber at Patreon or directly on the Apple Podcasts app. Patreon subscribers also get early access to ad-free regular episodes. This podcast is part of the Airwave…

People in this episode

Hosts: Wes Alwan, Erin O'Luanaigh

Topics covered

• photography
• ethics
• Susan Sontag
• visual culture
• interpretation
• media studies

Keywords

• photography
• ethics of seeing
• Susan Sontag
• visual representation
• cultural critique

Mentioned in this episode

Books & works: On Photography, In Plato’s Cave, America, Seen Through Photographs, Darkly

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