About this episode
This episode covers the Venice Biennale 2026, featuring discussions with artists and insights into the main exhibition and collateral projects.
It’s Venice Biennale opening week and so, as ever, this episode is our Venice special. The Biennale comprises many aspects: an international exhibition that this year features more than 100 artists in the Central Pavilion in the Giardini—Venice’s easternmost gardens—and the Arsenale, the historic Venetian shipyards, as well as national pavilions and, across the city, countless official collateral exhibitions alongside major museum shows, performances and other interventions. We bring you our immediate impressions of this year’s offering: Louisa Buck, Jane Morris and host Ben Luke review the main exhibition, In Minor Keys, curated by the late Koyo Kouoh and realised by five of her collaborators. Ben talks to two artists: Gabrielle Goliath whose work for the South African pavilion was cancelled and is being staged in a church in the heart of Venice, and Lubaina Himid, who is showing in the British pavilion in the Giardini. He also meets the writer and thinker Saidiya Hartman, two of whose essays have inspired a production called Minor Music at the End of the World, staged at Venice’s Goldoni Theatre and featuring contributions from, among others, the artists Arthur Jafa, Precious…
People in this episode
Host: Ben Luke
Guests: Louisa Buck, Jane Morris, Gabrielle Goliath, Lubaina Himid, Daniella Kaliada
Topics covered
- Venice Biennale
- art exhibitions
- artist interviews
- cultural commentary
- performance art
Keywords
- Venice Biennale
- art
- exhibition
- artists
- performance
- cultural events
Mentioned in this episode
Organizations: Belarus Free Theatre
Books & works: In Minor Keys, Minor Music at the End of the World
Places: Venice, Giardini, Arsenale, Goldoni Theatre, South African, British
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