
The Week in Art
by The Art Newspaper
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From 20 epsHost
Recent guests
Recent episodes
Frieze in London, Tarek Atoui at Tate Modern, Sienese sculptor Francesco di Giorgio
Oct 15, 2026
1h 01m 44s
Palestinian artists after the ceasefire, Robert Ryman, Katherine Hubbard
Oct 8, 2026
1h 14m 46s
Renoir and Love in London, political storm around Kanal in Brussels, Ronald Moody
Oct 1, 2026
53m 32s
Cezanne in Paris, Taryn Simon in New York, Magritte in London
Sep 24, 2026
1h 03m 36s
Giotto restored in Florence, Biennale de Lyon, Remedios Varo
Sep 17, 2026
1h 11m 53s
Insights from recent episode analysis
Audience Interest
- contemporary art trends
- exhibition reviews
Podcast Focus
- art world news
- exhibition highlights
Publishing Consistency
- 378 episodes produced
- active for 8 years
Platform Reach
- hosted on Acast
- available on major platforms
Insights are generated by CastFox AI using publicly available data, episode content, and proprietary models.
Most discussed topics
Brands & references
Total monthly reach
Based on 1 signal.
Built from
By chart position
- 🇺🇸United States · Visual ArtsHOME#6995K to 5.3M
- 🇮🇳India · Visual Arts#1217K to 1.1M
- 🇬🇧United Kingdom · Visual Arts#2198K to 1.0M
- 🇦🇺Australia · Visual Arts#368K to 362K
- 🇰🇷South Korea · Visual Arts#257K to 299K
- Per-Episode Audience
Est. listeners per new episode within ~30 days
1.8M to 9.6M🎙 ~2x weekly·388 episodes·Last published 3d ago - Monthly Reach
Unique listeners across all episodes (30 days)
3.6M to 19M🇺🇸55%🇮🇳12%🇬🇧11%+10 more - Active Followers
Loyal subscribers who consistently listen
2.0M to 11M
Market Insights
Platform Distribution
Reach across major podcast platforms, updated hourly
Total Followers
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Total Reviews
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* Data sourced directly from platform APIs and aggregated hourly across all major podcast directories.
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| Date | Episode | Topics | Guests | Brands | Places | Keywords | Sponsor | Length | |
|---|---|---|---|---|---|---|---|---|---|
| 10/15/26 | Frieze in London, Tarek Atoui at Tate Modern, Sienese sculptor Francesco di Giorgio | It’s Frieze week in London, and as usual we take the opportunity to take the temperature of the market in London, and more widely, at the fair. Joining Ben Luke in the tent in Regent’s Park is The Art Newspaper’s art market editor, Kabir Jhala. At Tate Modern, the annual commission for the Turbine Hall is Hold, a work by the Beirut-born artist Tarek Atoui, and Ben visits Tate Modern to talk to him. And this episode’s Work of the Week is Francesco di Giorgio’s Deposition of Christ from the Cross with a Group of Donors (Federico da Montefeltro and His Family), a bronze relief made in 1473–74. It is one of the highlights of an exhibition that opened this week at The Frick in New York, Siena: The Art of Bronze, 1450–1500. Ben talks to the curator of the exhibition, Giulio Dalvit.Frieze London and Frieze Masters, until Sunday, 18 October.Hyundai Commission: Tarek Atoui: Hold, Tate Modern, London, until 11 April 2027. You can see a list of the performances programmed for the space on the Tate’s website.Siena: The Art of Bronze, 1450–1500, The Frick, New York, until 18 January 2027. Hosted on Acast. See acast.com/privacy for more information. | 1h 01m 44s | ||||||
| 10/8/26 | Palestinian artists after the ceasefire, Robert Ryman, Katherine Hubbard | Saturday, 10 October, marks the first anniversary of the ceasefire in Gaza. It has not put an end to the bloodshed, with figures released in August by the United Nations Human Rights Office stating that more than 1,200 Palestinians have been killed by Israel since last October. The Art Newspaper’s reporter Sarvy Geranpayeh has been reporting on the lives of Palestinian artists since soon after the first Israeli bombings in Gaza in October 2023, following the Hamas attacks in Israel on 7 October. She joins Ben Luke to discuss her latest conversations with four Gazan artists who have all experienced different levels of trauma, grief and displacement. A stunning new survey exhibition of the work of the US painter Robert Ryman opened this week at the Barbican Art Gallery in London, and Ben visits the gallery to talk to Wells Fray-Smith, the exhibition’s curator. And this episode’s Work of the Week is The Great Room (2020-ongoing) by the US artist Katherine Hubbard, the latest iteration of which was unveiled this week at Studio Voltaire in London. The Great Room responds through different forms of photographic work to the effects of LATE, a progressive brain disease, on Hubbard’s mother Antonette Berger, and the emotional experience of packing up a home in preparation for a move into residential care. Ben talks to Katherine about the work.Robert Ryman: The Real Thing, Barbican Art Gallery, London, 9 October-28 February 2027Katherine Hubbard: The Great Room, Studio Voltaire, London, until 10 January 2027. Hosted on Acast. See acast.com/privacy for more information. | 1h 14m 46s | ||||||
| 10/1/26 | Renoir and Love in London, political storm around Kanal in Brussels, Ronald Moody | The French painter Auguste Renoir continues to divide critical opinion, something acknowledged by the curators of the new exhibition, Renoir and Love, at the National Gallery in London. But he remains enormously popular: the Gallery announced ahead of the show that it had broken records for advanced ticket sales. So what does the exhibition tell us about Renoir’s place in the radical developments in art in Paris between the 1860s and 1880s? Ben Luke visits the National Gallery to talk to Chiara di Stefano, its co-curator. In Belgium, the long-awaited Kanal Brussels, the museum of modern and contemporary art and architecture, established and funded by the Brussels-Capital Region and housed in a spectacular former Citroën garage, has become a political football, with debates over its future funding. Ben speaks to Senay Boztas, The Art Newspaper’s correspondent based in Amsterdam, about the latest developments. And this episode’s Work of the Week is Seated Sarong Figure (1938) by Ronald Moody. The work features in an exhibition at Orleans House Gallery in Twickenham, London, called Sculpting Life. Ben talks to the artist and curator Kedisha Coakley, who has made a new film about Moody for the exhibition.Renoir and Love, National Gallery, London, 3 October-31 January 2027; Museum of Fine Arts, Boston, 20 February-13 June 2027.Kanal Brussels opens 28 November.Ronald Moody: Sculpting Life, Orleans House Gallery, London, 2 October-28 February 2027. Kedisha Coakley’s film is premiered at the gallery on 30 October. Hosted on Acast. See acast.com/privacy for more information. | 53m 32s | ||||||
| 9/24/26 | Cezanne in Paris, Taryn Simon in New York, Magritte in London | At the Grand Palais in Paris a new exhibition explores Paul Cezanne’s influence on artists from his own time to now. In Paris, Ben Luke speaks to Xavier Rey, the director of the Musée National d’Art Moderne at the Centre Pompidou, who is one of four curators of the exhibition, Cezanne and Us. In New York, the Guggenheim has just opened Taryn Simon’s latest project, called Father Country I Do Love You. It is the first solo exhibition by an artist whose principal medium is photography to be staged in the museum’s celebrated rotunda and, remarkably, the largest display of new work ever staged at the Guggenheim. The Art Newspaper’s editor-in-chief, Ben Sutton, speaks to Taryn Simon about the show. And this episode’s Work of the Week is René Magritte’s Le Plaisir (Pleasure) (1946), a gouache on paper which is part of an exhibition at Gagosian in London called This Is Still Not a Pipe: The Afterlife of Magritte. The exhibition’s co-curator is Jasper Sharp and our digital editor, Alexander Morrison, went to the gallery to talk to him.Cezanne and Us, Grand Palais, Paris, until 17 January 2027.Taryn Simon: Father Country I Do Love You, Guggenheim, New York, until 14 March 2027This Is Still Not a Pipe: The Afterlife of Magritte, Gagosian, Grosvenor Hill, London, until 12 December. Hosted on Acast. See acast.com/privacy for more information. | 1h 03m 36s | ||||||
| 9/17/26 | Giotto restored in Florence, Biennale de Lyon, Remedios Varo | After a four-year restoration, the Bardi Chapel in the Basilica of Santa Croce in Florence, in which Giotto depicted scenes from the life of St Francis of Assisi in the early 14th century, has reopened. Ben Luke talks to Emanuela Daffra, superintendent of the Opficio delle Pietre Dure, which conserves Italian heritage, and Donata Grossoni, art historian at the Opera di Santa Croce, about the work and the project to restore it. The 18th edition of the Biennale de Lyon called To pass from one dream to another, opens on Saturday, across France’s third largest city. This edition has been devised by the Australian-born, Berlin-based curator Catherine Nichols, and Ben speaks to her about the show. And this episode’s Work of the Week is The Juggler (The Magician) by Remedios Varo, made in Mexico City in 1956. The painting is one of more than 70 works by the Spanish-born Surrealist in the first major survey of her work in Europe, which begins this week at the Louisiana Museum in Humlebæk in Denmark, and travels to the Moderna Museet in Stockholm next year. Ben speaks to Tere Arcq, the co-curator of the exhibition, about the painting.The Bardi Chapel, Basilica of Santa Croce, Florence, now open, santacroceopera.itThe 18th Biennale de Lyon, To pass from one dream to another, opens on Saturday, 19 September and continues until 13 December.Remedios Varo, Louisiana Museum, Humlebæk, Denmark, Friday, 18 September until 10 January 2027. It travels to the Moderna Museet in Stockholm in 2027. Hosted on Acast. See acast.com/privacy for more information. | 1h 11m 53s | ||||||
| 9/10/26 | The Bayeux Tapestry, damaged heritage in Iran, Tschabalala Self’s Trafalgar Square sculpture | It is one of the museum events of the century so far: the Bayeux Tapestry has been lent from its dedicated museum in Bayeux in Normandy, France, to an exhibition at the British Museum in London, which is now open to visitors. The Art Newspaper’s digital editor, Alexander Morrison, visits the British Museum to speak to Lloyd de Beer, one of the show’s four curators, to discuss this momentous exhibition. In Iran, it has emerged that more than 140 heritage sites have been damaged in the war with the US and Israel. Our reporter Sarvy Geranpayeh tells Ben Luke more about the extent of the damage and the local and international response. And this episode’s Work of the Week is Lady in Blue, Tschabalala Self’s new sculpture for the Fourth Plinth, the site for contemporary art commissions in London’s Trafalgar Square. Ben spoke to Tschabalala about the work.The Bayeux Tapestry, British Museum, until 11 July 2027. Next ticket release, 21 October; members priority booking reopens 6 October.Tschabalala Self’s The Blue Lady, Fourth Plinth, London, until 2028. Hosted on Acast. See acast.com/privacy for more information. | 46m 18s | ||||||
| 9/3/26 | art newsexhibitions+3 | Ben SuttonKabir Jhala+1 | The Art Newspaper | LondonEssen, Germany+1 | art newsexhibitions+3 | Getty | 1h 09m 20s | ||
| 6/25/26 | Frida KahloBrexit+4 | Tobias OstranderAlexander Herman+1 | Tate ModernMuseum of Fine Arts+5 | LondonNew York | Frida KahloTate Modern+5 | — | 1h 02m 01s | ||
| 6/18/26 | Art BaselPierre Huyghe+4 | Kabir JhalaPierre Huyghe+2 | Beyeler FoundationAs Seen Below – The Dome | BaselAarhus | Art BaselPierre Huyghe+5 | — | 1h 08m 20s | ||
| 6/11/26 | Pan-Africanismhealth benefits of art+3 | Elvira Dyangani Ose | Art Cure: The Science of How the Arts Transform Our HealthArt Institute of Chicago+4 | — | Pan-Africanismart health benefits+3 | — | 57m 37s | ||
| 6/4/26 | Yemen heritageUS flags in art+3 | Melissa GronlundE. Carmen Ramos | The Art NewspaperUntitled (Revenge) | YemenNational Gallery of Art+2 | Yemenheritage+6 | — | 45m 03s | ||
| 5/28/26 | Smithsonian American Women’s History MuseumOliver Beer+5 | Elena GoukassianOliver Beer+1 | Smithsonian InstitutionGuggenheim Bilbao+1 | Washington, D.C. | SmithsonianAmerican Women’s History Museum+5 | — | 52m 04s | ||
| 5/21/26 | New York auctionsJames McNeill Whistler+4 | Judd Tully | The Art NewspaperTate Britain+7 | — | New York auctionsJames McNeill Whistler+8 | — | 1h 14m 31s | ||
| 5/14/26 | Frieze New Yorkart market+4 | Ben SuttonKabir Jhala+2 | The Art NewspaperCupid Complaining to Venus+1 | National GalleryMunich+1 | Frieze New Yorkart market+7 | — | 51m 18s | ||
| 5/7/26 | Venice Biennaleart exhibitions+3 | Louisa BuckJane Morris+3 | Belarus Free TheatreIn Minor Keys+1 | VeniceGiardini+4 | Venice Biennaleart+4 | — | 1h 56m 12s | ||
| 4/30/26 | ZurbaránCarnegie International+3 | Francesca Whitlum-CooperEric Crosby+1 | National GalleryCarnegie Museum of Art+3 | LondonPittsburgh | ZurbaránCarnegie International+3 | — | 1h 05m 11s | ||
| 4/23/26 | Chernobyl disasterPaula Rego+4 | Olha KovalevskaKari J. Brandtzæg+1 | MunchKettle’s Yard+1 | Soviet UkraineNikolaikirche, Potsdam, Germany | ChernobylPaula Rego+5 | — | 56m 34s | ||
| 4/16/26 | museum openingsV&A East+4 | Gus Casely Hayford | V&A EastLos Angeles County Museum of Art+2 | — | museum openingsV&A East+5 | — | 1h 00m 45s | ||
| 4/9/26 | SurrealismMarcel Duchamp+4 | Ann TemkinMichelle Kuo+2 | Museum of Modern ArtYale University Press+4 | New YorkPhiladelphia+1 | Marcel DuchampDorothea Tanning+6 | — | 1h 12m 38s | ||
| 4/2/26 | museum fundingtourist entry fees+4 | Gareth HarrisDale Berning Sawa | Arts Council EnglandMetropolitan Museum of Art+2 | — | English museumstourist fees+5 | — | 1h 08m 32s | ||
| 3/27/26 | Henri Matisseart exhibitions+4 | Claudine GrammontGareth Harris+1 | Centre PompidouArt Basel Hong Kong+5 | Hong KongGrand Palais, Paris | MatisseHong Kong art+5 | — | 53m 41s | ||
| 3/20/26 | New Museumart market+4 | Massimiliano GioniGeorgina Adam+1 | NextGen Collectors and the Art MarketNew Museum+3 | Oxford | New MuseumNextGen Collectors+6 | — | 59m 04s | ||
| 3/13/26 | Iran warart communities+4 | Sarvy Geranpayeh | The Art NewspaperArt Basel+2 | IranLebanon+1 | Iranart market+8 | — | 53m 25s | ||
| 3/6/26 | Iran warMiddle East+5 | Melissa Gronlund | The Art NewspaperRijksmuseum+2 | IranIsrael+1 | Iran warWhitney Biennial+5 | — | 55m 16s | ||
| 2/27/26 | Venice BiennaleBeatriz González+3 | Jane MorrisLotte Johnson+1 | The Art NewspaperThe Last of the Gold | Barbican Art GalleryTate Modern | Venice BiennaleBeatriz González+6 | — | 1h 08m 56s | ||
| 2/20/26 | National Galleryart exhibitions+5 | Martin BaileySimon Schama+1 | National GalleryMauritshuis+3 | LondonThe Hague+1 | National GallerySimon Schama+6 | — | 1h 02m 25s | ||
Showing 26 of 388
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About the show, platforms, and key insights.
Distribution & Reach
About the show, platforms, and key insights.
Key insights
What the show covers
- art world news
- exhibition highlights
- insider insights
- special guest discussions
Audience interests
- contemporary art trends
- exhibition reviews
- art market insights
- artist interviews
Platform reach
- hosted on Acast
- available on major platforms
- global audience potential
- no specific platform data
Publishing consistency
- 378 episodes produced
- active for 8 years
- weekly release schedule
- consistent content delivery
Chart history for The Week in Art
Peaked at #1 in IS, top 10 in 22 of 50 tracked markets, currently #1 in IS.
| Market | Genre | Peak | Current | Trend |
|---|---|---|---|---|
| IS | — | #1 | #1 | — |
| TR | — | #1 | #1 | — |
| India | — | #1 | #1 | — |
| United Kingdom | — | #2 | #2 | — |
| South Korea | — | #2 | #2 | — |
| SG | — | #2 | #2 | — |
| TH | — | #2 | #2 | — |
| Australia | — | #3 | #3 | — |
| CL | — | #3 | #3 | — |
| PE | — | #3 | #3 | — |
| HK | — | #4 | #4 | — |
| KE | — | #4 | #4 | — |
| HU | — | #5 | #5 | — |
| South Africa | — | #5 | #5 | — |
| United States | — | #6 | #6 | — |
| PT | — | #7 | #7 | — |
| PH | — | #7 | #7 | — |
| Ireland | — | #8 | #8 | — |
| AE | — | #8 | #8 | — |
| CO | — | #8 | #8 | — |
Chart Positions
50 placements across 46 markets.
Chart Positions
50 placements across 46 markets.