Decoder with Nilay Patel

Hey! Nilay here. It’s conference season, so I’m traveling across the country and around the world a lot more than usual. Stay tuned for some very special Decoder episodes we have coming up soon, starting on Monday. In the meantime, I wanted to share a conversation between my friend Peter Kafka and Condé Nast CEO Roger Lynch on the excellent Channels podcast. Lynch says he’s told his teams to assume that traffic will be zero from now on — that’s what I’ve been calling Google Zero. Roger also shares his thoughts on AI, the growing influence of the creator economy, and more. Links: Channels with Peter Kafka | Apple Podcasts Condé Nast CEO: Plan As If Search Traffic Will Be Zero | Search Engine Journal Sundar Pichai on AI, the future of search, and what’s happening to the web | Decoder Google Zero is here — now what? | Decoder Google admits the open web is in ‘rapid decline’ | The Verge Credits: Decoder is a production of The Verge and part of the Vox Media Podcast Network. Decoder is produced by Kate Cox and Nick Statt and edited by Ursa Wright. Our editorial director is Kevin McShane. The Decoder music is by Breakmaster Cylinder. Learn more about your ad choices. Visit podcastchoices.com/adchoices

My guest today is Ryan Mac, a technology reporter at The New York Times and co-author of the excellent book Character Limit: How Elon Musk Destroyed Twitter, which came out in 2024. I wanted to have Ryan on today because we’re on the cusp of the SpaceX IPO, which promises to be one of the most consequential public offerings in history for a variety of reasons. Its biggest-ever size, of course, at nearly $2 trillion dollars. But also because all kinds of rules that keep our markets fair are being bent, if not outright broken, along the way. And, also because buried somewhere inside SpaceX is X, the social platform formerly known as Twitter, which Musk purchased in 2022. Read the full interview transcript on The Verge. Links: Welcome to hell, Elon | The Verge The SpaceX IPO is great for Elon Musk and terrible for you | The Verge In SpaceX’s IPO, Elon Musk is the risk factor | The Verge For Wall Street, the only thing worse than SpaceX flopping is missing out | NYT How SpaceX Is structured to favor Elon Musk | NYT As the SpaceX hype machine steamrolls ahead, Wall Street jumps aboard | NYT The SpaceX IPO Reveals What Really Happened to Twitter | NY Mag Subscribe to The Verge to access the ad-free version of Decoder! Credits: Decoder is a production of The Verge and part of the Vox Media Podcast Network. Decoder is produced by Kate Cox and Nick Statt and edited by Ursa Wright. Our editorial director is Kevin McShane. The Decoder music is by Breakmaster Cylinder. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Today, let’s talk about the big Paramount-Warner Bros. Discovery merger. Right now, Paramount head David Ellison is very much acting like he’s over the finish line after outbidding Netflix, which walked away after what seemed like a done deal. Back in January, I asked Puck’s Julia Alexander to walk me through Netflix’s reasoning, and today I’m digging into Paramount’s with Rich Greenfield, a media and entertainment analyst and cofounder of research firm LightShed Partners. There’s a lot going on here, including the biggest question I’ve had throughout this entire saga: why would anyone want to buy Warner, which has basically killed every acquirer it’s had for the last quarter century? Links: David Ellison’s plan to compete with Netflix: Paramount+HBO | Rich Greenfield The worst acquisition in history, again | Prof G Media David Zaslav gets the last laugh | THR Warner Bros. Discovery agrees to Paramount merger | The Verge Tech, TV, Movies & News: Ellisons on brink of colossal empire | NYT Pete Hegseth says ‘the sooner David Ellison’ buys CNN, ‘the better’ | NYT Warner Bros CEO to pocket $887 million from Paramount deal | Reuters Subscribe to The Verge to access the ad-free version of Decoder! Credits: Decoder is a production of The Verge and part of the Vox Media Podcast Network. Decoder is produced by Kate Cox and Nick Statt and edited by Ursa Wright. Our editorial director is Kevin McShane. The Decoder music is by Breakmaster Cylinder. Learn more about your ad choices. Visit podcastchoices.com/adchoices