The Daily

The conflict between Israel and Hezbollah in Lebanon poses a threat to U.S.-Iran negotiations to permanently end the war in Iran.

The process of “deprescribing,” in which a doctor helps a patient taper off a psychiatric medication, is now being considered in the development of federal health policy.

The writer and actor, known for his profane comedic antiheroes, likes to find universal truths in human flaws.

Warning: This episode discusses suicide. Hours after Jeffrey Epstein arrived at the Metropolitan Correctional Center in Manhattan, an employee expressed concern over his distraught state, saying in an email to the jail staff, “just to be on the safe side and prevent any suicidal thoughts can someone from Psychology come and talk with him.” The reporter Charles Homans details The New York Times’s major new investigation, which tries to answer the question: Did the world’s most powerful and well-connected sex offender die by his own hand or by somebody else’s? If you are having thoughts of suicide, call or text 988 to reach the 988 Suicide and Crisis Lifeline, or go to SpeakingOfSuicide.com/resources for a list of additional resources.

For years, Hollywood has been trying to figure out how to get young people into movie theaters. This spring, it has happened at an unthinkable scale thanks to two low-budget horror films made by 20-something directors. Today my colleague Kyle Buchanan explains what younger audiences see in these films and how they’ve energized an entire industry.

Almost 50 years ago, Steven Spielberg directed “Close Encounters of the Third Kind,” the story of an average man who discovers that humanity may not be alone in the universe. Over the decades, Spielberg has directed several movies about what would happen if humanity made contact with aliens. Would the aliens be kind like the title character in “E.T. the Extra Terrestrial”? Would they be cruel like the murderous aliens of “War of the Worlds”? And regardless of what the aliens were like, would we humans be ready to receive them? Spielberg returns to the question of whether we’re alone in the universe, and what it might mean if we’re not, with his new film “Disclosure Day.” Today, he sits down with Rachel Abrams, a host of “The Daily,” to talk about the film, and about what he has learned over five decades of making movies about aliens.

At the heart of the current U.S. war against Iran is an inconvenient truth: that the United States is, in many ways, responsible for creating the very regime it now seeks to topple. Today, Scott Anderson, a New York Times Magazine contributor and author of “King of Kings”, tells the story of America’s outsize role in the Islamic Revolution, and why all these years later we’re still no closer to understanding Iran.

The war in Iran has had some visible consequences, like skyrocketing energy costs and higher gas prices, but the effects of this war are often far less obvious and much more serious for the world’s most vulnerable people. Today, Peter S. Goodman tells us what he learned on a recent trip to Somalia, and why the system of global aid is no longer in a position to help.

From the war in Iran to his plan to use taxpayer money to pay his allies, the Republican-controlled Congress has begun rebelling against President Trump. Today, Julie Hirschfeld Davis, a congressional editor at The New York Times, discusses whether this rebellion is a preview of a new dynamic in Washington, or a temporary show of independence that will vanish just as quickly as it arrived.

The 2026 World Cup is about to descend on North America — spread across three countries, with 48 teams, and 104 games, and with billions of fans across the globe tuning in to watch the biggest sporting event on the planet. Today, Tariq Panja, global soccer correspondent for The New York Times, breaks down everything you need to know about this year’s tournament — the arrival of historic first-timers, like Curaçao, the aging legends like Lionel Messi and Cristiano Ronaldo, who are making their final appearances, and the eye-watering ticket prices that are driving fans to financial extremes just to book a seat.

Even the White House, which has been friendly to the artificial intelligence industry, is finding that it needs greater oversight of powerful new models.

An initial public offering of SpaceX is likely to be one of the largest ever.

Olivia Rodrigo sat down with Joe and Jon for her first in-depth conversation about her new album, “you seem pretty sad for a girl so in love,” out June 12. She discussed the many ways her creative process intersects with the extracurricular noise of pop superstardom, whether its managing relationship drama, being targeted for the way she dresses; accusations of pilfering songwriting gestures from Taylor Swift, her onetime idol, or her willingness to speak up about political and social causes in a way many of her peers won’t.