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500 to 5K🎙 ~2x weekly·61 episodes·Last published 2d ago - Monthly Reach
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On the show
From 13 epsHosts
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Recent episodes
61: Pre-Stonewall Queer Short Film Round-Up
Jun 22, 2026
Unknown duration
60: Making Love w/guest Sean Abley
Jun 8, 2026
2h 51m 43s
59: Aliens
May 25, 2026
2h 00m 36s
58: Blue Velvet
May 11, 2026
1h 51m 21s
57: Martin
Apr 27, 2026
1h 48m 11s
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| Date | Episode | Topics | Guests | Brands | Places | Keywords | Sponsor | Length | |
|---|---|---|---|---|---|---|---|---|---|
| 6/22/26 | ![]() 61: Pre-Stonewall Queer Short Film Round-Up | This week we're doing things a little differently. We're taking a look at two crucial queer short films and a feature from the time before the Stonewall Riots forced the gay liberation struggle to the fore. We're looking at Fireworks, a 1947 avant garde short from one of LA's weirdest guys, Kenneth Anger.Next up is Picnic, a 1948 silent short from Curt Harrington, director of What's The Matter With Helen.We wrap things up with Winter Kept Us Warm, the Canadian feature from David Secter. It's an important film in the history of queer cinema as well as Canadian cinema. It was the first Canadian movie to run at Cannes and influenced many Canadian filmmakers that followed.Get Physical Media Booklet Essay featuring Dave's Werewolf Women of the SS essay here: https://www.seanabley.com/store/Get your own Bring Me The Axe! Pride shirt here: https://www.bonfire.com/wickedqueeraxe/Join the Bring Me The Axe Discord: https://discord.gg/snkxuxzJSupport Bring Me The Axe! on Patreon:https://patreon.com/bringmetheaxepodBuy Bring Me The Axe merch here: https://www.bonfire.com/store/bring-me-the-axe-podcast/ | — | ||||||
| 6/8/26 | ![]() 60: Making Love w/guest Sean Abley✨ | gay rightscoming out+3 | Sean Abley | Making Love | — | Making LoveSean Abley+5 | — | 2h 51m 43s | |
| 5/25/26 | ![]() 59: Aliens✨ | film analysissci-fi movies+4 | — | Weyland Yutani20th Century Fox+3 | — | AliensJames Cameron+5 | — | 2h 00m 36s | |
| 5/11/26 | ![]() 58: Blue Velvet✨ | David LynchBlue Velvet+4 | — | Blue VelvetDune | — | Blue VelvetDavid Lynch+5 | — | 1h 51m 21s | |
| 4/27/26 | ![]() 57: Martin✨ | vampire movieGeorge Romero+4 | — | Martin | — | MartinGeorge Romero+5 | — | 1h 48m 11s | |
| 4/13/26 | ![]() 56: Ninja Terminator✨ | martial artsGodfrey Ho+3 | — | Ninja Terminator | — | Ninja TerminatorGodfrey Ho+3 | — | 1h 21m 21s | |
| 3/30/26 | ![]() 55: They Live w/guest Jon Lee Brody✨ | social commentaryclass distinction+4 | Jon Lee Brody | That Was Pretty SpookyBring Me The Axe+1 | — | They LiveJohn Carpenter+5 | — | 1h 56m 24s | |
| 3/16/26 | ![]() 54: Cyborg✨ | 1989 filmaction movies+4 | — | Cannon FilmsCyborg | — | CyborgJean Claude Van Damme+5 | — | 1h 30m 46s | |
| 3/2/26 | ![]() 53: Raiders of Atlantis✨ | action moviesexploitation films+4 | — | Raiders of AtlantisCannibal Holocaust+2 | ItalyPhilippines | Raiders of AtlantisRuggero Deodato+5 | — | 1h 40m 18s | |
| 2/16/26 | ![]() 52: Black Belt Jones✨ | blaxploitationmartial arts+3 | — | Black Belt JonesEnter The Dragon+3 | South Central Los Angeles | Jim KellyBlack Belt Jones+4 | — | 1h 25m 57s | |
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| 2/2/26 | ![]() 51: Death Wish 3✨ | 1985 filmDeath Wish series+3 | — | Cannon | New York City | Death Wish 3Charles Bronson+5 | — | 1h 43m 35s | |
| 1/19/26 | ![]() 50: What Have You Done To Solange?✨ | giallohorror films+3 | — | Bring Me The AxePatreon+2 | — | giallohorror+5 | — | 1h 46m 13s | |
| 1/5/26 | ![]() 49: Breakin' 2 Electric Boogaloo✨ | breakdancecult movies+4 | — | CannonBreakin' 2: Electric Boogaloo | VeniceMiracles | Breakin' 2Electric Boogaloo+7 | — | 1h 18m 34s | |
| 12/15/25 | ![]() 48: Mulholland Drive✨ | David LynchMulholland Drive+4 | — | Mulholland Drive | — | David LynchMulholland Drive+6 | — | 2h 01m 31s | |
| 12/1/25 | ![]() 47: Tentacles | This week we abandon our original idea to cover the utterly insane 1987 Karate Kid ripoff Karate Warrior with something with a little more meat on the bone, Tentacles. The 70's was an embarrassment of riches, and in many case just plain embarrassing when it came to the animal attack cash-grabs that arose from the titanic success of Jaws. This is one such movie, a unique twist on American International Pictures' typical process of working with foreign films. Rather than import some cheap Italian movies they hired Italian producer Ovidio Assonitis to make a movie here in America with an Italian crew and a star-studded cast of Oscar winners who couldn't say no to a fast paycheck and a little bit of that California sun.Starring John Huston, Bo Hopkins, Henry Fonda, and more, this blatant Jaws ripoff treads water for 90 minutes, peppering its story with strange asides and bon mots, with characters who trot into each scene to ad-lib and keep their scene partners guessing until it comes time to take on the film's big bad villain, a giant octopus that can't keep its tentacles off anything that swims into its proximity. Is mankind to blame for its feeding frenzy? Maybe? Who can say, really? There's a rich industrialist whose underwater construction project may have something to do with it but this is AIP and it's asking way too much for anyone to answer any questions ever. Just go with it.Join the Bring Me The Axe Discord: https://discord.gg/snkxuxzJSupport Bring Me The Axe! on Patreon:https://patreon.com/bringmetheaxepodBuy Bring Me The Axe merch here:https://www.bonfire.com/store/bring-me-the-axe-podcast/ | — | ||||||
| 11/17/25 | ![]() 46: Mazes & Monsters w/guest Tyler Hyde | This week we're joined by Tyler Hyde from the podcast That's Spooky to discuss the made-for-tv scare film, Mazes & Monsters. The film represents the first lead role for future superstar, Tom Hanks in a movie about the dangers of playing Dungeons and Dragons. No, I'm not making that up.In the early 1980's as Dungeons and Dragons became a sensation of tabletops everywhere, it didn't take long for scolding parent groups to cry foul to every media outlet that would listen and raise a moral panic that rose in tandem with the moral panics around heavy metal music and horror movies. The disappearance of and tragic suicide of James Dallas Egbert III thrust D&D into the headlines and craven opportunists and sensational headlines ignored all the factors that drove him to suicide and placed the blame squarely at D&D, the one thing in his life that brought him joy and provided an escape from the pressures of being a child prodigy. His story informed Rona Jaffe's book, Mazes and Monsters, which led to the rapid development of this TV movie also starring Chris Makepeace and Wendy Crewson.The story concerns four friends at university who play Mazes and Monsters, the legally distinct dungeon crawler role playing game that causes one player to lose his shit and fall into a psychotic delirium which leads him to murder, madness, and suicide. It is, without question, one of the most toxic movies we've ever seen with a message that seems to be: under no circumstances are you to use your imaginations. You should be thinking about a sensible career now. It's a real bummer, you guys.Join the Bring Me The Axe Discord: https://discord.gg/snkxuxzJSupport Bring Me The Axe! on Patreon:https://patreon.com/bringmetheaxepodBuy Bring Me The Axe merch here:https://www.bonfire.com/store/bring-me-the-axe-podcast/ | — | ||||||
| 11/3/25 | ![]() 45: The Beastmaster | 99 Cent Rental returns after our October break with a listener request. Since we just did Don Coscarelli's 1979 debut, Phantasm, a movie made on tiny, sub-500k budget, we thought it made a lot of sense to see what happens when you break through and Hollywood heaps cash on you to make a proper movie. The result is... very Coscarelli-ish. There's no question whatsoever that Don is well-read on matters of fantasy and science fiction and these being the days before Peter Jackson's Lord of the Rings movies mandated that all fantasy features be epic, high-fantasy blow-outs, Coscarelli reaches back into the pool of gritty sword and sorcery for something as characteristically weird as you'd expect from authors like Poul Anderson, Fritz Lieber, and Robert E. Howard. Is it good, though? Well...The story concerns the hunky, flaxen-haired Dar, the last of his people, who sets out across a dusty landscape seeking vengeance on Maax, the head of a wicked cult in the city of Aruk who will be killed by the son of King Zed. By some unexplainable power, Dar can speak to animals and forms a party of two ferrets, a tiger, and a hawk to have his revenge. Starring Marc Singer, Tanya Roberts, and Rip Torn, The Beastmaster lands heavily in the middle of the 1982 surge of fantasy movies that brought us Conan The Barbarian and managed to carve out a sweet cult of fans in spite of its tepid box office performance.Join the Bring Me The Axe Discord: https://discord.gg/snkxuxzJSupport Bring Me The Axe! on Patreon:https://patreon.com/bringmetheaxepodBuy Bring Me The Axe merch here:https://www.bonfire.com/store/bring-me-the-axe-podcast/ | — | ||||||
| 9/29/25 | ![]() 44: Steel and Lace | This week we take a trip back to 1991 for a real video store oddity. It's a rape/revenge movie that also capitalizes on the popularity of Robocop. Written by an Emmy-award winning TV writer, starring a two-time Tony winner as the villain and chock full of kill scenes that are so creative and strange that they could only have been produced for a straight to video exploitation movie. And so deeply committed to its video tape format was it that this movie's preferred aspect ratio is 4:3.Starring Stacy Haiduk as the meddling courtroom sketch artist who is obsessed with solving a series of murders that she has no business investigating in the first place, as well as Bruce Davidson who is horny for revenge. They're both going up against Broadway sensation Michael Cerveris who chews so much scenery that there's not much left for his co-stars. This bizarre revenge plot is aided by a series of extremely ambitious special effects and one scene that blew our minds by how incredibly weird and unique it is. Join the Bring Me The Axe Discord: https://discord.gg/snkxuxzJSupport Bring Me The Axe! on Patreon:https://patreon.com/bringmetheaxepodBuy Bring Me The Axe merch here:https://www.bonfire.com/store/bring-me-the-axe-podcast/ | — | ||||||
| 9/15/25 | ![]() 43: If Footmen Tire You What Will Horses Do? w/guest Aileen Clark | Aileen Clark of Uy Que Horror is back to join us for a look at two truly unhinged scare films. In the 1960s and 70s churches occasionally produced low budget morality tales and scare movies to frighten their congregations into going back to church if they feel like they're slacking off. The problem is that they were made by people who didn't know how to make movies with casts of non-actors and extremely low budgets. They were cheap and terrible and everyone hated watching them. Along came Ron and June Ormond and their son Tim, the first family of exploitation, teamed up with Reverend Estus W. Pirkle, a charismatic fundamentalist preacher from Mississippi to adapt Pirkle's fire and brimstone sermon If Footmen Tire You What Will Horses Do that threatened easily frightened Christians with seeking out draconian churches that shunned anything looking like empathy and service in favor of a hard line position against all things communism. In the sequel, The Burning Hell, Estus Pirkle has decided that his last sermon didn't put enough terror in the hearts of Christians over going to hell so here's one that's literally all about how much hell sucks and how you definitely want to accept Jesus Christ into your heart so you don't go there. These fiery sermons are illustrated with scenes of trashy, gory violence that you definitely don't expect to find in movies meant for fragile, easily offended Christian people. They are completely weird and hilarious.Join the Bring Me The Axe Discord: https://discord.gg/snkxuxzJSupport Bring Me The Axe! on Patreon:https://patreon.com/bringmetheaxepodBuy Bring Me The Axe merch here:https://www.bonfire.com/store/bring-me-the-axe-podcast/ | — | ||||||
| 9/1/25 | ![]() 42: The Wraith | This week we dive headlong into one of the most baffling 80's video store hits, The Wraith, in which Charlie Sheen is a ghost or an alien or a ghost alien who gets revenge on the wily gang of Arizona cretins that murdered him by running them over with his magic ghost alien car. The Wraith is a lot of things. Good is not one of them but it has a certain ineffable charm that makes it tremendously fun to watch in spite of its story being positively incidental to the rest of the movie. It casts the widest possible net to remind you of movies like Close Encounters of the Third Kind, Death Wish 3, and The Road Warrior. Do you like cool cars? Do you like explosions? Do you like aliens, ghosts, or ghost aliens? Are you willing to let slide about a dozen totally unresolved plot points and completely ignore the fact that this movie leaves you with more questions than answers? You will probably love The Wraith.The soundtrack rules. Sheen seems completely unaware of the movie he's in. A pre-Twin Peaks Sherilyn Fenn is doing her best with what she has. Clint Howard gloriously answers our question: is it a wig? All this and more in our exhaustive breakdown of The Wraith from director Mike Marvin.Want to try Bring Me The Axe premium content for a month at no charge? Be one of the first ten people to click this link. It's on us. Enjoy! https://www.patreon.com/bringmetheaxepod/redeem/66913Join the Bring Me The Axe Discord: https://discord.gg/snkxuxzJSupport Bring Me The Axe! on Patreon:https://patreon.com/bringmetheaxepodBuy Bring Me The Axe merch here:https://www.bonfire.com/store/bring-me-the-axe-podcast/ | — | ||||||
| 8/18/25 | ![]() 41: This House Possessed | This week we're shaking off the despair of a nuclear war one-two punch and staying in the made-for-tv mode for something incredibly dumb. Where Threads and The Day After are significant television events, this week's movie is anything but. It's a baffling riff on both popular haunted house movies of the era and classic gothic horror but that's about as coherent as the vision gets. Everything that follows is an exhausting exercise in early 80's made-for-tv drivel.Parker Stevenson, fresh off his run as Frank Hardy in the Hardy Boys Mysteries is joined by Lisa Eilbacher, Joan Bennet, and Slim Pickens for a stay at a far-too-modern for gothic horror house in southern California. Either the house itself, or the extremely sophisticated security system is in love with Eilbacher's character. We can't really figure it out. Ultimately it doesn't matter because the charm lies in precisely how artless and strange this movie is. Also, you get a few musical numbers.Join the Bring Me The Axe Discord: https://discord.gg/snkxuxzJSupport Bring Me The Axe! on Patreon:https://patreon.com/bringmetheaxepodBuy Bring Me The Axe merch here:https://www.bonfire.com/store/bring-me-the-axe-podcast/ | — | ||||||
| 8/4/25 | ![]() 40: The Day After | Tonight! On a very special 99 Cent Rental we take a trip back to 1983 to take in the movie that shocked the 100 million Americans that watched in horror as the world ended in a nuclear fireball before their very eyes. As the 80's ground on and The United States and The Soviet Union were running out of puppet governments and proxy wars to fight the status of nuclear war became less a matter of if and more a matter of when. The ABC network sought to send a sobering message to the people of America who had been convinced that we could win a nuclear war by delivering an uncompromising made-for-TV epic that detailed what would happen after everything had been obliterated.A stacked cast of excellence paint a picture of a shattered America in the last days of humanity. The sheer scope of our nuclear weapons are put on the screen. We see an entire city in middle America blasted off the face of the Earth forever. We see the survivors of the blast struggling to stay alive in the face of hunger, sickness, and radiation poisoning. Dave is less than impressed with the movie and struggles with the political struggle that informed the possibility of a nuclear holocaust. Bryan's feelings on the movie are much more complicated, having grown up within a few miles of two high priority nuclear targets as all this was going down.It's our longest episode yet and we have thoughts. There will be no survivors.Join the Bring Me The Axe Discord: https://discord.gg/snkxuxzJSupport Bring Me The Axe! on Patreon:https://patreon.com/bringmetheaxepodBuy Bring Me The Axe merch here:https://www.bonfire.com/store/bring-me-the-axe-podcast/ | — | ||||||
| 7/21/25 | ![]() 39: King of New York | This week Bryan and Dave take you back to the New York City of 1990 with a look at what might be Abel Ferrara's most focused movie, King of New York. With a dynamite cast of killers, including Christopher Walken at his best, Laurence Fishburne carrying practically the entire movie on his shoulders, David Caruso, Wesley Snipes, and Giancarlo Esposito, King of New York presents a morally gray crime movie where everyone, even the cops, are just the worst. Crime is the blood that keeps the city alive in this movie and an unreliable narrator is going to do his best to convince you that his crusade to run the criminal underground and thereby the entire city is just, good, and right. Stylish, slick, and kinetic, King of New York is like a Pixies song with loud, outrageous, and violent scenes of criminal carnage punctuated by quiet meditations on morality. It's bleak, nihilistic, and the brothers can't help but notice that this very-much American cops and robbers movie feels much, much more like the Italian Polizziotteschi reflections which makes the film's subtle social and political undertones feel that much more pronounced.Join the Bring Me The Axe Discord: https://discord.gg/snkxuxzJSupport Bring Me The Axe! on Patreon: https://patreon.com/bringmetheaxepodBuy Bring Me The Axe merch here:https://www.bonfire.com/store/bring-me-the-axe-podcast/ | — | ||||||
| 7/7/25 | ![]() 38: Mad Foxes | This week we're hanging by a thread as we take a look at one of the strangest, sleaziest movies we've done yet, Mad Foxes. A few movies in our past have driven us to the brink of madness but none so powerfully as this Swiss/German/Spanish co-production that was intended to be a sequel-in-name-only of the American action movie, Stingray. Music video director Paul Grau approached his producer friend Erwin Dietrich with an idea to produce a comedy and ended up with the assignment to instead produce a violent action movie and since the producer was also a big name in the world of European sexploitation the movie had a mandate to also be full of sex and nudity and man alive, did Paul Grau miss the mark. Starring Jose Gras, credited as Robert O'Neil, it tells the story of a man, his car, and the high cost of being so cool when Nazi bikers assault his lady and kill his parents. Again, because his car is just too cool.Somehow having four writer credits, this movie comes off like it was written by one twelve year old boy. Very little of it makes sense. A lot of it is maddening to behold and if you're not ready for it you're going to be surprised by precisely how many penises are in this movie.Join the Bring Me The Axe Discord: https://discord.gg/snkxuxzJSupport Bring Me The Axe! on Patreon: https://patreon.com/bringmetheaxepodBuy Bring Me The Axe merch here:https://www.bonfire.com/store/bring-me-the-axe-podcast/ | — | ||||||
| 6/23/25 | ![]() 37: Killer Condom | This week Dave surprises Bryan with a movie with a title that is at once a good description and a terrible misrepresentation. They're going to Germany for a look at Martin Walz's very gay 1996 horror comedy, Killer Condom. Based on the comic of the same name (and the follow-up, Down To The Bone) by German cartoonist, Ralf Konig, Killer Condom (Kondom des Grauens) tells the story of New York City in the grips of terror as carnivorous condoms bite the penis off of the city's men left and right. It's also a touching love story as Detective Luigi Macaroni shakes his jaded feelings on love and comes to terms with feelings for the rentboy who keeps distracting him from his job.Distributed by Troma, Killer Condom was thrust out into the English-speaking world on the vague promise of the outrageous, politically incorrect comedy you've come to expect from the house that Toxie built but this sells the movie short as it's actually a very human love story and a not-so-subtle meditation on the AIDS crisis. Now, it IS a movie made in the 90's and hasn't exactly aged well but reckon with a little transphobia and racism and you find a terribly unique movie that was way ahead of its time.Join the Bring Me The Axe Discord: https://discord.gg/snkxuxzJSupport Bring Me The Axe! on Patreon: https://patreon.com/bringmetheaxepodBuy Bring Me The Axe merch here:https://www.bonfire.com/store/bring-me-the-axe-podcast/ | — | ||||||
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Chart Positions
1 placement across 1 market.
Chart Positions
1 placement across 1 market.
