
A Reading Life, A Writing Life, with Sally Bayley
by Sally Bayley, Andrew Smith
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Podcast Focus
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Total monthly reach
Estimated from 1 chart position in 1 market.
By chart position
- 🇫🇷FR · Books#1391K to 10K
- Per-Episode Audience
Est. listeners per new episode within ~30 days
500 to 5K🎙 ~2x weekly·92 episodes·Last published 1w ago - Monthly Reach
Unique listeners across all episodes (30 days)
1K to 10K🇫🇷100% - Active Followers
Loyal subscribers who consistently listen
300 to 3K
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Reach across major podcast platforms, updated hourly
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* Data sourced directly from platform APIs and aggregated hourly across all major podcast directories.
On the show
From 14 epsHosts
Recent guests
Recent episodes
Writing Lessons: Responding to Noise and Sound
Aug 20, 2026
41m 34s
The Humble Paragraph: Part 2
Jul 23, 2026
16m 26s
The Humble Paragraph: Part 1
Jul 15, 2026
15m 18s
Worm in the Bud
Jul 3, 2026
14m 41s
Night Contradicts the Day
Jun 8, 2026
1h 24m 10s
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| Date | Episode | Topics | Guests | Brands | Places | Keywords | Sponsor | Length | |
|---|---|---|---|---|---|---|---|---|---|
| 8/20/26 | Writing Lessons: Responding to Noise and Sound | ‘Conduct had kept chaos at bay.’ This week, we join Sally once again at work on her next novel, Mrs Parnell, making use of Shirley Hazzard’s The Great Fire (2003) and trying to ignore a mounting number of distractions. Listen for reflections on the embodied nature of the writing ritual, and the process of developing intimacy with character. This episode was edited and produced by James Bowen. Special thanks to Andrew Smith, Violet Henderson, Kris Dyer, and Maeve Magnus. | 41m 34s | ||||||
| 7/23/26 | The Humble Paragraph: Part 2 | ‘Keep your threads firmly tied together…’ This week, we conclude our episode on paragraphs and the writing process. Listen for an insight into Sally’s process of expanding her narratives from the visual towards the historical and biographical, continuing to consider Transit in Venus. This episode was edited and produced by James Bowen. Special thanks to Andrew Smith, Violet Henderson, Kris Dyer, and Maeve Magnus. | 16m 26s | ||||||
| 7/15/26 | writing processediting+3 | — | Transit in VenusMrs Parnell | — | writingediting+5 | — | 15m 18s | ||
| 7/3/26 | solacecharacter+4 | — | The New Menard PressWorm in the Bud | — | Worm in the BudSally Bayley+5 | — | 14m 41s | ||
| 6/8/26 | poetryneurodivergence+3 | Stephen Romer | Dare-Gale PressNight Contradicts the Day+1 | — | Hölderlinpoetry+3 | — | 1h 24m 10s | ||
| 5/16/26 | doubtwriting+3 | — | The New Menard PressPond Life+2 | — | doubtwriting+3 | — | 21m 46s | ||
| 3/22/26 | Sylvia Plathlyric poetry+3 | — | — | — | Poppies in OctoberSylvia Plath+5 | — | 23m 37s | ||
| 2/22/26 | interpretationambiguity+3 | James Bowen | New Menard PressWorm in the Bud: A Fable+1 | — | Worm in the BudSally Bayley+5 | — | 52m 06s | ||
| 1/24/26 | editingwriting process+3 | — | Mrs ParnellDoubt | — | editingwriting+5 | — | 21m 52s | ||
| 1/2/26 | domesticityhospitality+3 | — | — | — | Hundred Acre WoodA.A. Milne+4 | — | 20m 30s | ||
Want analysis for the episodes below?Free for Pro Submit a request, we'll have your selected episodes analyzed within an hour. Free, at no cost to you, for Pro users. | |||||||||
| 11/30/25 | writingreflection+4 | — | Ulysses | — | writingreflection+5 | — | 15m 22s | ||
| 11/16/25 | writing lifecharacter development+4 | — | Mrs Parnell | — | writingcharacter development+5 | — | 23m 06s | ||
| 10/4/25 | literary arrivalswriting+3 | — | The HirelingMrs Parnell | — | literary analysischaracter development+3 | — | 21m 46s | ||
| 9/20/25 | difficult literatureambiguity+3 | James Bowen | Worm in the BudThe New Menard Press+2 | — | literatureWolf Solent+4 | — | 47m 19s | ||
| 9/13/25 | creative processnarrative development+3 | — | Mrs ParnellThe Dead | — | Mrs ParsonsGabriel Conroy+5 | — | 15m 21s | ||
| 9/3/25 | modernist literatureobjects in narratives+4 | James Bowen | The Matchbox GirlThe Dead+2 | — | modernismliterature+6 | — | 50m 13s | ||
| 7/18/25 | The Other Side of the Fire | For Gabriella Kelly Davies. ‘On the last day of summer Mrs Bohannon fell in love. The poplars, fallaciously pathetic, looked horrified, their branches rising on the wind like startled hair, and a pilgrim cloud wept a few chill tears.’ This week, Sally is once again in the world of Alice Thomas Ellis. Listen for a close reading of the opening of Ellis’ fourth novel, The Other Side of the Fire (1983), focusing on the construction of space, character, and intimacy between writer, narrator, and reader. The wonderful piano music in the opening section is ‘Thursday’, by Paul Seba. More on Paul and his work can be found here. This episode was edited and produced by James Bowen. Special thanks to Andrew Smith, Violet Henderson, Kris Dyer, and Maeve Magnus. | 23m 36s | ||||||
| 7/3/25 | The 27th Kingdom | ‘Mrs Mason looked now through Aunt Irene’s rich windows, sparking like spring water and framing fat pink shrubs that grew with child-like health in the tiny London garden.’ This week, we join Sally navigating the world of Alice Thomas Ellis’ absurdist novel, The 27th Kingdom (1982), exploring the parallel lives of its two central women. Listen for a meditation on building character, society, and our means of placing ourselves in the world around us. More information on Ellis and her work can be found here. This episode was edited and produced by James Bowen. Special thanks to Andrew Smith, Violet Henderson, Kris Dyer, and Maeve Magnus. | 23m 15s | ||||||
| 6/14/25 | The Green Lady | For Miss Braithwaite, who gave me eloquence. ‘I need to summon the spirits of place…’ This week, we join Sally in rehearsal for a performance, given last week at Somerville College as part of Oxfordshire Mind’s evening of ‘Connections.’ Listen for an invocation of character, both in fiction and of those figures in our own lives that become part of our stories. Both Gladys and J.M.W. Turner feature in Sally’s recent novel, The Green Lady (William Collins, 2023). This episode was edited and produced by James Bowen. Special thanks to Andrew Smith, Violet Henderson, Kris Dyer, and Maeve Magnus. | 15m 21s | ||||||
| 6/1/25 | Being Handy | ‘Enid’s hands are always kept busy caring for other people…’ This week, Sally continues her theme of developing characters from objects by presenting a portrait of Enid Bagot, a young woman used to working with her hands, who will feature in Sally’s forthcoming imagined biography, provisionally titled Mrs Parnell. Listen for a reflection on the routines and rhythms of life and work, interspersed with the moments from Sally’s own life that provide her inspiration. The image of the cat by Edward Lear that Sally refers to can be viewed here. The wonderful piano music in the opening section is ‘Tuesday’, by Paul Seba. More on Paul and his work can be found here. This episode was edited and produced by James Bowen. Special thanks to Andrew Smith, Violet Henderson, Kris Dyer, and Maeve Magnus. | 28m 56s | ||||||
| 5/19/25 | Katherine Mansfield | ‘His straw hat hurt him, it pinched his forehead and started a dull ache in the two bones just over the temples…’ This week, Sally has been reading and teaching Katherine Mansfield, focusing on characters in her short fiction. Listen for a masterclass on openings, writing characters through objects, and making connections between and through them. The full text of the stories Sally reads can be found here. The passage read in the final section comes from Sally’s forthcoming fictional biography, provisionally titled Mrs Parnell. This episode was edited and produced by James Bowen. Special thanks to Andrew Smith, Violet Henderson, Kris Dyer, and Maeve Magnus. | 28m 44s | ||||||
| 5/2/25 | A Fragment of May | For Emilie: may you always sing. We return this week, for a special micro-episode, to Mrs Dalloway’s London. Listen for a brief meditation on the fragmentation of life, interruption, and finding meaning in art. This episode was edited and produced by James Bowen. Special thanks to Andrew Smith, Violet Henderson, Kris Dyer, and Maeve Magnus. | 11m 00s | ||||||
| 4/27/25 | Mrs Dalloway | ‘Now it was time to move, and, as a woman gathers her things together, her cloak, her gloves, her opera-glasses, and gets up to out of the theatre into the street, she rose from the sofa and went to Peter…’ This week, we join Sally reflecting on the arrangement of character. Listen for a journey, via Virginia Woolf’s Mrs Dalloway (1925) through perspectives, cityscapes, and the means by which we navigate everyday life. The music accompanying the initial discussion of Mrs Dalloway is ‘Friday’, by Paul Seba. More about Paul and his work can be found here. This episode was edited and produced by James Bowen. Special thanks to Andrew Smith, Violet Henderson, Kris Dyer, and Maeve Magnus. | 23m 48s | ||||||
| 4/4/25 | Sightlines | ‘Sightlines produce a story, an avenue, a walkway, a space to move through…’ This week, we join Sally reflecting on the idea of the sightline, and the stories they structure. Listen for a meditation on narrative, childhood, and a unique perspective of and from The Dreaming Spires… The text of the Sylvia Plath poem Sally references can be found here. This episode was edited and produced by James Bowen. Special thanks to Andrew Smith, Violet Henderson, Kris Dyer, and Maeve Magnus. | 30m 38s | ||||||
| 3/11/25 | Rhapsody | ‘I try to live my life as though I were stitching together a book of songs.’ This week, Sally offers us a tour through the stitched-together songs of her life, reflecting on the form of rhapsody. Join her for a series of vignettes on art, education, memory, and connection. This text of this episode is based on an address Sally gave at Wadham College Chapel, part of an evening of ‘Taking Heart in Poetry & Song’ for St David's Day. More information can be found here. The full text of Dylan Thomas’ poem, ‘The force that through the green fuse drives the flower’, quoted early in the episode can be found here. The wonderful piano music in the opening and closing sections is, respectively, ‘Tuesday’ and ‘Saturday’ by Paul Sebastian. This episode was edited and produced by James Bowen. Special thanks to Andrew Smith, Violet Henderson, Kris Dyer, and Maeve Magnus. | 29m 01s | ||||||
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Chart history for A Reading Life, A Writing Life, with Sally Bayley
Peaked at #139 in France, currently #139 in France.
| Market | Genre | Peak | Current | Trend |
|---|---|---|---|---|
| France | — | #139 | #139 | — |
Chart Positions
1 placement across 1 market.
Chart Positions
1 placement across 1 market.