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On the show
Recent episodes
chaun webster, "Without Terminus: untraining an archive" (Greywolf, 2026)
May 26, 2026
52m 24s
Steven W. Thrasher, "The Overseer Class: A Manifesto" (Amistad, 2026)
May 19, 2026
1h 02m 42s
Es-pranza Humphrey, "Act Black: Posters from Black American Stage & Screen" (Poster House Museum, 2026)
May 12, 2026
54m 49s
Lerone Martin, "Young King: The Making of Martin Luther King Jr." (Amistad, 2026)
May 5, 2026
47m 22s
Jason R. Young, "The Mask of Memory: White Racial Fantasy After the Civil War" (UNC Press, 2026)
May 1, 2026
1h 11m 42s
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| Date | Episode | Description | Length | ||||||
|---|---|---|---|---|---|---|---|---|---|
| 5/26/26 | ![]() chaun webster, "Without Terminus: untraining an archive" (Greywolf, 2026) | In his first work of nonfiction, poet chaun webster blends memoir, archival research, visual poetics, and cultural criticism to trace the ways structural anti-Black violence has shaped his inheritance, and grapples with the question of how to know—and mourn—the kin he was never able to meet.webster is particularly drawn to his grandfather Reginald, who worked for years as a Pullman porter, who was denied rest while his labor enabled rest for others, and who died without receiving a pension before webster was born. Returning to the figures of Reginald and the train, webster explores the relationship between comportment and confinement, speaking in tongues in the Pentecostal church, the ancestral meeting place of dreams, his fraught relationship with his mother, and moments with his own child. Throughout, webster also reflects on nonbiological kinship, tethering his and his predecessors’ lives to those of several historical Black figures—Harriet Jacobs, John Henry, Henry “Box” Brown, and Henry Dumas, a writer who was killed by New York City police while riding the subway.Attempting to exhaust the possibilities of the sentence and the grammar of anti-Blackness, webster riffs and rails on the debris within reach. Part elegy, part archival detective story, and part visual poem, Without Terminus: untraining an archive (Greywolf, 2026) is a philosophically rigorous and deeply moving text that takes us beyond the archive of loss. You can find the works chaun references during our conversation, as well as a further discussion about literary form, at the Additions to the Archive Substack. Follow chaun webster on Instagram. Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts. | 52m 24s | ||||||
| 5/19/26 | ![]() Steven W. Thrasher, "The Overseer Class: A Manifesto" (Amistad, 2026) | “The poor, of whatever color, do not trust the law and certainly have no reason to, and God knows we didn't. ‘If you must call a cop,’ we said in those days, ‘for God’s sake, make sure it's a white one.’ We did not feel that the cops were protecting us, for we knew too much about the reasons for the kinds of crimes committed in the ghetto; but we feared black cops even more than white cops, because the black cop had to work so much harder—on your head—to prove to himself and his colleagues that he was not like all the other n******.” James Baldwin (1967) Professor and journalist Steven Thrasher, author of the critically acclaimed The Viral Underclass (one of Kirkus Reviews best books of 2022), explores in The Overseer Class: A Manifesto (Amistad, 2026) what happens when members of historically minoritized groups are selected for high-visibility positions of power within existing institutions—law enforcement, academia, the military, for profit and not-for-profit corporations, and government—under the conditions of a kind of Faustian bargain. This is a conversation, and a book, not to be missed. You can find author Steven Thrasher on Bluesky and Instagram. Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts. | 1h 02m 42s | ||||||
| 5/12/26 | ![]() Es-pranza Humphrey, "Act Black: Posters from Black American Stage & Screen" (Poster House Museum, 2026) | Starting in the 1880s, Black performers, and those invested in telling stories centering Black people, attempted to counter the dehumanizing and harmful stereotypes used to portray Black characters. Shows began touting “All Colored Revues” to indicate that a cast was made up of actual Black performers rather than white people in blackface, and that these spectacles aimed to build stories around the perception of Black experiences. Although these performances were sometimes flawed, and even overly prejudiced, they represented a significant form of Black American cultural development and expression. Since theatrical performances were rarely recorded, and many of the movies that featured all Black casts are now considered “lost films,” films for which no copy is known to survive, advertising posters often provide the only remaining evidence of the most important productions featuring Black performers between the 1870s and 1940s. These posters, and the historic innovations of playwrights, composers, directors, producers, and the Black performers behind them, are the subjects of the exhibition, Act Black: Posters From Black American Stage and Screen, curated by our guest for this episode, Assistant Curator of Collections at New York City’s Poster House museum, Es-pranza Humphrey. Act Black: Posters from Black American Stage & Screen is on view at Poster House through September 6, 2026. Exhibition resources are also available via the Bloomberg Connects app until September 6, and at the Poster House online exhibition archive thereafter. Es-pranza’s recommended reading list is available at the Additions to the Archive Substack. Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts. | 54m 49s | ||||||
| 5/5/26 | ![]() Lerone Martin, "Young King: The Making of Martin Luther King Jr." (Amistad, 2026) | We know who Martin Luther King Jr. became, but who was he at the beginning of his life? How did his youth inform his outlook and activism? Before Martin Luther King, Jr. was a civil rights leader, a Nobel Laureate, and a global hero, he was an emotional boy, a middling high school student devoted to fashion, dancing, and dating. Lerone A. Martin, Faculty Director of the Martin Luther King Institute at Stanford University, traces these roots to develop a fuller understanding of the influential preacher’s emotional life, his youthful confusion about his future and career direction, his teenage missteps, and his inspiration to fight for justice. Revelatory, humanizing, and compassionate, Young King: The Making of Martin Luther King Jr. (Amistad, 2026) unearths MLK’s days as “Little Mike,” the ever-eager middle child and a precocious prankster; his early experiences of segregation and the summers he spent on a Connecticut tobacco farm, his first trip outside the Jim Crow South; his transformative time at Morehouse, playing basketball, hosting parties, studying sociology, and joining the Ministers’ Union; and his winding path to seminary, his spiritual devotion, and his relationship with Coretta, his wife-to-be. As America undergoes another era of turmoil and change, this powerful biography—and this discussion—provides a vital roadmap for how greatness comes to light, and how history shapes a leader. You can find Lerone Martin, and the Martin Luther King, Jr. Research and Education Institute on Facebook and Instagram. Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts. | 47m 22s | ||||||
| 5/1/26 | ![]() Jason R. Young, "The Mask of Memory: White Racial Fantasy After the Civil War" (UNC Press, 2026) | In the early twentieth century, a group of white writers, artists, and performers from the cultural hub of Charleston, South Carolina, created and curated a highly sanitized view of slavery. They imagined a once and future plantation society that would reestablish them as the proper heirs of the slave past. In the process, they crafted a set of dangerously durable and virulent stereotypes about slavery. Many of the sights and sounds that Americans associate with slavery are rooted in this grandiose historical myth. The image of the Big House, sitting atop carefully manicured rolling green hills, is in large part, a fantasy, as is the idea of the plantation as an expansive family home to chivalrous planters and content slaves. Jason R. Young explores the persistence of these myths and the historical memory of slavery by focusing on the elite white mythmakers who helped shape our understanding of slavery. Examining literature, art, and performance, Young interrogates both the power and the folly of these ideas. In uncovering their origins, The Mask of Memory: White Racial Fantasy After the Civil War (UNC Press, 2026) resists these racial fantasies and challenges their stubborn resurgence in our own time. You can find Jason Young at the University of Michigan website. Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts. | 1h 11m 42s | ||||||
| 4/25/26 | ![]() Constance Bailey et al. "Get It While It's Hot: Gas Station, Roadside, and Convenience Cuisine in the U.S. South" (LSU Press, 2026) | Get It While It’s Hot (LSU Press, 2026) is an innovative collection that examines an increasingly commonplace belief across the U.S. South—that some of the best, most enjoyable food comes from places you would not expect: a gas station, the back of a pickup truck, or a ramshackle building made of plywood. These essays bring together scholars, food writers, influencers, and even a CEO to discuss the phenomenon of eating by the side of the road. They look at the delicious food that can be found in such spaces, but also at the ways that gas station, roadside, and convenience cuisine contributes to the social and cultural identities of people and communities in the U.S. South. Sometimes these roadside spaces serve goals of equity and food justice as they relate particularly to race, class, and gender, and sometimes they stymy them. Contributors address the importance of roadside vendors to low-income areas and communities of color, while also revealing how gas stations and convenience stores are particularly prone to anti-Black surveillance and community gatekeeping. Several essays examine the appearance of service stations and unconventional food vendors in southern literature. Interviews with photojournalist Kate Medley, social media influencer Stafford Shurden, and Stuckey’s CEO Stephanie Stuckey provide firsthand perspectives on the diverse landscapes of food culture in the South. By surveying the importance of roadside and convenience cuisine to communities across the region, Get It While It’s Hot illustrates that these spaces do not function like typical restaurants. They mark boundaries of community, establish consistency and familiarity, and invite people, sometimes paradoxically, to pull up a chair and sit a while. This is Constance’s second time on the podcast. She first appeared on September 24, 2025 alongside author Kiese Laymon, discussing her book, Conversations with Kiese Laymon (University Press of Mississippi, 2025). In this episode, we also mention the Catherine Coleman Literary Arts, Food, and Social Justice Summer Program. If you are finding this episode in real time, you can attend the virtual launch for Get It While It’s Hot on Facebook, Wednesday, April 29, 2026 at 2:00pm CT. You can find co-editor Constance Bailey at her website and on Instagram. Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts. | 54m 17s | ||||||
| 4/19/26 | ![]() Twelve Lives: Creating Literary Community with Raymond Williams, PhD | From the moment I began working with the New Books Network, my vision was bigger than author interviews. I envisioned my platform one where people could connect what they were hearing about the past to their own lives in the present and, in that way, perhaps see themselves as an important part of a continually-evolving community. Through this work, I have been fortunate to connect, not only authors, but also with readers and thinkers who, like me, are committed to the preservation and expansion of our collective archive. Raymond Williams is one such person. Raymond has a PhD in Government and Politics from the University of Maryland, College Park. He was an executive board member of Black Readers Con, and is currently an administrator of the Black Men Read Book Club sponsored by Resist Booksellers. I was thrilled to have Raymond on the podcast to talk about the creation of literary community around reading challenges, including those centering Zora Neale Hurston, James Baldwin, and, for 2026, what Raymond calls, “The 12 Lives Challenge.” Listen in as we discuss the work he is doing to cultivate an intellectually curious community of real-life readers in the virtual world. You can find Raymond on Instagram, and the 12 Lives Challenge on StoryGraph. Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts. | 41m 16s | ||||||
| 4/3/26 | ![]() Danielle Bainbridge, "Currencies of Cruelty: Slavery, Freak Shows, and the Performance Archive" (NYU Press, 2026) | Currencies of Cruelty: Slavery, Freak Shows, and the Performance Archive (NYU Press, 2026) is a bold and incisive reconsideration of the relationship between enslavement, disability, and performance in 19th- and early 20th-century America; a time when transition from slavery to legal freedom became entangled with the spectacle of the freak show stage, where disabled and racialized performers became lucrative attractions. At the heart of this powerful study are conjoined twins Millie Christine McKoy, born into slavery and later emancipated, and the so-called “original Siamese Twins,” Chang and Eng Bunker, who navigated the freak show circuit not only as performers but also as enslavers. Their stories reveal how archival practices surrounding enslavement and performance labor worked in tandem, creating a system where unfree and newly freed bodies were simultaneously valued and devalued—exploited for their spectacle yet rendered abject within traditional labor economies. Blending historical analysis with innovative archival theory, Currencies of Cruelty challenges conventional narratives of labor, freedom, and human worth. A gripping exploration of race, commerce, and bodily spectacle, this book sheds crucial light on how histories of subjugation continue to shape our understanding of value and visibility today. Author Danielle Bainbridge is an Assistant Professor of Theatre at Northwestern University, where she also holds courtesy appointments in Performance Studies and Black Studies. You can find her at the Northwestern University website, on Instagram, and on Bluesky. Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts. | 55m 46s | ||||||
| 3/26/26 | ![]() Additions to the Archive Trailer | Sullivan Summer presents conversations with authors, academics, readers, and thinkers committed to the preservation and expansion of our collective archive. | 1m 21s | ||||||
| 3/25/26 | ![]() Crystal Simone Smith, "Common Sense (1776), Addressed to Today's Citizen's of America: An Erasure" (Beacon, 2026) | This powerful work by award-winning poet Crystal Simone Smith exposes the uncomfortable truth about America’s founding text: while Common Sense is celebrated as a cornerstone of American democracy, Thomas Paine’s arguments for “total freedom and equality” were written exclusively for white men—completely excluding women and people of color from his vision of liberation.Through a clear-eyed point of view and innovative erasure poetry, Smith transforms this foundational document into Common Sense (1776): Addressed to Today's Citizen's of America (Beacon, 2026). The text is a mirror reflecting both our nation’s incomplete promises and today’s ongoing struggle for true equality, and reveals new meanings that speak to the experiences of ALL Americans—those who were silenced in 1776 and those still fighting for recognition today, just as America approaches its 250th anniversary. You can find Crystal Simone Smith on her on her Wikipedia page, and at her website. Find host, Sullivan Summer, at her website, on Instagram, and on Substack. | 53m 53s | ||||||
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| 3/16/26 | ![]() Antwain K. Hunter, "A Precarious Balance: Firearms, Race, and Community in North Carolina, 1715-1865" (UNC Press, 2025) | Spanning the 1720s through the end of the Civil War, A Precarious Balance: Firearms, Race, and Community in North Carolina, 1715-1865 (UNC Press, 2025) explores how free and enslaved Black North Carolinians accessed, possessed, and used firearms—both legal and otherwise—and how the state, and white people, responded. Historian of slavery and freedom, Antwain K. Hunter reveals that armed Black people used firearms for a wide range of purposes: they hunted to feed their families and communities, guarded property, protected crops, and defended maroon communities from outsiders. Further, they resisted the institution of slavery and used guns both against white people and within their own community. Competing views of Black people’s firearm use created social, political, and legal points of contention for different demographics within North Carolina, and left the general assembly and white civilians struggling to harness Black people’s armed labor for white people’s benefit. A Precarious Balance challenges readers to rethink how they understand race and firearms in the American past, and in its present. Author Antwain K. Hunter is a historian of slavery and freedom in North America, with a current focus on the Carolinas. A Precarious Balance is his first book. Find host, Sullivan Summer, at her website, on Instagram, and on Substack, where she and Antwain continued their conversation. | 49m 52s | ||||||
| 2/28/26 | ![]() Diamond Forde, "The Book of Alice" (Scribner, 2026) | Winner of the 2025 James Laughlin Award from The Academy of American Poets When her grandmother died, poet Diamond Forde inherited a well-worn family Bible to remember her by. In The Book of Alice (Scribner, 2026), she retells the story of her grandmother’s life through the framework of the only poetry Alice knew: the King James Bible. A Black woman born in the Jim Crow South, Alice joined the tide of the Great Migration when she made her exodus to New York City. She married, divorced, and raised eight children, all while struggling to define herself in an America that looks frighteningly like our own. Using found forms like recipes, a family tree, and a US Census Report alongside imagined psalms and scriptures, Diamond draws bold parallels between biblical narratives and the lived experiences of those often relegated to the margins of history. The result is both a heartfelt elegy and a new sacred text. Find Diamond at her website and on Instagram. And find host, Sullivan Summer, at her website, on Instagram, and over on Substack, where she and Diamond continued their conversation. | 51m 29s | ||||||
| 2/17/26 | ![]() Darius Phelps, "My God’s Been Silent" (Writ Large Press, 2026) | My God’s Been Silent (Writ Large Press, 2026) is a poetry collection that lives at the intersection of faith and fury, grief and grace. Written in the aftermath of loss and disillusionment, these poems are elegies and incantations-each one a plea, a protest, a prayer left unanswered. This collection excavates the silence of God through the body of a Black man who has known both sanctuary and abandonment, who has tried to make sense of suffering in a world that too often turns its back This is a book for those who have screamed into the void, for those who carry loss like scripture, and for anyone who has ever felt betrayed by the very thing they were taught to believe would save them. With language that sears and softens, My God’s Been Silent does not seek resolution-it seeks release. This collection is not an answer. It is a reckoning. A remembering. A return. You can find Dr. Darius Phelps on Instagram and X. And find host, Sullivan Summer, at her website, on Instagram, and on Substack. | 38m 47s | ||||||
| 2/8/26 | ![]() Gloria Browne-Marshall, "A Protest History of the United States" (Beacon Press, 2026) Revisited | In December 2025, writer, civil rights attorney, playwright, speaker, and Professor of Constitutional Law at John Jay College of Criminal Justice, Gloria J. Browne-Marshall spoke with New Books Network host, Sullivan Summer, about her book, A Protest History of the United States (Beacon Press, 2025). Little did Browne-Marshall and Summer know that, at the time of the book’s paperback release in early 2026, the nation would be in the midst of widespread and ongoing protests. So Browne-Marshall is back, this time with conversation focused specifically on the chapter of the book titled, “Protesting Violent Policing.” In this episode, we mention Terence Keel’s The Coroner’s Silence (Beacon Press, 2025). Keel’s New Books Network episode is available here. A Protest History of the United States: In this timely new book in Beacon’s successful ReVisioning History series, professor Gloria Browne-Marshall delves into the history of protest movements and rebellion in the United States. Beginning with Indigenous peoples’ resistance to European colonization and continuing through to today’s climate change demonstrations, Browne-Marshall sheds light on known and forgotten movements and their unsung leaders, offering insights into past successes and setbacks. Drawing upon legal documents, archival material, memoir, government documents and secondary sources, A Protest History of the United States expands the definition of protest beyond traditional marches and rallies. Acts of resistance also include journalism, legal battles, boycotts, everyday defiance, and more. Browne-Marshall highlights stories of individuals from all walks of life and time periods who helped bring strong attention to their causes. As contemporary movements struggle with inertia and doubt, Browne-Marshall underscores the essential role of protest as an American tradition in shaping and preserving democratic principles. By illuminating the strategies and sacrifices of activists past and present, A Protest History of the United States empowers readers to find their own voice in today’s fights for justice. Find author Gloria J. Browne-Marshall at her website and on Instagram. Find host Sullivan Summer at her website, on Instagram, and on Substack. | 1h 00m 33s | ||||||
| 2/4/26 | ![]() Dianna N. Watkins-Dickerson, "A Black Woman for President: Shirley Chisholm, Carol Moseley Braun, and Kamala Harris" (UP of Mississippi) | Throughout US history, only three Black women—Shirley Chisholm, Carol Moseley Braun, and Kamala Harris—have given successfully recognized bids for the office of president of the United States. In A Black Woman for President: Shirley Chisholm, Carol Moseley Braun, and Kamala Harris(UP of Mississippi) author Dianna N. Watkins-Dickerson uses womanist rhetorical criticism to analyze the presidential announcement speeches of Congresswoman Shirley Chisholm, Ambassador Carol Moseley Braun, and then-Senator Kamala Harris. In close readings of each candidate’s speeches, Watkins-Dickerson defines womanist rhetorical theory and its efficacy for researching Black female voices in the field of communication in general, and the presidential announcement speeches of Black women, specifically. Beginning with Shirley Chisholm’s historic 1972 campaign as the first Black woman to run a viable campaign for the US presidency, the volume analyzes how Chisholm’s speech set a precedent for future generations of Black women in politics by boldly asserting her right to lead, despite the multiple barriers of race and gender. The study then moves to Carol Moseley Braun’s 2004 presidential announcement, exploring how Braun’s speech navigated the intersections of identity, representation, and political ambition during a time when Black women in the Senate were still a rarity. Finally, the analysis culminates with Kamala Harris’s 2020 presidential bid, focusing on how her rhetoric blended elements of Black feminist resistance and national unity in an era of heightened political and racial division. The volume highlights the ways in which Chisholm, Braun, and Harris drew upon their lived experiences and cultural legacies to construct powerful, transformative narratives and argues that their speeches not only expanded the boundaries of political discourse but also reimagined the possibilities for leadership in America. Ultimately, this study provides a rich, interdisciplinary framework for understanding how Black women have reshaped the political landscape through the power of their words. You can find Dianna N. Watkins Dickerson at her website, and on social platforms @drdwd. Find host, Sullivan Summer, at her website, on Instagram, and on Substack. | 1h 00m 48s | ||||||
| 1/31/26 | ![]() Princess Joy L. Perry, "This Here Is Love" (W.W. Norton, 2025) | Three people—two enslaved, one indentured—living beside each other, struggling against their circumstances, trying to bend destiny. As the seventeenth century burns to a close in Tidewater, Virginia, America’s character is wrought in the fires of wealth, race, and freedom. Young Bless, the only child left to her enslaved mother, stubbornly crafts the terms of her vital existence. She stands as the lone bulwark between her mother and irreparable despair, her mother’s only possibility of hope, as Bless reshapes the boundaries of love. David is a helping child and a solace to his parents, and he gave a purpose to their trials. His survival hinges on his mother’s shrewd intellect and ferocious fight, but his sustenance is his freed Black father’s dream of emancipation for the entire family. Jack Dane, a Scots-Irish boy, sails to Britain’s colonies when his father sells him into indentured servitude as an escape from poverty. There Jack learns from the rich the value of each person’s life. A breathtaking, haunting, and epic saga, This Here Is Love (W.W. Norton, 2025) intimately intertwines us with these beautifully drawn, unforgettable American characters. Bless, taken to serve the slaveowner’s daughter, must decide where she belongs: with the enslaved or above them. David, sold away from his people, retreats into himself even as he yearns to unite with others. Jack, acting impetuously, changes his fortune, but will doing so sacrifice his humanity? All three come together on Jack’s land. As they face and challenge each other, they will relinquish and remake beliefs about family and freedom, even as they confront the limits of love. Princess Joy L. Perry is the recipient of a Virginia Commission for the Arts Fellowship and a winner of the Zora Neale Hurston/Richard Wright Award. Her short stories have appeared in All About Skin, African American Review, and Kweli Journal. She lives in Norfolk, Virginia. You can find her on Instagram. Host Sullivan Summer is at her website, Instagram, and on Substack, where she and Princess went to continue their conversation. | 53m 02s | ||||||
| 1/23/26 | ![]() Terence Keel, "The Coroner’s Silence: Death Records and the Hidden Victims of Police Violence" (Beacon Press, 2025) | Each year, police officers kill over 1,000 people they’ve sworn to protect and serve. While some cases, like George Floyd’s and Sandra Bland’s, capture national attention, most victims remain nameless, their stories untold. The Coroner’s Silence: Death Records and the Hidden Victims of Police Violence (Beacon Press, 2025) reveals a disturbing truth about these cases: coroners and other death investigators are often complicit in obscuring the violent circumstances of in-custody deaths.Through rigorous research—including critical records analysis, public health studies, and interviews with victims’ families—this book unmasks the systemic failures within forensic medicine. Terence Keel shows how incomplete autopsy reports, mishandled medical documents, and strategically lost evidence effectively shield law enforcement from accountability.The Coroner’s Silence uncovers how the current system of death investigation operates as a mechanism of institutional safeguarding. By highlighting the structural powerlessness of coroners and their disconnection from the communities most affected by police violence, Keel demonstrates how bureaucratic processes can render human suffering invisible.True accountability requires more than procedural reform. It demands a fundamental reimagining of how we investigate, document, and understand deaths at the hands of state institutions. The Coroner’s Silence is a crucial intervention that challenges us to confront the deeply ingrained mechanisms that perpetuate systemic violence. You can Terrence Keel at his website. Find host, Sullivan Summer, at her website, on Instagram, and on Substack. | 57m 20s | ||||||
| 1/7/26 | ![]() W. Ralph Eubanks, "When It's Darkness on the Delta: How America's Richest Soil Became Its Poorest Land" (Beacon Press, 2026) | Once the powerhouse of a fledgling country’s economy, the Mississippi Delta has been consigned to a narrative of destitution. It is often faulted for the sins of the South, portrayed as a regional backwater that willfully cleaved itself from the modern world. But buried beneath the weight of good ol’ boy politics and white-washed histories lies the Delta’s true story.Mississippi native and award-winning writer W. Ralph Eubanks unearths the region’s buried history, revealing a microcosm of economic oppression in the US. He traverses the Delta, examining its bellwether efforts to combat income inequality through vivid portraits of key figures like Theodore G. Bilbo and William Whittington, segregationist congressmen who sabotaged federal reparations for former sharecroppers in the 1940s and ’50s Gloria Carter Dickerson, founder of the Emmett Till Academy, whose parents were instrumental in desegregating schools in Drew, MS, where Till was murdered Calvin Head, a community organizer who runs a farming co-op in Mileston, who revived the legacy of his hometown, the only Black resettlement community in Mississippi Eubanks delivers a powerful and insightful examination of how racism and economic instability have shaped life in the Mississippi Delta. He traces the enduring consequences of political decisions that have entrenched inequality across generations. At the same time, he brings attention to the resilience of local communities and the grassroots movements working toward meaningful change. The book offers a thoughtful framework for policy reform and community investment, underscoring the need to support those who have long sustained the region through their labor and lived experience. You can find Ralph at his website. A soundtrack for the book is available here. Host Sullivan Summer is at her website, Instagram, and on Substack. | 1h 04m 39s | ||||||
| 1/5/26 | ![]() Robert D. Bland, "Requiem for Reconstruction: Black Countermemory and the Legacy of the Lowcountry's Lost Political Generation" (UNC Press, 2026) | The promise of Reconstruction sparked a transformative era in American history as free and newly emancipated Black Americans sought to redefine their place in a nation still grappling with the legacy of slavery. Often remembered as a period of failed progressive change that gave way to Jim Crow and second-class citizenship, Reconstruction’s tragic narrative has long overshadowed the resilience and agency of African Americans during this time.Requiem for Reconstruction (University of North Carolina Press, 2025) chronicles Reconstruction’s legacy by focusing on key Black figures such as South Carolina congressman Robert Smalls, Judge William Whipper, writer Frances Rollin, and others who shaped postbellum Black America. Robert D. Bland traces the impact of the Reconstruction generation—Black Americans born between 1840 and 1870 who saw Reconstruction as a defining political movement and worked to preserve its legacy by establishing a new set of historical practices such as formulating new archives, shaping local community counternarratives, using the Black press to inform national audiences about Southern Republican politics, and developing a framework to interpret the recent past’s connection to their present world. Set in South Carolina’s Lowcountry—a hub of Black freedom, landownership, and activism—this book shows how late nineteenth-century Black leaders, educators, and journalists built a powerful countermemory of Reconstruction, defying the dominant white narrative that sought to erase their contributions. Find Professor Bland at his website, and on Threads, BlueSky, and X. Host Sullivan Summer is at her website, Instagram, and on Substack where she and Professor Bland continued their conversation. | 1h 00m 23s | ||||||
| 12/25/25 | ![]() Trymaine Lee, "A Thousand Ways to Die: The True Cost of Violence on Black Life in America" (St. Martins, 2025) | A few years ago, Trymaine Lee, though fit and only 38, nearly died of a heart attack. When his then five-year-old daughter, Nola, asked her daddy why, he realized that to answer her honestly, he had to confront what almost killed him—the weight of being a Black man in America; of bearing witness, as a journalist, to relentless Black death; and of a family history scarred by enslavement, lynching, the Great Migration, the also insidious racism of the North, and gun violence that stole the lives of two great-uncles, a grandfather, a stepbrother, and two cousins.In this powerful narrative, Lee weaves together three strands: the long and bloody history of African Americans and guns; his work as a chronicler of gun violence, tallying the costs and riches generated by both the legal and illegal gun industries; and his own life story. With unflinching honesty he takes readers on a journey, from almost being caught up in gun violence as a young man, to tracing the legacy of the Middle Passage in Ghana through his ancestors’ footsteps, to confronting the challenges of representing his people in an overwhelmingly white and often hostile media world, and most importantly, to celebrating the enduring strength of his family and community.In A Thousand Ways to Die (St. Martin’s Press, 2025) Lee answers Nola and all who seek a more just America. He shares the hard truths and complexities of the Black experience, but he also celebrates the beauty and resilience that is Nola’s legacy. In this episode we discuss the work of Dana Tenille Weeks. You can hear her talk about the reimagination of future at Episode 22 of her podcast, The Rest of Us. Find Trymaine Lee at his website and on Instagram. Host Sullivan Summer is at her website, Instagram, and on Substack. | 52m 30s | ||||||
| 12/8/25 | ![]() Gloria Browne-Marshall, "A Protest History of the United States" (Beacon Press, 2026) | Exploring 500 years of protest and resistance in US history—and how its force is foundational and can empower us to navigate our chaotic world In this timely new book in Beacon’s successful ReVisioning History series, professor Gloria Browne-Marshall delves into the history of protest movements and rebellion in the United States. Beginning with Indigenous peoples’ resistance to European colonization and continuing through to today’s climate change demonstrations, Browne-Marshall sheds light on known and forgotten movements and their unsung leaders, revealing how protest has shaped our nation and remains a vital force for change today. Drawing upon legal documents, archival material, memoir, government documents and secondary sources, A Protest History of the United States (Beacon Press, 2026) gives voice to those who pushed back against the mistreatment of others, themselves, and in some instances planet Earth. Browne-Marshall highlights stories of individuals from all walks of life, backgrounds, and time periods who helped bring strong attention to their causes. Those stories include those of: Wahunsenacock, more commonly known to history as Chief Powhatan, who took on English invaders in pre-colonial America in 1607; legendary boxer Muhammad Ali who refused to be inducted into the US military during the Vietnam era and appealed all the way to the US Supreme Court; and David Buckel, LGBTQ+ rights lawyer and environmental activist who protested against fossil fuels by committing self-immolation in 2018. Regardless of whether these protests accomplished their end goals, Browne-Marshall reminds us that dissent is always meaningful and impactful. In fact, reading this book is an act of protest. Find Professor Gloria J. Browne-Marshall at her website and on Instagram. And find host Sullivan Summer at her website, on Instagram, and on Substack where she and Gloria continued their conversation. | 1h 06m 22s | ||||||
| 11/22/25 | ![]() Shatema Threadcraft, "Labors of Resurrection: Black Women, Necromancy, and Morrisonian Democracy" (Oxford UP, 2025) | Western democracies are haunted. Michael Hanchard suggests that the specter of race is what haunts our democracies, but it may be more accurate to suggest that they are haunted by their own racialized death machines—by racialized premature death. If this haunting is not adequately attended to, democracies cannot fulfill their function. Even W. E. B. Du Bois, whose lynching-as-crucifixion stories are important among the stories of Black peoplehood and represent an important attempt to reckon with death in democracy, did not attend to the haunting. But many innovative Black female democrats did. Black women face a crisis of premature death. They are 10 percent of the US female population yet represent 59 percent of women murdered. Their deaths are most often instances of intimate partner violence and occur in private, whereas most large-scale Black political mobilization centers on deaths that are “spectacular.” The centrality of spectacular death has functioned to marginalize Black women in the stories of Black peoplehood and has ensured that they are not the main beneficiaries of large-scale Black political mobilization. But the dearth of mobilization around the deaths of women has not stopped Black women from attending to that which haunts our democracy. Moreover, it is not simply Du Bois’s abolition democracy toward which the women have worked. Their work has involved experimentation with novel democratic forms, and we should think about that work—their methods and the substance of their contributions—within the framework of “Morrisonian truant democracy,” which provides the solution to the problem of mobilization. Labors of Resurrection: Black Women, Necromancy, and Morrisonian Democracy (Oxford UP, 2025) Professor Shatema Threadcraft is the Associate Professor of Gender and Sexuality Studies at Vanderbilt University. Find host Sullivan Summer at her website, on Instagram, and at Substack, where she and Shatema continued their conversation. | 58m 24s | ||||||
| 11/13/25 | ![]() Ronald Angelo Johnson, "Entangled Alliances: Racialized Freedom and Atlantic Diplomacy During the American Revolution" (Cornell UP, 2025) | Entangled Alliances is a reinterpretation of the American Revolution through analysis of diplomacy in the emerging United States during decades of hemispheric transformation. Ronald Angelo Johnson brings to light the fascinating story of American patriots and rebels from Saint-Domingue (later Haiti) allying against European tyranny. The American Revolution occurred between two of the greatest achievements in diplomacy of the eighteenth century: the peace treaties at Paris in 1763 and 1783. In Entangled Alliances : Racialized Freedom and Atlantic Diplomacy During the American Revolution (Cornell UP, 2025), Johnson draws on original multilingual sources to offer readers fresh, lively stories in a timely study. While modern understandings of freedom are often linked to the US Declaration of Independence, Johnson argues that the desire of Black Atlantic inhabitants for liberty and their will to resist slavery predated the fateful standoff between minutemen and redcoats at Lexington and Concord. Entangled Alliances is a US history of the American Revolution, fusing the search for freedom by Black and white founders in the United States and Saint-Domingue into a coherent story of collective resistance during the most explosive twenty-year period of the eighteenth century. You can find Dr. Ronald Angelo Johnson at the Baylor University website. Find host Sullivan Summer at her website, on Instagram, and on Substack where she and the author continued their conversation. | 1h 22m 10s | ||||||
| 10/26/25 | ![]() Javier Wallace, "Basketball Trafficking: Stolen Black Panamanian Dreams" (Duke UP, 2025) | Every year, hundreds of international student athletes arrive in the U.S. chasing their basketball dreams — many on F-1 student visas. But for some their journey turns into exploitation. Basketball Trafficking: Stolen Black Panamanian Dreams (Duke University Press, 2025) uncovers how dreams are sold, manipulated, and in some cases stolen — especially for young Black athletes from the Global South. This book offers a powerful call to action for educators, institutions, and sport leaders to safeguard the next generation of hoopers. Rooted in his own experience as a distinguished former Division 1 college athlete and an alumnus of a Historically Black Colleges and Universities (HBCU), Javier has a unique perspective on the significance of sports in cultural and social movements. He procured his Bachelor of Science and Master of Science degrees from Florida A&M University, followed by a PhD from The University of Texas at Austin, where he delved into the intersections of race, culture, and athletics. Javier’s expertise has led him to prominent roles, including serving as a Fellow at Harvard’s AfroLatin American Research Initiative, a University of Pennsylvania & University of Birmingham (UK) Immigration Fellow, and a Postdoctoral Associate and Professor at Duke University. His scholarly work has been recognized with accolades, such as the Harvard ALARI Best Dissertation on an Afro-Latin American topic in 2020 and a Preservation Merit Award from Preservation Austin. Javier has been featured in numerous media outlets such as TEDx, The Travel Channel, Discovery Channel, Vice Sports, ESPN, and CNN, marking him as a distinctive voice in his arena. His dedication to shining a light on the unsung heroes who have transformed sports into a stage for empowerment and social change remains unwavering. A committed traveler and cultural enthusiast, Javier continues to connect and promote these remarkable stories of resilience and triumph wherever his journey takes him. You can find Javier online, on Instagram, and at LinkedIn. Find Host Sullivan Summer online, on Instagram, or on Substack, where she and Javier continue their conversation. | 1h 06m 41s | ||||||
| 10/8/25 | ![]() Taylor Byas, "Resting Bitch Face: Poems" (Catapult, 2025) | The author of the award-winning national bestseller I Done Clicked My Heels Three Times returns with a poetry collection that transforms the Black female speaker from object, artistic muse, and victim to subject, critic, and master of her story.Resting Bitch Face (Soft Skull Press, 2025) is a book for women, for Black women, for lovers of art and film criticism, and for writers interested in work that finds a middle ground between poetry and prose. Taylor Byas uses some of our most common ways of “watching” throughout history (painting, films, sculpture, and photographs) to explore how these mediums shape Black female subjectivity.From the examination of artwork by Picasso, Gauguin, Sally Mann, and Nan Goldin, Byas displays her mastery of the poetic form by engaging in intimate and inventive writing. Fluctuating between watcher and watched, the speaker of these poems uses mirrors and reflections to flip the script and talk back to histories of art, text, photography, relationships, and men. From Polaroids to gesso primer to sculpture, Byas creates a world in which the artist calls out and the muse responds. For not only does she enter the world of the long-revered classic artist, but she also infuses her poems with such iconic pop culture works as The Joker, WandaVision, and Last Tango in Paris. You can find Taylor on Instagram and Bluesky. Find host Sullivan Summer online, on Instagram, and over on Substack, where she and Taylor went to continue their conversation. | 1h 01m 13s | ||||||
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