
Insights from recent episode analysis
Audience Interest
Podcast Focus
Publishing Consistency
Platform Reach
Insights are generated by CastFox AI using publicly available data, episode content, and proprietary models.
Most discussed topics
Brands & references
Total monthly reach
Estimated from 1 chart position in 1 market.
By chart position
- 🇭🇺HU · Documentary#193500 to 3K
- Per-Episode Audience
Est. listeners per new episode within ~30 days
250 to 1.5K🎙 Weekly cadence·323 episodes·Last published 1w ago - Monthly Reach
Unique listeners across all episodes (30 days)
500 to 3K🇭🇺100% - Active Followers
Loyal subscribers who consistently listen
150 to 900
Market Insights
Platform Distribution
Reach across major podcast platforms, updated hourly
Total Followers
—
Total Plays
—
Total Reviews
—
* Data sourced directly from platform APIs and aggregated hourly across all major podcast directories.
On the show
From 13 epsHost
Recent guests
No guests detected in recent episodes.
Recent episodes
A Pattern So Grand and Complex
Jun 15, 2026
Unknown duration
A Way of Living
May 31, 2026
6m 32s
What Rust Remembers
May 6, 2026
10m 15s
Small Is Still Significant
Mar 5, 2026
6m 45s
You Have to Start Making Decisions
Jan 27, 2026
9m 12s
Social Links & Contact
Official channels & resources
Official Website
Login
RSS Feed
Login
| Date | Episode | Topics | Guests | Brands | Places | Keywords | Sponsor | Length | |
|---|---|---|---|---|---|---|---|---|---|
| 6/15/26 | ![]() A Pattern So Grand and Complex | "We're not geniuses, we're just regular guys who are interested in things." — Neil PeartOn August 1st, 2015, Rush played their final show at the Forum in LA. I was there, just as I had been for so many Rush shows over the years. That show felt different — special in a way that we weren’t really prepared for. For months leading up to it, there were rumors that this would be the last show and after the final encore of “Working Man,” when Neil came out from behind his drum kit to take a bow with Alex and Geddy, the rumors became true. Over 40 years and thousands of shows, Neil never took a bow out front — instead, he just put down his sticks and quietly left the stage. As he wrote in “Limelight,” he simply couldn’t pretend a stranger was a long-awaited friend.I've been following a thread for over 40 years that started with a borrowed Rush record and led me to books, ideas, and work I couldn't have predicted. This iteration is about where that thread goes when you really pull it.LINKSRushRush live 6/7/26 in Los Angeles (Full Show)Neil Peart “Innerview” w/Jim Ladd (1980)Neil Peart’s last interview w/ Jim Ladd (2015)Neil Peart on Moving Pictures w/StromboRush Article ArchiveNeil Peart’s Favorite Books of All TimeHugh SymeRoger DeanStorm ThorgersonTaken by Storm: The Art of Storm Thorgerson and HipgnosisMick RockCONNECT WITH MEVisit my Website: https://jefferysaddoris.comGet my Newsletter: SubscribeEmail me: talkback@jefferysaddoris.com | — | ||||||
| 5/31/26 | ![]() A Way of Living✨ | successcuriosity+4 | — | — | — | successcuriosity+5 | — | 6m 32s | |
| 5/6/26 | ![]() What Rust Remembers✨ | artpainting+3 | — | — | — | paintingcreativity+3 | — | 10m 15s | |
| 3/5/26 | ![]() Small Is Still Significant✨ | complicated feelingssmall efforts+1 | — | Iteration | — | weightconversations+1 | — | 6m 45s | |
| 1/27/26 | ![]() You Have to Start Making Decisions✨ | website buildingpersonal archive+2 | — | — | — | careerstories+1 | — | 9m 12s | |
| 12/29/25 | ![]() Let Go Lightly✨ | therapymental health+1 | — | — | — | dark placeAdrianne+1 | — | 8m 48s | |
| 9/23/25 | ![]() The Weight of Waiting✨ | childhood memoriesnostalgia+1 | — | F100Ford F100+1 | ArizonaColorado | Ford F100Buckskin State Park+2 | — | 7m 53s | |
| 9/2/25 | ![]() Style, Stunts, and a Tiny House✨ | photographypersonal development+1 | — | — | — | interesting picturesphotographic legend+1 | — | 4m 39s | |
| 8/27/25 | ![]() Making and Money✨ | creative workcapitalism+1 | — | — | — | paymentcreative economy+1 | — | 8m 29s | |
| 6/30/25 | ![]() I Buried Another Bird✨ | deathnature+1 | — | — | — | birdheart-wrenching+3 | — | 4m 11s | |
Want analysis for the episodes below?Free for Pro Submit a request, we'll have your selected episodes analyzed within an hour. Free, at no cost to you, for Pro users. | |||||||||
| 6/2/25 | ![]() Little Beasts and Other Pleasures✨ | artfilm+1 | — | Little Beaststhe National Gallery of Art+2 | DC | National Gallery of ArtLittle Beasts+3 | — | 11m 22s | |
| 5/27/25 | ![]() The Ballad of the Benches✨ | workbenchstudios+2 | — | plywoodhardwood | — | woodworkingpainting+2 | — | 9m 05s | |
| 4/28/25 | ![]() It’s Still Just a Tool✨ | photographytools+1 | — | camera | — | camerafetishize+2 | — | 9m 05s | |
| 4/7/25 | ![]() It’s Okay to be Disappointed | I love making things, whether that means making a conversation with someone or making a piece of art or writing, and getting to do that fairly unfettered is a massive privilege and it’s not wasted on me. That said, it’s okay to be disappointed in what you make — and maybe not disappointed with the end product itself, but in the reception or how it gets received. It’s okay to be disappointed that other people don’t love it as much as you do — because you poured yourself into it, so of course you love it. But then when you release it into the world and the world just shrugs, it’s okay to be disappointed with that.CONNECT WITH MEWebsite: https://jefferysaddoris.com Instagram: @jefferysaddorisEmail: talkback@jefferysaddoris.com | — | ||||||
| 3/7/25 | ![]() Going Back to Move Forward | NOTE: To see the photos that I reference in this episode, see the post on my Substack.On one of our recent morning walk and talks, a group of photographers and I were talking about how much worse Instagram has gotten over the past few years in terms of exposure and engagement. We all agreed that it seems like most photographers we’ve spoken to about it have very similar feedback. Subscribers, reach, and engagement are all a fraction of what they used to be. And the platform that was once all about sharing images no longer seems to care about images at all — instead they prioritize short-form video in a desperate attempt to compete with TikTok and YouTube. But in the process, I think the platform has lost its way and has just become a vapid mechanism to spoon-feed ads to users. To be clear, there are still a bunch of terrific artists and photographers on Instagram — which is the main reason I haven’t left — but that’s not what gets served up to me by the algorithm. Even the people I follow are in my feed less and less, which makes very little sense to me. I’ve told you “this is the work I’m interested in” and yet that’s not what you give me. So the whole experience just keeps getting more and more disappointing — and we haven’t even talked about the “Tech Bro” leadership, which is a whole other thing.One of the photographers in the conversation asked whether I’d tried Flickr as an alternative. I told him that I used to be pretty active on Flickr — especially when I was still teaching Photoshop — but honestly, I don’t think I’ve logged in since 2017 or 2018 when SmugMug bought the platform. I said that I’d really been enjoying the upswing in artists and photographers on Substack so I hadn’t really considered other alternatives, especially one that in my mind had been all but dead for years. Still, he encouraged me to give it a look and later that afternoon, I was kind of amazed to see that my old login credentials still worked. The homepage feed looks different than I remember it, which is probably a good thing. What surprised me the most is that when I clicked on “Photostream” in the “You” dropdown, I still had more than 300 photos that I was sure I had deleted, but I’m so glad that I didn’t. It was amazing to see some of the things that I was focusing on from 2007-2011. Most of the photos are of architectural details, which I still love to photograph, but many of my photos from that time are street portraits and I remember the stories around every one of them.CONNECT WITH MEWebsite: https://jefferysaddoris.com Instagram: @jefferysaddorisEmail: talkback@jefferysaddoris.com | — | ||||||
| 2/9/25 | ![]() Get Out of Your Way | Reinvention is tough. Disrupting old patterns of beliefs or behaviors is tough. Even when we finally decide to disrupt the flow of familiarity, the fear of the unknown that awaits us can be paralyzing. I know that it has been for me. But one of the things that my therapist routinely encourages me to do is to sit with discomfort — to force myself to pause and breathe and stave off the instinct to move into “fight or flight” mode. In sitting with the discomfort or the pain or fear, we reduce its power and we might be more able to move through it to whatever is waiting on the other side. For me, I think that’s the possibility of making more work that I find interesting, finding an audience that will value it, and becoming more connected with a broader community of artists and makers.LINKSBetter Than EzraKevin Griffin From Better Than Ezra Advice On SongwritingDo schools kill creativity? | Sir Ken Robinson | TEDKevin Griffin (Wikipedia)The Greatest Song by Kevin GriffinCONNECT WITH MEWebsite: https://jefferysaddoris.com Instagram: @jefferysaddorisEmail: talkback@jefferysaddoris.comSUBSCRIBESubscribe to Almost Everything with Jeffery Saddoris in your favorite podcast app. You can also subscribe to my newsletter on Substack. | — | ||||||
| 1/28/25 | ![]() Gather Ye Rosebuds | Yesterday, Adrianne and I went out to one of favorite little coffee shops to have breakfast and spend the morning working. About an hour in, I had this urge to check Instagram, which I rarely do, especially lately. In fact, I haven’t really done much online or on social media since the election — I actually leave my phone home more often than not — but for whatever reason, I stopped doing my Morning Pages and picked up my phone and checked Instagram. The first post I saw was a story from Wesley Verhoeve. It was a photo of my friend Pableaux Johnson with a caption that read, “Rest in peace, Pableaux Johnson. Beloved by so many, a true culture documentarian, and a New Orleans treasure.” I was stunned and, in the moment, I honestly didn’t understand what I was reading. My first instinct was to respond to Wesley with, “Wait what? Pableaux is a friend of ours. What is this news?” Wesley responded, “He passed away. I’m sorry to bring you this news. I discovered it this morning from various other posts.” After a brief search, a story on on nola.com confirmed it with, “Beloved New Orleans photographer, foodie Pableaux Johnson dies after collapse at second line.” I just sat there in stunned silence as I felt my eyes well up with tears. Adrianne looked up and said, “What?” I just held up my phone so that she could see the story. “Oh, my God,” she said. “Is that real? What is that?” She grabbed her phone and began searching for confirmation.I re-watched Dead Poets Society recently and in learning about Pableaux’s death, I was reminded of the first stanza of this poem which was featured in the film.To the Virgins, to Make Much of TimeBy Robert HerrickGather ye rose-buds while ye may,Old Time is still a-flying;And this same flower that smiles todayTomorrow will be dying.The glorious lamp of heaven, the sun,The higher he’s a-getting,The sooner will his race be run,And nearer he’s to setting.That age is best which is the first,When youth and blood are warmer;But being spent, the worse, and worstTimes still succeed the former.Then be not coy, but use your time,And while ye may, go marry;For having lost but once your prime,You may forever tarry.LINKSWesley VerhoevePableaux JohnsonBeloved New Orleans photographer, foodie Pableaux Johnson dies after collapse at second lineRed Beans Road ShowShare Your Favorite Memories of Pableaux JohnsonCONNECT WITH MEWebsite: https://jefferysaddoris.com Instagram: @jefferysaddorisEmail: talkback@jefferysaddoris.comSUBSCRIBESubscribe to Almost Everything with Jeffery Saddoris in your favorite podcast app. You can also subscribe to my newsletter on Substack. | — | ||||||
| 1/11/25 | ![]() A Different Kind of Perfection | I’ve held off on posting this Iteration because I just didn’t feel like it was that important in light of what’s happening in California. But after some reflection, I actually think that it is important, because art and making are still important. Hope is important. Helping people to feel just a little less alone and trying to connect with them wherever that may be is important and it’s what I try to do with these Iterations. I write about my thoughts and experiences in the hope that it may help you navigate your own.LINKSAmerican Red CrossThe Los Angeles Regional Food BankThe Animal Wellness FoundationThe California Fire FoundationDark MatterLabyrinthBlake CrouchApple TV+Texas Shakespeare FestivalAlabama Shakespeare FestivalCONNECT WITH MEWebsite: https://jefferysaddoris.com Instagram: @jefferysaddorisEmail: talkback@jefferysaddoris.comSUBSCRIBESubscribe to Almost Everything with Jeffery Saddoris in your favorite podcast app. You can also subscribe to my newsletter on Substack. | — | ||||||
| 1/5/25 | ![]() Time for Deeper Work | I don’t know about you, but this is by far my least favorite time of year. It really starts around Thanksgiving, but this stretch between Christmas and New Year’s Day is particularly brutal — and it’s not just because I spent the first 48 years of my life in Southern California and still haven’t gotten used to the cold of the East Coast, but yes that. And it’s not just that I’ve lost both of my parents and Christmas has never been quite the same, but that’s part of it too. It’s more that I find it extraordinarily difficult just to be present. I feel caught between looking back on the previous 12 months and looking ahead to what I would like to do differently (or better) in the year ahead (but in all likelihood won’t, at least not to the degree that I tend to expect from myself). I suspect that I’m not alone in at least some of this. When I shared this with a friend, they responded, “Yeah, I feel the same way. But also the feeling and fear of the inevitable sameness as the previous year(s).”CONNECT WITH MEWebsite: https://jefferysaddoris.com Instagram: @jefferysaddorisEmail: talkback@jefferysaddoris.comSUBSCRIBESubscribe to Almost Everything with Jeffery Saddoris in your favorite podcast app. You can also subscribe to my newsletter on Substack. | — | ||||||
| 12/23/24 | ![]() The Marrow is in the Process | A few weeks ago, I took the train down to DC to meet up with my friend Richard Boutwell to walk through a show at the National Gallery called The '70s Lens. The show features the work of a bunch of fantastic photographers, many of whom I’d never heard of, and that was one of the reasons I wanted to go through it with him. Richard is a terrific photographer who specializes in western landscapes, mostly New Mexico, Arizona, and California. In fact, for years his grandfather was a park ranger in Joshua Tree, so he knows the park like the back of his hand. But as talented as he is behind the camera, he’s an even better printer. Richard has probably forgotten more about printing — both in the darkroom and digitally — than I will ever know. On top of that, he’s got an almost encyclopedic knowledge of photographers. As we were walking through the show, he was telling me all about this picture and that — why they are considered important, and in some cases, how the various photographers influenced each other’s work. It was similar to walking through exhibits with my friend Michelle — who is a paper conservator at the gallery — in that the additional context helps me connect with the work in a different and often deeper way.LINKSRichard BoutwellThe '70s LensHollyland wireless micsDavid Bowie: Full Interview (1995) | MTV NewsOTP (episodes 177 and 352)CONNECT WITH MEWebsite: https://jefferysaddoris.com Instagram: @jefferysaddorisEmail: talkback@jefferysaddoris.comSUBSCRIBESubscribe to Almost Everything with Jeffery Saddoris in your favorite podcast app. You can also subscribe to my newsletter on Substack. | — | ||||||
| 11/18/24 | ![]() Kubrick on the Morning Zoo | Recently, I picked up a copy of Barry Lyndon on Blu-ray. It’s one of those movies that I’ve had on my watchlist forever, but for whatever reason it just kept slipping through the cracks. As I was researching some of the other Criterion movies I was thinking about picking up, I saw a story about Google’s new AI-integrated NotebookLM and decided to try an experiment to see what (if any) insights AI might have to offer around Barry Lyndon. The results were both exciting and a little terrifying.LINKSThe Criterion CollectionNotebookLMTechnically awesome, emotionally distant — Kubrick movie review (1975)YouTube search results for "Barry Lyndon"Making Barry LyndonHow Kubrick Achieved the Beautiful Cinematography of Barry LyndonAchieving Perfection - The Cinematography of Barry LyndonBarry Lyndon - Stanley Kubrick's Meticulous Editing Process (Behind the Scenes)CONNECT WITH MEWebsite: https://jefferysaddoris.com Instagram: @jefferysaddorisEmail: talkback@jefferysaddoris.com | — | ||||||
| 11/5/24 | ![]() The Ritual of It All | Saturday night, Adrianne and I spent the evening at the home of our neighbors Raj and Trupti helping them, along with about 60 other friends and family members, celebrate Diwali, which is the Hindu festival of lights. It’s hard to explain how incredible it felt not just to be invited into their home again, but to feel so welcomed by the other guests and to get the opportunity to participate in an event that is a deeply meaningful part of their culture.CONNECT WITH MEWebsite: https://jefferysaddoris.com Instagram: @jefferysaddorisEmail: talkback@jefferysaddoris.comSUBSCRIBESubscribe to Almost Everything with Jeffery Saddoris in your favorite podcast app. You can also subscribe to my newsletter on Substack. | — | ||||||
| 11/4/24 | ![]() The Other Brave Thing | On Saturday, Adrianne and I took an impromptu trip into DC after seeing an interesting post pop up in my Instagram feed. The post was about an open studio event at the 52 O Street Artist Studios, which is a four-floor building that features “50+ Artists & Creative Businesses.” I’ve loved visiting artists’ spaces for years. When I was still living in California, I would regularly go to The Brewery Arts Complex for their open studio art walks, which were always fantastic. The Brewery is the largest live-work arts complex in the world, and for me the “live-work” aspect is really what sets it apart. There’s a similar complex in Alexandria, Virginia, called the Torpedo Factory that I also enjoy going to, but it’s a very different experience than The Brewery was. The artists only work at the Torpedo Factory and I think the fact that the artists at The Brewery work and live in the same space gives you a deeper insight into who they are beyond simply seeing the work. That additional context can make an enormous difference in how or how deeply I connect with the work.LINKS52 O Street Artist StudiosThe Brewery Arts ComplexTorpedo FactoryDave LefnerDC Arts StudiosDeep NatterProcess DrivenCONNECT WITH MEWebsite: https://jefferysaddoris.com Instagram: @jefferysaddorisEmail: talkback@jefferysaddoris.comSUBSCRIBESubscribe to Almost Everything with Jeffery Saddoris in your favorite podcast app. You can also subscribe to my newsletter on Substack. | — | ||||||
| 10/15/24 | ![]() When the Thing is the Thing | What you’re hearing (if you’re listening, rather than reading this) are the sounds of me unboxing a new keyboard — specifically, an Apple A1048, commonly known as simply the Apple Keyboard. What makes this keyboard especially interesting to me is the period of time in my life that it reminds me of — that and the fact that this particular keyboard has been sitting unopened and unused in a box in central California since 2003. I found it on shopgoodwill.com, where it was listed in “new or gently used” condition. When it arrived, I was pleasantly surprised to see that not only was it in the original box — which wasn’t mentioned in the description — but it was also in the original unopened plastic packaging. The last “new” thing I bought on Goodwill was a Starbucks Barista espresso machine to replace my Saeco Via Venezia that finally gave up the ghost after more than 19 years of daily service and literally thousands of shots of espresso. And just like the keyboard, the Barista was unopened and unused, still in the original box, neither of which were mentioned in the description.QUESTIONSWhat are some of your favorite or most meaningful objects?Hit reply, leave a comment, or email me at talkback@jefferysaddoris.com.CONNECT WITH MEWebsite: https://jefferysaddoris.com Instagram: @jefferysaddorisEmail: talkback@jefferysaddoris.comSUBSCRIBESubscribe to Almost Everything with Jeffery Saddoris in your favorite podcast app. You can also subscribe to my newsletter on Substack. | — | ||||||
| 10/14/24 | ![]() How Does it Feel? | Last week, I released a video review of a new book from Prestel about Gregory Crewdson. It was significant for me, not just because Gregory is one of my photographic heroes — although yes, that is part of it — but because it was the first project I’ve done in quite a while that was really just for me. I’ve been on a bit of a “creative hiatus” for the better part of a year and I’ve only done a few videos before this. So more than anything, I wanted to see if I could pull it off and have it be interesting and feel like me, rather than just another YouTube photo book flip-through. And before I get too far into this, I want to thank Andy Adams at FlakPhoto, without whom it may not have even happened. Andy is a good guy and if you’re at all interested in photography, he’s well worth a follow.A few months ago I started seeing a new therapist, and part of what we’ve been working on is something called Somatic Therapy, which I’ll include a couple links to in the notes if you’d like to learn more about it. Basically, somatic therapy focuses on the body and how emotions such as trauma and anxiety manifest as physical sensations. When I’m sharing a particular story or experience, my therapist will sometimes interrupt me and ask me to focus on how it feels to talk about or relive the experience — and not emotionally or existentially, but physically. It’s been fascinating to start noticing changes in my breath or heart rate or feel tension start to develop in my hands and shoulders when I’m sharing something disturbing or painful. On the other side, and this is where the video fits in, we’re working on identifying objects, memories, and pursuits and activities that give me joy or pleasure and naming or defining what those things feel like.LINKSGregory Crewdson video reviewWhat is Somatic Therapy?Somatic Experiencing TherapyThe Difference Between Reacting and RespondingWhat is Internal Family Systems?CONNECT WITH MEWebsite: https://jefferysaddoris.com Instagram: @jefferysaddorisEmail: talkback@jefferysaddoris.comSUBSCRIBESubscribe to Almost Everything with Jeffery Saddoris in your favorite podcast app. You can also subscribe to my newsletter on Substack. | — | ||||||
Showing 25 of 143
Pitch Fit is a Pro feature
See how bookable this show is for guests, which brands already advertise, the per-episode ad value, and the best-fit guest and sponsor profile. The numbers are blurred on the free plan.
How readily this show books outside guests like you.
How proven this show is for host-read sponsorships.
For Guests
ProFor Advertisers
ProUpgrade to Pro to unlock guest cadence, sponsor categories, fit scores, and per-episode ad value for this show.
Chart Positions
1 placement across 1 market.
Chart Positions
1 placement across 1 market.














