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Insights are generated by CastFox AI using publicly available data, episode content, and proprietary models.
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Total monthly reach
Estimated from 15 chart positions in 15 markets.
By chart position
- 🇬🇧GB · TV & Film#1175K to 30K
- 🇨🇦CA · TV & Film#1465K to 30K
- 🇺🇸US · TV & Film#1995K to 30K
- 🇮🇹IT · TV & Film#7010K to 30K
- 🇲🇽MX · TV & Film#7310K to 30K
- Per-Episode Audience
Est. listeners per new episode within ~30 days
54K to 197K🎙 ~2x weekly·161 episodes·Last published 1w ago - Monthly Reach
Unique listeners across all episodes (30 days)
109K to 393K🇫🇮25%🇬🇧8%🇨🇦8%+12 more - Active Followers
Loyal subscribers who consistently listen
43K to 157K
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* Data sourced directly from platform APIs and aggregated hourly across all major podcast directories.
On the show
From 12 epsHost
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Recent episodes
Comedy Legends Bob Odenkirk and David Cross Climb Machu Picchu
Jun 16, 2026
Unknown duration
Colby Day On How Screenwriting is A Career For Maniacs
May 12, 2026
1h 06m 04s
How Bill AB 2319 Could Keep Hollywood Home with Marielle Abaunza
Apr 28, 2026
29m 26s
How to Start a Bidding War with Verve Agent and Partner David Boxerbaum
Apr 14, 2026
58m 41s
Substack Live: Six Offers. No Rep. No Problem. Indie Filmmaker Carolina Alvarez on Self-Distributing "Sync"
Apr 2, 2026
48m 38s
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| Date | Episode | Topics | Guests | Brands | Places | Keywords | Sponsor | Length | |
|---|---|---|---|---|---|---|---|---|---|
| 6/16/26 | ![]() Comedy Legends Bob Odenkirk and David Cross Climb Machu Picchu | What does it take to hike 26 miles at 14,000 feet with no signal, no Uber, and two of the funniest people alive? We're about to find out. Join me as I sit down with comedy legends Bob Odenkirk and David Cross at the 2026 Tribeca Film Festival to discuss their documentary Bob and David Climb Machu Picchu — a film about friendship, mortality, and what happens when Hollywood strips away and the mountain shows you who you actually are. Plus: Why David chose Bob for this — and why Bob almost said no How Bob's heart attack during Better Call Saul gave the whole journey a different kind of weight The moment the mountain cracked them both open — and what they found on the other side Special thanks to Greenslate, Theorem Media, and Portrait for making this panel happen! Greenslate has been a longtime partner of AOP and it never gets old talking about the ways they have revolutionized production payroll and accounting for independent film. They had 22 projects at Tribeca this year and Bob and David Climb Machu Picchu was the one we chose to spotlight, via their client Left/Right. AOP SUBSTACK 📫 Musings, Mixers, Workshops, and Exclusive Content https://angleonproducers.substack.com/ AOP WHERE TO WATCH/LISTEN YouTube: https://www.youtube.com/@angleonproducers Spotify: https://open.spotify.com/show/6UBux9RgxeW1MiQDXSMrnr iTunes: https://apple.co/3FDyhmC JOIN THE AOP COMMUNITY 📸 Instagram: / https://instagram.com/carolinagroppa | https://instagram.com/angleonproducers 📱 TikTok: / https://www.tiktok.com/@carolina_groppa 👩🏻💻 LinkedIn: / bit.ly/2BqHs8L QUESTIONS ❔Answering your questions on our Subtasck! Submit here: anglonproducerspodcast@gmail.com | — | ||||||
| 5/12/26 | ![]() Colby Day On How Screenwriting is A Career For Maniacs✨ | screenwritingHollywood+4 | Colby Day | Apple TVSpaceman+4 | — | screenwritingColby Day+6 | — | 1h 06m 04s | |
| 4/28/26 | ![]() How Bill AB 2319 Could Keep Hollywood Home with Marielle Abaunza✨ | post-productiontax incentives+5 | Marielle Abaunza | California Post AllianceSignature Post | CaliforniaNew York | post-productionAB 2319+7 | — | 29m 26s | |
| 4/14/26 | ![]() How to Start a Bidding War with Verve Agent and Partner David Boxerbaum✨ | bidding waragent+3 | David Boxerbaum | VerveNew York University+2 | the Bay AreaHollywood | VerveNew York University+2 | — | 58m 41s | |
| 4/2/26 | ![]() Substack Live: Six Offers. No Rep. No Problem. Indie Filmmaker Carolina Alvarez on Self-Distributing "Sync"✨ | self-distributioncrowdfunding+3 | Carolina Alvarez | SyncSubstack Live+6 | — | indie filmmakersci-fi feature+3 | — | 48m 38s | |
| 3/17/26 | ![]() Personal Update + Listener Questions Answered✨ | grieflistener questions+8 | — | — | — | personal updatelistener questions+2 | — | 20m 36s | |
| 3/10/26 | ![]() How Pam Carbonero Built The Directors Community of Her Dreams✨ | directingproducing+3 | Pam Carbonero | iPhonesthe LA Director's Lab+1 | — | Latina directorLA Director's Lab+2 | — | 47m 47s | |
| 2/19/26 | ![]() How Culture Impacts Craft with Marina Stabile, Producer of Sundance Winning Film "Josephine"✨ | culturefilm+2 | Marina Stabile | The ResponseBeatriz at Dinner+18 | São PauloGeneva+2 | BrazilianSwiss+4 | — | 53m 47s | |
| 2/3/26 | ![]() Live from Sundance with "Bedford Park" Producer Gary Foster on How to be a Director's Offensive Lineman✨ | Sundancefilm production+2 | Gary Foster | HyundaiSundance+1 | — | Bedford ParkStephanie Ahn+3 | GreenSlate | 39m 12s | |
| 1/20/26 | ![]() What Sundance & TIFF Programmers Are Really Looking For✨ | film festivalsindependent cinema+3 | Ana SouzaDiana Cadavid | SundanceTIFF+6 | Los Angeles | selection processpremiere strategy+1 | — | 1h 08m 07s | |
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| 12/17/25 | ![]() Paul Feig on Comedy, Cult Classics & The Housemaid✨ | comedycult classics+3 | Paul Feig | The HousemaidUSC Film School+12 | Hollywood | martiniFreaks and Geeks+3 | — | 1h 29m 34s | |
| 12/9/25 | ![]() Barbara Muschietti on 10 Years of Horror, TV Kicking Her Ass & What Actually Terrifies Her✨ | horrorfilm production+3 | Barbara Muschietti | IT Chapter OneIT Chapter Two+9 | HollywoodDerry+1 | IT Chapter OneIT Chapter Two+3 | — | 1h 02m 03s | |
| 12/2/25 | ![]() Civil Co-Founder Alan Morales the Intersection of Coffee & Production in LA✨ | coffeefilm production+2 | Alan Morales | Civil CoffeeCivil+3 | LALos Angeles+5 | Civil CoffeeHighland Park+3 | — | 48m 30s | |
| 11/18/25 | ![]() Hannah Lux Davis - On Directing Ariana Grande, the Importance of Taste, and Working with Huge Artists | Hannah Lux is a powerhouse music video and commercial director who's created iconic visuals for Ariana Grande, Demi Lovato, Katy Perry, Doja Cat, Nicki Minaj, and Lil Wayne. But her path to the director's chair wasn't traditional. Hannah shares her 20-plus-year journey in LA—from working as a makeup artist on set to directing Lil Wayne, Drake, and Future on "Love Me," which now has over 620 million views. We dive deep into the making of Ariana Grande's "Thank U, Next," the video that broke YouTube records with 50 million views in 24 hours, and how she navigated legal clearances, celebrity cameos, and a three-day shoot while pregnant. We also talk about why communication and people management are often harder than the creative work, how to balance an artist's brand with your own vision, and what it takes to be a consistently working director. xx CG AOP SUBSTACK 📫 Musings, Mixers, Workshops, and Exclusive Content https://angleonproducers.substack.com/ WATCH ON YOUTUBE JOIN THE AOP COMMUNITY 📸 Instagram: / https://instagram.com/carolinagroppa | https://instagram.com/angleonproducers 📱 TikTok: / https://www.tiktok.com/@carolina_groppa 👩🏻💻 LinkedIn: / bit.ly/2BqHs8L QUESTIONS ❔Answering your questions on Tuesdays in our newsletter! Submit here: anglonproducerspodcast@gmail.com | — | ||||||
| 11/11/25 | ![]() Adamma & Adanne Ebo on Daniel Kaluuya's Advice, What Makes a Good Producer and the Power of Confidence | Happy Tuesday! Today is 11/11, a series of numbers that many see as a symbol of spiritual awakening, synchronicity, and alignment with the universe. I'm not too superstitious about these things, but when I catch it, it brings a smile to my face. Is it divine intervention or coincidence? And does it matter? In thinking about alignment, it feels very apropos to be sharing this particular conversation today with self-described nerdy fangirls Adamma and Adanne Ebo, the identical twin powerhouse behind the indie breakout film Honk for Jesus. Save Your Soul. We met making this film back in 2021—I remember we were in prep when the Ebos were about to turn 30. The incredible ascension they've experienced over these last five years is the epitome of alignment and synchronicity. Shortly after wrapping Honk, Adamma was tapped to direct her first television episode on Donald Glover's Atlanta—the kind of opportunity that only comes when talent meets the right moment. Timing really is everything, and while their success is absolutely the product of talent, hard work, and vision, there's also been a beautiful alignment of opportunities, relationships, and moments that propelled them forward. Call it luck, call it the universe conspiring—either way, their story is inspiring. From their days at Spelman College to making their feature debut with Honk for Jesus. Save Your Soul, they've blazed their own path in this industry. Honk premiered to critical acclaim at Sundance in 2022 and sold to Focus Features. The film stars Sterling K. Brown—who was also on the podcast this season with wonderful stories about working with the Ebos—and the incomparable Regina Hall, who delivers a masterclass performance as the first lady of a Southern megachurch. Since then, they've written and produced on some of the buzziest shows in recent TV: Peacock's Poker Face, Amazon's Mr. & Mrs. Smith, and Swarm. They're now a sought-after creative duo with an overall deal at Sony Television. Today we're diving into how they protected their artistic vision as first-time filmmakers, why confidence matters more than experience, and how their twin relationship became their secret weapon in Hollywood. xx cg AOP SUBSTACK 📫 Musings, Mixers, Workshops, and Exclusive Content https://angleonproducers.substack.com/ LISTEN TO THE SHOW Spotify: https://open.spotify.com/show/6UBux9RgxeW1MiQDXSMrnr iTunes: https://apple.co/3FDyhmC JOIN THE AOP COMMUNITY 📸 Instagram: / https://instagram.com/carolinagroppa | https://instagram.com/angleonproducers 📱 TikTok: / https://www.tiktok.com/@carolina_groppa 👩🏻💻 LinkedIn: / bit.ly/2BqHs8L QUESTIONS ❔Answering your questions on Tuesdays in our newsletter! Submit here: anglonproducerspodcast@gmail.com | — | ||||||
| 11/4/25 | ![]() LA Councilmember Adrin Nazarian On What Comes Next to Save Hollywood | Today's guest is Adrin Nazarian—former California State Assemblyman who helped triple the film tax credit from $100 million to $330 million during his decade in Sacramento, and now an LA City Councilmember who's fought to get that credit up to $750 million. Back in March, Adrin filed a motion with ten specific permitting reforms that passed city council unanimously unanimously to direct the Chief Legislative Analyst (CLA) to report back within 30 days on the feasibility of these proposed changes using input from the LAFD, LAPD, Recreation & Parks, DWP, DOT, Bureau of Public Works, and FilmLA. It's now November. As of this recording on October 29th, the CLA report is 150 days overdue. So yes, I ask the hard questions. Where is that report? (I'm told it's coming any day now!). What does it mean to be "nimble" in the world of politics when everything takes so long? We get into the real progress that is happening, even if imperfect. We have an honest dialogue about what we've lost. How tentpole productions left while the streaming boom kept everyone busy, until that bubble popped and companies realized the spending wasn't sustainable. How we've spent a decade training workforces in other states while our decline was masked by volume. And how policymakers took entertainment for granted because tech wealth was flooding in. But we also talk about how we're building it back. Adrin is refreshingly honest that the industry has been so successful for so long that nobody could have imagined it would ever cease to exist, much less look at the trajectory with concern because the receipts were still coming in. But now we're here. And there's a generation hungry for this work, ready to innovate and push the industry to new limits. That's what this fight is actually about. Not preserving nostalgia, but building the future. xx CG AOP SUBSTACK 📫 https://angleonproducers.substack.com/ JOIN THE AOP COMMUNITY 📸 Instagram: / https://instagram.com/carolinagroppa | https://instagram.com/angleonproducers 📱 TikTok: / https://www.tiktok.com/@carolina_groppa 👩🏻💻 LinkedIn: / bit.ly/2BqHs8L QUESTIONS ❔Answering your questions on Tuesdays in our newsletter! Submit here: anglonproducerspodcast@gmail.com | — | ||||||
| 10/28/25 | ![]() From Camera Department to Directing Your First Indie Film | *Today's episode is brought to you by InkTip, a trusted cornerstone of the independent film industry, connecting talented filmmakers with visionary screenwriters. Head to InkTip.com to learn more.* What does it take to transition from behind the camera to the director's chair? In this inspiring conversation, Jihane Mrad Balaa shares her remarkable 20-year journey from Lebanese immigrant to working on major shows like American Horror Story, 9-1-1, and Bumblebee—before finally making the leap to directing her own feature film. Jihane opens up about: ✨ Why being "normal and pleasant" is her secret to success in Hollywood 🎬 How she found her feature film script on InkTip 💪 The harsh realities of producing your first independent film 🎥 Shooting a murder mystery feature in 10 days 👥 What she learned observing 50+ directors—both good and bad 🚀 How diversity hiring became her "foot in the door" and why she embraced it This conversation is packed with honest, tactical advice for anyone looking to transition between departments or produce their first project. Whether you're a camera operator dreaming of directing, a PA trying to move up, or a filmmaker seeking financing, Jihane's story proves that with persistence, positivity, and the right partnerships, anything is possible. xx cg AOP SUBSTACK 📫 Musings, Mixers, Workshops, and Exclusive Content https://angleonproducers.substack.com/ WATCH/LISTEN Youtube: https://www.youtube.com/@angleonproducers Spotify: https://open.spotify.com/show/6UBux9RgxeW1MiQDXSMrnr iTunes: https://apple.co/3FDyhmC JOIN THE AOP COMMUNITY 📸 Instagram: / https://instagram.com/carolinagroppa | https://instagram.com/angleonproducers 📱 TikTok: / https://www.tiktok.com/@carolina_groppa 👩🏻💻 LinkedIn: / bit.ly/2BqHs8L | — | ||||||
| 9/30/25 | ![]() Maryam Mehrtash: From Refugee to Hollywood Media Executive | Delighted to share this chat with Maryam Mehrtash, an entertainment executive specializing in global marketing and brand partnerships. Her journey embodies the American dream - from fleeing Iran as a refugee at age two to becoming a key player behind one of the most successful streaming platform launches in recent history. Maryam helped traditional media companies pivot from linear to digital during the early days when digital was still treated as a "stepchild." She was part of the team at CBS Interactive that had the first-mover advantage in streaming with CBS All Access, then led the go-to-market strategy for the rebrand to Paramount Plus - all while pregnant and during one of the most pivotal moments in our industry's history. She brings a unique perspective on everything from the economics of peak TV to what producers should know about brand integration in storytelling. She's also a part of the vibrant Iranian diaspora in Hollywood and is on the board of Waterwell, a non-profit co-founded by Award-winning actor Arian Moayed. Having lived through the streaming wars from the inside, Maryam offers a front-row perspective that's invaluable for understanding where our industry has been and where it's headed. Tune in as we explore her journey and new role leading marketing partnerships at Disney Marvel, the complex world of brand partnerships, her Substack "This Is Not a Memo", and learn how her family's legacy drives her to greatness. Enjoy xx CG AOP SUBSTACK 📫 Musings, Mixers, Workshops, and Exclusive Content https://angleonproducers.substack.com/ JOIN AOP PATREON https://www.patreon.com/angleonproducers JOIN THE AOP COMMUNITY 📸 Instagram: / https://instagram.com/carolinagroppa | https://instagram.com/angleonproducers 📱 TikTok: / https://www.tiktok.com/@carolina_groppa 👩🏻💻 LinkedIn: / bit.ly/2BqHs8L MORE ON MARYAM https://instagram.com/maryammehrtash https://thisisnotamemo.substack.com/ | — | ||||||
| 9/23/25 | ![]() Madelaine Petsch Is Here To Push Your Boundaries | Madelaine Petsch has a penchant for divisive female characters.You may know her best as from her role as Cheryl Blossom in the CW's hit series Riverdale," which ran for 7 seasons. She's recently been evolving into one of Hollywood's most promising young producers. She's currently starring in and producing the next installment of "The Strangers" horror trilogy for Lionsgate, which hits theaters this Friday, September 26th. You can also catch her in the Amazon rom-com "Maintenance Required" on October 8th. In one film she's being chased by masked strangers; in the other, she's running from love. It was exciting to catch Madelaine in these early days of her shift into producing, especially when so many are skeptical of that leap. She's refreshingly candid about the brutal realities of fame—death threats, having her address posted online, and the strategic decision to delete her entire YouTube channel after millions of views. We explore how her South African immigrant parents shaped her work ethic, why she's drawn to complex female characters, and the politics of producer credits. And yes, before you ask—she can change your brake pads. xx CG | — | ||||||
| 9/17/25 | ![]() "HIM" Producer Jamal Watson - "I Started Making Films to Figure Out How Not to Die" | Jamal Watson's journey from South Central to Hollywood executive exemplifies the power of storytelling to transform lives. After finding inspiration in film during his youth, he started at Sony Pictures as a tour guide in 2003, building industry connections that would prove invaluable. His career accelerated through roles at Deluxe Film Services and a pivotal 2010 internship at Overbrook Entertainment, where he spent a decade rising from intern to Vice President. During this time, he produced acclaimed projects including "SPRINTER" (ABFF winner, African Academy Award nominee), "HALA" (Sundance and TIFF selection), Disney's "ALADDIN," and Netflix's "AMEND." At Monkeypaw Productions, Watson continued championing diverse voices through projects like the "SCARE TACTICS" reboot and upcoming film "HIM", which opens in theaters on September 19th. He also launched a music label imprint with Interscope Records, expanding his influence across entertainment sectors. Jamal's trajectory demonstrates how passion for storytelling, combined with strategic relationship-building and unwavering dedication, can create pathways to success in Hollywood's competitive landscape. Hope you takeaway as much as I did! xx cg | — | ||||||
| 9/9/25 | ![]() Inside FilmLA's Much Needed Permitting Process Reform | This week, we hear from Donna Washington, FilmLA's VP of Permit Operations. After the June 20th Board of Public Works hearing in Los Angeles, I was taken aback by the outrage and frustration permeating the halls of City Hall. So many folks I've grown up on set with voiced their extreme concern with the permitting process and costs in LA - one of the main blockers keeping productions from coming or staying here. Donna has been with FilmLA since its very beginning in 1995. She's witnessed firsthand the evolution from LA's golden era of production - when they were processing nearly 40,000 shoot days a year - to the current reality where production has dropped by 53% in just the last five years. While FilmLA is not the sole cause of the production exodus, it certainly has not helped. I wanted to invite Donna on to address this criticism head-on and discuss the misconceptions about who sets what fees, Film LA's 17-point plan to streamline the permitting process, and how FilmLA actually functions compared to film commissions in other states. This isn't about pointing fingers - it's about understanding the system, identifying the problems, and working together on solutions. Because as Donna puts it, FilmLA doesn't exist if the industry doesn't exist. And right now, with a 400% uptick in applications following California's increased tax incentives, we're at a critical moment that could determine the future of filmmaking in Los Angeles. This impacts all of us and requires all of us to work towards a solution. | — | ||||||
| 9/2/25 | ![]() The Fight to Keep Hollywood in Hollywood | Six months ago, Stay in LA co-founders Sarah Adina Smith and Alexandra Pechman came on the show to explain why their grassroots movement was desperately needed to keep film production in Los Angeles. Since then, they've racked up a good amount of wins —from helping secure California's $750 million tax incentive to advocating for permitting reform across LA County. Today we're joined by two other leaders driving this coalition: showrunner and co-founder Noelle Stehman, and social impact producer Kate Holguin. We break down their wins, setbacks, and what's next in the battle for Hollywood's future. But as both guests make clear, the wins so far are just the beginning. As Noelle puts it: "If we don't continue to put pressure on policymakers and studio execs... the industry is going to continue to disappear and deteriorate." | — | ||||||
| 8/26/25 | ![]() Adria Arjona Pivots into Producing | Kicking off the new season with the spirited Adria Arjona for what was, incredibly, her first solo podcast ever. As someone whose face is literally on billboards outside my place currently, I found this fact both shocking and oddly kismet. It's a special treat to share this unexpected and refreshing punk rock side of her with you all. What you'll discover about Adria is that beyond being gorgeous – which, obviously – she's a dynamic, perceptive citizen of the world with a penchant for doing "bad things." And I mean that in the best possible way. She's the kind of person who makes you immediately start plotting how to become her best friend. Born in Puerto Rico, half Guatemalan, raised in Mexico, and shaped by a nomadic childhood following her father Ricardo Arjona on tour – one of the best-selling Latin American artists of all time – Adria learned early that home isn't a place, it's found in people and rituals. A lesson that serves her well in an industry that keeps her constantly moving between London, LA, and everywhere in between. There are SO many gems here, but a few that really stayed with me is how selling merch on her dad's tours taught her the art of hustling, a career-changing audition failure, and how producing has changed her as an actor for the better. AOP SUBSTACK 📫 Musings, Mixers, Workshops, and Exclusive Content https://angleonproducers.substack.com/ JOIN AOP PATREON https://www.patreon.com/angleonproducers JOIN THE AOP COMMUNITY 📸 Instagram: / https://instagram.com/carolinagroppa | https://instagram.com/angleonproducers 📱 TikTok: / https://www.tiktok.com/@carolina_groppa 👩🏻💻 LinkedIn: / bit.ly/2BqHs8L QUESTIONS ❔Answering your questions on Tuesdays in our newsletter! Submit here: anglonproducerspodcast@gmail.com | — | ||||||
| 8/19/25 | ![]() Jennifer Lafleur: The Duplass Brothers Indie Darling | Today, we are joined by actor and producer Jennifer LaFleur. She was recently in the HULU original film THE DROP and, just this past weekend, the psychological horror film she also co-produced, BIRTHRITE, directed by Ross Partridge. In a blast from the past, Jen and I met in 2011 on the set of a feature film where I was shadowing the producer. It's a gentle reminder of how much the path zigs and zags. During our chat, Jen shares how she turned her Massachusetts hometown into a movie set for her latest film BIRTHRITE, why the Duplass Brothers' "you are the cavalry" philosophy changed her career, and what her ER doctor father taught her about perspective when film locations fall through days before shooting. Whether you're an aspiring filmmaker, working parent, or anyone trying to build something meaningful, Jen's story offers practical wisdom about creating opportunities, leveraging what you already have, and showing up as your best self - because you never know when a brief encounter will change your life years later. BIRTHRITE is playing in limited theaters in Los Angeles now! | — | ||||||
| 8/11/25 | ![]() August Updates + New Season! | Monday vibes got you down? Let's flip that energy! 🎬 We are gearing up to launch a new season of the show, but in the meantime, I wanted to share what I've been up to behind the scenes. We've been focused on elevating all across the board--from our content, to our vibrant new set by Sara Silkwood (https://www.sarasilkwood.me/), and intentional community engagement. After 6 years of a mostly solo podcasting hustle, I'm finally ready to share what's been happening behind the scenes—from our incredible Summer Cafecito series to landing at a Hollywood soundstage where Lucille Ball once walked. This summer was filled with elevation: Cannes Film Festival, new studio, growing team, and big plans ahead. Plus the real talk about funding this passion project solo while building something sustainable for our creative community. Subscribe for more behind-the-scenes and creative industry real talk ✨ | — | ||||||
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Chart Positions
15 placements across 15 markets.
Chart Positions
15 placements across 15 markets.






















