Antique Auction Forum

Margaret Schwartz, known as The Modern Antiquarian, joins me to talk about how she went from a spontaneous antiques tour to filling a 20 foot container in a single day and launching a successful business. We discuss what it really takes to learn the trade, including early mistakes, pricing challenges, and how to spot reproductions in a market where fakes can easily fool newcomers. Margaret also shares her shift into garden antiques, from Four Seasons figures to cast stone and fountains, and what continues to drive demand today. A big part of the conversation centers on something we both strongly believe, antiques are meant to be used and lived with, not locked away. From everyday use of inherited pieces to embracing wear as part of an object’s story, this episode highlights the personal connection that makes collecting meaningful. Margaret also reflects on her time working with Martha Stewart and how that experience shaped her eye for design, presentation, and storytelling. We also touch on buying online versus in person, the rise of platforms like Facebook Marketplace, and what the future may hold for the antiques trade, making this a thoughtful and engaging conversation about collecting, design, and the stories objects carry through time.https://www.modernantiquarian.com

In this reflective episode, Martin explores how antiques connect us to the forgotten lives of the past. A chance discovery of a granite canal post near a historic 1790 house sparks a deeper meditation on craftsmanship, stewardship, and legacy. From 18th-century canal workers to New England cabinetmakers, the objects that survive today are more than decorative artifacts — they are physical evidence of human effort, ambition, and care. Through the lens of early American furniture and historic infrastructure, this episode considers what it means to be stewards rather than owners, and asks an important question: what will survive of us? Antiques are not about nostalgia — they are about continuity, perspective, and the quiet responsibility of preserving memory across generations.

A Boston mahogany linen press has just shattered expectations, soaring to a price level rarely seen in today’s market for American brown furniture. In this episode, Martin breaks down the remarkable sale at John McInnis Auctioneers in Amesbury, where competitive bidding pushed this exceptional piece into record territory. Joining the conversation is Martin’s good friend, Peter Sawyer—and the underbidder on the piece—who offers a rare behind-the-scenes perspective on what made this linen press so important, why serious collectors recognized its significance, and how quality, provenance, and condition can still ignite intense demand. Peter also noted that when an object comes to market combining condition, quality, form, rarity, and limited availability, buyers would be wise to pay close attention. Together, they explore what this sale signals for the future of Boston furniture and whether reports of “brown furniture’s death” have been greatly exaggerated. YOUTUBE VIDEO

In this episode, we’re joined by Johanna McBrien who has worked in the field for more than 40 years in the antiques, publishing, and museum fields. From Historic New England to teaching at RISD and Boston Architectural College, Johanna has spent her career digging into the rich stories behind furniture, interiors, and decorative arts. Johanna discusses her love for 18th century Salem, MA furniture (see our related video: https://www.youtube.com/watch?v=eVB-tb1GOfk ), also she talks about what’s hot (and what’s not) in the antiques market, why you should collect what you love instead of chasing value, and how the loss of historical education is putting our connection to antiques at risk. For Johanna, it’s simple: when antiques lose their stories, they lose their soul. Tune in for a thoughtful, engaging chat about why history matters—and why understanding the past is essential to preserving the beauty and relevance of antiques today. Johanna is the currently t executive director of the Dedham Museum and Archive.

The 1919 Molasses Flood was a tragic and significant event in the history of Boston’s North End, reflecting the challenges of a rapidly changing city after World War I. In this episode, Jake Sconyers from the HUB History podcast delves into the disaster, examining the working-class Italian immigrant community it affected, the lasting impact on the neighborhood, and how the Great Molasses Flood has become a piece of Boston's enduring mythology. BIO: Jake Sconyers is the founder and cohost of HUB History, a weekly podcast where we share our favorite stories from Boston’s history. Before starting the podcast, Jake founded and ran a walking tour company called Boston Strolls for a couple of seasons. More recently, he has been a lecturer at Cambridge Center for Adult Education, an organizer of History Camp Boston, and a volunteer docent at the Shirley-Eustis House.In addition to Jake's obsession with Boston history, he takes the photographs that he shares here, and he enjoys running marathons, kayaking, gardening, making jam and jelly, brewing hard cider, and grilling and barbecuing tasty meats. At work, he helps physicians use their EHR. He is a volunteer with a dog rescue called Shultzs Guest House and he gives platelets to the Red Cross. Jake's Websites jacobsconyers.com I like to take pictures. I take pictures of Boston, of my adventures, of breaking news, of animals, and flowers, and sunsets. I post the decent ones on this site. You can consider this the canonical site for Jacob Sconyers. https://www.hubhistory.com/ My wife and I host a weekly podcast. It’s our way of sharing our favorite stories from Boston’s history. https://historycamp.org/ History Camp is an unconference for history, founded in the Boston area and expanding beyond. I built and maintain their website, as well as helping to organize monthly history events for History Camp enthusiasts. Firemen stand in thick molasses after the disaster in 1919. The Great Molasses Flood in Boston's North End killed 21 people and injured 150.

Robert K. Wittman had a remarkable career as an FBI agent for 20 years, from 1988 to 2008. Specializing in art theft and cultural property crime, Robert became the FBI’s go-to expert for these types of cases. His impressive work undercover led to the recovery of over $300 billion worth of stolen art and property across 20 different countries. His extensive undercover operations are detailed in his book, Priceless: How I Went Undercover to Rescue the World’s Stolen Treasures. He has fascinating stories. https://www.robertwittmaninc.com/ In 2008, after 20 years with the FBI, Robert Wittman retired from the Bureau and brought his expertise to the private sector. He sought to create a Security and Recovery Consulting firm that would draw on his unique investigative experience to protect its clients from losses related to theft, fraud or forgery. Since its inception, Robert Wittman Inc. has grown far beyond its original vision, providing protection and recovery services to more than 100 public and private collections worldwide. Robert Wittman Inc. continues to proudly serve a diverse portfolio of institutions, auction houses, collectors, galleries, insurance companies and Nations committed to protecting their cultural assets. Martin's mentioning of the Declaration of Independence almost forgotten when Washington was burning: "Pleasonton acquired several coarse linen bags, and filled them with all the Department's records. This included the still-unpublished secret journals of Congress, the commission and correspondence of George Washington, the Articles of Confederation, the United States Constitutionand all the treaties, laws, and correspondence of the department made since 1789. He had all of this placed in coarse linen sacks and carted to a grist mill two miles beyond Georgetown. Before he left, he noticed the Declaration of Independence had been forgotten and was still hanging in its frame on the wall, and took that as well." Robert's Story on Dolly Madison saving the George Washington Portrait

Founder of Art Guard, Bill Anderson discusses the art theft market, as well as Art Guard’s system which is dedicated to protecting anything that’s valuable and portable. A system that is always on, operating discreetly in the background, managed from anywhere on a mobile device.

Martin Willis interviews longtime friend Stephen Schofield on coins and stamps, and how rare are rare coins? What about collecting stamps? What to do for more information about what dad or grandad may have stashed away. Who to trust and what the importance is of condition and care for these historic pieces passing through our lives. For images and info check out his auction website: http://www.centennialauctions.com/

Martin Willis speaks with Mike Lord & Justin Nash who decided that they were not going to let one of the country's largest antiques shows not happen during the virus, so they created an online event to rival the experience of being there. Gates open May 12, 10:00 AM EDT. #Feelthebrim https://feelthebrim.com/https://www.facebook.com/groups/BrimfieldOnline/

Interviews with auction houses around the country on the new reality of "Online Only Auctions", with Stephen Fletcher of Skinner Auctioneers in Boston; Wes Cowan of Cowan's Auctions, Ohio; Rick Unruh of Clars Auction Gallery, Oakland, CA and Greg Willett, a global picker, Wisconsin. www.skinnerinc.com https://www.cowanauctions.comhttps://clars.com https://www.gregwillettantiques.com

Author, Jim Craig joins us for a fascinating interview on the finest American eagle carver of all time, John Haley Bellamy. Check out the Facebook Page.

Anne Laure Bandle joins us from Geneva and discusses the fascinating topic of her 2016 book: The Sale of Misattributed Artworks and Antiques at Auction Some amazing cases of sleepers, jackpots and the legality of it all. Dr. Anne Laure Bandle is an attorney-at-law at the lawfim Borel & Barbey in Geneva where she advises clients in matters related to works of art, copyright, contracts, estate planning, foundations and trusts. Anne Laure Bandle website: https://www.artsandlaw.ch/

It has been awhile, glad to be back! Martin talks live streaming with Dan Meader at John McInnis Auctioneers in Amesbury, MA. about a hidden and unknown Andy Warhol work find in a New England family attic. “I’m trudging along, it’s 150 degrees in the attic, I’m on my hands and knees going through this box that was just stuff, I can see this bubble wrap in this box that’s falling apart. … I flipped it over and I see the inscription on the back and I started shaking.” Source Auction results will be posted. PRICES REALIZED of a few highlights, including the 23% buyer’s premium: Lot 40. Andy Warhol broken canvas, “Abstraction – Gift to Jon Gould” sculpture: $369,000; Lot 44. Andy Warhol, ‘NY Post’ crumpled sculpture: $43,050; Lot 48. Andy Warhol charcoal drawing, “Body Builder”: $43,050 and Lot 52. Andy Warhol stitched photo collage “Jon Gould”: $61,500 plus so much more.