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Est. listeners per new episode within ~30 days
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On the show
From 10 epsHosts
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Recent episodes
Realizing Guillermo del Toro’s Dream: Inside the Production Design of ‘Frankenstein’
Feb 23, 2026
33m 14s
Art & Crafts: Inside the Making of 'Wicked: For Good'
Jan 12, 2026
32m 25s
Art & Crafts: Inside the Making of 'The Testament of Ann Lee'
Dec 5, 2025
28m 47s
Art & Crafts: 'Alien: Earth' Took the Franchise to Places It Had Never Been
Dec 1, 2025
43m 12s
Art & Crafts: Inside the Making of ‘The Lowdown’
Nov 17, 2025
37m 00s
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| Date | Episode | Topics | Guests | Brands | Places | Keywords | Sponsor | Length | |
|---|---|---|---|---|---|---|---|---|---|
| 2/23/26 | Realizing Guillermo del Toro’s Dream: Inside the Production Design of ‘Frankenstein’✨ | Guillermo del ToroFrankenstein+3 | Tamara Deverell | Ankler MediaFrankenstein+2 | — | Guillermo del ToroFrankenstein+5 | — | 33m 14s | |
| 1/12/26 | Art & Crafts: Inside the Making of 'Wicked: For Good'✨ | costume designfilm production+4 | Paul TazewellFrances Hannon+1 | Ankler MediaWicked: For Good+1 | — | Wickedcostume design+6 | Universal Pictures | 32m 25s | |
| 12/5/25 | Art & Crafts: Inside the Making of 'The Testament of Ann Lee'✨ | filmmakingbudgeting+3 | Mona FastvoldWilliam Rexer+1 | Ankler MediaThe Testament of Ann Lee+1 | — | filmmakingbudget+3 | Searchlight Pictures | 28m 47s | |
| 12/1/25 | Art & Crafts: 'Alien: Earth' Took the Franchise to Places It Had Never Been✨ | Alien franchisevisual effects+3 | Dana GonzalesJonathan Rothbart | Ankler MediaAlien: Earth+1 | — | Alien franchisevisual effects+3 | FX | 43m 12s | |
| 11/17/25 | Art & Crafts: Inside the Making of ‘The Lowdown’✨ | production designcinematography+4 | Brandon Tonner-ConnollyMark Schwartzbard | Reservation DogsThe Lowdown | Tulsa, Okla. | Brandon Tonner-ConnollyMark Schwartzbard+6 | FX | 37m 00s | |
| 8/25/25 | Art & Crafts: Making of ‘Andor’ Season 2✨ | Andor Season 2screenwriting+4 | Dan GilroyTony Gilroy+2 | AndorRogue One | — | AndorDan Gilroy+5 | Disney+ | 36m 06s | |
| 8/18/25 | Art & Crafts: How ‘The Bear’ Sound Team Creates Quiet and Chaos✨ | sound designThe Bear+5 | Steve “Major” Giammaria | Ankler MediaThe Bear+1 | — | sound designThe Bear+6 | FX | 17m 37s | |
| 8/15/25 | Art & Crafts: Baby Noises & Dope Beats: How TV’s Top Sound Editors Bring the Noise✨ | sound designanimation+3 | Brad NorthEliot Connors | American Society of CinematographersLove, Death + Robots+1 | Los Angeles | sound editinganimation+3 | Netflix | 15m 54s | |
| 8/14/25 | Art & Crafts: How a Childhood Visit to 7-Eleven Led to a VFX Star’s Passion✨ | visual effectsinspiration+4 | Everett Burrell | American Society of CinematographersThe Umbrella Academy+1 | Los Angeles | VFXThe Umbrella Academy+5 | Netflix | 12m 27s | |
| 8/13/25 | Art & Crafts: ‘Hacks’ to ‘Pachinko’: TV’s Top Production Designers on Building Worlds✨ | production designset decoration+4 | Claire KaufmanRob Tokarz+1 | HacksPachinko | American Society of Cinematographers Clubhouse | production designset decoration+5 | Apple TV+ | 20m 39s | |
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| 8/12/25 | ![]() Art & Crafts: Cutting Seth Rogen’s Jokes and More Daring Story Feats From TV’s Top Editors | In a conversation with Molly Shock, ACE, Emmy-nominated editors Eric Kissack, ACE Apple TV+’s The Studio, Jamie Martin, ACE MTV’s RuPaul’s Drag Race and Peggy Tachdjian Netflix’s Monsters: The Lyle and Erik Menendez Story chat about how their work helps guide the audience in the direction they need to go. “That is ultimately what drives everything we do,” Shock says. “But you all have three very different vehicles by which you are telling your stories.” This episode, sponsored by Apple TV+, MTV and Netflix, was recorded at the American Society of Cinematographers Clubhouse in Los Angeles on Aug. 7. | 22m 21s | ||||||
| 8/11/25 | ![]() Art & Crafts: 'Hacks', 'Severance' and the Pressure of Returning to a Hit | In a conversation with James Whitaker, ASC, Emmy-nominated cinematographers Adam Bricker, ASC (HBO Max's Hacks) and Jessica Lee Gagné (Apple TV+'s Severance) discuss the pressure that comes with returning to a hit series, how they each evolved the looks of their respective shows during the most recent season and how the production design informs their photography choices. “I didn’t know what season 2 was gonna be about,” Gagné says. “I wanted to do something new. I can’t stand lighting a set the same way twice. So there were a lot of challenges in this. But when I read the synopsis for season 2, I saw how the world was expanding, so that got me excited." This episode, sponsored by Apple TV+, HBO Max and Universal Television, was recorded at the American Society of Cinematographers Clubhouse in Los Angeles on Aug. 7. | 21m 01s | ||||||
| 5/29/25 | ![]() Art & Crafts: Shaking Up Star Wars Lore with ‘Andor’ | In a conversation moderated by four-time Emmy-nominated cinematographer and director Michael Goi, ASC, three of the creators behind Disney+’s Andor — costume supervisor Kate O’Farrell, production designer Luke Hull and composer Brandon Roberts — detail how they collaborated with creator Tony Gilroy to build the world of his acclaimed Star Wars spinoff series. The two-season drama, set prior to the events of Rogue One, follows Cassian Andor (Diego Luna) as he grows from smuggler to a stalwart of the rebellion. For O’Farrell and Roberts, working on a Star Wars show was a dream come true, while Hull was drawn in also by Gilroy’s desire to shake up storytelling in that universe. Hull’s memory of Gilroy’s initial pitch: Join up “if you want to be a pirate and do something different with it.” | 21m 19s | ||||||
| 5/28/25 | ![]() Art & Crafts: Tales of the Irish Troubles on ‘Say Nothing’ | In a conversation moderated by Emmy-nominated editor Michael Ruscio, ACE, three of the pros behind FX’s Say Nothing — creator and writer Joshua Zetumer, director Michael Lennox and cinematographer Stephen Murphy — delve into the process of crafting the haunting historical drama. Adapted from the nonfiction book of the same name by Patrick Radden Keefe, the scripted series conveys the complexity of the Troubles in Northern Ireland during the 1970s, ’80s and ’90s. Lennox, a Northern Ireland native, originally thought the Troubles were a story that he — like anyone from the area — knew in full. But his experience on the series opened his eyes to many of the details and horrors from the traumatic period. “We know what happened in the late ’60s to the present day, but I didn’t quite know it to this depth,” he says. “I felt that this could be an important piece of television which asked some really profound and tough and interesting questions, and I wanted to be part of that.” | 33m 47s | ||||||
| 5/23/25 | ![]() Art & Crafts LIVE: Grace and Glamour on 'Étoile' | In this episode recorded live on May 8 at the American Society of Cinematographers Clubhouse in Los Angeles, production designer François Audouyon (whose credits include A Complete Unknown) moderates a conversation with three of the creators behind Amazon Prime Video’s 'Étoile': production designer Bill Groom, choreographer Marguerite Derricks and director of photography M. David Mullen, ASC. For the comedy set in the rarefied world of professional ballet, the team cast 20 professional dancers in both Paris and New York — not to mention as many as 80 SAG-AFTRA dancers for company class scenes — and shot primarily on location and in real theaters in the two cities. "I said to our producer, if we can't go to Paris and find locations to shoot in, we should all be fired," Groom says. "But we ended up building so much there, because Paris is a really difficult place to shoot. | 18m 27s | ||||||
| 5/21/25 | ![]() Art & Crafts LIVE: Making a ‘Brutal, Dirty’ Western in ‘American Primeval’ | In this episode recorded live on May 8 at the American Society of Cinematographers Clubhouse in Los Angeles, director Jennifer Arnold speaks with three of the creators behind Netflix’s American Primeval: director of photography Jacques Jouffret, ASC, makeup department head Howard Berger and sound designer Wylie Stateman. The limited series follows the battle for control of the American West in 1857 through the eyes of a mother (Betty Gilpin) and son, on the run with the help of a steely mountain man (Taylor Kitsch). “Brutal, dirty and grimy,” Jouffert says, is what director Peter Berg wanted for the 19th century Western, and the three artisans share how they delivered, shooting in changeable weather and light at 10,000 feet, creating authentic indigenous looks and developing a distinct sonic signature for cold wind. | 18m 20s | ||||||
| 5/19/25 | ![]() Art & Crafts LIVE: Stylish Spycraft on ‘The Day of the Jackal’ | In this episode recorded live on May 8 at the American Society of Cinematographers Clubhouse in Los Angeles, cinematographer Nicole Hirsch Whitaker, ASC speaks with three of the creators behind Peacock’s The Day of the Jackal thriller series: director and executive producer Brian Kirk, costume designer Natalie Humphries and director of photography Christopher Ross. The series follows the cat-and-mouse saga of an assassin (Eddie Redmayne) and a British intelligence officer (Lashana Lynch), a twisty tale that leans into the legacy of British spy novels but with a modern edge. When creator Ronan Bennett told Kirk he wanted to set the series "in a world where everybody lies about everything all the time,” Kirk recalls, “I was immediately attracted to the prospect.” | 14m 55s | ||||||
| 12/6/24 | ![]() Art & Crafts LIVE: Recreating WWII London With ‘Blitz’ | In this episode recorded live on November 12 at the American Society of Cinematographers Clubhouse in Los Angeles, director Patricia Riggen speaks with four of auteur Steve McQueen’s collaborators on his World War II drama Blitz for Apple Original Films: production designer Adam Stockhausen, editor Peter Sciberras, and supervising sound editors James Harrison and Paul Cotterell. The film recreates events from Germany’s devastating bombardment of London in 1940-41, while also following a mother and son trying to find each other amid the mayhem. “We have to keep retelling these stories, because we keep making the same mistakes,” Harrison says. “We have to keep reminding ourselves of the terror of the past.” | 21m 36s | ||||||
| 12/4/24 | ![]() Art & Crafts LIVE: The Phantasmagoria of ‘Emilia Pérez’ | In this episode recorded live on November 12 at the American Society of Cinematographers Clubhouse in Los Angeles, Michael Ruscio, ACE, speaks with three of the creators behind director Jacques Audiard’s Emilia Pérez: composers/songwriters Clément Ducol and Camille and editor Juliette Welfling. Netflix’s spectacular Spanish-language musical drama, which centers on a Mexican drug kingpin who transitions to live as a woman, is a genre-bending “phantasmagoria,” as Camille puts it. Welfling, a longtime Audiard collaborator, “learned that he was even more crazy than I thought,” she says. “Please, Jacques, stay crazy!” | 14m 27s | ||||||
| 11/22/24 | ![]() Art & Crafts LIVE: Making Movie Magic With 'Wicked’' | In the second of four episodes recorded live on November 12 at the American Society of Cinematographers Clubhouse in Los Angeles, Rob Legato, ASC, speaks with four of the talents behind Wicked, Universal Pictures’ epic musical adventure. Cinematographer Alice Brooks, ASC, editor Myron Kerstein, VFX supervisor Pablo Helman and supervising sound editor John Marquis discuss how they collaborated with director Jon Chu to create an eye-popping spectacle that also conveys the intense bond between Ariana Grande’s Glinda and Cynthia Erivo’s Elphaba. The goal, Brooks says, was to tell “the most beautiful love story ever told between these two women, these two best friends.” | 21m 20s | ||||||
| 11/20/24 | ![]() Art & Crafts LIVE: Flights of Imagination in 'The Wild Robot' | In the first of four episodes recorded live on November 12 at the American Society of Cinematographers Clubhouse in Los Angeles, Michael Goi, ASC, leads a conversation with three of the creators behind The Wild Robot, the $300 million global blockbuster from DreamWorks Animation and Universal Pictures. Composer Kris Bowers, visual effects supervisor Jeff Budsberg, and supervising sound editor Leff Lefferts reveal how they conveyed the evolution of Roz — the film's titular robot — as she is "stepping beyond her programming and becoming more human," Bowers explains. Adds Lefferts, "We’re telling a lot of emotion and a lot of story." | 15m 35s | ||||||
| 8/15/24 | ![]() Art & Crafts LIVE: The Nominees – Outstanding Sound Editing | In the last of four special episodes recorded live on August 1 at the American Society of Cinematographers Clubhouse in Los Angeles, Joel D. Catalan, CAS — a sound re-recording mixer who was Emmy-nominated for the NatGeo series Cosmos: A SpaceTime Odyssey — sits down with two of 2024’s Emmy contenders in the category of outstanding sound editing for a comedy or drama series (one hour): Brian J. Armstrong, MPSE, is nominated for FX’s period drama Shogun, and Tim Kimmel, MPSE, got nods for two Netflix shows: sci fi epic 3 Body Problem and animated adventure Avatar: The Last Airbender. The two sound supervisors reveal how they collaborate with showrunners to balance music, dialogue, action and strategic silence, frequently deploying what Armstrong calls “addition by subtraction.” | 28m 26s | ||||||
| 8/13/24 | ![]() Art & Crafts LIVE: The Nominees – Outstanding Costume Design | In the third of four special episodes recorded live on August 1 at the American Society of Cinematographers Clubhouse in Los Angeles, Mona May — the costume designer behind iconic films including Clueless and The Wedding Singer — sits down with two of this year’s Emmy contenders in the category of outstanding period costumes for a limited or anthology series or movie: Lou Eyrich is nominated for her work on FX’s Feud: Capote vs. the Swans, and Safowa Bright Bitzelberger got the nod for Netflix’s Griselda. Eyrich shares how she recreated New York high-society looks from the 1950s to the ’80s, while Bitzelberger recalls conjuring the fashion aesthetic for a much grittier milieu during some of those same years: the Miami drug underworld. | 25m 01s | ||||||
| 8/8/24 | ![]() Art & Crafts LIVE: The Nominees – Outstanding Production Design | In the second of four special episodes recorded live on August 1 at the American Society of Cinematographers Clubhouse in Los Angeles, Jeannine Oppewall — a four-time Oscar nominee for art direction on films including L.A. Confidential and The Good Shepherd — sits down with two of this year’s Emmy contenders in production design: Glenda Rovello is nominated for her work on Frasier, from Paramount+ and CBS Studios, and Gianna Costa got the nod for the MTV reality series RuPaul’s Drag Race. Costa describes the “seat-of-your-pants thinking” that powers a fast-moving competition show, and Rovello recalls how the innovative set design of the original Frasier informed her decisions on the reboot. They also share how playing with color and making room for movement help set the stage for great TV storytelling. | 25m 09s | ||||||
| 8/6/24 | ![]() Art & Crafts LIVE: The Nominees – Outstanding Cinematography | In the first of four special episodes recorded live on August 1 at the American Society of Cinematographers Clubhouse in Los Angeles, Nicole Hirsch Whitaker (Netflix’s One Piece) sits down with three of this year’s Emmy-nominated directors of photography. Dana Gonzales got the nod for FX’s Fargo; Richard Rutkowski for Apple TV+’s Sugar; and Gary Baum for Frasier from Paramount+ and CBS Studios. These three veterans share their career paths, creative inspirations, aesthetic hacks and the bond they share with directors. “You want to meet people that you could stay and make films with for the rest of your life,” says Gonzales. “Whatever you can do to create that kind of energy and synergy and shorthand, you're going to excel, and that's the dream.” | 41m 05s | ||||||
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Chart Positions
3 placements across 3 markets.
Chart Positions
3 placements across 3 markets.
