
Insights from recent episode analysis
Audience Interest
Podcast Focus
Publishing Consistency
Platform Reach
Insights are generated by CastFox AI using publicly available data, episode content, and proprietary models.
Most discussed topics
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Total monthly reach
Estimated from 43 chart positions in 43 markets.
By chart position
- 🇺🇸US · Film Interviews#31100K to 300K
- 🇨🇦CA · Film Interviews#41100K to 300K
- 🇦🇺AU · Film Interviews#6230K to 100K
- 🇬🇧GB · Film Interviews#7130K to 100K
- 🇩🇪DE · Film Interviews#7730K to 100K
- Per-Episode Audience
Est. listeners per new episode within ~30 days
447K to 1.4M🎙 Daily cadence·201 episodes·Last published 6d ago - Monthly Reach
Unique listeners across all episodes (30 days)
1.5M to 4.5M🇲🇽18%🇺🇸7%🇨🇦7%+40 more - Active Followers
Loyal subscribers who consistently listen
596K to 1.8M
Market Insights
Platform Distribution
Reach across major podcast platforms, updated hourly
Total Followers
—
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Total Reviews
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* Data sourced directly from platform APIs and aggregated hourly across all major podcast directories.
On the show
From 17 epsHost
Recent guests
Recent episodes
Disclosure Day
Jun 18, 2026
Unknown duration
Miss You, Love You
Jun 11, 2026
52m 38s
Star Wars: The Mandalorian and Grogu
Jun 4, 2026
44m 13s
Shrinking
May 28, 2026
54m 52s
Plur1bus
May 21, 2026
46m 06s
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| Date | Episode | Topics | Guests | Brands | Places | Keywords | Sponsor | Length | |
|---|---|---|---|---|---|---|---|---|---|
| 6/18/26 | ![]() Disclosure Day | Today on Art of the Cut, we speak with editor Sarah Broshar, ACE, on editing Steven Spielberg’s Disclosure Day.Sarah has been on Art of the Cut several times, last for her editing of The Fablemans. She was nominated for an ACE Eddie for Spielberg’s The Post. Her credits also include Ready Player One, Pet Sematary, and West Side Story.This discussion will be about the rule when temping score that will be replaced by the legendary John Williams, how the length of the first assembly is a secret even to Spielberg himself, and Sarah’s keys to building suspense and enhancing emotion.If you want to read along this podcast and see images from the film, the trailer, and images on the post crew, check out the BorisFX blog siteborisfx.com/blog/aotc | — | ||||||
| 6/11/26 | ![]() Miss You, Love You✨ | film editingHBO film+4 | Doc Crotzer | HBOMiss You, Love You+5 | — | Doc CrotzerMiss You Love You+5 | — | 52m 38s | |
| 6/4/26 | ![]() Star Wars: The Mandalorian and Grogu✨ | editingStar Wars+4 | Rachel Goodlett KatzDylan Firshein | Star Wars: The MandalorianThe Book of Boba Fett+6 | — | editingStar Wars+5 | — | 44m 13s | |
| 5/28/26 | ![]() Shrinking✨ | editing comedycharacter development+3 | James RefroeSarah Lucky | Apple TVScrubs+8 | — | editingcomedy+4 | — | 54m 52s | |
| 5/21/26 | ![]() Plur1bus✨ | editingtelevision+4 | Skip MacdonaldChris McCaleb+1 | BorisFXPluribus+4 | — | editingPluribus+5 | — | 46m 06s | |
| 5/14/26 | ![]() Remarkably Bright Creatures✨ | editingfilm structure+3 | Tamara Meem | BorisFXRemarkably Bright Creatures+5 | Los AngelesAustralia | editingRemarkably Bright Creatures+5 | — | 48m 53s | |
| 5/7/26 | ![]() The Devil Wears Prada 2✨ | film editingeditor's cut+3 | Andrew Marcus | BorisFXThe Devil Wears Prada 2+7 | — | film editingThe Devil Wears Prada 2+5 | — | 25m 52s | |
| 4/30/26 | ![]() THE DINOSAURS✨ | editingvisual effects+5 | Ben Lavington MartinMatt Howorth | NetflixAmblin’ Entertainment+8 | — | editingvisual effects+5 | — | 52m 39s | |
| 4/23/26 | ![]() The AI Doc: Or How I Became an Apocaloptimist✨ | documentary editinganimation+3 | Daysha BroadwayDavis Coombe | The AI Doc: Or How I Became an ApocaloptimistEverything, Everywhere, All at Once+7 | — | AI Docdocumentary+7 | — | 54m 27s | |
| 4/16/26 | ![]() THE DRAMA✨ | editingco-editing+3 | Joshua Raymond LeeDevon Halliday | BorisFXThe Drama+5 | — | editingco-editing+5 | — | 52m 03s | |
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| 4/9/26 | ![]() EPIC: Elvis Presley in Concert✨ | Elvis Presleyfilm editing+4 | Jonathan Redmond | EPIC: Elvis Presley in ConcertElvis+6 | — | Elvis PresleyBaz Luhrman+3 | — | 35m 00s | |
| 4/2/26 | ![]() Project Hail Mary✨ | editingfilm+4 | Joel Negron | BorisFXProject Hail Mary+5 | — | editingProject Hail Mary+5 | — | 30m 53s | |
| 3/26/26 | ![]() Young Sherlock✨ | editingcollaboration+4 | Cheryl PotterCalum Ross+2 | Amazon PrimeBorisFX+15 | — | Young Sherlockediting+5 | — | 46m 04s | |
| 3/19/26 | ![]() KPOP Demon Hunters✨ | editinganimation+4 | Nathan Schauf | Sony PicturesKPOP Demon Hunters+3 | — | editingKPOP Demon Hunters+5 | — | 55m 40s | |
| 3/12/26 | ![]() HOPPERS✨ | editingfilm score+4 | Axel Geddes | PixarHoppers+7 | — | editingPixar+6 | — | 47m 23s | |
| 3/5/26 | ![]() A Winter's Song✨ | film editingACE Eddie Award+3 | Yvette M. Amirian | ACEA Winter’s Song+4 | — | film editingACE Eddie Award+6 | — | 38m 59s | |
| 2/26/26 | ![]() MARTY SUPREMIE✨ | editingfilm production+3 | Josh SafdieRonald Bronstein | BorisFXMarty Supreme+4 | — | editingMarty Supreme+5 | — | 46m 32s | |
| 2/19/26 | ![]() AVATAR: FIRE AND ASH✨ | film editingAvatar films+4 | Stephen Rivkin | Avatar: Fire and AshAvatar: The Way of Water+8 | — | Avatarediting+6 | — | 41m 40s | |
| 2/12/26 | ![]() THE PITT | Today on Art of the Cut we speak with editor Mark Strand, ACE, who is nominated for an ACE Eddie for Best Edited Drama Series for his work on HBO’s The Pitt.In addition to The Pitt, Mark’s work includes Shameless, Animal Kingdom, Rizzoli and Isles, Longmire, Nip/Tuck, and others.Our discussion includes how the show was not supposed to have any music, how geography matters to the editing, and the value of subverting audience expectations when cutting.If you want to read along with this interview and see exclusive images, like the floor plan for The Pitt and timeline screenshots of Mark's nominated episode and the pilot, visit BorisFX's blog site.BorisFX.com/blog/aotc | — | ||||||
| 1/29/26 | ![]() TRAIN DREAMS | Today on Art of the Cut a discussion of the Oscar-nominated Best Picture, Train Dreams with editor Parker Laramie.Parker was the 2025 Winner of the Jonathan Oppenheim Editing Award at Sundance for the documentary André Is an Idiot. He has also been nominated for 2 Emmys and a Cinema Eye Honors Award for his writing and editing on the non-fiction program, Allen v. Farrow. His other work includes the feature film Sing Sing, and the TV mini-series Dancing for the Devil: The 7M TikTok Cult, among many other projects.Our conversation today includes: how a background in documentary editing helps with editing narrative features, creating dynamics by changing structure, and the power … and danger … of a cut to black.If you'd like to read along with the podcast and see a trailer, behind the scenes photos, a timeline screenshot of Train Dreams - in Premiere - visit the BorisFX.com blog siteborisfx.com/blog/aotc | — | ||||||
| 1/21/26 | ![]() Hamnet | Today on Art of the Cut we speak with Affonso Gonçalves about editing Chloe Zhao’s Hamnet.Affonso has been on Art of the Cut previously for Don’t Worry, Darling,Affonso has been nominated for an Emmy and won an ACE Eddie for his work on the TV series True Detective. He was nominated for another ACE Eddie for his work on the documentary, The Velvet Underground. His other work includes the films Carol, The Lost Daughter, Beasts of the Southern Wild, and Winter’s Bone.Our conversation today will cover co-editing with Oscar-winning director Chloe Zhao, the power of elliptical editing, and the value of cutting to black.If you'd like to read along with this podcast, you can read a transcription and see photos, clips and the trailer at teh BorisFX blog site.Check out: borisfx.co/blog/aotc | — | ||||||
| 1/15/26 | ![]() Sentimental Value | Today on Art of the Cut, the editor of Oscar-contender Sentimental Value, Olivier Coutté.Olivier’s is a Danish editor whose previous work includes Thelma, Oslo August 31st, Beginners, and The Apprentice, for which he was nominated for a Film Independent Spirit Award. He also won the Tribeca Jury Award for Best Editing of a narrative feature for Bridgend.Our conversation today will cover structuring where montages belong in the film, the importance of trust in the cutting room, and the need to include “sparkles” amid the drama, … Among many other things!If you'd like to read along with this interview and see exclusive photos, plus trailers, clips and more, check out the BorisFX.com blog site!borisfx.com/blog/aotc | — | ||||||
| 1/8/26 | ![]() Cover Up | Today on Art of the Cut we speak with Oscar-winning director, Laura Poitras, who also edited the documentary, Cover Up, with fellow editors, Amy Foote, ACE and Peter Bowman. Cover Up is available to watch now on Netflix.Laura’s documentaries have been nominated for three Oscars - for All the Beauty and the Bloodshed, My Country, My Country, and CitizenFour, which won the Oscar. She’s also been nominated for three Emmys, winning one, for CitizenFour, which also won a BAFTA.Amy’s been on Art of the Cut before for All the Beauty and Bloodshed, for which she was nominated for an ACE Eddie, and Hail Satan? Her other work includes Father Soldier Son, which won an Emmy for Best Documentary Editing, and Girls State, among many others.Peter Bowman is a Cinema Eye Honors nominee for Cover Up, along with his co-editors. His other work includes Girls State, How to Fix a Drug Scandal and USA versus Chapo: The Drug War Goes on Trial.Our conversation today will cover the importance of allowing breaths to allow the audience to feel and absorb, the ethics of documentary, and the difficult choices of killing one’s darlings to streamline the story.If you want to read along with this podcast and see exclusive photos and timeline screenshots, go to the BorisFX blogsite:borisfx.com/blog/aotc | — | ||||||
| 1/2/26 | ![]() Orwell 2+2=5 | Today on Art of the Cut we speak with Oscar-winning director, Raoul Peck and editor Alexandra Strauss. Both have been on Art of the Cut in the past for Raoul’s film, Ernest Cole: Lost and Found.Raoul is an Oscar-nominated, BAFTA-winning and Emmy-winning director/producer for his documentary I Am Not Your Negro. He was also a winner of Cannes Golden Eye Award for Ernest Cole: Lost and Found and a nominee for Orwell: 2+2=5. He was an International Documentary Award winner for Exterminate All the Brutes. And received Cinema Eye Honors Award nominations for I Am Not Your Negro, and Exterminate all the Brutes.Alexandra has been nominated for numerous awards for her editing, including Cinema Eye Honors Awards for Best Editing for Orwell 2+2=5, Ernest Cole: Lost and Found, I Am Not Your Negro, and Exterminate all the Brutes.On this episode we discuss the importance of voice-over in documentary, how and why to deliver tone, and the power of juxtaposing historical archival with modern news footage.You can read along with this episode - and ALL the episodes - on BorisFX.com's blog site:BorisFX.com/blog/aotc | — | ||||||
| 12/26/25 | ![]() BLACK RABBIT | Today on Art of the Cut we speak with the three editors of the Netflix TV series, Black Rabbit: Vikash Patel, Cedric Nairn-Smith, and Kyle Reiter, ACE.Vikash is an Emmy winner for his work on Top Chef, and an Emmy nominee for Ozark. His other work includes TV series Revolution and The Sympathizer.Cedric Nairn-Smith has been on Art of the Cut in the past for Daredevil: Born Again. His other work includes Moon Knight and The Boys.Kyle’s been nominated for four Emmys and four ACE Eddies for his work on Barry, Mr. and Mrs. Smith, and Atlanta.On this episode we discuss their approach to new material, the benefits of working with a director who’s also a showrunner, and tying the show’s tone with score. You can read along with this podcast on the BorisFX.com blog site:borisfx.com/blog/aotc | — | ||||||
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Chart Positions
48 placements across 43 markets.
Chart Positions
48 placements across 43 markets.
