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- Per-Episode Audience
Est. listeners per new episode within ~30 days
1,001 - 10,000 - Monthly Reach
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5,001 - 25,000 - Active Followers
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501 - 5,000
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On the show
Recent episodes
You Can Get Here From There | Benicio del Toro Comes To Class
Dec 26, 2025
Unknown duration
You Can Get Here From There | Closing Thoughts
Jun 21, 2025
Unknown duration
You Can Get Here From There | New Orleans
Jun 21, 2025
Unknown duration
You Can Get Here From There | Arthur & Adler
Jun 21, 2025
Unknown duration
You Can Get Here From There | Deep Cover & Paco
Jun 21, 2025
Unknown duration
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| Date | Episode | Description | Length | ||||||
|---|---|---|---|---|---|---|---|---|---|
| 12/26/25 | You Can Get Here From There | Benicio del Toro Comes To Class | Benicio del Toro comes to class to talk about the Technique with Arthur Mendoza and the students. | — | ||||||
| 6/21/25 | You Can Get Here From There | Closing Thoughts | Arthur shares his hopes for what the podcast has offered its listeners. | — | ||||||
| 6/21/25 | You Can Get Here From There | New Orleans | Arthur reflects on his first visit to New Orleans, the professor who introduced him to Tennessee Williams' world, and the deep love for the city that has stayed with him ever since. | — | ||||||
| 6/21/25 | You Can Get Here From There | Arthur & Adler | Arthur expands on his deep friendship and mentorship with Stella Adler, and how he continues to carry her legacy forward through his own work. | — | ||||||
| 6/21/25 | You Can Get Here From There | Deep Cover & Paco | Arthur shares how he landed his role in Deep Cover - and the audition that ultimately led to him quitting acting. | — | ||||||
| 6/21/25 | You Can Get Here From There | Meeting Stella Adler | Arthur reflects on his first encounter with Stella Adler, her powerful lessons on imagination, and the profound friendship/mentorship that shaped both his art and his life. | — | ||||||
| 6/21/25 | You Can Get Here From There | Graduate School (UCSD) | Arthur takes us through his journey studying acting in graduate school, sharing the lessons that contributed to his development as an artist. | — | ||||||
| 6/21/25 | You Can Get Here From There | UC Riverside & Eric Barr | Arthur shares stories from his time at UC Riverside, highlighting the guidance and inspiration he received from his mentor, Eric Barr. | — | ||||||
| 6/21/25 | You Can Get Here From There | Childhood, Family, Women Pt. 2 | Arthur reflects on his childhood, his family, and the influential women who helped shape him - both as an artist and as a man. | — | ||||||
| 6/21/25 | You Can Get Here From There | Childhood, Family, Women | Arthur reflects on his childhood, his family, and the influential women who helped shape him - both as an artist and as a man. | — | ||||||
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| 6/11/25 | You Can Get Here From There | Introduction | Arthur Mendoza studied and taught alongside Stella Adler for 12 years. He currently teaches every Wednesday at 7 PM at The Santa Monica Playhouse, as well as online classes every Tuesday at 5 PM PST. In this series of episodes, Arthur reflects on his journey as a dancer, singer, actor, artist, and teacher — and on his relationship with Stella Adler. | — | ||||||
| 9/30/23 | Actor John Ford talking technique with Arthur Mendoza, Self Taping and Stella Adler's Method of Script Breakdown - Part 1 | Actor John Ford talking technique with Arthur Mendoza, Self Taping and Stella Adler's Method of Script Breakdown - Part 1. He shares how self taping and script analysis has helped his career both in Los Angeles and South Caroline in order to get more roles as an actor. Subscribe to More and Visit the Website! | — | ||||||
| 12/24/19 | Inside the Actor Circle Theatre | In this Episode of Actor Circle Theatre, you will hear gold nuggets of wisdom from Arthur Mendoza. This episode contains snippets of Arthur speaking in class on different topics that an actor needs to hear. Arthur Mendoza was taught the Stella Adler technique of acting directly from Stella Adler and is one of the few that have learned the processes directly from Stella Adler herself. Arthur has worked with many working actors such as Jason Momoa, Mark Ruffalo, Selma Hayek, and Benecio Del Toro just to name a few! | — | ||||||
| 4/16/19 | How to read Tennessee Williams' "The Glass Menagerie" Part 5 | Arthur Mendoza introduces Tennessee Williams and how to read, break down, and interpret his work. | — | ||||||
| 4/16/19 | How to read Tennessee Williams' "The Glass Menagerie" Part 4 | Arthur Mendoza introduces Tennessee Williams and how to read, break down, and interpret his work. | — | ||||||
| 4/16/19 | How to read Tennessee Williams' "The Glass Menagerie" Part 3 | Arthur Mendoza introduces Tennessee Williams and how to read, break down, and interpret his work. | — | ||||||
| 4/16/19 | How to read Tennessee Williams' "The Glass Menagerie" Part 2 | Arthur Mendoza introduces Tennessee Williams and how to read, break down, and interpret his work. | — | ||||||
| 4/16/19 | How to read Tennessee Williams' "The Glass Menagerie" Part 1 | Arthur Mendoza introduces Tennessee Williams and how to read, break down, and interpret his work. | — | ||||||
| 4/16/19 | Stella's Protege 5 | No description provided. | — | ||||||
| 4/16/19 | The Fundamental Techniques of Stella Adler | Arthur Mendoza breaks down the most important and fundamental techniques, imaginary story and the animal exercise. | — | ||||||
| 4/16/19 | Being Real Is Boring | Arthur Mendoza explains why being real in a scene is boring and ruins a scene. | — | ||||||
| 4/16/19 | Studying Sides Won't Teach You Anything | Arthur Mendoza speaks to why acting classes that teach you how to read sides aren't teaching you acting. | — | ||||||
| 4/16/19 | Dialogue Means Nothing Without Your Action | Arthur Mendoza explains why on set they say action. | — | ||||||
| 4/16/19 | Always Be A Student | Arthur Mendoza explains why an actor must always be a student. | — | ||||||
| 4/16/19 | Fundamentals of Acting on a Set | Arthur Mendoza reviews how to approach acting on a set for the first time and forever. | — | ||||||
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Chart Positions
2 placements across 2 markets.
Chart Positions
2 placements across 2 markets.


























