Arts Management and Technology Laboratory

Show Notes Erin Reilly Erin Reilly - LinkedIn Texas Immersive Institute Sona Festival

In this episode of the Arts Management and Technology Lab, Daniel Temkin and Luna Lu discussed the artistic possibilities of code, focusing on esoteric programming languages (esolangs) and how they can function as a medium for art and human expression. Temkin explained that his interest began with experimenting in existing esolangs (like Brainfuck) around 2007-2008, leading him to create his own and document them conceptually, moving away from overly technical documentation. The conversation highlighted how giving up on the idea that programming must be practical allows for artistic exploration, connecting esolangs to idea art, constraint-based work (such as the Oulipo Group), and performance art. Temkin detailed the structure of his book, which presents programming languages as idea-based art, containing both realized works and conceptual prompts inspired by artists like Yoko Ono, and described how his languages — such as Fat Finger, which inspired code poetry, and Folders, which manipulates file system hierarchy — explore themes of collaboration, human irrationality, and the extreme constraints of logical systems. Listeners were also encouraged to explore existing esolangs on the Esolang Wiki before trying to design their own. See AMT Lab Website for transcript SHOW NOTES Book: Forty-Four Esolangs—The Art of Esoteric Code Website: https://danieltemkin.com/About Instagram: https://www.instagram.com/danieltemkin_/?hl=en

Alexann Sharp and Lehan Xu discuss the impact of technology on performance industries, particularly VR concerts and broadcast theater. They note that COVID-19 accelerated the adoption of VR concerts, initially by smaller artists due to cost and uncertainty. Examples include Sabrina Carpenter and Kid Leroy's Meta collaborations. They highlight technical challenges like audio quality and headset comfort. In broadcast theater, historical examples date back to the 1930s, with modern initiatives like the Met Opera's "Live in HD" and National Theater Live. Both discuss the balance between accessibility and maintaining the authenticity of live performances. SHOW NOTES: National Theatre Live/ Met Opera "Live in HD" Amaze VR Transcript available at the Arts Management and Technology Lab: Podcasts

In this episode of Tech in the Arts, Dr. Brett Ashley Crawford of the Arts Management and interviews Bill Updegraff, founder and CEO of Grapeseed Media, a programmatic digital advertising firm. Grapeseed Media, established in 2013, has grown into a trusted partner for brands and agencies in digital advertising, earning recognition on Inc.'s 5000 list of fastest-growing private companies. In this episode, Updegraff explains that Grapeseed Media's initial goal was to provide arts organizations with access to programmatic advertising, a concept he once thought was exclusive to larger corporations. The company's role has since evolved from introducing programmatic advertising to guiding clients through its complexities. He highlights three approaches to programmatic advertising: in-house management, managed service partnerships, or working with a single, agnostic programmatic partner like Grapeseed Media, which provides unbiased access to all programmatic channels and consolidated reporting. Updegraff also differentiates programmatic advertising from search and paid social media, noting that programmatic is more "open market" compared to the "walled gardens" of platforms like Google and Meta. He also discusses the growing integration of programmatic into digital out-of-home advertising, offering hyper-targeting and data collection capabilities. Of course, they also discuss the ethical uses of AI in marketing, particularly in data analysis and creative ideation. Show Notes Grapeseed Media Programmatic Marketing (Video) Bill Updegraff Brett Ashley Crawford, PhD Read the transcript at amt-lab.org.

Eric R. Williams is a Professor at Ohio University and the director of the cinematic virtual reality (Cine-VR) initiatives at the Game Research and Immersive Design (GRID) Lab. His work spans award-winning film, television, and interactive media, including screenplays for Universal Studios, Fox Online, and American Movie Classics, as well as numerous published books and podcast series on storytelling. Jordan Herron is an Immersive Media & Audio Producer at GRID Lab. Jordan began working at GRID Lab in 2018 as a student employee and now specializes in audio storytelling, immersive sound design, and Spatial Audio Production. At SONA, Eric and Jordan presented a series of cinematic VR projects designed to support public service training. Using 360° filmmaking, they aimed to evoke empathy and create shared, memorable experiences. See more at amt-lab.org

Donor advised funds - what are they? How are they being used? And what innovations are these peculiar giving vehicles introducing to the field of philanthropy? In this episode of Tech in the Arts, Lead Research Ian Hawthorne sits down with Rebecca Jacobs, head of community funds at CharityVest, a young, digitally native DAF sponsor. See more at amt-lab.org

In this episode of Tech in the Arts, Dr. Stephen Neely, associate professor at Carnegie Mellon University's School of Music, discusses eurhythmics, a century-old practice focusing on the bodily engagement of music, and extends these principles to modern interaction design. The conversation delves into the evolution of design practices and the need for a more holistic, user-centric approach in the digital age. Dr. Stephen Neely is an associate professor of Dalcroze Eurhythmics and Dalcroze license at Carnegie Mellon University School of Music, who also presents hands-on workshops in the US and around the globe focusing on the overlaps between music, design, body aesthetics, performance, and experience. See more at amt-lab.org

As we step into a new year and new presidential administration, the media and technology landscape faces some significant shifts. While AI companies partner with major media outlets to train their models, social media platforms make changes that leave users in seeking decentralized platforms. In this Let's Talk episode of the Tech in the Arts Podcast, AMT Lab's Lead Researcher, Ian Hawthorne, and Chief Editor, Hannah Brainard, dive into the latest headlines. see more at amt-lab.org