Backstage Babble

Today, I’m thrilled to announce my interview with Tony winner Deirdre O’Connell, who is currently starring in Romeo and Juliet at Shakespeare in the Park. Tune in to hear some of the stories of her legendary career, including the intensive process of learning DANA H, her harrowing Broadway debut in THE FRONT PAGE, what she learned from Geraldine Page on AGNES OF GOD, doing research for MAGIC/BIRD, finding the timing of CIRCLE MIRROR TRANSFORMATION, how Marianne Faithfull influenced GLASS. KILL. WHAT IF IF ONLY. IMP., unfortunate entrance applause in CORSICANA, winning a Tony award, starring in THE SEAGULL at Lake Lucille, working with Suzan-Lori Parks on IN THE BLOOD, the joy of collaborating with Maria Irene Fornes, and so much more. Don’t miss this candid conversation with one of Broadway’s best.

Today, I’m thrilled to announce my interview with Broadway veteran Sean Allan Krill, who is currently starring in CHESS. Tune in to hear some of the stories of his legendary career, including developing JAGGED LITTLE PILL from the ART to Broadway, the show’s two unexpected closings, the key to unlocking his role in CHESS, researching the role of Governor Slaton in PARADE, following Harry Connick, Jr. through a performance of ON A CLEAR DAY, his personal connection to FLOYD COLLINS, his difficult audition for THOROUGHLY MODERN MILLIE, performing “The Speed Test” with his midwestern accent, warming up with David Byrne during JOAN OF ARC, hy he loves the Viewpoints Technique, playing a silent role in THE HOT L BALTIMORE, covering Tony Danza in HONEYMOON IN VEGAS, and so much more. Don’t miss this in-depth talk with a Broadway favorite.

Today, I’m thrilled to announce my interview with Tony-winning playwright Itamar Moses. Tune in to hear some of the stories of his legendary career, including making changes to THE ALLY, the radio-play aspects of DEAD OUTLAW, his collaboration with David Cromer, why HAMILTON deserved its Best Book Tony award, adapting THE BAND’S VISIT for the stage, moving the show to Broadway, how “Omar Sharif” started as a monologue, getting his first play OUTRAGE produced, the inspiration behind BACH AT LEIPZIG, writing for murderers in CELEBRITY ROW, writing autobiographically with THE FOUR OF US and YELLOWJACKETS, and so much more. Don’t miss this in-depth talk with one of Broadway’s best writers.

Today, I’m thrilled to announce my interview with Oscar-nominated stage and screen director Rob Marshall. Tune in to hear some of the stories of his legendary career, including rehearsing with Renee Zellweger for the film of CHICAGO, pitching his adaptation of the script to Miramax, putting his own stamp on DAMN YANKEES, teaching Blake Edwards about directing theater during VICTOR/VICTORIA, how Lenora Nemetz sparked his love of theater, giving notes to Chita Rivera during THE RINK, what he learned from Neil Simon, why he related to the story of NINE, how CATS led to his career as a choreographer, coming in on KISS OF THE SPIDERWOMAN out of town, his first day on the set of ANNIE, why THE PETRIFIED PRINCE didn’t ultimately succeed, collaborating with Sam Mendes on CABARET, choreographing for Alan Cumming, what inspired him to revive LITTLE ME, creating movement for BLITHE SPIRIT, why FOLLIES wouldn’t work as a movie musical, choreographing “A Romantic Atmosphere” in SHE LOVES ME, the fundamental structure of a movie musical vs. a stage musical, shaping the film of INTOT THE WOODS, working on MRS. SANTA CLAUS as his television debut, his upcoming project GUYS AND DOLLS, and so much more. Don’t miss this delightful conversation with a master of making musicals. In-person and livestream tickets to Backstage Babble Live are available here: https://54below.org/events/charles-kirschs-backstage-babble-live-3/

Today, I’m thrilled to announce my interview with four-time Tony winning director Jerry Zaks. Tune in to hear some of the stories of his wonderful career, including creating a three-part comedic bit in A FUNNY THING HAPPENED ON THE WAY TO THE FORUM, helping Swoosie Kurtz find her character in THE HOUSE OF BLUE LEAVES, his upcoming work on BOEING-BOEING, an audacious early audition, revising ANYTHING GOES for Lincoln Center, choosing the design for LEND ME A TENOR, how he collaborated with Christopher Durang, finding the heart of THE MUSIC MAN, what made him want to revive BIG FISH, the difficulty of working on THE CAPEMAN, how he avoids embarrassing actors, revising THE ADDAMS FAMILY for the national tour, the “Ma Nishtana” question in musical theater, commissioning a new book for SISTER ACT, bringing LITTLE SHOP OF HORRORS to Broadway, creating STAIRWAY TO PARADISE for Encores!, collaborating with Neil Simon on LAUGHTER ON THE 23RD FLOOR, making changes to FACE VALUE, finding out about the shutdown during MRS. DOUBTFIRE rehearsals, and so much more. Don’t miss this candid conversation with one of Broadway’s most brilliant directors. Tickets to Backstage Babble Live are available here: https://54below.org/events/charles-kirschs-backstage-babble-live-3/

Today, I’m thrilled to announce my interview with two-time Tony winner Brian Stokes Mitchell. Tune in to hear some of his wonderful stories, including why JELLY’S LAST JAM was the hardest show he’s ever done, an out-of-body experience during RAGTIME, learning KING HEDLEY II in nine days, how he came to appreciate KISS ME, KATE, getting slapped by Marin Mazzie, auditioning for OH, KAY! and PORGY AND BESS simultaneously, making his Broadway debut with MAIL, going from the Belleville Dinner Theater to Broadway with MAN OF LA MANCHA, coming back to Broadway with WOMEN ON THE VERGE OF A NERVOUS BREAKDOWN, the pitfalls of adapting movies for the stage, how he got his first big job on TRAPPER JOHN, MD, starring in LOVE LIFE before and after the pandemic, researching the history of SHUFFLE ALONG, his vision for a revival of THE MUSIC MAN, covering Stephen Sondheim’s work on his albums, workshopping HERE WE ARE, and so much more. Don’t miss this in-depth conversation with a true Broadway legend.

Today, I’m thrilled to announce my interview with Broadway director Trip Cullman, whose production of Martyna Majok’s Queens is currently playing at Manhattan Theater Club. Tune in to hear some of the stories of his legendary career, including reinventing I CAN GET IT FOR YOU WHOLESALE, the use of music into CULT OF LOVE and CHOIR BOY, working on UNKNOWN SOLDIER after Michael Friedman passed away, telling Joshua Harmon’s personal stories in SIGNIFICANT OTHER and WE HAD A WORLD, deciding on the set for LOBBY HERO, assisting Joe Mantello on TAKE ME OUT, bringing a sex scene to life in A SMALL FIRE, his dramaturgical concept for SIX DEGREES OF SEPARATION, what he learned from Mike Nichols during THE SEAGULL, staging an intense moment in THE LONELY FEW, being the only gay person working on ANGELS IN AMERICA, why THE ROSE TATTOO was a heartbreaker, bringing THELMA AND LOUISE to the stage, working on UNKNOWN SOLDIER after Michael Friedman passed away, why he loves casting musical theater actors in plays, how COWBOY MOUTH inspired his love of directing, his long collaboration with Leslye Headland and Halley Feiffer, his upcoming work on BECKY SHAW, and so much more. Don’t miss this candid conversation with one of Broadway’s best.

Today, I’m thrilled to announce my interview with three-time Tony nominated librettist David Thompson. Tune in to hear some of the stories of his legendary career, including how he made his debut with FLORA, THE RED MENACE, experimenting with AND THE WORLD GOES ROUND, the last-minute nature of the CHICAGO revival, what he learned from Kander and Ebb, why 70, GIRLS, 70 is an anomaly, working with Andrew Lloyd Webber and Garth Drabinsky on MUSIC OF THE NIGHT, why STEEL PIER didn’t make a hit on Broadway, incorporating suggestions from the cast into THE SCOTTSBORO BOYS, completing that show after Fred Ebb’s passing, how 9/11 affected THOU SHALT NOT, working with Jerry Herman on revising DEAR WORLD, rewriting RAGS, adapting THE BLUE ANGEL and LITTLE MISS MARKER, a different kind of storytelling in THE BEAST IN THE JUNGLE, the beauty of THE LOOK OF LOVE, collaborating with Hal Prince on PRINCE OF BROADWAY, making theater in Japan, what attracted him to BAR MITZVAH BOY, reinventing NEW YORK, NEW YORK for the stage, his new piece with John Kander, and so much more. Don’t miss this candid conversation with one of Broadway’s finest wordsmiths.