Bad Women Presents Stolen Sister

The murders of The Blackout Ripper - indeed many of the crimes committed against women in World War Two - aren't often spoken about by historians of the conflict. That's changing. The co-host of Bad Women Hallie Rubenhold and regular guest Dr Julia Laite recently appeared on the WW2 podcast We Have Ways of Making You Talk to talk to James Holland about the wartime experiences of women. Here's chance to hear the conversation. See omnystudio.com/listener for privacy information.

The story of the Blackout Ripper partly takes place in the wartime bars and clubs of West End London. To recreate their sound, Bad Women's composer and sound designer Pascal Wyse put together a quartet to play jazz tunes of the time. Here Pascal and guitarist Ed Gaughan talk about the history of that music and play some of the numbers in full on this episode on Pushkin Industries' Broken Record show, hosted by Justin Richmond. The band included Ed Gaughan, Ross Hughes, Christian Miller and Marcus Penrose. They were recorded by Nick Taylor at Porcupine Studios, under the direction of Pascal Wyse. Pushkin’s Ben Tolliday mixed the tracks. See omnystudio.com/listener for privacy information.

Rachel Dobkin has come to see her psychic advisor, Madam Nerva. After years of bitter disagreements and financial wranglings with her estranged and violent husband, Rachel wants to know what the spirits think she should do next. Through Madam Nerva the spirts tell Rachel not to go near her husband again... but will she heed their warnings? The case of Rachel Dobkin is another face of wartime crime and not the work of the Blackout Ripper - but it reveals a common thread. It shows how some men thought the disruption and chaos of war would help them get away with murder. Further reading: Carroll, Niamh. ‘The History of the Boundary Estate’, Bethnal Green London, 14 May 2021, Cole, Mike. ‘The Battle of Cable Street’, Historic UK. Cowan, Colin. ‘Mental observation wards: an alternative provision for emergency psychiatric care in England in the first half of the twentieth century’, History of Psychiatry, Eilers, Nicole Kvale. ‘Emigrant Trains: Jewish Migration through Prussia and American Remote Control, 1880 - 1914’, in Brinkmann, T. (ed), Points of Passage: Jewish Migrants from Eastern Europe in Scandinavia, Germany, and Britain 1880 - 1914 (New York: Berghahn Books, 2013). Lefebure, Molly. Murder on the Home Front (London: Sphere, 2013). Marks, Lara V, Model Mothers: Jewish Mothers and Maternity Provision in East London 1870 - 1939 (Oxford: Oxford University Press, 1994).. Odell, Robin. Medical Detectives: The Lives and Cases of Britain’s Forensic Five (Cheltenham: The History Press, 2013). Roberts, Elizabeth. A Woman’s Place: An Oral History of Working Class Women 1890 - 1940 (Oxford: Blackwell, 1995). Summerscale, Kate. The Haunting of Alma Fielding: A True Ghost Story (London: Bloomsbury, 2020).See omnystudio.com/listener for privacy information.

Seamstress Doris Staples doesn't want to see Private John Waters any more... but the American soldier has other ideas. He goes to her workplace to make sure she doesn't "step out" with any other man... and carries with him a pistol. Men were expected to seek an outlet for their sexual appetites, but any women who saw multiple partners or wanted to exit a relationship faced stigma, hostility and deadly violence. Further reading: Ashton, John R; Machin, David; Osmond, Clive; Balajaran, Rasaratnam; Adam, Sheila A and Donnan, Stuart P B. ‘Trends in Induced Abortion in England and Wales’, Journal of Epidemiology and Community Health, vol. 37, 1983, pp. 105 - 110. Dryden, Steven. ‘A Short History of LGBT Rights in the UK’. Ellwood, David. ‘The American Challenge in Uniform: The Arrival of America’s Armies in World War II and European Women’, European Journal of American Studies vol. 7, no. 2, 2012. Laite, Julia. Common Prostitutes and Ordinary Citizens: Commercial Sex in London, 1885 - 1960 (Basingstoke: Palgrave Macmillan, 2012). Monckton Smith, Jane. In Control: Dangerous Relationships and How They End in Murder. (Bloomsbury Publishing, 2022). Vickers, Emma. Queen and Country: Same-sex desire in the British Armed Forces, 1939-45. (Manchester University Press, 2013). Wagner, Paul. The Youngest Crew (Cheyenne, WY: Lagumo Press, 1997).See omnystudio.com/listener for privacy information.

The Blackout Ripper wasn't the only serviceman attacking women in World War Two. In cities, towns and villages women were being harassed and abused by men in the military - and the women who chose to join the armed forces weren't immune from such treatment. Those women who signed up for the army, navy or air force to fight Hitler were dogged by crude insinuations that they were promiscuous - especially if they went to dances and drank alcohol. When these servicewomen were stalked, raped or murdered, the official response was often a dismal exercise in victim blaming. Sources: Dunlop, Dr Tessa. 'Army Girls: The Secrets and Stories of Military Service from the Final Few Women who Fought in World War II.' 2021 Headline Publishing Group. Owtram, Jean and Patricia 'Codebreaking Sisters: Our Secret War.' 2020 Mirror Books. See omnystudio.com/listener for privacy information.

Evelyn Oatley dreams of becoming a stage star in London's glamorous theaterland. It's a world away from her grim provincial upbringing. The daughter of a German immigrant, her troubled home life was compounded by a wave of anti-German rioting that broke out during World War One. Tiring of both her job at a textile mill and her relationship with a local farmer, Evelyn ran off to London and transformed herself into budding starlet "Lita Ward". But she found neither fame nor fortune there... only danger. Sources: Andrews, Maggie and Lomas, Janis. The Home Front in Britain: Images, Myths and Forgotten Experiences since 1914 (Basingstoke: Palgrave Macmillan, 2014). Arthur, Sue. ‘Blackpool Goes All-Talkie: Cinema and Society at the Seaside in Thirties Britain’, Historical Journal of Film, Radio and Television, Vol. 29, No. 1, March 2019. Denness, Zoe. ‘“A Question which Affects our Prestige as a Nation”: The History of British Civilian Internment’, PhD Thesis, University of Birmingham, October 2012. Denness, Zoe. “Gender and Germanophobia: The Forgotten Experiences of German Women in Britain, 1914–1919’ in: Panayi, Panikos (Ed.). Germans as Minorities during the First World War: A Global Comparative Perspective (Farnham, Ashgate Publishing Company, 2014). Eyles, Allan. ‘Cinemas and Cinemagoing: The Rise of Cinemas’, BFI Screenonline, 2014. Higginbotham, Peter. ‘Boarding Out (Fostering)’, Children’s Homes. Hill, Hector. ‘Russell Street Picturehouse’, Cinema Treasures. Lassandro, Sebastian. Pride of Our Alley: The Life of Dame Gracie Fields Volume 1: 1898 - 1939 (Albany: BearManor Media, 2019). Mazierska, Ema (Ed.). Blackpool in Film and Popular Music (Cham: Palgrave Macmillan, 2020). Mort, Frank. ‘Striptease: The Erotic Female Body and Live Sexual Entertainment in Mid-Twentiety-Century London’, Social History, Vol. 32, No. 1, February 2007. Panayi, Panikos. ‘Germans as Minorities during the First World War: Global Comparative Perspectives’, in: Panayi, Panikos (Ed.). Germans as Minorities during the First World War: A Global Comparative Perspective (Farnham, Ashgate Publishing Company, 2014). Panayi, Panikos. Immigration, Ethnicity, and Racism in Britain, 1815 - 1945 (Manchester: Manchester University Press, 1994). Stone, Peter. ‘The German Community in London during the 19th Century’, History London. Waddington, Keir. ‘“We Don’t Want Any German Sausages Here!”: Food, Fear and the German Nation in Victorian and Edwardian Britain’, Journal of British Studies, Vol. 52, No. 4, October 2013. Walkowitz, Judith R. Nights Out: Life in Cosmopolitan London (New Haven: Yale University Press, 2012). Walton, John K. ‘The Seaside Resort: A British Cultural Export’, History in Focus, Issue 9, Autumn 2005.See omnystudio.com/listener for privacy information.