Between The Covers : Conversations with Writers in Fiction, Nonfiction & Poetry

In Into Being Lily Dunn explores the ways in which writing one’s life has the potential to transform it; how writing, if done well, can produce “symbolic repair.” We look at Virginia Woolf’s notion of “moments of being” as a means and method to find the form that best fits your specific story to tell. We look at different ways memoirists have used the imagination within their own work, and the various ethical issues that arise when writing about people close to you or about other peoples’ trauma. And from beginning to end, we look at Lily’s own remarkable memoir, Sins of My Father: A Daughter, A Cult, A Wild Unravelling, as a way into these questions as well. For the bonus audio archive Lily walks us through one of the writing exercises in the book. This joins a large and ever-growing archive, everything from craft talks by Marlon James and Jeannie Vanasco, to writing prompts from Danez Smith & Lucy Ives, to readings by everyone from Mattilda Bernstein Sycamore to Richard Powers. You can find out about how to subscribe to the bonus audio and about all the other potential benefits and rewards of joining the Between the Covers community at the show’s Patreon page. Finally here is the BookShop for today.

Jorge Luis Borges called her the “Tolstoy of Mexico” and César Aira the “greatest novelist of the 20th century,” so why is it likely that you haven’t read or even heard of Elena Garro before now? And given that Garro was, like her fantastical stories, not beholden to the truth when accounting her own life, and given that her own life was, in its radical shifts and contradictions, so wildly resistant to comprehension, how does one present her now to the world? Jazmina Barrera may be the perfect writer to do so as her new Garro-centric book The Queen of Swords is as unconventional as her subject. Full of cats and revolution, Tarot and the CIA, conspiracy and embroidery, this anti-biographical love letter to another writer also becomes a portrait of Jazmina as well. For the bonus audio archive Jazmina contributes a reading from Elena Garro’s story “When We Were Dogs,” in Christina MacSweeney’s translation. To learn how to subscribe to the bonus audio and the other potential benefits and rewards of joining the Between the Covers community as a listener-supporter, head over to the show’s Patreon page. Finally, here is the BookShop for today.

Painter Stephen Hayes latest exhibition, “Elegy,” consists of twelve abstract paintings that engage with the genocide in Gaza. One of the twelve paintings was created while listening to the Between the Covers conversation with Omar El Akkad about his book One Day Everyone Will Have Always Been Against This. Because of this, instead of asking, as he usually does, an art curator or fellow painter to be in a public conversation with him as part of the exhibition, he asked me to interview him. Much as our conversation was surely different than the others he has had about his work over his nearly half-century of being a painter, his invitation also asked me to step into unfamiliar territory, to meet Stephen in this third space, unfamiliar to us both, and make something new together. The conversation was held at the Elizabeth Leach Gallery in Portland, Oregon. Head over to the gallery website to see images of the “Elegy” exhibition and to this post on their Instagram page to see the specific painting that was created under the aura of this podcast. If you enjoyed today’s conversation consider joining the Between the Covers community as a listener-supporter. You can find out about the potential rewards and benefits of doing so at the show’s Patreon page.

As an artist, how does one dive into the wreck of an archive, a canon, a shared collective memory, a history—one filled with silenced voices, distorted accounts, erasures and elisions—on behalf of those wronged by it? Poet Dionne Brand says “the salvage is the life which exceeds the wreck” and Diana Arterian’s work seems animated by this work of salvage and recovery. We look at her new poetry collection, Agrippina the Younger, about a Roman Empress who, today, is only known as the “daughter of,” “sister of,” “mother of,” “wife of ” various men of history; and also at Diana’s new work of translation (co-translated with Marina Omar) Smoke Drifts, the first time the Anglophone world is able to engage deeply with the work of the Afghan poet Nadia Anjuman, a rising literary star silenced in the prime of her life. We look at feminist practices and strategies of archival confrontation in these two very different contexts, Ancient Rome and modern Afghanistan, and the different considerations and choices Diana makes as she dives deep into the wreck and somehow resurfaces to re-present these lives, this art, shimmering with life, for us. For the bonus audio archive Diana contributes an epic medley of readings, everything from ancient Armenian poetry to some co-translations in-progress of contemporary Armenian poetry; from her memoir-in-progress to a hard-to-find 35 year old piece by Alice Notley called “Homer’s Art” which wonders how a women could write an epic and if “there might be recovered some sense of what the mind was like before Homer, before the world went haywire & women were denied participation in the design & making of it. Perhaps someone might discover that original mind inside herself right now, in these times.” To learn about how to subscribe to the bonus audio archive and about all the other potential benefits and rewards of joining the Between the Covers community as a listener-supporter, head over to the show’s Patreon page. Finally, here is the BookShop for today’s conversation.    

Ten years in the making, poet Rickey Laurentiis joins us to talk about her much-anticipated remarkable new collection Death of the First Idea. “In the past decade, as Laurentiis has transitioned, her ideas of the lyric and poetry have transformed, as has the America in which she lives,” says the back copy on this book, whose poetry fittingly resists easy categorization. Oracular and lyrical, mythic and confessional, archaic and futuristic, personal and communal, Rickey’s poetry takes us far and wide, from Ancient Greece to New Orleans to Palestine, from Dante to Emily Dickinson to her own past and future selves. As Safiya Sinclair says: “Here is a poet in an ecstatic trance, dancing with the muses. Each page is an inferno of linguistic fervor, reforging trans identity and femme imagination. Deeply felt, rigorous, and erudite, these poems strike deep in the mind and stick to the soul. Startling and raw and exquisitely fearless, above all, these poems choose to live.” For the bonus audio archive Rickey contributes a reading of a new poem, written just two days before this conversation was recorded, entitled “Second Nature.” This joins bonus audio from everyone from Danez Smith to Torrey Peters, Jorie Graham to Dionne Brand. To learn how to subscribe to the bonus audio and about the other potential benefits and rewards of joining the Between the Covers community head over to the show’s Patreon page. Finally, here is the BookShop for today’s episode