
CI to Eye with Monica Holt
by Capacity Interactive
Is this your podcast?Insights from recent episode analysis
Audience Interest
Podcast Focus
Publishing Consistency
Platform Reach
Insights are generated by CastFox AI using publicly available data, episode content, and proprietary models.
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Total monthly reach
Estimated from 3 chart positions in 3 markets.
By chart position
- 🇰🇷KR · Performing Arts#1161K to 10K
- 🇳🇿NZ · Performing Arts#130500 to 3K
- 🇵🇹PT · Performing Arts#136500 to 3K
- Per-Episode Audience
Est. listeners per new episode within ~30 days
600 to 4.8K🎙 Daily cadence·100 episodes·Last published today - Monthly Reach
Unique listeners across all episodes (30 days)
2K to 16K🇰🇷63%🇳🇿19%🇵🇹19% - Active Followers
Loyal subscribers who consistently listen
600 to 4.8K
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Reach across major podcast platforms, updated hourly
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* Data sourced directly from platform APIs and aggregated hourly across all major podcast directories.
On the show
From 20 epsHost
Recent guests
Recent episodes
Lisa Yun Lee, Executive Director at National Public Housing Museum
Sep 3, 2026
Unknown duration
Kim Jakominich, Senior Director of Brand at Barnes Foundation and Calder Gardens
Aug 27, 2026
Unknown duration
Ann Morrow Johnson, Global Immersive Experience & Entertainment Leader at Gensler
Aug 20, 2026
Unknown duration
Live from TLCC: Marc Bamuthi Joseph, Spoken Word Artist and Cultural Strategist
Aug 13, 2026
Unknown duration
Clive Chang, President and CEO of YoungArts (Re-Release)
Jul 30, 2026
Unknown duration
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| Date | Episode | Topics | Guests | Brands | Places | Keywords | Sponsor | Length | |
|---|---|---|---|---|---|---|---|---|---|
| 9/3/26 | Lisa Yun Lee, Executive Director at National Public Housing Museum | What if a museum's job isn't simply to preserve history, but to help us imagine a different future? Lisa Yun Lee has spent her career exploring what cultural institutions can make possible when they understand themselves as civic spaces. As Executive Director of the National Public Housing Museum in Chicago, she leads an institution created by public housing residents to preserve their own histories, challenge dominant narratives about public housing, and bring arts, culture, and public policy together in the fight for housing as a human right. In this episode, Lisa traces the winding path that took her from studying religion and German intellectual history to the Jane Addams Hull-House Museum, the University of Illinois Chicago, and ultimately the National Public Housing Museum. She shares how the museum puts solidarity with public housing residents into practice, why museums should engage both historical fact and lived experience, and what it means to create a cultural institution rooted in radical hospitality and collective joy. Lisa also challenges arts leaders to think expansively about whom our institutions serve and what success looks like—from compensating artists and cultural workers fairly to creating spaces where people can define beauty for themselves. --- LINKS: National Public Housing Museum: https://nphm.org/ NPHM 36 Questions for Civic Love: https://nphm.org/program/36-questions-for-civic-love/ W.A.G.E.: https://wageforwork.com/ | — | ||||||
| 8/27/26 | Kim Jakominich, Senior Director of Brand at Barnes Foundation and Calder Gardens | A great exhibition or performance can draw people in, but a strong institutional brand shapes how they understand the experience—and whether they feel invited to return. Kim Jakominich has spent more than 15 years working across publishing, public media, museums, and cultural destinations. Now Chief Brand Officer at the Barnes Foundation and Calder Gardens, she leads an integrated team spanning marketing, communications, publications, design, editorial, and visual resources, helping steward two distinctly different brands while creating a more unified audience experience. In this episode, Kim reflects on the unexpected path that brought her from Minnesota Public Radio to museum leadership, what she learned by realizing she needed mission-driven work, and how the Barnes's philosophy of "seeing art differently" influences everything from visitor experience to brand strategy. She also takes us inside the creation of Calder Gardens, where art, architecture, and nature come together in an experience intentionally "open to interpretation." Kim also shares lessons for cultural leaders on breaking down departmental silos, thinking about brand through the eyes of the audience rather than the organizational chart, and reframing innovation as something more meaningful than chasing new technology. For her, the question is ultimately whether an idea removes barriers, sparks curiosity, and helps audiences discover that art has something to say to them. --- LINKS: Barnes Foundation: https://www.barnesfoundation.org/ Calder Gardens: https://caldergardens.org/ The BrandLab: https://www.thebrandlab.org/ | — | ||||||
| 8/20/26 | Ann Morrow Johnson, Global Immersive Experience & Entertainment Leader at Gensler | As our attention becomes increasingly fragmented, the value of being fully present together has never been greater. The most memorable experiences go beyond spectacle and create a clear sense of place, invite participation, and give people something meaningful to feel together. Ann Morrow Johnson has spent her career designing those kinds of experiences. After more than a decade at Walt Disney Imagineering, she now co-leads Gensler's Entertainment practice, applying lessons from theme parks and immersive entertainment to cultural organizations, hospitality, real estate, and other physical spaces. In this episode, Ann Morrow explores why authenticity matters more than showmanship, how shifting from a scarcity mindset to a value-creation mindset can open up new possibilities, and why growing demand for shared, participatory experiences gives cultural organizations plenty of reason for optimism. --- LINKS: Gensler 2025 Immersive Industry Report: https://www.gensler.com/gri/immersive-industry-report-2025 No Proscenium: https://www.noproscenium.com/ | — | ||||||
| 8/13/26 | Live from TLCC: Marc Bamuthi Joseph, Spoken Word Artist and Cultural Strategist | Join Monica Holt for a live recording of Arts Unscripted with Marc Bamuthi Joseph, an internationally acclaimed cultural strategist, spoken word artist, and Chief of Impact at SOZO. Bamuthi has built a singular career at the intersection of creativity, leadership, and social impact—from performing on Broadway and co-founding Youth Speaks to shaping civic and cultural strategy at Yerba Buena Center for the Arts and the Kennedy Center. Throughout it all, he has approached art not simply as expression, but as a tool for freedom, connection, and collective possibility. Recorded live at the 2026 Tessitura Learning and Community Conference, this conversation explores what it means for arts organizations to be true civic partners. Bamuthi and Monica talk about collective joy, why "budgets are moral documents," the idea of using the arts for non-arts outcomes, and what becomes possible when institutions see themselves not just as producers of shows, but as producers of culture and inspiration. Along the way, Bamuthi reflects on the evolution of his own practice, the role of artists as "edge setters," the grief and resilience that have shaped his recent work, and why—at a moment when inspiration can feel scarce—he still finds hope in the artists and arts leaders who keep choosing this field. | — | ||||||
| 7/30/26 | Clive Chang, President and CEO of YoungArts (Re-Release) | Producer's Note: While Arts Unscripted is on summer hiatus, we're re-sharing a few of our favorite episodes from past seasons. Clive was actually the first guest to sit down and chat with Monica. The YoungArts application is open now through October 6th, so it's the perfect time to revisit how Clive thinks about supporting young, multi-disciplinary artists. --- Can legacy arts institutions innovate like start-ups? Clive Chang thinks so. As President and CEO of YoungArts, he's reimagining how a 40-year-old organization can support today's multi-disciplinary artists—by questioning everything, embracing experimentation, and making space for creative risk. In this conversation, Clive and host Monica Holt unpack how to disrupt old habits, build a culture of curiosity, and keep tradition from becoming inertia. | — | ||||||
| 7/23/26 | Cody Renard Richard, Tony Award-Winning Producer and Stage Manager (Re-Release) | Producer's Note: While Arts Unscripted is on summer hiatus, we're re-sharing a few of our favorite episodes from past seasons. Cody recently celebrated Tony Award-winning runs with two Broadway productions: Ragtime and CATS: The Jellicle Ball. With CATS set to close on August 8, it's an apt moment to revisit Cody's reflections on the production (and grab tickets while you still can). ----- Great theater starts by creating trusted conditions for talent and creativity to thrive. Cody Renard Richard is a Tony Award-winning producer and stage manager whose career spans Broadway, television, opera, and even Cirque du Soleil. Along the way, his backstage leadership has shaped acclaimed productions like the 2025 revival of Ragtime and this spring's CATS: The Jellicle Ball. In this episode, Cody talks about what it really means to lead from behind the scenes, and why stage management is such a powerful training ground for leadership. He reflects on his path through the industry, how he's navigated power and visibility in a field that doesn't always make room for everyone, and what it looks like to advocate for artists and audiences without burning out or losing yourself in the process. ----- LINKS: Cody Renard Richard: https://www.codyrenard.com/ Ragtime at Lincoln Center: https://www.lct.org/shows/ragtime/ CATS: The Jellicle Ball: https://catsthejellicleball.com/ RISE Theatre Directory: https://risetheatre.org/ | — | ||||||
| 7/16/26 | music compositioncollaboration+4 | Carlos Simon | Boston Symphony OrchestraKennedy Center+3 | Ravinia Music Festival | Carlos SimonBoston Symphony Orchestra+5 | — | 36m 59s | ||
| 7/9/26 | artistic curationcommunity connection+3 | Shanta Thake | Lincoln Center for the Performing Arts | New York | Lincoln CenterShanta Thake+5 | — | 47m 40s | ||
| 6/11/26 | music festivalsarts management+3 | Jeffrey Haydon | Ravinia FestivalOjai+1 | — | Ravinia FestivalJeffrey Haydon+3 | — | 36m 53s | ||
| 6/5/26 | Tony AwardsBroadway+3 | Beth Callen | MaestraThe Lost Boys+3 | — | Tony AwardsBroadway+5 | — | 29m 20s | ||
| 6/3/26 | Tony AwardsBroadway+4 | Victor Vazquez | X CastingThe New York Public Library for the Performing Arts+1 | — | Tony AwardsVictor Vazquez+5 | — | 38m 46s | ||
| 6/1/26 | Tony AwardsBroadway+4 | Allison Blackwell | Lincoln Center TheaterThe New York Public Library for the Performing Arts+1 | — | Tony AwardsAllison Blackwell+5 | — | 29m 45s | ||
| 5/28/26 | creativityartistic process+4 | Oliver Richman | NYU TischThe New York Public Library for the Performing Arts | — | creativityperformance+3 | — | 35m 03s | ||
| 5/21/26 | collaborationaudience growth+3 | Charles BuchananMelissa King+1 | Sydney Symphony Orchestra | — | Sydney Symphony Orchestracollaboration+3 | — | 50m 33s | ||
| 5/14/26 | neuroaestheticscreativity+4 | Susan Magsamen | International Arts + Mind Lab at Johns HopkinsNeuroArts Blueprint Initiative+2 | — | neuroaestheticscreativity+5 | — | 42m 50s | ||
| 5/7/26 | dancechoreography+4 | Jacob Jonas | Films.Dance | Venice Beach | dancechoreography+5 | — | 30m 31s | ||
| 5/1/26 | designstorytelling+4 | Giorgia Lupi | PentagramCapacity Interactive+1 | — | designstorytelling+5 | — | 41m 26s | ||
| 4/23/26 | audience engagementcultural experiences+3 | Ruth Hartt | CindrClayton Christensen Institute+1 | — | audience growthrelevance+3 | — | 41m 13s | ||
| 4/16/26 | librariescultural preservation+4 | Brent Reidy | The New York Public LibraryStoryCorps Archive | New York | librariescultural collections+3 | — | 48m 58s | ||
| 4/9/26 | leadershipservant leadership+4 | Derek A. Johnson | Seattle SymphonyBenaroya Hall+3 | — | leadership philosophyservant leadership+4 | — | 46m 12s | ||
| 4/2/26 | theatercommunity building+4 | Ashley Hufford | New York Public LibraryNew York Public Library for the Performing Arts | — | theaterinfluencer+5 | — | 33m 44s | ||
| 3/26/26 | music compositioncollaboration+4 | Carlos Simon | Boston Symphony OrchestraThe Blacknificent 7+2 | — | Carlos Simonmusic+5 | — | 37m 37s | ||
| 3/19/26 | leadershipmarketing+3 | Sara Villagio | Carnegie HallInsight Timer | — | leadership lessonsarts executive+3 | — | 40m 18s | ||
| 3/12/26 | cultural institutionsdance+3 | Pamela Tatge | Jacob's PillowWesleyan Center for the Arts+1 | — | Jacob's PillowPamela Tatge+5 | — | 46m 26s | ||
| 3/5/26 | set designproduction design+3 | Paul Tate dePoo III | Tate Design GroupThe New York Public Library for the Performing Arts+1 | — | set designproduction design+3 | — | 37m 49s | ||
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Chart history for CI to Eye with Monica Holt
Peaked at #116 in South Korea, currently #116 in South Korea.
| Market | Genre | Peak | Current | Trend |
|---|---|---|---|---|
| South Korea | — | #116 | #116 | — |
| New Zealand | — | #130 | #130 | — |
| PT | — | #136 | #136 | — |
Chart Positions
3 placements across 3 markets.
Chart Positions
3 placements across 3 markets.