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Recent episodes
Conbody vs Everybody - Director Debra Granik *Oscar nominated
May 3, 2026
Unknown duration
Ghost in the Machine - Director Valerie Veatch
May 2, 2026
Unknown duration
Steal This Story, Please! - Co-director Tia Lessin (Carl Deal)
May 1, 2026
Unknown duration
Who Moves America - Director Yael Bridge
May 1, 2026
Unknown duration
Omaha - Director Cole Webley
Apr 30, 2026
Unknown duration
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| Date | Episode | Description | Length | ||||||
|---|---|---|---|---|---|---|---|---|---|
| 5/3/26 | Conbody vs Everybody - Director Debra Granik *Oscar nominated | Filmed over eight years, this five-part documentary series from director Debra Granik combines a remarkable, against-the-odds story of grit, survival, and redemption with an incisive look at the harms of America’s prison industrial complex. After years in and out of prison, former drug dealer turned entrepreneur Coss Marte is determined to take control of his future by building Conbody, a New York City gym with a unique social purpose: to employ formerly incarcerated people like himself in an attempt to combat the high rate of recidivism. As Marte wages an uphill battle against the stigma of incarceration and the realities of a relentlessly gentrifying city where second chances are hard to come by, what emerges is both an inspiring portrait of a man on a mission and a powerful examination of a system that continues to punish people even after they have served their time.About the filmmaker - Debra Granik started working in film and video in the Boston grassroots media movement in the late 80’s. She studied politics at Brandeis University and her first forays into operating a camera and collaborating on political documentation were with Boston based media groups such as the Women’s Video Collective. While in Boston she had the good fortune to be able to take classes at Mass College of Art, Studio for Interrelated Media, which exposed her to a great variety of film work and traditions. At NYU, she made several short films, one of which, Snake Feed, garnered an award at Sundance, which led to involvement in the Sundance Screenwriting and Directing Labs. She expanded the story from Snake Feed into a longer script which formed the basis for the feature Down to the Bone, created with her producing partner, Anne Rosellini. Down to the Bone, was awarded the Best Director prize at the 2004 Sundance Film Festival. Her next film, Winter's Bone, was nominated for four Oscars, including Best Picture, and won the Grand Jury Prize at the 2010 Sundance Film Festival. Granik and co-writer Anne Rosellini were Oscar nominated for Best Adapted Screenplay. Her most recent film, Stray Dog, created with Tory Stewart is a feature length documentary. | — | ||||||
| 5/2/26 | Ghost in the Machine - Director Valerie Veatch | Director Valerie Veatch navigates the torrential rapids of artificial intelligence with this mind-expanding investigative essay documentary that excavates the philosophical, cultural and political forces driving the global AI boom. Ghost in the Machine approaches ubiquitous questions like “What is AI?”, “Who is building it?”, and “What will humans become?” by exploring how emerging technologies have historically reshaped identity, culture and global power — while also exposing the current fronts of human exploitation without which AI would not function. Premiering at Sundance, Ghost in the Machine is a burningly urgent self-funded documentary treatise connecting the historic and on-going links between AI and eugenics. It pulls on nearly forty Zoom interviews with historians, scholars, computer scientists, and human rights activists, which are collaged together with archival clips. The film draws a fat sharpie marker line across time to make the lineages clear. The film slaps key conceptual post-it notes on the wall, such as how the term “Artificial Intelligence” was concocted as a marketing term to raise research funds. The concept of intelligence and the field of statistics were constructed to justify white supremacy. And the current promises of super-intelligence are merely pseudoscience drawing on those legacies of hype and racism. Valerie Veatch joins us for a spirited conversation.About the filmmaker - Hailing from London by way of New York by way of Seattle, Valerie Veatch is an acclaimed independent documentary filmmaker. Veatch is a writer, director, and producer of documentaries "Me @ The Zoo" (HBO), "Love Child" (HBO). Veatch is a graduate of the New School for Social Research with a degree in Culture and Media Studies. Her award-winning work deals with the intersection of technology and society. Her latest film is the documentary Ghost in the Machine, which premiered at the 2026 Sundance Film Festival. | — | ||||||
| 5/1/26 | Steal This Story, Please! - Co-director Tia Lessin (Carl Deal) | Undeterred by armed soldiers, smooth-talking politicians, and riot police, journalist Amy Goodman has reported some of the most consequential stories of our time. Steal This Story, Please! is a gripping portrait of the trailblazer whose unwavering commitment to truth-telling spans three decades of turbulent history. From the frontlines of global conflicts to the organized chaos of her daily news show Democracy Now!, Goodman broadcasts stories and voices routinely silenced by commercial media. Oscar-nominated filmmakers Carl Deal and Tia Lessin (Trouble the Water, The Janes) take us behind the scenes with the warm, wisecracking granddaughter of an Orthodox rabbi — raised in a tradition of asking hard questions – as she navigates a news landscape reshaped by technology, corporate consolidation, and political assaults on truth itself. Urgent, provocative and unexpectedly funny, Steal This Story, Please! is both a call to action and a celebration of resistance, posing the question: what happens to democracy when the press surrenders to power?About the filmmakers - TIA LESSIN and CARL DEAL are award-winning filmmakers and collaborators. They made the critically acclaimed feature documentary, TROUBLE THE WATER, about survivors of Hurricane Katrina, which was nominated for an Academy Award and won the Gotham Independent Film Award and Sundance Grand Jury Prize. Their second feature, CITIZEN KOCH documenting the origins of the MAGA movement premiered in competition at Sundance and was shortlisted for an Oscar. Most recently, Lessin directed THE JANES, a film about the underground abortion service in 1960s Chicago, for HBO Original Documentaries, along with Emma Pildes. After its premiere in competition at Sundance, THE JANES won three Emmy Awards (Outstanding Documentary, Best Social Issue Documentary, and Best Directors), the DuPont Columbia Journalism Award, and was shortlisted for an Oscar in 2023. Lessin and Deal’s first film collaborations together were on Academy Award®-winning BOWLING FOR COLUMBINE and FAHRENHEIT 9/11, winner of the Palme d'Or (she as supervising producer, he as archival producer). They went on to produce Michael Moore’s CAPITALISM: A LOVE STORY, WHERE TO INVADE NEXT, and FAHRENHEIT 11/9. | — | ||||||
| 5/1/26 | Who Moves America - Director Yael Bridge | UPS is the world’s largest package delivery company, moving millions of packages across 200 countries and territories every day. With their 2023 contract set to expire, the Teamsters mount increasing pressure on UPS to improve working conditions or face 340,000 workers walking off the job and grinding the global supply chains to a halt. WHO MOVES AMERICA joins UPS workers across the United States—a budding UPS driver in California, a veteran of the 1997 strike in New York, a part-time warehouse worker juggling college and multiple jobs in Kentucky, and their co-workers—as they organize, vote, and navigate the challenges of solidarity before their contract expires. On the heels of a tentative agreement, they debate whether they should accept the new contract proposal or vote it down and go on strike. From their position as the largest collective bargaining agreement in all of North America and their vital role in the economy, their decisions will have lasting implications.About the filmmaker - Yael Bridge is an Emmy-nominated filmmaker. Her first feature documentary, The Big Scary "S" Word, traces the history and resurgence of socialism in the U.S. and premiered at Hot Docs and sold to Hulu. Her second feature, Who Moves America, was funded by ITVS and is premiering at the True/False Film Fest 2026. She produced Classroom 4, which was nominated for a Critics' Choice Award, shortlisted for an Academy Award, and broadcast on POV. She also produced Left on Purpose, winner of the Audience Award at DOC NYC, and Saving Capitalism, a Netflix Original, starring former Secretary of Labor Robert Reich, which was nominated for an Emmy Award. As Director of Productions at Inequality Media, she created viral videos unpacking complex political issues that gained over 200 million views on social media. Yael was included in DOCNYC's 40 Under 40 list and was President of the Documentary Producers Alliance, where she now sits on the board. She holds an MFA in Documentary Film and Video from Stanford University and an MA in Media Studies from the New School. | — | ||||||
| 4/30/26 | Omaha - Director Cole Webley | In his award-winning feature film debut director Cole Webley drops us into the lives of a struggling family, a young girl and her brother are awoken by their father (John Magaro, Past Lives) as they load themselves into the car on an early morning in 2008. As they road trip across the American West, she discovers the truth about their seemingly spontaneous journey. A poignant, coming-of-age drama that premiered at the Sundance Film Festival. | — | ||||||
| 4/30/26 | Blue Heron - Director Sophy Romvari | In her award-winning feature film debut Sophy Romvari takes us back to the late 1990s, eight-year-old Sasha and her Hungarian immigrant family relocate to a new home on Vancouver Island. Their fresh start is interrupted by increasingly dangerous behaviour from Jeremy, the family’s oldest child.About the Director: Sophy Romvari is a Canadian-Hungarian filmmaker based in Toronto. Her critically acclaimed short films have travelled the international festival circuit and were featured in a collection on the Criterion Channel, including Still Processing which was nominated for a Canadian Screen Award. Her latest short film It's What Each Person Needs is available on The New Yorker and MUBI. Blue Heron is her feature debut. | — | ||||||
| 4/28/26 | Erupcja - Director Pete Ohs with Charli xcx | A romantic vacation goes awry when a volcanic eruption strands Bethany (Charli xcx) and her soon-to-be fiancé, Rob (Will Madden) in Warsaw, Poland. Bethany takes the explosive event as a sign to ditch her baggage, reunite with childhood friend Nel (Lena Góra) and traipse across lofts, clubs and back alleys, all the while becoming entangled in an emotional web that challenges her sense of self. From American maverick Pete Ohs, who wrote, directed, edited, photographed, and produced this dizzyingly charming European postcard, comes Erupcja, a delightful anti-romantic comedy about the pains and pleasures of being in love. About the filmmaker - Pete Ohs has been hailed by Indiewire as “a rising filmmaker well worth the attention,” Pete works as a director, producer, writer, editor and cinematographer. He has produced and directed five feature films in the past five years. In 2025, he was at Sundance with OBEX, a fantasy adventure feature he produced, co- wrote and shot. This was followed by THE TRUE BEAUTY OF BEING BITTEN BY A TICK, a genre-bendinghorror satire he directed, co-wrote and shot premiering at SXSW.About the filmmaker - Lead actor, Writer and Producer, Charli xcx is an iconic figure in the arts, having helped expand the landscape of popular music over the last decade by seamlessly traversing the underground and mainstream with her artistic output. Over the course of a trailblazing career, the multi-hyphenate creative has earned critical acclaim for her innovative style and entrepreneurial spirit and seen her forward-thinking approach reshape pop culture in the process. Her sixth album ‘BRAT’ was released last June and was the most critically acclaimed album of 2024, winning Charli five BRIT Awards and three Grammy Awards. On screen, Charli is producing and starring in A24’s ‘The Moment’, an original concept created by her and the first co-production venture from studio365. In addition, Charli is co-executive producing the score for the A24 film ‘Mother Mary’ with Jack Antonoff and will star in the Daniel Goldhaber remake of 1978 cult horror film ‘Faces of Death’ , Greg Araki’s erotic thriller ‘I Want Your Sex’, Cathy Yan’s upcoming independent film ‘The Gallerist’ , Julia Jackman’s period fantasy ‘100 Nights Of Hero’ , Romain Gavras’ satirical action ‘Sacrifice’ and Pete Ohs’ intimate drama ‘Erupcja’. | — | ||||||
| 4/13/26 | Changing Lanes - Director Ben Wolf | Ben Wolf’s utterly fascinating new documentary, CHANGING LANES, chronicles the tragic death of a beloved teacher killed in a hit-and-run crash in Greenpoint, Brooklyn. That death becomes the catalyst for a grassroots movement emerges to transform a notoriously dangerous four-lane boulevard into a safer, two-lane street with protected bike lanes. While many applaud the proposed change, it also sparks a backlash – led in part by a powerful local business owner. As government support begins to waver, neighbors unite to challenge entrenched interests and fight for a safer Greenpoint. Featuring Talking Heads co-founder David Byrne and former NYC Transportation Commissioner and Janette Sadik-Khan, this new documentary investigates why our streets are designed the way they are, and what it will take to make them safer and more livable. Director and Cinematographer Ben Wolf joins us for a conversation on the twists and turns of the effort to bring about change and safety for a community at the crossroads. changinglanesdoc.comAbout the filmmaker - For over two decades, Ben Wolf has served as cinematographer and co- producer on a wide variety of projects, including the feature documentaries Note by Note: The Making of Steinway L1037 (dir. Ben Niles), Ride Rise Roar (dir. Hillman Curtis), Loving Lampposts (dir. Todd Drezner), Obit (dir. Vanessa Gould), The Happy Film (dir. Hillman Curtis/Stefan Sagmeister) and Keeper of Time (dir. Mike Culyba). He also contributed extensively to the photography of Gary Hustwit’s films Helvetica, Objectified, Urbanized and Rams. Ben’s career has paralleled the rise of digital technology, and he has leveraged the new tools in his documentary shooting practice, constantly pushing to use smaller crews to get higher quality, more intimate and dynamic footage. At the same time, he appreciates that, ultimately, film-making is a deeply humanistic craft, requiring sensitivity, collaboration and thoughtfulness. Ben earned a BA in Philosophy from Yale and an MFA in Film from Columbia. Splitting his time between Brooklyn and Sicily, he is an avid cyclist, and Electric Avenue is his feature documentary directing debut. | — | ||||||
| 4/13/26 | Every Contact Leaves a Trace - Director Lynne Sachs | EVERY CONTACT LEAVES A TRACE is a thought provoking overview of our digital era. We mostly live in a time and place where real life connections become rarer, yet any personal encounter can leave a lingering trace. Over a lifetime, filmmaker Lynne Sachs has collected business cards, mementos of these initial meetings with strangers. Sachs selects seven cards from hundreds and throws herself into finding out how and why these brief yet vivid moments left an imprint on her consciousness. When she is able, she embraces clues and seeks out reunions. But when there is no trace, she gambles with imaginary histories and futures. A lifetime of tactile, face-to-face encounters reminds her of identities passed from hand to hand. Director Lynne Sachs joins us to talk about her imaginative hybrid film, that draws inspiration from a basic principle of forensic science, coined by Edmond Locard, a pioneer in the field that any trace can link a person to a place, another person or an object.About the filmmaker - Lynne Sachs is an experimental filmmaker and poet living in Brooklyn. Over the last four decades, she has created cinematic works that defy genre through the use of hybrid forms and cross-disciplinary collaboration, incorporating elements of the essay film, documentary, performance, and collage. Retrospectives of her work have been presented at Museum of the Moving Image, Sheffield Doc/Fest, DCTV Firehouse Cinema (New York), Buenos Aires International Festival of Independent Cinema, Cork Film Festival, China Women’s Film Festival, Costa Rica IFF, and Ambulante Festival of Documentary Film (Mexico). Selected films include Film About a Father Who, Your Day is My Night, A Month of Single Frames, Investigation of a Flame, and Which Way is East. Her books include Year by Year Poems (Tender Buttons Press, 2019) and Hand Book: A Manual on Performance, Process and the Labor of Laundry (punctum books, 2025). https://www.lynnesachs.com/ | — | ||||||
| 4/10/26 | Serafina Palandech - Executive Director Sebastopol Documentary Film Festival | Founded in 2007, the inaugural Sebastopol Documentary Film Festival (SDFF) launched with a bold vision and 44 carefully curated films, shining a spotlight on talented filmmakers from Sonoma County and the greater Bay Area. What began as an intimate local gathering has grown into a globally recognized celebration of nonfiction storytelling. Today, SDFF receives nearly 700 submissions annually from more than 62 countries — a testament to both our growth and our reputation as a welcoming home for documentary artists around the world. We are proud to be an Oscar®-qualifying festival for short-form documentaries, creating meaningful pathways for filmmakers while keeping our roots firmly planted in community. More than a festival, SDFF is a gathering place for artists, neighbors, and film lovers who believe in the essential role of the arts. The management and the staff are committed to nurturing filmmakers, and championing nonfiction film as a powerful force for understanding and change. Joining us on Cinemafile is Serafina Palandech, the Executive Director of the Sebastopol Center for the Arts, as well as, the Executive Director of the 2026 Sebastopol Documentary Film Festival.About our guest - Serafina Palandech is the Executive Director of the Sebastopol Center for the Arts. She believes art has the power to change the way we think and opens us to new experiences. Art, music, poetry, performance and all the artistic disciplines give meaning to our lives. She looks to lead SebArts to an innovative new chapter by focusing on building community, resilient infrastructure and expanded artistic experience. SebArts is a welcoming gathering space where our community can join together to make art, share art and celebrate creative thought. | — | ||||||
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| 4/9/26 | La Scala: The Force of Destiny - Director Anissa Bonnefont | In La Scala: The Force of Destiny, Director Anissa Bonnefont, accompanied by cinematographer Martina Cocco, invites the audience into the creative hive that is La Scala during the final months of preparation, capturing the tensions, the stress, and the passion that span from the first meeting of the opera team all the way to the pull of the curtain as it raises above the stage. Every 7th of December marks the beginning of Milan’s legendary opera season at La Scala. Since 1951, the entire city stops and moves to the rhythm of the event known as, “La Prima”.In a spirited countdown, driven by conductor Riccardo Chailly and stage director Leo Muscato, the film follows every step of this extraordinary artistic creation. The contemporary music of Jack Bartman accompanies the masterful compositions of Verdi while the film's script is brought to life by chief editor Guerric Catala.About the filmmaker - Anissa Bonnefont is a French movie and documentary director who has her own production company in order to keep her artistic independence. She is known for her documentary Wonder Boy about the story of Olivier Rousteing (Balmain) which was nominated for the Césars and her movie La Maison starring Ana Girardot which is also nominated for the Césars 2023 in all categories. | — | ||||||
| 4/7/26 | * SXSW Award Winner* Daughters of the Forest - Director Otilia Portillo Padua | DAUGHTERS OF THE FOREST is a story of entanglements: between humans and mushrooms; the visible and the invisible; generational knowledge and modern science. This immersive sci-fi documentary takes viewers on an unexpected, sometimes speculative exploration of the realities of two Indigenous communities and the fungi in the forests of Mexico, inviting them to reconsider the perceptions and experiences of both the human and non-human inhabitants of our world. Lis and Juli, two scientifically-trained young women, both come from communities that have long lived in symbiosis with the diverse mushrooms in their distinct regions of Oaxaca and Mexico State in Mexico. They strive to further collective understanding of the fungi with which human existence is entwined. But the world they know is changing, and their pursuits are threatened by deforestation, lack of opportunity, and loss. Along their parallel paths, they share their knowledge and reveal how mushrooms show different possibilities of coexistence, helping them overcome obstacles and reshape their lives and futures. Director Otilia Portillo Padua joins us for a wide-ranging conversation on family, indigenous peoples culture, language, and mushrooms.About the filmmaker - Otilia Portillo Padua (Director, Producer) is a Mexican film director. She studied architecture at Cambridge University and the Architectural Association, London. Her works include: THREE VOICES, which screened at SXSW, Ambulante, Morelia, DocsMX, Margaret Mead Film Festival, Documenta Madrid, Lima Film Festival, FIDBA Buenos Aires; and BIRDERS, a short documentary she directed and wrote for Netflix. She is the recipient of the One House Filmmaker Fund and the Mycoskie-UC Berkeley Documentary Fellowship. She has received grants from Mexico’s Ministry of Culture, the Mexican Institute for Cinematography, and the Sundance Institute. DAUGHTERS OF THE FOREST won the First Look prize at the Hot Docs Forum and received support from Sundance-Sandbox, the Redford Center, and the Doc Society Climate Fund. | — | ||||||
| 4/6/26 | SHUFFLE - Subject and mother oF Daniel, Laura Helvey | SHUFFLE unravels a web of public policy and private interest preying on a desperate population for the sake of profit.In the wake of the opioid epidemic, insurance companies were now required to cover addiction and mental health treatment at the same reimbursement rate as other medical conditions, but without any of the regulations, a move that effectively monetized the 40 million Americans struggling with these issues. Shot over the course of three years, Shuffle follows three individuals trapped by the insurance-fueled cycle of treatment fraud spreading across the country. whose future depend not on getting into treatment, but on getting out alive. A journey of discovery and transformation, these personal stories provide the framework for a more public investigation with the help of an FBI informant, an insurance analyst and the former Executive Director of a Philadelphia-based treatment facility shuttered for fraud.About our Guest - Laura Helvey, mother of Daniel joins us for a gripping conversation on the living nightmare of finding out her son was an addict, then watching her son get caught up in the morass of revolving door rehab treatment, clinics that cared more about testing that effective treatment and then getting the worst news a mother can hear. And how she now an advocate to get politicians and community leaders to join her in the fight to hold this multi-billion dollar industry to account for their systemic corruption. | — | ||||||
| 4/6/26 | Spacewoman - Director by Hannah Berryman & Subject Commander Eileen Collins | Astronaut Eileen Collins was the first woman to pilot and command an American spacecraft. SPACEWOMAN beautifully captures Eileen’s journey, from her working-class beginnings in Elmira, NY, to breaking glass ceilings at NASA, commanding four space shuttle missions, and navigating the pressures on her family is awe inspiring. The doc includes archival materials and interviews that highlight both the monumental dangers of spaceflight and the incredible achievements of the shuttle program, including her leadership on STS-114, the first mission after the Columbia tragedy. Based on Eileen’s book Through the Glass Ceiling to the Stars, the film is directed by Hannah Berryman and produced by award-winning teams Keith Haviland (Haviland Digital) and Natasha Dack Ojumu (Tigerlily Productions). Director Hannah Berryman and Commander Eileen Collins join us to talk about Spacewoman.About the filmmaker - Hannah Berryman is an acclaimed documentary filmmaker known for combining archive footage, inventive animation, and recreation with contemporary narratives and powerful interviews with high-profile figures to uncover the human stories behind defining cultural moments. Her 2025 feature documentary Spacewoman follows astronaut Eileen Collins from a young girl growing up on the wrong side of the tracks with a secret dream of spaceflight to becoming the first woman to pilot and command a spacecraft. Rockfield: The Studio on the Farm, her 2020 BAFTA-nominated feature documentary for the BBC and distributed by Autlook Sales Worldwide, tells the extraordinary story of Welsh farmers who created a world-class recording studio on their land. The film features interviews with artists including Ozzy Osbourne, Robert Plant, Liam Gallagher, and Chris Martin.Other critically acclaimed work includes the two-part Grierson Best Arts–nominated series Banned! The Mary Whitehouse Story (BBC), which examined her campaign against the permissive revolution of the 1970s; the BAFTA-nominated BBC film Miss World: Beauty Queens & Bedlam, exploring the feminist protests surrounding the 1970 Miss World contest; Princess Margaret: The Rebel Royal, a two-part profile whose subject’s life and loves reflected the social and sexual revolutions that transformed Britain during the 20th century (BBC/PBS Worldwide); The Rose D'or nominated 'Can We Live With Robots' with dancer Akram Khan (C4); the Grierson-shortlisted documentary A Very English Education, exploring the emotional legacy of British boarding schools; and the Grierson-nominated High Society Brides, an entertaining and revealing look at the upper-class women featured in Country Life magazine across the decades. Based on Eileen’s book Through the Glass Ceiling to the Stars, the film is directed by Hannah Berryman and produced by award-winning teams Keith Haviland (Haviland Digital) and Natasha Dack Ojumu (Tigerlily Productions). | — | ||||||
| 4/5/26 | The Serpent’s Skin - Director Alice Maio Mackay | Twentysomething Anna (Alexandra McVicker) leaves her small, transphobic hometown to start a new life in the city with her sister when she quickly finds herself face-to-face with Gen (Avalon Fast), a confident young woman she’d first seen in visions. Gen, Anna learns, has supernatural powers—powers that the two of them share. Their bond of magic and romance is threatened when Gen inadvertently unleashes a demon in Danny (Jordan Dulieu), Anna’s one-time fling and neighbor, and the mysterious evil begins targeting—and feeding on—everyone close to them.About the filmmaker - After writing and directing a string of low-budget horror shorts in her teens, Maio Mackay—who begins every feature with the on-screen evocation of “A Transgender Film”—erupted onto the scene with her 2021 vampire horror-comedy So Vam, starring BenDeLaCreme and Etcetera Etcetera from Drag Race, which was released as a Shudder Original when she was only sixteen years old. Following her breakout, she helmed Bad Girl Boogey (2022), the explosive underground horror T Blockers (2023), which earned her the Emerging Talent Award from Outfest L.A.; musical horror-comedy Satranic Panic (2023); and queer holiday horror Carnage for Christmas (2024), with I Saw the TV Glow’s Jane Schoenbrun executive producing her forthcoming feature Our Effed Up World. The Serpent’s Skin is the 21-years-old trans Australian filmmaker's most ambitious film to date, combining her distinct filmmaking voice—known for channeling genre tropes through a trans lens, her innovative approach to aesthetics, and a unique wit—with a larger scope that leans into a darker storyline and a loving influence of 90s cult television like Buffy the Vampire Slayer and Charmed. | — | ||||||
| 4/5/26 | Wonders of the Wolf - Director Angie Ruiz | WONDERS OF THE WOLF was filmed in Yellowstone National Park primarily in the Lamar Valley. It features the Park's famed wolf Matriarch, 907F. She lived to be 11 years old and died on Christmas Day 2025. She was the oldest wolf in Yellowstone National Park before her death. The film also features the longest running wolf pack called Mollies Pack -- named after Mollie Beatty who was the first female director of the United States Fish and Wildlife Service. Wonders of the Wolfis an award-winning documentary exploring one of the most successful conservation efforts in modern history, The Yellowstone Wolf Project. From their historic recovery in 1995 to today's thriving wolf packs, Yellowstone Wolf Project biologists share inspiring stories about the wolves they study in the park. Using bioacoustic technology, researchers are uncovering how wolves communicate, applying their findings to resolve livestock-wildlife conflicts and protect these majestic creatures. Director Angie Ruiz joins us to tell a very personal connection she experienced during the making of Wonders of the Wolf.About the filmmaker - California native, Angie Ruiz is an award-winning documentary filmmaker. She is the writer, director, and producer of Black Beauty Breed, a film that celebrates the intelligence and inherent working abilities of the Rottweiler breed. She fell in love with the breed after rescuing a Rottweiler in 2007. She created the film to give the Rottweiler a fair and more balanced portrayal in the media. The film screened in multiple cities worldwide and is currently streaming on AppleTV and AmazonPrime. Black Beauty Breed has played an active role in redefining the Rottweiler’s image in the media. Accurate terms such as “working breed” and “intelligent” are now more commonly used when describing them. | — | ||||||
| 4/3/26 | Jimmy and the Demons - Director Cindy Meehl | For six decades, Jimmy Grashow's intricate woodcuts and fantastical sculptures have graced museums and galleries, iconic album covers and over a thousand publications. As Jimmy approaches 80, he is given the commission of a lifetime that proves to be both exhilarating and daunting. As he obsessively carves his magnum opus, Jimmy searches for the meaning behind this profound and sacred piece to which he devotes every moment. But life is full of surprises and Jimmy is faced with a difficult decision. Navigating through the unexpected twists and turns with humor and trepidation, he experiences the true agony and ecstasy of being an artist. JIMMY & THE DEMONS is an unforgettable reminder that life can be a chaotic struggle, but the power of love, kindness and courage is undeniable. Award winning director Cindy Meehl (Buck, The Dog Doc) joins us to talk about getting to know Jimmy Glashow and his beautiful circle of friends, family and his amazing array of talented artists he counts on to make his unforgettable vision come together. About the filmmaker - Oscar short-listed filmmaker Cindy Meehl is an award-winning director and executive producer known for her feature film documentary work. She founded Cedar Creek Productions in 2008 and directed Buck, her debut film about renowned horse whisperer Buck Brannaman. Premiering at Sundance in 2011, Buck won the U.S. Documentary Audience Award and was shortlisted for an Academy Award. Meehl also directed The Dog Doc (2019), about Dr. Marty Goldstein, a veterinarian known for his unconventional healing practices, that premiered at Tribeca and was released in 2020. Her latest directorial venture Jimmy & The Demons, follows celebrated artist James Grashow’s marvelous adventure of creating his magnum opus. The film premiered at Tribeca in 2025 and won several jury awards in festivals around the country. | — | ||||||
| 4/1/26 | The AI Doc: Or How I Became An Apocaloptimist - Co-directors: Charlie Tyrell (Daniel Roher) & Producer Ted | From the Academy Award-winning filmmakers behind Everything Everywhere All at Once and Navalny; a father-to-be (Daniel Roher) tries to figure out what is happening with all this AI insanity. The AI Doc: Or How I Became an Apocaloptimist is a hand-made, eye-opening documentary about the most powerful technology humanity has ever created... and what's at stake if we get it wrong. Co-director Charlie Tyrell and Producer Ted Tremper join us for a spirited conversation on this inevitable technology that is the most hopeful and most fraught technology in the history of mankind. About the filmmaker - Charlie Tyrell is a Canadian filmmaker whose work has screened at major international festivals including the Sundance Film Festival, SXSW, and the Toronto International Film Festival. His films have been featured by The New York Times, The Atlantic, Vimeo Staff Picks, and the CBC. His debut feature, The AI Doc: Or How I Became an Apocaloptimist, premiered at Sundance in 2026 and received a nationwide theatrical release from Focus Features. Previously, Tyrell directed the Academy Award–shortlisted My Dead Dad’s Porno Tapes, winner of both a Canadian Screen Awards and a Cinema Eye Honors award. His follow-up film, Broken Orchestra, also premiered at Sundance. He later served as Director of Visual Segments on Amanda Mustard’s HBO documentary Great Photo, Lovely Life. He lives in Toronto with his wife and son and has taken an oath not to eat another hot dog until the Toronto Blue Jays win the World Series.About the filmmaker - Ted Tremper is a showrunner, director, and writer whose credits include the sequel to Borat, The Daily Show w/ Trevor Noah, Robert Smigel's FOX puppet show Let's Be Real, and I Love You America! w/ Sarah Silverman. He is also the co-creator of SHRINK on Peacock starring Tim Baltz, (Righteous Gemstones). In his spare time he makes bespoke fountain pens which he sells and donates the profits to far-left liberal charities hellbent on destroying America. - IMDb mini biography by: Ted Tremper | — | ||||||
| 3/26/26 | Esta Isla (This Island) - Co-directors Cristian Carretero & Lorraine Jones Molina | Winner of Best New Narrative Directors and Best Cinematography in a Narrative Film at the 2025 Tribeca Film Festival, Esta Isla (This Island) follows Bebo, a teenager from a coastal Puerto Rican town, living with his brother in a public housing complex. They fish for a living, but their growing desperation drives them to illegal dealings that promise easy money. When a job goes wrong and blood is spilled, Bebo flees with Lola, a wealthy girl seeking to escape her troubled reality. As they navigate the labyrinthine mountains, they encounter remnants of a fading way of life, contrasting with the violence that follows them. As hitmen close in, Bebo must confront his choices and decide if redemption is possible, or if the sea will be their final escape.About the filmmaker - Raising awareness about issues pertaining to women, sexuality, and spirituality within the Caribbean, Lorraine Jones Molina is a Puerto Rican filmmaker who strives to use the medium as a tool for activism and healing. Winner of two Suncoast EMMY awards for a documentary feature film and a science television show, she has also produced several award winning short films throughout the Caribbean and New York. Lorraine is the Co- Founder of the art film production company Experimento Lúdico.About the filmmaker - Cristian Carretero, an Emmy Award-winning filmmaker from Mayagüez, Puerto Rico, earned his B.A. from Sarah Lawrence College and studied film at FAMU before obtaining an MFA from New York University in 2015. His films, primarily social dramas, explore contemporary issues in Puerto Rico and the Caribbean, focusing on social and environmental challenges. His works have been featured and awarded internationally at venues such as BAM Cinematek, Anthology Film Archives, and the Montreal Film Festival. Co-founder of Experimento Lúdico, Carretero collaborates with clients like National Geographic and The Intercept, and teaches workshops at the University of Puerto Rico. | — | ||||||
| 3/26/26 | TOW - Director Stephanie Laing | TOW is based on the shockingly true underdog story of Amanda Ogle, a homeless woman who one day wakes up to find that the 1991 Toyota Camry she’d been sleeping in has been towed, along with all her worldly possessions. All due to a belligerent tug of war over a car valued at less than a grand. Think - a more modern-day ERIN BROCKOVICH. Along the way, she creates a heartwarming support network of struggling women like herself (Octavia Spencer, Demi Lovato, Ariana DeBose) and teams up with a burgeoning young lawyer, played by Dominic Sessa (THE HOLDOVERS), to fight the powers that be. The film is a heartwarming and hilarious story of justice, scrappiness, and a shining testament to never giving up. We're joined by director Stephanie Laing | — | ||||||
| 3/25/26 | Ghost Elephants - Subject Steve Boyes (Director Werner Herzog) | For over a decade, Dr. Steve Boyes, conservation biologist and National Geographic Explorer, has been in search of a mysterious, elusive herd of Ghost Elephants in the highlands of Angola, deep within its forests. From acclaimed director Werner Herzog (“Grizzly Man”), GHOST ELEPHANTS follows Boyes on an epic journey as he sets out with some of the best master trackers in the world, in pursuit of an animal long believed to be a myth. GHOST ELEPHANTS is a lyrical tale of survival, reconnection and the enduring power of ancient knowledge in the face of modern loss. Complementing the film is the coffee table book “Okavango and the Source of Life” by Steve Boyes, releasing March 3 in tandem with the documentary.About the filmmaker - (Director / Writer / Narrator / Producer) Born in Munich in 1942, Werner Herzog grew up as a child in a remote valley in the Bavarian mountains. Until age 11, he did not even know of the existence of cinema. He started to develop film projects from age 15 on, and since no one was willing to finance them, he worked the night shift as a welder in a steel factory during the last years of high school. He also started to travel on foot. He made his first phone call at age 17 and his first film at 19. He dropped out of college where he studied history and literature. Since then, he has written, produced, and directed some 80 films, has published books of prose staged about a dozen operas, acted in films, and founded his own Rogue Film School. For more info, visit www.ghostelephants.com. | — | ||||||
| 3/24/26 | *Oscar Shortlisted - Late Shift - Director Petra Volpe | Director Petra Volpe’s LATE SHIFT had its World Premiere at the Berlin International Film Festival in 2025. It went on to become Switzerland’s entry for the 2026 Best International Feature Academy Award® and was short-listed for that nomination. It won the Golden Eye Award from the Zurich Film Festival, The German Camera Award for Judith Kaufmann’s Cinematography, and Leonie Benesch was nominated for Best Actress at the European Film Awards. LATE SHIFT, follows a dedicated nurse Floria (Leonie Benesch, “The Teachers’ Lounge”, “September 5”) as she navigates the relentless pace of her hospital’s understaffed surgical ward with humanity and warmth. As her overnight shift intensifies, she is pushed to the brink in a race against time. Every second counts, and every interruption could mean the difference between life and death. Our guest, Director and writer Petra Volpe (“The Divine Order”) skillfully uses real-time tension to examine the emotional cost of frontline care work and the quiet, unglamorous triumph of keeping people alive in a pitiless system. LATE SHIFT is a portrait of everyday courage, both an homage to nurses and a rousing call to address the global staffing shortage in the industry.About the filmmaker - Screenwriter and director Petra Volpe studied at the Konrad Wolf Film University in Potsdam‑Babelsberg. Her feature film debut, Dreamland (Traumland, 2014), was nominated for four Swiss Film Awards. In 2017 Volpe gained worldwide attention with her film The Divine Order (Die göttliche Ordnung). The film became a major box office success in Switzerland. It was sold to over 30 countries and represented Switzerland in the Oscar race. Petra Volpe also wrote the screenplay for the film Heidi, the successful SRF series Labyrinth of Peace and Golden Years (Die goldenen Jahre), which became the most successful Swiss feature film of 2022 in German‑speaking Switzerland and was sold internationally, including in the USA. In addition to her Swiss projects, Volpe works as a screenwriter and director in the United States. She is currently working on her fourth feature film, Frank & Louis. Petra Volpe lives and works in Berlin and New York. In Germany she is represented by DIE AGENTEN and in the US by Range Media Partners. | — | ||||||
| 3/21/26 | *Cinemafile favorite - White with Fear - Director Andrew Goldberg | Emmy Award-winning director Andrew Goldberg's latest documentary WHITE WITH FEAR sheds light on the decades-long strategy of politicians and media outlets to amplify racial divisions and white victimization narratives for power and profit. Told by the operatives in the rooms where it happened, WHITE WITH FEAR is an explosive deep dive into the decades-long quest by America’s conservative political machine to amass power by exploiting racial fault lines and stoking narratives of White victimization. WHITE WITH FEAR is a potent journalistic undertaking that unearths the hidden political playbook and key operatives behind these efforts. With revealing first-person access to figures like Hillary Clinton, Steve Bannon, Rep. Jamie Raskin, former Fox News reporter Carl Cameron, The Lincoln Project co-founder Stuart Stevens, and other leading experts, WHITE WITH FEAR offers an urgent and eye-opening look at how racial bigotry is weaponized to undermine democracy. Award winning director and producer Andrew Goldberg joins us for a conversation on the state of the American “experiment” in democracy, and how we might find a way to forge a more “perfect union”.About the filmmaker - An Emmy-Award-winning investigative producer, Andrew Goldberg has directed 14 prime-time documentary specials for PBS/public television, and both long and short-form segments for outlets like CBS News Sunday Morning, ABC News, Live From Lincoln Center, and National Public Radio. His work includes The Armenian Genocide, Jerusalem: Center of the World, They Came to America, Proud To Serve: The Men and Women of the US Army, In addition to many other national PBS films including A Yiddish World Remembered (2002, Emmy Award Winner), Out in America (2010), The Iranian Americans (2012) and others, Goldberg has written and produced for Good Morning America, NOW With David Brancaccio, and National Public Radio’s All Things Considered with Robert Siegel. He was previously a regular contributor to CBS News Sunday Morning’s Nature segment, and Live From Lincoln Center | — | ||||||
| 3/20/26 | *Cinemafile favorite - Tatami - Co-directors Guy Nattiv & Zar Amir | Anchored by two trenchant performances, this exquisitely well made film from co-directors Guy Nattiv & Zar Amir about the politics of modern day Iran, TATAMI follows Iranian female judoka Leila (Arienne Mandi) and her coach Maryam (Zar Amir), who travel to the World Judo Championships, intent on bringing home Iran’s first gold medal. Midway through the Championships, they receive a chilling ultimatum from the Islamic Republic. Co-directed by Guy Nattiv (Academy Award-Winner for Skin) and Zar Amir (Cannes Film Festival Best Actress-Winner for Holy Spider), join us to talk about their collaboration behind and in front of the camera, ratcheting up the razor-edge relationship between the Leila and Maryam and finding pulling together all the elements of a compelling sports drama with dire international consequences hanging over their families.About the filmmaker - Co-director, Co-writer Guy Nattiv is best known for directing, co-writing and producing SKIN, where he won the 2019 Academy Award for Best Live Action Short. Guy went on to write and direct the feature version, also titled SKIN, which starred Jamie Bell and won the Fipresci Critics Prize at the Toronto Film Festival in 2019. The film was acquired by A24. Most recently he co-directed and co-wrote TATAMI, a historic collaboration between Israeli and Iranian filmmakers, which had its world premiere in competition at the Venice Film Festival in 2023 to significant acclaim. The film won two prizes at the Tokyo Film Festival, Best Film at the Munich Festival, and two prizes at Camerimage in Poland.About the filmmaker - Co-director, and co-lead actor (Maryam Ghanbari) Zar Amir is an Iranian-French actress, producer, and director. She rose to international prominence for her performance as journalist Arezoo Rahimi in the crime thriller HOLY SPIDER (2022), for which she won the Cannes Film Festival Award for Best Actress and Robert Award for Best Actress, among other honors. In 2023, she starred in SHAYDA, which won the Audience Award in the World Cinema Dramatic Competition at the Sundance Film Festival and was acquired by Sony Pictures Classics. Amir also stars in READING LOLITA IN TEHRAN (2025), which won both the Audience Award and a Special Jury Prize at the Rome International Film Festival. | — | ||||||
| 3/19/26 | Matter of Time - Director Matt Finlin | Currently available on NETFLIX, MATTER OF TIME is a compelling documentary chronicling the fight to cure Epidermolysis Bullosa (EB), a rare and devastating genetic disease. Set against the backdrop of a powerful benefit concert organized by Pearl Jam frontman Eddie Vedder in Seattle, the film weaves together personal stories of patients and families, the scientific breakthroughs propelled by their advocacy, and the strength of a global community refusing to accept the status quo. Far more than a concert film, Matter of Time captures the emotional and physical toll of EB, the radical model of venture philanthropy driving progress, and the belief that art, science, and love can fuel a cure. With an original score by Broken Social Scene and candid interviews from all sides of the movement, the film is a rallying cry for what’s possible when people come together—with urgency and heart—for something bigger than themselves. Director Matt Finlin stops by to talk about the Vedder family contribution to something that feels increasingly doable, and getting to know Deanna, Eli, Charlie, Rowan, Garrett and the researchers who have dedicated their work to ending the crippling impact of Epidermolysis Bullosa.About the filmmaker - Matt Finlin is a Toronto-based director and producer known for crafting ] ] emotionally resonant stories that intersect art, social impact, and cultural memory. With a background in both documentary and commercial filmmaking, Finlin has spent over a decade building a body of work that reflects his deep interest in human connection, creative expression, and the power of storytelling to inspire real-world change. His first feature-length documentary, The Movie Man, premiered at the 2024 Santa Barbara International Film Festival and was praised for its heartfelt portrayal of a small-town cinema owner’s life, legacy, and love of film. Distributed by Mongrel Media, the film went on to screen at festivals across North America and aired on TCM and PBS. Finlin has collaborated extensively with Pearl Jam frontman Eddie Vedder and EB Research Partnership, using film to amplify awareness around Epidermolysis Bullosa (EB) and accelerate efforts to find a cure. | — | ||||||
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Chart Positions
6 placements across 6 markets.
Chart Positions
6 placements across 6 markets.


























