
Cinemapodgrapher
by Lucas Tomoana SOC, Hannah Ariotti & Josh Calder
Is this your podcast?Insights from recent episode analysis
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Platform Reach
Insights are generated by CastFox AI using publicly available data, episode content, and proprietary models.
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Total monthly reach
Estimated from 24 chart positions in 24 markets.
By chart position
- 🇩🇪DE · Film Interviews#27100K to 300K
- 🇦🇺AU · Film Interviews#28100K to 300K
- 🇬🇧GB · Film Interviews#1135K to 30K
- 🇨🇦CA · Film Interviews#1605K to 30K
- 🇮🇳IN · Film Interviews#9100K to 300K
- Per-Episode Audience
Est. listeners per new episode within ~30 days
250K to 793K🎙 Weekly cadence·154 episodes·Last published 1w ago - Monthly Reach
Unique listeners across all episodes (30 days)
500K to 1.6M🇩🇪19%🇦🇺19%🇮🇳19%+21 more - Active Followers
Loyal subscribers who consistently listen
150K to 476K
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Reach across major podcast platforms, updated hourly
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* Data sourced directly from platform APIs and aggregated hourly across all major podcast directories.
On the show
From 12 epsHosts
Recent guests
Recent episodes
Finding Films and Creative Careers with Comedian Alexei Toliopoulus
Jun 14, 2026
Unknown duration
Mortal Kombat 2 with Cinematographer Stephen Windon ACS ASC
May 31, 2026
1h 04m 21s
One Battle After Another with Key Grip Tana Dubbe
May 10, 2026
37m 45s
The Pitt with Cinematographer Johanna Coehlo
Mar 13, 2026
58m 38s
The Chair Company with Cinematographer Ashley Connor
Mar 1, 2026
37m 22s
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| Date | Episode | Topics | Guests | Brands | Places | Keywords | Sponsor | Length | |
|---|---|---|---|---|---|---|---|---|---|
| 6/14/26 | ![]() Finding Films and Creative Careers with Comedian Alexei Toliopoulus | How do you turn a love of movies into a career? This week, Josh Calder sits down with comedian, filmmaker, podcaster and one of Australia's most trusted voices on cinema, Alexei Toliopoulos. From hosting trivia at the iconic Golden Age Cinema to building a career across stand up, documentaries, ABC film reviews and podcasting, Alexei has spent more than a decade helping audiences discover films that truly mean something to them. They chat about building a creative career across multiple passions, why collaboration matters when motivation disappears, and the challenge of balancing creativity with burnout. Alexei shares his thoughts on Australian cinema, why genre films often break through, and how specificity in storytelling can actually become universal. Plus, film school lessons, physical media rabbit holes, why Hook deserves way more love, and the movie recommendations every filmmaker should see. Whether you're a filmmaker, a film lover, or someone trying to turn passion into purpose, this episode is packed with insight, honesty and a genuine love for cinema. Produced, Hosted and Edited by Josh Calder | — | ||||||
| 5/31/26 | ![]() Mortal Kombat 2 with Cinematographer Stephen Windon ACS ASC✨ | cinematographyaction filmmaking+3 | Stephen Windon ACS ASC | SonyMortal Kombat 2+4 | — | cinematographeraction films+3 | — | 1h 04m 21s | |
| 5/10/26 | ![]() One Battle After Another with Key Grip Tana Dubbe✨ | film productiongrip departments+4 | Tana Dubbe | Iron ManThe Bling Ring+1 | — | Key Gripfilm industry+6 | Sony | 37m 45s | |
| 3/13/26 | ![]() The Pitt with Cinematographer Johanna Coehlo✨ | cinematographytelevision production+4 | Johanna Coehlo | HBOAmerican Film Institute+1 | — | cinematographerThe Pitt+6 | — | 58m 38s | |
| 3/1/26 | ![]() The Chair Company with Cinematographer Ashley Connor✨ | cinematographycomedy+4 | Ashley Connor | HBO | — | cinematographerHBO+7 | Sony | 37m 22s | |
| 2/18/26 | ![]() One Battle After Another with Cinematographer Michael Bauman✨ | cinematographyfilm production+3 | Michael Bauman | SonyOne Battle After Another+2 | — | cinematographerlighting department+3 | — | 1h 24m 02s | |
| 2/1/26 | ![]() Frankenstein with Production Designer Tamara Deverell✨ | production designfilm making+5 | Tamara Deverell | CinemapodgrapherFrankenstein | — | production designerFrankenstein+8 | Sony Technology | 51m 37s | |
| 1/25/26 | ![]() Percy Jackson and the Olympians Season 2 with Cinematographer Jules O'Loughlin ASC ACS✨ | cinematographyfilm industry+5 | Jules O'Loughlin ASC ACS | Percy Jackson and the OlympiansMs Marvel+6 | — | cinematographyJules O'Loughlin+6 | Sony Technology | 1h 34m 39s | |
| 12/18/25 | ![]() Camera Operator Ben Eeley ACO SOC: Fitness, Steadicam, Wheels, Conventional Operating, ZeeGee and Joining the ACO✨ | camera operatingfitness+5 | Ben Eeley ACO SOC | ACO | — | camera operatorfitness+6 | — | 1h 07m 22s | |
| 11/18/25 | ![]() Camera Operator Brett Hurd SOC: American Primeval, The Handmaid's Tale and the craft of leading from behind the lens✨ | camera operationfilm industry+4 | Brett Hurd SOC | The Handmaid's TaleMrs America+2 | — | camera operatorcinematography+6 | Sony | 1h 45m 12s | |
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| 11/11/25 | ![]() Murderbot with Production Designer Sue Chan✨ | production designworld-building+3 | Sue Chan | MurderbotShang-Chi and the Legend of the Ten Rings+2 | — | MurderbotSue Chan+5 | Sony | 59m 23s | |
| 10/13/25 | ![]() Dolly Grip Dave Shaw: Lessons from 30 years in the Industry✨ | dolly gripfilmmaking+4 | Dave Shaw | War MachineThor: Ragnarok+7 | — | dolly gripfilmmaking+6 | — | 36m 11s | |
| 9/28/25 | ![]() Cinematographer Jacques Jouffret ASC: Camera Operating, Transformers, Gran Turismo & American Primeval✨ | cinematographycamera operating+4 | Jacques Jouffret | Into the WildTransformers+11 | — | cinematographercamera operator+5 | — | 1h 31m 59s | |
| 9/22/25 | ![]() F1 with Skywalker Sound - Al Nelson, Luke Dunn-Gielmuda and Andree Lin | The legendary team from Skywalker Sound, Supervising Sound Editor Al Nelson, Lead Sound Effects Editor Luke Dunn-Gielmuda, and Sound Design Assistant Andree Lin join us for Part 2 of F1, the movie. From working with Joseph Kosinski, collaborating with Sir Lewis Hamilton, to drawing lessons from Top Gun: Maverick, the team breaks down how they reconstructed the visceral sounds of Formula 1 racing. We explore the artistry and technical precision behind building engines from silence, capturing the rush of speed, and crafting a sonic experience that feels authentic not only to everyday listeners, but to the most die-hard Formula 1 fans. This is sound design at full throttle. This episode is proudly brought to you by our technology partner Sony Produced by Deb Van Dieren Hosted and edited by Hannah Ariotti | — | ||||||
| 9/7/25 | ![]() Andor Season 2 with Cinematographer Christophe Nuyens SBC | Andor Season 2 has earned 14 Emmy nominations, including Outstanding Cinematography. DP Christophe Nuyens SBC joins us to discuss his nominated work on Episodes 1–6. We talk about his journey through the Belgian, French, and English film industries, and his extended preproduction with director Ariel Kleiman, where they used ILM's live-vis system to plan shots. Christophe also shares why he prefers shooting in full frame, his search for full frame anamorphic lenses, and the creative benefits of the Venice 2 and the Sony ecosystem of cameras. He reflects on his approach to staging oners, his philosophy of lighting, and breaks down how he shot and lit several of Luke Hull's production-designed sets across the series. Join us for an in-depth look at the cinematography of one of Star Wars' most acclaimed stories. Cinemapodgrapher is proudly brought to you by our technology partners Sony Produced by Deborah Van Dieren Hosted and edited by Lucas Tomoana SOC | — | ||||||
| 8/18/25 | ![]() Chief of War with Cinematographer Matthew Chuang ACS | Born in Taiwan and raised in Australia, cinematographer Matthew Chuang ACS has always been drawn to telling stories rooted in culture and identity. After reaching a creative ceiling in Australia, he made the leap to Los Angeles where he connected with director Justin Chon. The two have since collaborated on multiple projects, most recently reuniting for Apple TV's epic series Chief of War. In this conversation, Matt reflects on his upbringing in Australia, his journey into the world of independent filmmaking in the United States, and his first experience working on a large scale television production. He shares how he and Justin brought an indie film sensibility to Chief of War, emphasizing the importance of trusting your instincts when approaching coverage and storytelling. We also dive into the technical side, discussing cameras, lenses, lighting setups, and the unique challenges of shooting in remote locations across the Hawaiian Islands. Tune in to hear Matthew's story, his creative approach behind the camera, and insights from the set of one of Apple TV's most ambitious series. This episode of Cinemapodgrapher is proudly brought to you by our technology partners Sony Produced by Deb Van Dieren Hosted by Lucas Tomoana SOC Edited by Raphael Segal | — | ||||||
| 8/2/25 | ![]() DIT Jason Bauer: Taylor Swift, Kingdom of the Planet of the Apes, Thai Cave Rescue & Cherry | The first digital imaging technician to join the podcast, Jason Bauer began his career using still photography for previs on productions shooting film. As cinematography shifted to digital, Jason trained other digital imaging technicians before eventually stepping into the role himself. Now one of the most sought-after DITs in the industry, he has worked on major productions around the world. In this episode, we explore the role of the DIT and the value they bring to a director of photography. Jason breaks down the hardware and software he uses, how he works on set, and why DITs are essential to modern filmmaking. We also talk about his experience working on Taylor Swift music videos, shooting Kingdom of the Planet of the Apes in Australia, going remote in Thailand for Thai Cave Rescue, and filming Cherry in Morocco. | — | ||||||
| 7/7/25 | ![]() F1 with 1st Assistant Camera Dan Ming | From fighter jets to race cars, Dan Ming is a world-class 1st AC who loves tech. Dan Ming and his team are known for their work on Top Gun: Maverick, and now they've taken those lessons, pushing the boundaries even further, to bring you F1. We talk about the collaboration with some of the biggest brands in the game: Sony, Apple, and Panavision, and the camera builds that came out of it: Sony's Carmen (a custom-built car mount camera), Apple's Wing Camera, and Panavision's custom Pan Head. Plus, how they built a full Mercedes F2 car, from scratch, just for the film. Dan answers all your questions and more. From micro managing race track schedules, global logistics of shipping gear across multiple countries, wiring up race cars with metres of cabling, right down to the design of custom screws, and somehow, keeping it all working at 300km/h during a real F1 season! This is an episode you don't want to miss! Proudly brought to you by our technology partners Sony Produced by Deb Van Dieren Hosted and edited by Lucas Tomoana SOC | — | ||||||
| 6/23/25 | ![]() The Studio with DP Adam Newport-Berra and Camera Operator Mark Goellnicht SOC ACO | DP Adam Newport-Berra and Camera Operator Mark Goellnicht SOC ACO are the powerhouse duo behind the lens of The Studio. In this episode, we dive into what it's really like working with comedy legends and co-directors Seth Rogen and Evan Goldberg. Adam and Mark take us through the camera rigs they tested and how they meticulously choreographed scenes that feel like total chaos but are actually tightly crafted. We also break down some of the most jaw dropping shots in the series, the kind that had us hitting rewind just to figure out how they pulled them off. If you're into behind the scenes tech talk, creative teamwork, or just love hearing how high pressure shots come together, this one's for you. From camera movement to controlled madness, it's a must listen for both the tech heads and fans of the show. This podcast is proudly brought to you by our technology partner, Sony. Produced by Deb Van Dieren Hosted and edited by Lucas Tomoana SOC | — | ||||||
| 6/15/25 | ![]() The Last of Us Season 2 with Cinematographer Ksenia Sereda | Cinematographer Ksenia Sereda takes us behind the scenes for The Last Of Us Season 2. It's clear from the start how deeply she loves what she does. She lives and breathes her work and her passion is infectious. In this episode, we break down everything from the custom-built Cooke lenses she helped design, shooting cast on horseback and the responsibility of being setup DP for the show. We dig into several key episodes including the beautiful flashback scenes of episode 6 and unpack the technical hurdles of shooting inside a spaceship. A true fan of the game and a master of her craft, Ksenia brings a mix of vision, precision, and genuine heart to bring the game to life. This one's a deep dive for anyone who aspires to work on the world's biggest tv series. This episode of Cinemapodgrapher is proudly brought to you by our technology partners Sony Produced by Deb Van Dieren Hosted and edited by Lucas Tomoana SOC | — | ||||||
| 6/3/25 | ![]() The Acolyte with Cinematographer Chris Teague | Chris Teague, an Emmy Award winning Director of Photography, has worked on a diverse slate of projects, from Russian Doll and Only Murders in the Building to entering the Star Wars universe with The Acolyte. In our conversation, we talk about his path into drama, the value of building strong creative relationships, and what it means to be a setup DP. We also get into preproduction, LUTs, fight choreography, and how Chris approached the unique lighting challenges of working within the Star Wars universe. This podcast is proudly brought to you by our technology partner Sony Produced by Deb Van Dieren Hosted by Lucas Tomoana Edited by Raphael Segal | — | ||||||
| 5/19/25 | ![]() AJK Grips: Mad Max Fury Road, Furiosa & The Fall Guy | Key Grip Adam "Skull" Kuiper and Best Boy Josh Calder lead one of Australia's top grip teams at AJK Grips. In this episode, we dive into how Skull earned his nickname, his journey into key gripping, and the art of building grip trucks from the ground up. Josh shares insights into the role of a Best Boy Grip and their shared vision for training the next generation of technicians. We also chat about their work in Namibia on Mad Max: Fury Road, the evolution of grip tech for Furiosa, and the sheer scale of stunts and logistics involved in filming The Fall Guy in the heart of Sydney. Tune in for one heck of a conversation about all things gripping. This episode is proudly brought to you by our technology partners Sony Produced by Deb Bauer Hosted and edited by Lucas Tomoana SOC | — | ||||||
| 4/30/25 | ![]() Remote Pilot Aidan Kelly: Mission Impossible, James Bond, The Fall Guy & Building XM2 | Aiden Kelly is one of the world's leading remote pilots and the co-founder of XM2. He shares how he started out flying remote helicopters and running a hobby shop, which led to building XM2 into a global remote head company with offices in Australia, the US, the UK, and Korea. We talk about the early days of drone cinematography and how XM2 expanded into arm cars, e-bikes, cable cams, and RC tracking vehicles. Aiden breaks down the challenges of flying on major films, including Tom Cruise's motorcycle cliff jump in Mission Impossible: Dead Reckoning, high-speed car chases in James Bond, and stunt sequences in The Fall Guy. This episode offers a deep look at aerial and specialty camera work on some of the biggest action films in the world. This episode is proudly brought to you by our technology partners Sony. Produced by Deb Van Dieren, Hosted and Edited by Lucas Tomoana SOC. | — | ||||||
| 4/6/25 | ![]() Snow White with Cinematographer Mandy Walker AM ASC ACS | Mandy Walker AM ASC ACS's stunning cinematography has captivated audiences around the world. From Australia to Elvis, Snow White, and commercials for global brands like Chanel, Nike, Louis Vuitton, and Audi — her work is bold, emotional, and always cinematic. In this episode, Mandy shares how she carved her own path without film school, became a trailblazer for women in film, and developed her approach to storytelling on big-budget productions. She also talks through her work on Snow White — from camera tests to musical sequences, and how she lit the sets of Disney's latest feature. She's an icon — and she's refreshingly honest about the challenges, the wins, and what it takes to keep pushing forward in this industry. This episode is proudly sponsored by Red. For more information on the latest red cameras head to www.red.com. Hosted by Lucas Tomoana Edited by Raphael Segal Produced by Deb Bauer | — | ||||||
| 3/31/25 | ![]() Adolescence with DP Matt Lewis and Camera Operator Lee Brown | Netflix hit series Adolescence has taken the world by storm — a gripping 4-part mini series exploring parenting, misogyny, and bullying — each episode shot in one continuous take. This week on the podcast, we chat with Director of Photography Matt Lewis and Camera Operator Lee Brown, the duo behind the lens of this viral sensation. They break down exactly how they pulled off the oners- from the technical challenges to the physical intensity of each episode. We dive into Matt's history with the One Take technique, why he chose the Ronin 4D for this project, and how Lee got the job as his camera operator. We also deep dive into the details of pre-production, planning, and the intense choreography behind every episode. Join us for one of our most in-depth episodes ever — clocking in at 2.5 hours — as we go behind the scenes for the global phenomenon that is Adolescence. This epiosde is proudly sponsored by Red. Hosted by Lucas Tomoana SOC, Edited by Raphael Segal, Produced by Deb Bauer | — | ||||||
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Chart Positions
26 placements across 24 markets.
Chart Positions
26 placements across 24 markets.

























