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Recent episodes
Psalm Chapter 99
Jun 25, 2026
1m 25s
Psalm Chapter 98
Jun 24, 2026
1m 25s
Psalm Chapter 97
Jun 23, 2026
1m 37s
Psalm Chapter 96
Jun 22, 2026
1m 57s
Psalm Chapter 95
Jun 21, 2026
1m 44s
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| Date | Episode | Topics | Guests | Brands | Places | Keywords | Sponsor | Length | |
|---|---|---|---|---|---|---|---|---|---|
| 6/25/26 | ![]() Psalm Chapter 99 | Psalm 99: The Thrice-Holy God Who AnswersThree times this psalm says it: "He is holy." Not once for emphasis, not twice for certainty, but three times — as if the word itself must be stacked to bear the weight of what it means. And yet this is not a distant holiness. The same God who sits between the cherubim, before whom the earth trembles, is the God who answered Moses, Aaron, and Samuel when they called. This is the astonishing double motion of the psalm: tremble, and then draw near. The God who makes nations quake is the God who spoke to his servants in the cloudy pillar and forgave them — though he also took vengeance on their inventions, which is to say, their sins had real consequences even inside the forgiveness. A God too holy to be safe and too merciful to be feared in the wrong way. Exalt him at his holy hill. He is worth the climb.00:00 Let the People Tremble01:00 A God Who Forgave Them | 1m 25s | ||||||
| 6/24/26 | ![]() Psalm Chapter 98 | Psalm 98: The Victory Already Won"O sing unto the Lord a new song; for he hath done marvellous things." Notice the tense. Not "he will do" but "he hath done." The victory this psalm celebrates is not anticipated but accomplished — the right hand and the holy arm have already gotten the win. And yet the song is new. This is one of the great paradoxes of praise: we sing new songs about old mercies because the soul, rightly awake, discovers that no mercy is ever truly old. The psalmist, overwhelmed by this, summons every instrument he can think of — harp, trumpets, cornet — and then, still unsatisfied, conscripts nature itself. The sea roars. The floods clap their hands. The hills are joyful together. One gets the feeling that the whole material world has been waiting for permission to join in, and this psalm finally gives it. Creation, it turns out, has always known how to worship. It is we who keep forgetting.00:00 A New Song for Marvellous Things01:00 The Floods Clap Their Hands | 1m 25s | ||||||
| 6/23/26 | ![]() Psalm Chapter 97 | Psalm 97: Light Sown Like SeedThere is a phrase tucked near the end of this psalm that stops you in your tracks if you let it: "Light is sown for the righteous." Sown — as one sows wheat or barley. We tend to think of light as something switched on, instantaneous and complete. But the psalmist sees it differently. Light, he says, is planted. It goes into the dark earth and disappears for a time, and the righteous must wait for the harvest like any farmer. This is not a psalm for the impatient. It opens with cosmic terror — fire, lightning, mountains dissolving like candle wax — and yet it ends not with spectacle but with quiet agricultural hope. The God who makes hills melt is the same God who tucks light into the soil of your life and asks you to trust that it will grow. Rejoice, the psalm says, and give thanks at the remembrance of his holiness. Not at the sight of it — not yet — but at the remembrance. The harvest is coming.00:00 The Lord Reigneth01:00 Light Sown for the Righteous | 1m 37s | ||||||
| 6/22/26 | ![]() Psalm Chapter 96 | Psalm 96: The New Song All Creation Learns"O sing unto the Lord a new song" — but why new? The old songs were magnificent. The Psalter is already full of them. What could possibly require a fresh composition? The answer, it seems, is that God's glory is too large for the existing repertoire. "Declare his glory among the heathen, his wonders among all people." This is not a private hymn for the initiated; it is a song meant for export, for the nations, for every kindred of every people. And then the psalm does something extraordinary: it conscripts the whole of creation into the choir. The heavens rejoice, the earth is glad, the sea roars, the field is joyful, and the trees of the wood — the trees! — rejoice before the Lord. One imagines Lewis smiling at this, for he knew that the medieval picture of a singing cosmos was not mere poetry but the truest description of how things actually are. And what is the occasion for all this cosmic jubilation? "For he cometh to judge the earth." We hear "judgment" and flinch. The trees hear it and clap their hands. Perhaps they know something we have forgotten — that the coming of a righteous Judge is not a threat but the best news creation has ever received.00:00 Sing unto the Lord a New Song01:00 The Trees of the Wood Rejoice | 1m 57s | ||||||
| 6/21/26 | ![]() Psalm Chapter 95 | Psalm 95: The Invitation That Becomes a WarningIt begins as pure invitation — and what an invitation. "O come, let us sing unto the Lord: let us make a joyful noise to the rock of our salvation." The God being praised is not small: in His hand are the deep places of the earth, the strength of the hills, the sea He made and the dry land His hands formed. We are summoned to worship, to bow down, to kneel. And then, without warning, the temperature drops. God Himself begins to speak, and what He says is not comfort but caution: "Harden not your heart, as in the provocation." He is remembering the wilderness — forty years of a people who saw His works and still did not know His ways. The shift is jarring, and it is meant to be. For the psalm is making a point that the comfortable worshipper would rather not hear: that it is possible to sing the right songs and still have a hard heart. Possible to stand in the presence of the God who holds the mountains in His hand and remain, inwardly, unmoved. "To day if ye will hear his voice" — the emphasis falls on today, on the urgency of this particular moment. The door of worship stands open. But doors, the psalmist knows, can close.00:00 Come, Let Us Sing unto the Lord01:00 Today, If Ye Will Hear His Voice | 1m 44s | ||||||
| 6/20/26 | ![]() Psalm Chapter 94 | Psalm 94: The God Who Planted the EarThere is a moment in this psalm that stops you cold — one of those arguments so simple and so devastating that you wonder why you never thought of it yourself. The wicked are oppressing the widow, murdering the fatherless, and reassuring themselves that God does not see. And the psalmist turns on them with a question that has the force of a thunderclap: "He that planted the ear, shall he not hear? he that formed the eye, shall he not see?" It is not a theological abstraction. It is common sense raised to the level of revelation. The Maker of the instrument is not deaf to its music. But the psalm does not stop at divine surveillance — it moves to something far more intimate. "In the multitude of my thoughts within me thy comforts delight my soul." Here is a man who knows the anxious churning of a mind at three in the morning, and who has discovered that even there, in the inner chaos of worry and doubt, God's comfort arrives — not as an idea but as a delight. The psalm begins with a cry for vengeance and ends with a rock of refuge. The distance between the two is the journey of every honest prayer.00:00 O Lord, to Whom Vengeance Belongs01:00 He That Planted the Ear02:00 Thy Comforts Delight My Soul | 2m 56s | ||||||
| 6/19/26 | ![]() Psalm Chapter 93 | Psalm 93: The Throne Above the WavesFive verses. That is all. And yet in those five verses the psalmist manages to say something so immense that entire libraries of theology have not exhausted it. "The Lord reigneth, he is clothed with majesty." Not merely that God exists, or that God is powerful, but that God reigns — actively, presently, clothed in strength as a king is clothed in robes. And against this sovereignty the psalmist sets the most terrifying image the ancient world knew: the floods. The waters lift up their voice, the waves crash and roar, chaos threatens to swallow the ordered world whole. But here is the pivot, delivered with the calm of absolute certainty: "The Lord on high is mightier than the noise of many waters, yea, than the mighty waves of the sea." Mightier not by a slim margin but by a difference so vast that the comparison is almost absurd — like comparing a candle flame to the sun. And the psalm ends not with power but with beauty: "Holiness becometh thine house, O Lord, for ever." The throne room of the Almighty is not merely strong. It is fitting, right, lovely. The One who stills the chaos is also the One who makes all things appropriate at last.00:00 The Lord Reigneth in Majesty | 0m 57s | ||||||
| 6/18/26 | ![]() Psalm Chapter 92 - A Psalm or Song for the sabbath day | Psalm 92: The Song the Sabbath SingsOf all the psalms, this is the only one assigned to a specific day — the Sabbath — and it reads like a man who has finally stopped long enough to see clearly. "It is a good thing to give thanks unto the Lord." Not a difficult thing, not a duty, but a good thing — as natural and fitting as morning light or evening rest. The psalmist plays his ten-stringed instrument and finds himself overwhelmed not by God's simplicity but by His depth: "O Lord, how great are thy works! and thy thoughts are very deep." There is a kind of person, he notes, who cannot perceive this — the brutish, the fool — not because the evidence is hidden but because they have never been still enough to notice. And then comes the image that has comforted every aging saint who feared their usefulness was spent: "They shall still bring forth fruit in old age; they shall be fat and flourishing." The righteous are not like grass, which springs up overnight and is gone by Tuesday. They are like the palm tree, like the cedar in Lebanon — slow-growing, deep-rooted, patient. The Sabbath psalm is not about resting from work. It is about finally seeing what all the work was for.00:00 A Good Thing to Give Thanks01:00 The Lord Most High Forever02:00 Flourishing Like the Palm Tree | 2m 08s | ||||||
| 6/17/26 | ![]() Psalm Chapter 91 | Psalm 91: The Shadow of the AlmightyThere is a place, this psalm insists, where a thousand may fall at your side and ten thousand at your right hand, and it shall not come near you. It is not a place on the map. It is a posture of the soul — dwelling "in the secret place of the most High," abiding "under the shadow of the Almighty." The images pile up like stones in a fortress: He shall cover you with His feathers; His truth shall be your shield and buckler; you shall tread upon the lion and the serpent. It is the kind of language that sounds almost reckless in its confidence, until you notice who is speaking in the final verses. The voice shifts — suddenly it is God Himself: "Because he hath set his love upon me, therefore will I deliver him." The promise is not that the one who trusts will never encounter the terror by night or the arrow by day. It is that he will not encounter them alone. Angels are given charge. A name is known. And the last word is not safety but something deeper: "I will shew him my salvation." The shelter, it turns out, is not a hiding place from reality but the only vantage point from which reality can be clearly seen.00:00 The Secret Place of the Most High01:00 A Thousand Shall Fall02:00 Because He Hath Set His Love Upon Me | 2m 43s | ||||||
| 6/16/26 | ![]() Psalm Chapter 90 - A Prayer of Moses the man of God | Psalm 90: The Prayer That Counts Our DaysThis is the oldest psalm in the collection — attributed to Moses himself — and it has the feel of a man who has stood at the edge of eternity and looked back at human life with clear, unblinking eyes. "A thousand years in thy sight are but as yesterday when it is past, and as a watch in the night." The metaphors come quickly: we are carried away as with a flood, we are like grass that flourishes in the morning and by evening is cut down. It would be unbearable if it were merely observation. But Moses is not lecturing; he is praying. And the prayer pivots on one of the most quietly revolutionary lines in all of Scripture: "So teach us to number our days, that we may apply our hearts unto wisdom." The numbering is the point. Not to make us gloomy but to make us serious — to give weight to each ordinary Tuesday, each unremarkable afternoon. And then, as if brevity of life has cleared the air rather than clouded it, Moses asks for something breathtaking: "Let the beauty of the Lord our God be upon us." The shortest lives, it seems, can still bear the mark of the Eternal.00:00 From Everlasting to Everlasting01:00 Our Days in His Wrath02:00 Teach Us to Number Our Days | 2m 37s | ||||||
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| 6/15/26 | ![]() Psalm Chapter 89 - Maschil of Ethan the Ezrahite | Psalm 89: The Covenant That Seemed to BreakEthan the Ezrahite begins with singing and ends with weeping, and the distance between the two is the whole terrain of faith in a world that does not behave as promised. The first half of this great psalm is magnificent — a soaring rehearsal of God's covenant with David, His faithfulness set firm as the moon, His throne established forever. But then comes the turn, sudden and devastating: "But thou hast cast off and abhorred, thou hast been wroth with thine anointed." The crown is profaned. The walls are broken down. The enemies rejoice. What makes the psalm so searingly honest is that Ethan does not pretend these two realities — the promise and the ruin — can be easily reconciled. He holds them both before God and asks, in essence, "Where is Your former lovingkindness?" It is the prayer of anyone who has ever believed a promise and then watched it apparently shatter. And yet the psalm ends not with despair but with "Blessed be the Lord for evermore. Amen, and Amen." The praise is not an answer to the question. It is a decision to keep singing while the question remains unanswered.00:00 The Mercies of the Lord Forever01:00 The Covenant with David02:00 Faithfulness Established in Heaven03:00 The Turn — Cast Off and Abhorred04:00 How Long, O Lord05:00 Blessed Be the Lord Forevermore | 6m 41s | ||||||
| 6/14/26 | ![]() Psalm Chapter 88 - A Song or Psalm for the sons of Korah | Psalm 88: The Psalm That Does Not Look UpEvery other psalm of lament, however dark it becomes, eventually turns a corner. A shaft of light breaks through, a memory of deliverance surfaces, a stubborn "yet" appears. Not this one. Psalm 88 is the one psalm that ends exactly where it begins — in the dark. Heman the Ezrahite cries out from a place so deep that even his friends have been taken from him, and the final word of the psalm is, simply, "darkness." It is tempting to rush past this, to supply the hope the psalmist does not. But the Bible will not let us. It places this psalm here, unsoftened, unresolved, as if to say: this too is prayer. To cry out to the God of your salvation even when salvation seems to have forgotten your address — this is not the failure of faith. It is faith at its most stripped and stubborn. The psalm asks God a series of questions He does not answer. And yet the asking itself is addressed to "O Lord God of my salvation." Even in the pit, Heman knows Whose name to call.00:00 A Cry from the Depths01:00 Wrath and Waves02:00 Darkness as a Companion | 2m 34s | ||||||
| 6/13/26 | ![]() Psalm Chapter 87 - A Psalm or Song for the sons of Korah | Psalm 87: The City Where Everyone Was BornHere is one of the most astonishing claims in all the Psalter, tucked inside a psalm so short it is easily overlooked. God loves the gates of Zion — that much we might expect. But then the psalm does something extraordinary: it enrolls the nations. Rahab, Babylon, Philistia, Tyre, Ethiopia — the great enemies and strangers — are each named and counted as born in Zion. It is as if the city of God has a birth register far more generous than anyone imagined, and names are being written in it that would have scandalized every gatekeeper. The psalmist sees something the prophets would later spell out: that the holy city was never meant to be a fortress against the world but a homeland for it. And the final image is pure joy — singers and musicians declaring, "All my springs are in thee." The deepest sources of life, it turns out, are not in our own soil. They are in a city we are still learning to call home.00:00 His Foundation in the Holy Mountains01:00 The Nations Enrolled in Zion | 1m 18s | ||||||
| 6/12/26 | ![]() Psalm Chapter 86 - A Prayer of David✨ | prayerfaith+4 | — | LumiVoz | — | Psalm 86David+4 | — | 2m 17s | |
| 6/11/26 | ![]() Psalm Chapter 85 - A Psalm for the sons of Korah✨ | mercytruth+5 | — | Psalm Chapter 85 | — | Psalm 85mercy+6 | — | 1m 43s | |
| 6/10/26 | ![]() Psalm Chapter 84 - To the chief Musician upon Gittith, A Psalm for the sons of Korah✨ | longing for Godspiritual home+3 | — | Psalm Chapter 84 | — | Psalm 84spirituality+5 | — | 1m 43s | |
| 6/9/26 | ![]() Psalm Chapter 83 - A Song or Psalm of Asaph✨ | conspiracyenemies+4 | — | Psalm Chapter 83 | EdomIshmaelites+8 | Psalm 83Asaph+6 | — | 2m 13s | |
| 6/8/26 | ![]() Psalm Chapter 82 - A Psalm of Asaph✨ | judgmentmercy+3 | — | Psalm Chapter 82Psalter | — | Psalm 82Asaph+5 | — | 1m 19s | |
| 6/7/26 | ![]() Psalm Chapter 81✨ | invitationspirituality+4 | — | Psalm 81 | Egypt | Psalm 81God+5 | — | 2m 10s | |
| 6/6/26 | ![]() Psalm Chapter 80✨ | metaphorspirituality+4 | — | GodPsalm 80 | Egypt | Psalm 80God+5 | — | 2m 34s | |
| 6/5/26 | ![]() Psalm Chapter 79✨ | lamentprayer+4 | — | — | Jerusalem | Psalm 79Jerusalem+7 | — | 2m 14s | |
| 6/4/26 | ![]() Psalm Chapter 78✨ | gracehistory+4 | — | AsaphPsalm 78 | — | Psalm 78grace+5 | — | 8m 43s | |
| 6/3/26 | ![]() Psalm Chapter 77✨ | grieffaith+3 | — | — | — | Psalm 77Asaph+5 | — | 2m 55s | |
| 6/2/26 | ![]() Psalm Chapter 76 | Psalm 76: The Stillness After BattleThere is a kind of silence that follows victory — not the hush of exhaustion, but the quiet of something settled beyond all dispute. Asaph gives us that silence here. God is known in Judah, he tells us, and what does that knowing look like? Broken arrows, shattered shields, stouthearted warriors who have "slept their sleep" and cannot find their hands. The image is almost eerie: mighty men reaching for weapons that are no longer there, undone not by a greater army but by a single rebuke. And then the line that turns the whole psalm into something far stranger than a war song: "Surely the wrath of man shall praise thee." Even human fury, that most chaotic and self-important of forces, is gathered up into the purposes of God like a river diverted to turn a mill. The earth feared, and was still. One suspects that stillness is not dread but recognition — the moment when all things, willing or not, fall quiet before the only power that was never in question.00:00 God Known in Judah01:00 Judgment from Heaven | 1m 36s | ||||||
| 6/1/26 | ![]() Psalm Chapter 75 | Psalm 75: The Cup in His HandThere is a moment in this psalm that ought to make every reader sit up straight. "For in the hand of the Lord there is a cup, and the wine is red; it is full of mixture; and he poureth out of the same." The image is not decorative. It is the cup of judgment — mixed, potent, inevitable — and the wicked will drink it to the dregs. What makes the psalm remarkable, though, is not the warning but the calm. Asaph is not panicking about the state of the world; he is resting in the architecture of it. "Promotion cometh neither from the east, nor from the west, nor from the south. But God is the judge: he putteth down one, and setteth up another." The compass has been surveyed in three directions, and the fourth — the direction of God — is the only one that matters. When the earth dissolves and its inhabitants tremble, it is God who bears up the pillars. The fools who lift their horns in arrogance are performing for an audience that is not impressed. The righteous need only wait, and sing.00:00 Unto Thee Do We Give Thanks01:00 The Cup of the Lord | 1m 26s | ||||||
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Chart Positions
1 placement across 1 market.
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