Designing Hollywood Podcast Show

Over a long and celebrated career, Toronto based costume designer Linda Muir has collaborated on plays, feature films, short films, television MOWs and series projects, embracing contemporary, period and fantastical scripts.From 1975 to 1991, Linda designed costumes and sets for the theatre, including The Theatre Second Floor under the direction of Paul Bettis, Tarragon, Theatre Passe Muraille, TWP, Toronto Free, Richard Rose’s Necessary Angel, the Royal Alexandra, Manitoba Theatre Centre and Manhattan’s Mabou Mines. She received Dora Mavor Moore Awards for Outstanding Costume Design for Daniel MacIver’s Jump and John Krizanc’s innovative first production of Tamara.Muir transitioned to film and television, where she has successfully utilized her skill with fabric, colour and texture, an eye for detail and a real talent for capturing character in clothing.Linda’s hallmark is extensive research and voracious reading: solid footings for her imaginative designs for productions that have received numerous nominations and awards, including Robert Eggers’ The Witch, and The Lighthouse, Atom Egoyan’s Exotica, Patricia Rozema’s When Night Is Falling, Lilies by John Greyson and Thirty-Two Short Films About Glenn Gould by François Girard.

Julian Day is a highly acclaimed costume designer known for his work on films like Bohemian Rhapsody, Rocketman, and Catherine Called Birdy. He has a knack for capturing the essence of iconic figures and translating it into visually stunning and historically accurate costumes. Day's work has been recognized with nominations and awards, including a nomination from the Costume Designers Guild for Bohemian Rhapsody.

Deborah Nadoolman is the costume designer from such classics as Raiders of the Lost Ark, The Blues Brothers, Coming to America and more. She's also designed for music videos like the iconic "Thriller" video from Michael Jackson.

New Episode Now Live and it’s a must-watch! @Designing Hollywood Show is thrilled to welcome back Oscar-winning costume designer Ruth E. Carter for an exclusive interview diving deep into her powerful work on the new film Sinners, hitting theaters this weekend.In Sinners, Ruth steps into a gritty, raw world of survival and redemption — crafting costumes that speak volumes. Every thread, texture, and silhouette reveals the soul of each character, blending street realism with subtle spiritual undertones.She doesn’t just design looks. She reveals identities.Tune in as Ruth breaks down her creative process and shares the behind-the-scenes magic that brought Sinners to life.Sponsored by @universalcostumehouse @universalstudioslotFollow & Subscribe now on YouTube and Spotify to catch the full episode!#DesigningHollywood #RuthCarter #SinnersMovie #CostumeDesign #HollywoodPodcast #BehindTheScenes #NewEpisode #FilmCostume #OscarWinner #filmmaking #cinema #designinghollywood #movie #film #costumedesigner #costumedesign #

Her designs have premiered at acclaimed film festivals- Sundance, TIFF, VFF, and SXSW. She has designed films for Warner Brothers Pictures/New Line Cinema, Legendary Pictures, and Amazon Studios. Vanessa has designed original series for Sony, Disney+, NETFLIX, and UCP/Peacock. Several of Vanessa’s projects have 2025 releases. GOOSEBUMPS: THE VANISHING began streaming on Disney+/Hulu in January. COMPANION, a horror/comedy film from the producers of BARBARIAN, had a wide theatrical release in January as well. Macon Blair’s reimagining of the Troma cult classic, THE TOXIC AVENGER, will have a wide release in August through Cineverse. Vanessa has designed projects in a wide spectrum of genres. The designs have spanned numerous time periods and character types. Vanessa takes a grounded approach to all her work, even the more stylized projects. Her designs are rooted in nuanced character development, probing research, and thoughtful collaboration. Vanessa has lead costume departments both nationally and internationally. She loves the challenge of working in unfamiliar environments and connecting with creative collaborators everywhere the industry takes her.

Today we are joined by Gladiator II's John Mathieson (Cinematographer), and Costume Designers Janty Yates and David Crossman.

Today's guest is a talented Costume Designer from Regina, Saskatchewan (Canada). She has worked on a wide range of projects including: INSOMNIA, HAPPY GILMORE, THE TERROR, TWILIGHT NEW MOON AND TWILIGHT ECLIPSE, SCHMIGADOON, HOT ROD, CATS & DOGS (where else can you make a HANNIBAL LECTOR costume for a cat??), AN UNFINISHED LIFE, HOT ROD, and many more. She is currently the Costume Designer for PERCY JACKSON AND THE OLYMPIANS on Disney+.

Arianne Phillips is an American costume designer. Phillips was recognized for her work on the Broadway musical Hedwig and the Angry Inch, starring Neil Patrick Harris, earning her a Tony award nomination for Best Costume Design. Phillips has a long-standing relationship with Madonna, with collaborations including photo shoots, music videos and designing tour costumes for six world tours over the past two decades. She has been nominated for the Academy Award for Best Costume Design three times, for James Mangold's Walk the Line (2005), Madonna's directorial debut, W.E. (2011), and for Quentin Tarantino's Once Upon a Time in Hollywood (2019). Phillips has also received a two BAFTA Award nominations for Tom Ford’s A Single Man (2009) and Quentin Tarantino's Once Upon a Time in Hollywood. Her film career also includes Tom Ford's Nocturnal Animals (2016), Matthew Vaughn’s Kingsman: The Secret Service (2014) and Kingsman: The Golden Circle (2017), James Mangold’s Girl, Interrupted (1999) and 3:10 to Yuma (2007), John Cameron Mitchell’s Hedwig And the Angry Inch (2001), Mark Romanek’s One Hour Photo(2002), and Milos Forman’s The People Vs. Larry Flynt (1996). In between film and music projects, Phillips works as a freelance fashion editor and stylist, collaborating with photographers for publications such as Italian Vogue, V Magazine, Harper’s Bazaar, German & Spanish Vogueand W Magazine. She continuously challenges herself by taking on projects that explore new expressions of her creativity. In 2018, she made her New York City Metropolitan opera debut, designing Nico Muhly’s opera, Marnie. Miuccia Prada selected Phillips for her Iconoclasts project; to curate installations for the brands flagship stores in London and Beijing which included a short fashion film for the brand, which Phillips wrote and directed, called Passages. Her friend Alessandro Michele, Creative Director of GUCCI commissioned her to create content for a special issue of A Magazine he guest edited and to style a brand film directed by Gia Coppola. She has also collaborated on special projects with Van Cleef and Arpels, Cartier, Valentino and Swarovski. Phillips was an inaugural member of the TIMES UP coalition and was asked by Reese Witherspoon to design its logo. Lawrence Sher, ASC,is an American cinematographer and film director, best known for comedy films such as Garden State, The Dictator, and The Hangover series, frequently collaborating with directors Todd Phillips and Zach Braff.[ He made his directorial debut with Father Figures, which began a wide theatrical release on December 22, 2017, by Warner Bros. Pictures. He was nominated for an Academy Award and BAFTA Award for Best Cinematography for the 2019 film Joker, directed by Phillips. As cinematographer of the 2009 film The Hangover, Sher described how a scene early in the movie shows the main characters on the roof of their hotel overlooking a stereotypical shot of the Las Vegas Strip; Sher indicated that he had tried to evoke the behind-the-scenes Vegas—after the characters wake up the following morning—by shooting a scene behind the hotels where the real action takes place. Actor Bradley Cooper credited Sher's visual style with enhancing the film's comedy, noting how Sher has "a great eye, a lot of energy and he just knows what's funny" and that "Some guys just can’t shoot comedies, but Larry knows exactly what he's doing." With the success of Zach Braff's Kickstarter, Sher worked on Braff's 2014 feature, Wish I Was Here. In January 2020, Sher was nominated for the Academy Award for Best Cinematography for his work on the movie Joker, but lost to Roger Deakins for 1917.