
Designing Hollywood Podcast Show
by Designing Hollywood
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Recent episodes
Hamnet, Costume Designer Malgosia Turzanska, Production Designer Fiona Crombie
Apr 7, 2026
59m 39s
Project Hail Mary, Costumer Designers David Crossman, Glyn Dillon
Apr 7, 2026
Unknown duration
Wicked, Wicked For Good, Cinematographer Alice Brooks
Dec 15, 2025
Unknown duration
Frankenstein, John Wick Chapters 2-4, Cinematographer Dan Lausten
Dec 15, 2025
Unknown duration
Frankenstein, Edge of Tomorrow, Costume Designer Kate Hawley
Dec 15, 2025
Unknown duration
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| Date | Episode | Topics | Guests | Brands | Places | Keywords | Sponsor | Length | |
|---|---|---|---|---|---|---|---|---|---|
| 4/7/26 | ![]() Hamnet, Costume Designer Malgosia Turzanska, Production Designer Fiona Crombie✨ | costume designproduction design+4 | Fiona CrombieMalgosia Turzanska | HamnetThe Snowtown Murders+9 | — | costume designproduction design+5 | — | 59m 39s | |
| 4/7/26 | ![]() Project Hail Mary, Costumer Designers David Crossman, Glyn Dillon | David Crossman (born 12 February 1970), is a British costume designer for film and television. He is best known for his work on Napoleon, The Batman, 1917 and Rogue One.At the 96th Academy Awards, he was nominated for an Academy Awardin the category Best Costume Design for the film Napoleon. His nomination was shared with Janty Yates.] At the 97th Academy Awards, he was nominated for another Academy Award in the same category for the film Gladiator II. His nomination was again shared with Yates.Glyn Dillon (born 1971) is a British costume designer, as well as a comics and film storyboard and concept artist, best known for his work on the Star Wars films The Force Awakens and Rogue One, designing the batsuit for Matt Reeves' 2022 The Batman as well as his 2012 graphic novel The Nao of Brown. | — | ||||||
| 12/15/25 | ![]() Wicked, Wicked For Good, Cinematographer Alice Brooks | Alice Brooks, ASC, is a cinematographer who has photographed award-winning feature films, television shows, and commercials. Her latest feature project is Universal’s WICKED (November 2024) and WICKED: FOR GOOD (November 2025), directed by Jon M. Chu and produced by Marc Platt. Currently, Brooks is working on the highly anticipated conclusion to the Spider-Verse saga, SPIDER-MAN: BEYOND THE SPIDER-VERSE, directed by Bob Persichetti and Justin K. Thompson and produced by Sony Pictures Animation and Columbia Studios, scheduled for release in June 2027. Brooks previously shot tick, tick…BOOM! for Netflix and Imagine Entertainment, directed by Lin-Manuel Miranda and produced by Ron Howard. Other work includes Miranda’s IN THE HEIGHTS for Warner Bros., which was directed by her frequent collaborator, Jon M. Chu. Both films’ cinematography received widespread critical acclaim.Brooks is known for her powerfully designed camera movement, dynamic lighting, and her ability to capture emotionally resonant moments with a keen eye for detail. Her journey into filmmaking began at a young age, inspired by her childhood experiences as an actor on commercial film sets in New York City. Her fascination with camera work led her to the USC School of Cinematic Arts in Los Angeles, where she honed her craft. Drawing inspiration from art, music, dance, and the cinematography of the greats, Brooks has developed a distinctive style that sets her apart in the industry. As a filmmaker, Brooks continues to push the boundaries of visual storytelling, bringing her unique perspective and expertise to every project she undertakes.Brooks is a member of the prestigious American Society of Cinematographers and serves on the ASC Board of Governors. She is also a member of the Academy of Motion Picture Arts and Sciences, where she sits on the Academy Branch Executive Committee. Brooks is also on the USC School of Cinematic Arts Dean’s Alumni Leadership Council. In 2022, she received the Hollywood Critics Association’s Artisan on the Rise award. In 2025, Brooks received numerous award nominations for WICKED, including Best Cinematography in the Theatrical Feature Film category at the ASC Awards. | — | ||||||
| 12/15/25 | ![]() Frankenstein, John Wick Chapters 2-4, Cinematographer Dan Lausten | Dan Laustsen, ASC, DFF (born 15 June 1954) is a Danish cinematographer.His career spans four decades, and is known for collaborations with directors like Søren Kragh-Jacobsen, Ole Bornedal, Guillermo del Toro and Chad Stahelski.Laustsen is also known for his work on the films like Silent Hill and The League of Extraordinary Gentlemen.He is a member of the Danish Society of Cinematographers and theAmerican Society of Cinematographers. | — | ||||||
| 12/15/25 | ![]() Frankenstein, Edge of Tomorrow, Costume Designer Kate Hawley | Kate Hawley's creative force and her multidisciplinary practice, brought to life with a team of world-class collaborators and artisans, uses storytelling through design. While Kate continues to design for major films, her studio now extends its practice beyond the screen, bringing the same level of storytelling, scale, and craft to a broader creative landscape. Kate Hawley Studios has been launched to invite new collaborators beyond the film world.www.katehawleystudios.com | — | ||||||
| 12/15/25 | ![]() TRON: ARES, DUNE (Parts One and Two) Makeup Artist Donald Mowat | Donald James Mowat is a makeup artist known for his work on motion picture and television projects. Born in Montreal, Canada to British parents. He has earned international acclaim and numerous honors, including a Primetime Emmy Award, three Saturn Awards, Queen Elizabeth II’s Diamond Jubilee Medal, and the Sovereign’s Medal for Volunteers for his educational outreach work for BAFTA Los Angeles. He’s an Oscar and three-time BAFTA nominee for his hair, make up and prosthetics designs. He is a two-time Make-up Artists & Hairstylists Guild Award winner and has received ten nominations. His notable film credits include Dune, Blade Runner 2049, Nightcrawler, 8 Mile, Nocturnal Animals, The Fighter, Skyfall, Sicario, Prisoners, and The Girl with the Dragon Tattoo. TV credits include, Marvel’s Moon Knight, Apple TV’s Presumed Innocent. Upcoming releases include Disney’s feature motion picture Tron: Ares. Mowat is a senior member of IATSE Local 798 NY, 706 LA, and Canadian locals, serving on the boards of the Academy of Canadian Cinema and Television and the Actors’ Fund of Canada. He played a key role in establishing makeup award categories for the Canadian Screen Awards. A member of the Academy of Motion Picture Arts and Sciences (invited 1999), he served on its Executive Makeup Branch Committee for 12 years, the maximum term limit. In 2022, he was appointed as a member of the Order of Canada. He was the first Make-up designer invited to speak at Pixar Studios, and has been a panelist at Middleburg Film Festival, Denver Film Festival, Savannah Film Festival, and guest speaker at Falmouth University, College of Makeup Art and Design, North Hampton University and continues to serve on student film award panels for AMPAS and BAFTA. Recently he joined the Board for Art Craft NYC. | — | ||||||
| 12/15/25 | ![]() Spider-Man: Across The Spider-Verse, Zack Snyder's Justice League VFX Artist - Aaron Dennis | Designing Hollywood is proud to welcome Aaron Dennis, FX Animator at Disney Animation, in an exciting conversation with our host & producer - Concept Artist Phillip Boutté Jr. 🎬⚡️Aaron’s incredible body of work includes:🌀 Spider-Man: Across the Spider-Verse⚡ X-Men: Days of Future Past🤖 Ghost in the Shell🛡️ Zack Snyder’s Justice LeagueFrom creating jaw-dropping superpowers to pushing the boundaries of stylized FX, Aaron brings unmatched artistry to the screen. Phillip will be diving deep into Aaron’s creative process, career journey, and the future of visual effects in animation.🎧 Subscribe & stay tuned!📺 Watch on YouTube | 🎙 Listen on Spotify & Apple Podcasts👥 Guest: Aaron Dennis (@ad_zerker )🎤 Host/Producer/Concept Artist: Phillip Boutté Jr. (@phil_boutte )Editor Credits: Melissa Pastrana and Oliver RickettsBrought to you by @designinghollywoodproductions @producermartikaibarra @phil_boutte @johncampea | — | ||||||
| 12/15/25 | ![]() American Primeval, Salem's Lot, Costume Designer Virginia B. Johnson | Virginia Bristol Johnson is a Filipina-American costume designer living in Greater Boston. Prior to moving to Greater Boston 20+ years ago, Virginia (or V) traveled all over the United States working as a costume designer for regional and summer-stock theatres. V was born in Luzon, Philippines and raised by a flock of aunties who taught her how to stitch. A Navy brat, V lived in dozens of cities and towns for most of her childhood and often served as the family's translator. With each move, V learned resilience and how to adapt to new schools, new climates, and new communities. To this day, V cannot fully explain what her father did on the various nuclear-powered aircraft carriers he worked on over the span of 16 years but she became adept at articulating not having a parent around for 9-12 months at a time while he was in the Indian Ocean or Persian Gulf or making history on the first nuclear-powered carrier to transit the Suez Canal. Wherever they happened to live (for 3-6 months or a a few years) V spent her days playing classical piano, learning traditional Filipino dance, shaving seconds off her mile, developing an everlasting love of reading and public libraries, and competing in various academic competitions.In 1989, V's family would relocate to a small town in Eastern Iowa (population 7,000) so her parents could help provide care for ailing family. As the only non-white student in a 400 student high school, V went from having a deep AAPI+ community to suddenly explaining what language they spoke at home, why they went to Chicago or Des Moines every few months to go grocery shopping, and calling out the prejudices of her peers. She often describes this period as one of the greatest challenges of her life but also when she found her authentic voice. V would remain in Iowa for college to be close to her family, accepting a work study job in the Drake University costume shop which changed the course of her life.For almost two decades V has designed an array of costumes for television, documentaries, and feature films. She learned the ropes of the costume department by serving as a costume supervisor on such acclaimed productions as The Social Network, Spotlight, Black Mass, and Joy.Her earliest opportunities as a motion picture costume designer were found in the arena of non-fiction storytelling, wherein she created period costumes for the examinations of various historical figures in the PBS productions, The War That Made America (five part mini-series), Nova, and American Experience (various mini-series).V considers herself "genre agnostic" - most interested in telling character stories through how they dress. Sometimes choosing a project because it might appeal to the young people in her life while other times wanting to spend time exploring worlds and people that she wouldn't naturally gravitate to. Having earned her MFA in Costume Design & Fashion History from West Virginia University in the heart of Appalachia, V was elated when chosen by director Ron Howard to design the costumes for Oscar-nominated screenwriter, Vanessa Taylors adaptation of the best-selling memoir, Hillbilly Elegy.When the novel coronavirus pandemic incapacitated the motion picture industry in March 2020, V put her skills to good use by making thousands of masks for healthcare workers, hospitals, and other organizations in the Boston area and nationwide.When not designing costumes, V explores the intersection of feminism and craft. V opened a fabric and fibers studio in Cambridge, Massachusetts in 2011 where people can learn to sew, knit, crochet, embroider, and quilt. The studio is a tribute to the many women who have taken up a needle, providing for their families and creating art that is overlooked. You can read about V's relationship to craft in Jen Hewett's 2021 book, This Long Thread: Women of Color on Craft, Community and Connection. Virginia Bristol Johnson is represented by Sandra Marsh and Associates. | — | ||||||
| 12/14/25 | ![]() Concept Artist Darrel Warner - Designing Hollywood | The Designing Hollywood Show proudly presents an exclusive new episode featuring acclaimed concept artist Darrel Warner in conversation with host, fellow concept artist & producer Phillip Boutté Jr.!@darrelljwarner @phil_boutteWith a career that spans some of the most visually stunning films of our time, Darrel Warner’s portfolio includes:✨ Captain America: The First Avenger✨ Cinderella (Disney)✨ Doctor Strange✨ The Mummy✨ Fantastic Beasts series✨ Avengers: Age of Ultron✨ Thor: The Dark World✨ World War Z✨ The Lion King (2019)✨ Guardians of the Galaxy… and many more!From character exploration to costume and keyframe art, Darrel’s visionary storytelling has helped bring beloved cinematic worlds to life.🎙️ Tune in for a behind-the-scenes deep dive into Darrel’s artistic process, industry journey, and the power of visual development in modern filmmaking.🗓️ Episode drops Monday!📺 Follow @designinghollywoodpodcast and subscribe on YouTube and all podcast platforms!Subscribe To The John Campea Show Podcast | — | ||||||
| 12/14/25 | ![]() Nosferatu Costume Designer Linda Muir | Over a long and celebrated career, Toronto based costume designer Linda Muir has collaborated on plays, feature films, short films, television MOWs and series projects, embracing contemporary, period and fantastical scripts.From 1975 to 1991, Linda designed costumes and sets for the theatre, including The Theatre Second Floor under the direction of Paul Bettis, Tarragon, Theatre Passe Muraille, TWP, Toronto Free, Richard Rose’s Necessary Angel, the Royal Alexandra, Manitoba Theatre Centre and Manhattan’s Mabou Mines. She received Dora Mavor Moore Awards for Outstanding Costume Design for Daniel MacIver’s Jump and John Krizanc’s innovative first production of Tamara.Muir transitioned to film and television, where she has successfully utilized her skill with fabric, colour and texture, an eye for detail and a real talent for capturing character in clothing.Linda’s hallmark is extensive research and voracious reading: solid footings for her imaginative designs for productions that have received numerous nominations and awards, including Robert Eggers’ The Witch, and The Lighthouse, Atom Egoyan’s Exotica, Patricia Rozema’s When Night Is Falling, Lilies by John Greyson and Thirty-Two Short Films About Glenn Gould by François Girard. | — | ||||||
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| 7/24/25 | ![]() White Lotus, Nope, Costume Designer Alex Bovaird | Today we sit down with Alex Bovaird, the costume designer from HBO's White Lotus, Jordan Peele's Nope and more! | — | ||||||
| 7/15/25 | ![]() F1, Bohemian Rhapsody, Costume Designer Julian Day | Julian Day is a highly acclaimed costume designer known for his work on films like Bohemian Rhapsody, Rocketman, and Catherine Called Birdy. He has a knack for capturing the essence of iconic figures and translating it into visually stunning and historically accurate costumes. Day's work has been recognized with nominations and awards, including a nomination from the Costume Designers Guild for Bohemian Rhapsody. | — | ||||||
| 7/14/25 | ![]() Entertainment Journalist Liam Crowley | Liam is a reporter and host. The self-proclaimed content machine has been applying his broadcast skillset to the world of entertainment media for over five years, having led interview coverage for The Direct and ComicBook before taking his talents to Screen Rant. THR, Variety, Deadline, and dozens of others have picked up Liam's interviews in the past.Prior to working in the industry, Liam was a proud fan of entertainment media itself throughout his childhood. He used to rush off the school bus in the 2010s to watch Collider Movie Talk and Chris Van Vliet's junket interviews. That adolescent passion pushed Liam to pursue a degree in Broadcast & Digital Journalism, which he attained at Syracuse University, and the rest is history. | — | ||||||
| 6/3/25 | ![]() Raiders of the Lost Ark, Thriller, Coming to America Costume Designer Deborah Nadoolman Landis | Deborah Nadoolman is the costume designer from such classics as Raiders of the Lost Ark, The Blues Brothers, Coming to America and more. She's also designed for music videos like the iconic "Thriller" video from Michael Jackson. | — | ||||||
| 5/21/25 | ![]() Come Home, 12KM, Writer Director Mike Pecci | Mike Pecci is an award-winning director, editor, and cinematographer based in Los Angeles, California. He's known for his gritty, raunchy, and edgy style. Pecci's work includes directing over 30 music videos for artists like Killswitch Engage, Lucius, and the Wu Tang Clan. He also co-directs with Ian McFarland as part of the directing duo McFarland & Pecci Films. | — | ||||||
| 4/23/25 | ![]() Sinners, Academy Award Winning Costume Designer Ruth E. Carter | New Episode Now Live and it’s a must-watch! @Designing Hollywood Show is thrilled to welcome back Oscar-winning costume designer Ruth E. Carter for an exclusive interview diving deep into her powerful work on the new film Sinners, hitting theaters this weekend.In Sinners, Ruth steps into a gritty, raw world of survival and redemption — crafting costumes that speak volumes. Every thread, texture, and silhouette reveals the soul of each character, blending street realism with subtle spiritual undertones.She doesn’t just design looks. She reveals identities.Tune in as Ruth breaks down her creative process and shares the behind-the-scenes magic that brought Sinners to life.Sponsored by @universalcostumehouse @universalstudioslotFollow & Subscribe now on YouTube and Spotify to catch the full episode!#DesigningHollywood #RuthCarter #SinnersMovie #CostumeDesign #HollywoodPodcast #BehindTheScenes #NewEpisode #FilmCostume #OscarWinner #filmmaking #cinema #designinghollywood #movie #film #costumedesigner #costumedesign # | — | ||||||
| 4/10/25 | ![]() In the Heights, George and Tammy, Costume Designer Mitchell Travers | Mitchell Travers is an American Costume Designer who has cultivated a character-heavy portfolio of work for multiple titles. His breakout work on Bo Burnham’s A24 indie hit Eighth Grade, which earned him a spot on Variety’s Artisan’s Impact Report.He was tasked to transform Emma Thompson into a chic pantsuit-sporting Late Night TV host in Mindy Kaling’s Late Night, directed by Nisha Ganatra. His striking work on Lorene Scafaria’s critically acclaimed Hustlers earned him a nomination for the Costume Designer’s Guild Awards that year.Mitchell’s more recent projects include Home Before Dark, directed by Jon Chu for Apple TV+, Lin Manuel Miranda’s upcoming musical In The Heights and The Eyes of Tammy Faye starring Jessica Chastain and directed by Michael Showalter.Before beginning his own work, Travers spent ten years as Associate Costume Designer on projects including Oceans 8, Saturday Night Live, The Amazing Spider-Man 2, The Bourne Legacy, Joy, The Blacklist & 30 Rock. Travers was educated at the University of Connecticut receiving dual BFA degrees in Costume Design and Puppetry. He splits his time between New York and Los Angeles. | — | ||||||
| 3/20/25 | ![]() Companion, The Toxic Avenger, Costume Designer Vanessa Porter | Her designs have premiered at acclaimed film festivals- Sundance, TIFF, VFF, and SXSW. She has designed films for Warner Brothers Pictures/New Line Cinema, Legendary Pictures, and Amazon Studios. Vanessa has designed original series for Sony, Disney+, NETFLIX, and UCP/Peacock. Several of Vanessa’s projects have 2025 releases. GOOSEBUMPS: THE VANISHING began streaming on Disney+/Hulu in January. COMPANION, a horror/comedy film from the producers of BARBARIAN, had a wide theatrical release in January as well. Macon Blair’s reimagining of the Troma cult classic, THE TOXIC AVENGER, will have a wide release in August through Cineverse. Vanessa has designed projects in a wide spectrum of genres. The designs have spanned numerous time periods and character types. Vanessa takes a grounded approach to all her work, even the more stylized projects. Her designs are rooted in nuanced character development, probing research, and thoughtful collaboration. Vanessa has lead costume departments both nationally and internationally. She loves the challenge of working in unfamiliar environments and connecting with creative collaborators everywhere the industry takes her. | — | ||||||
| 2/18/25 | ![]() Elvis, Snow White Cinematographer Mandy Walker | Today we sit down with Mandy Walker, the seasoned cinematographer behind Elvis, Snow White, Mulan and more. #elvis#snowwhite#cinematographer#mandywalker | — | ||||||
| 11/25/24 | ![]() Gladiator II, Cinematographer John Mathieson, Costume Designers Janty Yates, David Crossman | Today we are joined by Gladiator II's John Mathieson (Cinematographer), and Costume Designers Janty Yates and David Crossman. | — | ||||||
| 11/25/24 | ![]() Goosebumps, The Last of Us, Costume Designer Cynthia Summers | Cynthia Summers is an Emmy-winning Costume Designer based in Los Angeles and Vancouver. She is best known for her brilliant and unique style-eye in world building and bringing characters to life, whether they are modern day and fashion-driven or fantastical creatures taken from the pages of a book. Cynthia is inspired by the spirit of character in creating cohesive looks that resonate for each individual within the world that they inhabit. HBO’s adaptation of THE LAST OF US, created by Craig Mazin and Neil Druckmann and starring Pedro Pascal and Bella Ramsey, is Cynthia’s recent hit project. She also completed work on the newly released Apple Original film SWAN SONG, with Oscar winner Mahershala Ali, Glenn Close, Naomie Harris, and Awkwafina. In 2021 she was awarded a Daytime Emmy Award in Outstanding Costume Design for her work on Netflix’s first season of THE BABY-SITTER’S CLUB. Her stand out designs for the second and third seasons of Netflix’s Emmy-Nominated series LEMONY SNICKET’S A SERIES OF UNFORTUNATE EVENTS, starring Neil Patrick Harris, have won five CAFTCAD awards and were nominated for 2019 & 2020 Costume Designer’s Guild Awards as well as two Primetime Emmys (2018 & 2019) in Outstanding Fantasy/Sci Fi Costumes. She was also nominated for a 2021 Costume Designer’s Guild award for Excellence in Sci-Fi/Fantasy Television for TNT’s SNOWPIERCER season 1, starring Jennifer Connelly and Daveed Diggs. Cynthia has also designed looks for NETFLIX’S cyberpunk-noir sci-fi series ALTERED CARBON starring Anthony Mackie and Simone Missick; five seasons of Bravo’s breakout hit and first scripted series GIRLFRIENDS’ GUIDE TO DIVORCE and all 6 groundbreaking seasons of Showtime’s Emmy-nominated series THE L WORD, for which she was the recipient of the Hollywood Style Award – Best Costumes. Cynthia is praised for the chic looks she develops for an array of characters. Her style choices move flawlessly from the screen to viewers’ closets as she presents versatile options, visually defining each character in a way that connects with consumers. Cynthia’s outstanding and diverse resume of 60+ credits includes FOX’s Emmy-winning series BONES, her creations on the prequel cadet academy world of Halo for Microsoft’s series adaptation of HALO 4: FORWARD UNTO DAWN as well as her film work including BEAUTIFUL BOY, APOLLO 18, and THE SHOW starring Giancarlo Esposito, Josh Duhamel, James Franco, and Famke Janssen to name a few. | — | ||||||
| 11/12/24 | ![]() Percy Jackson and the Olympians, The Predator, Costume Designer Tish Monahan | Today's guest is a talented Costume Designer from Regina, Saskatchewan (Canada). She has worked on a wide range of projects including: INSOMNIA, HAPPY GILMORE, THE TERROR, TWILIGHT NEW MOON AND TWILIGHT ECLIPSE, SCHMIGADOON, HOT ROD, CATS & DOGS (where else can you make a HANNIBAL LECTOR costume for a cat??), AN UNFINISHED LIFE, HOT ROD, and many more. She is currently the Costume Designer for PERCY JACKSON AND THE OLYMPIANS on Disney+. | — | ||||||
| 10/19/24 | ![]() The Bear Costume Designer Courtney Wheeler | Today we are joined by Courtney Wheeler, costume Designer for the FX Dramedy: The Bear. Her other credits include Queer as Folk, Betty, and many more. | — | ||||||
| 10/5/24 | ![]() Joker: Folie à Deux, Cinematographer Lawrence Sher, Costume Designer Arianne Phillips | Arianne Phillips is an American costume designer. Phillips was recognized for her work on the Broadway musical Hedwig and the Angry Inch, starring Neil Patrick Harris, earning her a Tony award nomination for Best Costume Design. Phillips has a long-standing relationship with Madonna, with collaborations including photo shoots, music videos and designing tour costumes for six world tours over the past two decades. She has been nominated for the Academy Award for Best Costume Design three times, for James Mangold's Walk the Line (2005), Madonna's directorial debut, W.E. (2011), and for Quentin Tarantino's Once Upon a Time in Hollywood (2019). Phillips has also received a two BAFTA Award nominations for Tom Ford’s A Single Man (2009) and Quentin Tarantino's Once Upon a Time in Hollywood. Her film career also includes Tom Ford's Nocturnal Animals (2016), Matthew Vaughn’s Kingsman: The Secret Service (2014) and Kingsman: The Golden Circle (2017), James Mangold’s Girl, Interrupted (1999) and 3:10 to Yuma (2007), John Cameron Mitchell’s Hedwig And the Angry Inch (2001), Mark Romanek’s One Hour Photo(2002), and Milos Forman’s The People Vs. Larry Flynt (1996). In between film and music projects, Phillips works as a freelance fashion editor and stylist, collaborating with photographers for publications such as Italian Vogue, V Magazine, Harper’s Bazaar, German & Spanish Vogueand W Magazine. She continuously challenges herself by taking on projects that explore new expressions of her creativity. In 2018, she made her New York City Metropolitan opera debut, designing Nico Muhly’s opera, Marnie. Miuccia Prada selected Phillips for her Iconoclasts project; to curate installations for the brands flagship stores in London and Beijing which included a short fashion film for the brand, which Phillips wrote and directed, called Passages. Her friend Alessandro Michele, Creative Director of GUCCI commissioned her to create content for a special issue of A Magazine he guest edited and to style a brand film directed by Gia Coppola. She has also collaborated on special projects with Van Cleef and Arpels, Cartier, Valentino and Swarovski. Phillips was an inaugural member of the TIMES UP coalition and was asked by Reese Witherspoon to design its logo. Lawrence Sher, ASC,is an American cinematographer and film director, best known for comedy films such as Garden State, The Dictator, and The Hangover series, frequently collaborating with directors Todd Phillips and Zach Braff.[ He made his directorial debut with Father Figures, which began a wide theatrical release on December 22, 2017, by Warner Bros. Pictures. He was nominated for an Academy Award and BAFTA Award for Best Cinematography for the 2019 film Joker, directed by Phillips. As cinematographer of the 2009 film The Hangover, Sher described how a scene early in the movie shows the main characters on the roof of their hotel overlooking a stereotypical shot of the Las Vegas Strip; Sher indicated that he had tried to evoke the behind-the-scenes Vegas—after the characters wake up the following morning—by shooting a scene behind the hotels where the real action takes place. Actor Bradley Cooper credited Sher's visual style with enhancing the film's comedy, noting how Sher has "a great eye, a lot of energy and he just knows what's funny" and that "Some guys just can’t shoot comedies, but Larry knows exactly what he's doing." With the success of Zach Braff's Kickstarter, Sher worked on Braff's 2014 feature, Wish I Was Here. In January 2020, Sher was nominated for the Academy Award for Best Cinematography for his work on the movie Joker, but lost to Roger Deakins for 1917. | — | ||||||
| 10/5/24 | ![]() Killer Heat, The Iron Claw, Costume Designer Jennifer Starzyk | Costume Designer, JENNIFER STARZYK is a creative collaborator with over twenty five years in the film industry. She takes a character-driven approach with her own unique vision to serve the story and support the script. Her versatile yet distinct style has been showcased across a variety of genres and periods. Perhaps best known for the Netflix psychological series, Mindhunter. where Jennifer worked closely to create a restrained period look with renowned director David Fincher. Her range varies in tone as seen in Warner Bros Neo-Noir Reminiscence starring Hugh Jackman & Rebecca Ferguson; to the outlandish colorful contemporary in Bill & Ted Face The Music; to allowing documentary footage inform how Colin Firth and Toni Colette should look in aughts fashion for Max’s The Staircase. Jennifer’s latest work was A24 biopic, The Iron Claw, written and directed by Sean Durkin. The Iron Claw stars Zac Efron, Jeremy Allen White, Harris Dickinson and Hold McCallany and is a tragic film that tells the story of the Von Erich’s. Spanning from late 1970s- 1990s, her costumes showcase the dynasty of wrestlers and help create the world of rural Texas. Jennifer’s elaborate ring robes were included on display at the 2024 ASU FIDM Art of Costume Design in Film. Upcoming work includes Amazon’s Killer Heat, starring Joseph Gordon Levitt, Shailene Woodley and Richard Madden. This contemporary mystery was filmed on location in Greece and follows twin brothers who find themselves in a dangerous love triangle on an isolated island. The contemporary costumes highlight quiet luxury and showcase several Greek fashion brands for added authenticity. During the WGA & SAG strikes, Jennifer lent her energy and talent to help costume The Groundlings charity fundraiser, One Night Only. Having just days to outfit 35 performers for The Chorus Line. The musical featured Saturday Night Live alum Kristen Wiig, Will Forte, Ana Gasteyer amongst other incredible talent and helped raise over $200,000 for Motion Picture & Television Fund. All proceeds went to below the line affected by the strikes. Currently, she is designing a contemporary action comedy for Twentieth Century Fox titled, Eenie Meanie. Written and directed by Shawn Simmons. The film stars Samara Weaving as a reformed teenage getaway driver who is dragged back into her unsavory past when a former employer offers her a chance to save the life of her chronically unreliable ex-boyfriend. No matter the project, Jennifer Starzyk brings the same fierce spirit and powerful approach to designing costumes. | — | ||||||
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Chart Positions
11 placements across 11 markets.
Chart Positions
11 placements across 11 markets.
