Dissecting Dragons

Every enduring Christmas story has a villain woven in somewhere - whether that's King Herod in the nativity or Ebenezer Scrooge, the Grinch of Hans Gruber in Die Hard. Whether the audience is rooting for huge redemption arc or waiting for the bad guy to take a nosedive off the Nakatomi Plaza, there's something about a festive story that uniquely lends itself to a good villain. This week Jules and Madeleine delve into what makes a good Christmas villain; where do they come from? (The answer is surprisingly far back!) And how do you create your own? On the slab this week - A Christmas Carol, The Grinch Who Stole Christmas, The Winter Smith and many more. Title music: Ecstasy by Smiling Cynic

'Ugly' is a subjective term, of course. Tastes vary and opinions are heavily influenced by how we perceive someone or how much we like them. However, there are plenty of characters in speculative fiction who even on the page do not fit the parameters of being conventionally physically attractive. When those books are translated to the screen, often the 'it' actors of the moment are cast in these roles because they are often great characters. And this is where the cognitive dissonance sets in. Social media and the drive towards a physical ideal which can only be attained through wealth and extreme intervention adds another, somewhat more troubling dimension as platforms like Instagram directly influence beauty standards and celebrity popularity. Have we lost the ability to see a normal human as attractive? Find out in this week's episode. On the slab this week - Bridget Jones' Diary, Harker & Blackthorn, Game of Thrones, Howl's Moving Castle and many more. Title music: Ecstasy by Smiling Cynic

How many jobs and professions have existed over the centuries which we now no longer know anything about? Who thinks about warreners and coopers? Fowlers and knocker-ups? And yet this now unnecessary work lingers in surname origins and in the strange tales that grow up around these jobs. This week, still feeling semi spooky and continuing their recent folklore deep dive, Jules and Madeleine take a look at the urban myths which sprang up and are still springing up, around jobs made obsolete by time and new technology. Why do with mythologise the mundane? What are the origins of folklore arising from old trades? And how can you use this in your writing? Find out in this week's episode. Title music: Ecstasy by Smiling Cynic

As far as the dragons are concerned it's still spooky season and this week, they are featuring one of the most beloved 'universal monsters' - the Mummy. From Ancient Egypt to Victorian obsession to post war film era, the Mummy has been a symbol for secrets and forbidden knowledge, often reflecting discomforting truths back at us. Jules and Madeleine take a look at why this is a universal monster - what are its origins? When did it first start appearing in fiction? And what does the creature mean to us today? On the slab this week - Lok No 249 - Sir Arthur Conan Doyle, The Beetle - Richard Marsh, Ramses the Damned - Anne Rice and many more. Title music: Ecstasy by Smiling Cynic

This week's spooky season offering dives past the whole haunted house experience to go deeper. What if the haunting was more specific? An attic or cellar is well known trope, but what about a playground? A nursery? A clock or a mirror? What do those things say about the state of the main character's mind in storytelling? And what exactly is the quiet terror of the mundane more effective than dripping gore and howling monsters? Jules and Madeleine tackle these questions and more. On the slab this week: Rebekah - Daphne du Maurier, The Yellow Wallpaper - Charlotte Perkins Gilman, The Scald Crow - Grace Daly and many more

Continuing their spooky season, this week the dragons pose a question: what's more frightening? The object of terror can see or the entity you can't? A fear of non tangible threats is baked into the essential human make up - we would hardly have survived to evolve as we have if our ancestors had not had the capability to 'what if' about predators concealed in shadows or long grass. This is reflected in fairy tales, folklore, gothic fiction all the way up to modern horror. Jules and Madeleine delve into how this trope hits the fear centres in the brain and how you as a writer can use it. On the slab this week - The Invisible Man - H G Wells, The Little Stranger - Sarah Waters, It Follows and many more. Title music: Ecstasy by Smiling Cynic

Approximately ten years ago, both dragons signed their first publishing contracts. Since then it's been a riotous series of highs and lows and new adventures - including the creation of this podcast. This week, Jules and Madeleine look back over the last decade. Would they have written their first books the same way if they'd been writing them now? What is the relationship between writing and creativity and where does creative inspiration come from? Where do they see themselves going in their writing from here? And just what is good etiquette around reviews? Join them for a semi- biographical episode about the ups and downs of being a writer. (Please note this is the last episode of this season - the Dragons will be back in October for spooky season) Title music: Ecstasy by Smiling Cynic

Part one of a two part episode Sci-fi and fantasy have portrayed many workplace settings over the decades - engineers and pilots on space craft, for example, or fairy smiths and kitchen witches in fantasy. However while fantasy has been leaning into the idea of leaving unfulfilling work and finding a perfect cosy profession, sci-fi has been delving into the nightmare of the bad workplace. This week, Jules and Madeleine take a look at the common criticisms and fallacies of the workplace highlighted by fiction, and just why this is finding an avid audience now. Title music: Ecstasy by Smiling Cynic

Have you ever picked up a book, full of anticipation, only to quit 100 pages in? Or maybe you read the whole thing and were left annoyed and baffled when you reached the end? Welcome to the baked in cognitive dissonance of the bookish community. Uber hyped books can turn out to be...bad. Not just bad in your opinion but objectively bad when employing the metrics of writing skill, storytelling and production values. So why exactly are they selling millions of copies? This week, Jules and Madeleine delve into the roots of this question. Is it really a matter of opinion? Can you measure the fitness of a book based entirely on measurable considerations? Is it ever fair to call any book bad? Join the dragons as they interrogate their own beliefs on the subject. Title music: Ecstasy by Smiling Cynic

Making a living from writing comes with practical considerations which the actual creative process doesn't prepare you for (probably). This week Jules and Madeleine delve into how to be a healthy creative ( spoiler alert: sleep is really important), what you need to consider when planning your finances, what legal considerations you need to bear in mind and a variety of other issues which writers often blithely ignore. We know. We did. Join the dragons as they talk candidly about the less glamorous side of being a writer. Title music: Ecstasy by Smiling Cynic

The dragons are back! Join us for an exciting season delving into new writing topics and speculative fiction takes. This week, Jules and Madeleine take a look at the 'nice guy' trope. While the term is relatively new, the character type is not, cropping up in Shakespeare, Austen and even in folklore. While this was a character archetype introduced originally to balance the over-muscled, over-sexed and under-brained macho male lead of the seventies and eighties, writers took their collective eye off the ball and things went south pretty quickly. So what is a 'nice guy' and why does something so innocuous sounding carry so much collective dirt? Find out in part one of a two part episode. On the slab this week: Friends, Little Women - L M Montgomery, Shakespeare's Much Ado about Nothing and many more. Title music: Ecstasy by Smiling Cynic

It's that time of year again: frantic last minute shopping, swearing at rolls of Sellotape, covering fir trees with bling....and the dragons emerge with a festive folkloric offering that adds a bit of shadow to the season. This year Jules and Madeleine take a look at the strange relationship between Christmas and witchcraft. If that sounds implausible, stick around - there is a bizarre logic behind it. As with many folkloric traditions, the Christmas witch goes back centuries but some of the modern iterations bring a new level of horror to the tradition. We remember Father Christmas but forget Perchta. We tell stories about St Nicholas but forget St Lucy and her alter Ego, Bloody Lucy. And just who led the wild hunts during Saturnalia and later the twelve days of Christmas? Find out in a special festive episode. Title music: Ecstasy by Smiling Cynic