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Audience Interest
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Publishing Consistency
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Insights are generated by CastFox AI using publicly available data, episode content, and proprietary models.
Total monthly reach
Estimated from 2 chart positions in 2 markets.
By chart position
- 🇦🇺AU · Visual Arts#1925K to 30K
- 🇹🇭TH · Visual Arts#110500 to 3K
- Per-Episode Audience
Est. listeners per new episode within ~30 days
2.8K to 17K🎙 Weekly cadence·55 episodes·Long inactive - Monthly Reach
Unique listeners across all episodes (30 days)
5.5K to 33K🇦🇺91%🇹🇭9% - Active Followers
Loyal subscribers who consistently listen
1.6K to 9.9K
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Reach across major podcast platforms, updated hourly
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* Data sourced directly from platform APIs and aggregated hourly across all major podcast directories.
On the show
Recent episodes
ArtReview | The Arty Types Who Shaped 2024, Part 2
Dec 29, 2024
Unknown duration
ArtReview | The Arty Types Who Shaped 2024, Part 1
Dec 15, 2024
Unknown duration
CURA. | Coming of Age: Meriem Bennani
Nov 24, 2024
Unknown duration
The Guardian | Lauren Halsey’s Funk Garden
Nov 10, 2024
Unknown duration
Purple | Philippe Parreno: 'Art, Like Magic, Deals With the Ineffable'
Oct 27, 2024
Unknown duration
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| Date | Episode | Description | Length | ||||||
|---|---|---|---|---|---|---|---|---|---|
| 12/29/24 |  ArtReview | The Arty Types Who Shaped 2024, Part 2 | A guide to which artworld forces have defined ArtReview’s Power 100 list.from ArtReviewpublished December 4, 2024 | — | ||||||
| 12/15/24 |  ArtReview | The Arty Types Who Shaped 2024, Part 1 | A guide to which artworld forces have defined ArtReview’s Power 100 list.from ArtReviewpublished December 4, 2024 | — | ||||||
| 11/24/24 |  CURA. | Coming of Age: Meriem Bennani | "Bennani’s belief in the affective potency of small gestures, and the emotions that can’t make their way to the surface or to those we love, is what moves her characters and her audience to tears."from CURA.by Lumi TanFall/Winter 2024 | — | ||||||
| 11/10/24 |  The Guardian | Lauren Halsey’s Funk Garden | The LA artist says her musically inspired, architectural works are deeply rooted in her South Central neighbourhood as she opens her debut solo UK show.from The Guardianby Kadish Morrispublished October 27, 2024 | — | ||||||
| 10/27/24 |  Purple | Philippe Parreno: 'Art, Like Magic, Deals With the Ineffable' | The French artist Philippe Parreno has redefined the exhibition experience as a contemporary ritual, bringing voices, sounds, and data to the heart of his creative process.from Purpleby Olivier ZahmFall/Winter 2024 | — | ||||||
| 10/13/24 |  Mousse | A Conversation With Shu Lea Cheang | Artist and filmmaker Shu Lea Cheang discusses her continuous engagement with speculative sci-fi narratives and examines her radical reclamation of pornography. (excerpt)from Mousseby Lauren Cornell & Tiffany Siapublished October 7, 2024 | — | ||||||
| 9/22/24 |  The New York Times | Nicole Eisenman at the Tipping Point | As the artist prepares for a major exhibition in Madison Square Park, Eisenman takes stock of the winding path to fame. What is gained and what is lost when your art is political?from The New York Timesby Zachary Smallpublished September 7, 2024 | — | ||||||
| 9/8/24 |  frieze | A Rare Journey to Michael Heizer’s Land Work 'City' | On a recent visit to Nevada, Erika Balsom discovered how the artist’s monumental sculpture is a meditation on transience.from friezeby Erika Balsompublished August 28, 2024 | — | ||||||
| 8/25/24 |  CURA. | We Monsters: Josèfa Ntjam | "Her influences unfold from afro-feminism to science-fiction novels, from Sun Ra to Detroit techno."from CURA.by Martha KirszenbaumSpring/Summer 2024 | — | ||||||
| 8/11/24 |  Spike | On Art After Risk | In an era of doxxing and cancellation, nobody wants to be the culture war’s next lightning rod. But if art’s new survivalism can be frustrating, it should also prompt us to ask who art is really for.from Spikeby Travis DiehlSummer 2024 | — | ||||||
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| 7/28/24 |  Financial Times | Forensic Architecture’s Investigations Are Both Art and Evidence | Founded by Eyal Weizman, it has produced reports into the shooting of a Black man in London and alleged human rights violations in Gaza.from Financial Timesby Rachel Spencepublished July 28, 2024© 2024 The Financial Times Ltd. All rights reserved. | — | ||||||
| 7/14/24 |  The New York Times | Jesse Darling Won the Turner Prize. But Does He Still Want to Be an Artist? | Jesse Darling is so disillusioned with the art world that he just isn’t sure.from The New York Timesby Thomas Rogerspublished July 6, 2024 | — | ||||||
| 6/30/24 |  Flash Art | Diamond Stingily: Everybody Is Bronze | "We’re all going to die, so you might as well get over that shy shit." Stingily tells the truth, and she’s funny.from Flash Artby Whitney Mallettpublished June 20, 2024 | — | ||||||
| 6/9/24 |  Purple | 'All Clothing Is a Protector.' A Conversation With Bárbara Sánchez-Kane | Enfant terrible of the Mexico City art scene, Bárbara Sánchez-Kane blurs the line between art and fashion.from Purpleby Olivier ZahmSpring/Summer 2024 | — | ||||||
| 5/5/24 |  frieze | The Disenchanting World of John Akomfrah | We discuss the challenges of representing the UK at the Venice Biennale with the artist in his north London studio.from friezeby Vanessa Petersonpublished April 16, 2024 | — | ||||||
| 12/31/23 |  ArtReview | How Power Players Have Shaped the Artworld in 2023 | A look at some of the forces that have defined ArtReview’s Power 100 list.from ArtReviewpublished November 30, 2023 | — | ||||||
| 12/24/23 |  CURA. | 'Martine Syms Does Not Make Work to Entertain' | "I’m particularly interested in errant strands of popular culture, works that are anomalies within mass media."from CURA.by Ben Broomepublished December 18, 2023 | — | ||||||
| 12/17/23 |  T: The New York Times Style Magazine | The Gallery That Has Never Lost an Artist | Monika Sprüth and Philomene Magers built one of the art world’s most powerful businesses by not following conventional wisdom.from T: The New York Times Style Magazineby Evan Moffittpublished December 11, 2023 | — | ||||||
| 12/10/23 |  KALEIDOSCOPE | Isa Genzken, Minor Speculations | "Isa Genzken is a consciously enigmatic figure, and just as her work cannot be contained within one style, her identity is likewise unfixed."from KALEIDOSCOPEby Kyla McDonaldpublished November 24, 2023 | — | ||||||
| 12/3/23 |  Document | Sumayya Vally and Alvaro Barrington in Conversation | For Document’s Fall/Winter 2023 issue, the architect and artist assess the importance of embracing historical nuance to fabricate new futures.from Documentby Elizabeth Hsiehpublished November 6, 2023 | — | ||||||
| 11/26/23 |  ArtReview | Notes on the Control of Society Through Art and Culture | The rhetoric of "sensibility" plays a central if understated role in preserving ruling-class hegemony in art.from ArtReviewby Mitch Speedpublished November 7, 2023 | — | ||||||
| 11/19/23 |  Flash Art | Parabolical Apocalypses. A Conversation With Precious Okoyomon | "Okoyomon’s trajectory feels revelatory amid the culmination of theoretical threads that interrogate endings, afterlives, and becomings."from Flash Artby Jazmina Figueroapublished November 6, 2023 | — | ||||||
| 11/12/23 |  frieze | Ali Cherri Challenges the Western Gaze | The artist’s sculptural installations and films sit at the heart of a debate about Eurocentrism in the arts.from friezeby Wilson Tarboxpublished November 1, 2023 | — | ||||||
| 11/5/23 |  Document | For Joan Jonas, Everything Is Ongoing | The artist joins curator Daisy Desrosiers for Document’s Fall/Winter 2023 issue, revisiting her metamorphic archive of performance.from Documentby Tia Glistapublished October 31, 2023 | — | ||||||
| 10/29/23 |  Flash Art | Falling Back Into the Future of Old: Frieze London 2023 | "Anybody who’s anybody, and thus someone you probably want to be if you want to be in the art world, shows up on Wednesday and Thursday, and has already wearied and abandoned the sinking ship by Friday."from Flash Artby Max L. Feldmanpublished October 23, 2023 | — | ||||||
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Chart Positions
2 placements across 2 markets.
Chart Positions
2 placements across 2 markets.