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On the show
Recent episodes
Everyone Can’t Be an Arsehole
May 4, 2026
9m 15s
You’re Not Bad at Networking. You’re Protecting Yourself
Apr 30, 2026
10m 24s
What Refusing to Stick to One Lane Does for Your Art with Guy Richards Smit
Apr 27, 2026
1h 20m 26s
When Someone You Love Laughs at Your Work
Apr 23, 2026
7m 13s
Disaster as a Gift: The Long Game of Creativity with John Lloyd
Apr 20, 2026
1h 36m 35s
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| Date | Episode | Description | Length | ||||||
|---|---|---|---|---|---|---|---|---|---|
| 5/4/26 | Everyone Can’t Be an Arsehole | Have you ever left an event and thought: "My God, those people are dull." "People were so rude." "No one made me feel welcome." "Blimey, I’m not doing that again." And by the time you get home, it’s not just the event. It’s confirmation - "The art world isn’t for me." But if that’s the story you keep leaving with… it’s worth asking what’s really going on – After all, not everyone in that room can be an arsehole. What you think you’re reading in a room is often not the room at all. Your brain is wired to detect threat. Not physical threat. Social threat. A look. A short answer. A pause. And your brain fills in the gaps: “They’re not interested.” “I’ve said the wrong thing.” “I don’t belong here.” So, you withdraw. You close down. You leave early. And just like that… you’ve created the very experience you were trying to avoid and stop attending events – and miss out on all that they offer. That’s the loop. This week - I’m giving you a simple way to interrupt that negative loop. KEY TAKEAWAYS Your negative read of a room (e.g., “everyone is rude,” “this world isn’t for me”) is often not an accurate reflection of what is going on. Your brain isn’t passively reading reality; it’s predicting based on past experiences and filling in gaps. What you feel in a moment is a mix of what’s happening now and what your brain expects to happen. Asking “What else could this mean?” gives you a more open, less fear-driven interpretation. Ceri’s KIND process is a simple, four-step way to interrupt the automatic “they don’t like me/I don’t belong” story. It helps you stay open, calm your body, and take one small extra action so you can create new, more accurate experiences instead of confirming old fears. BEST MOMENTS “What you feel in a moment isn't just what's happening now, it's what your brain expects is happening. So instead of asking, what did that mean? Try what else could this mean?” “Honestly, in a room full of creative people, it simply cannot be true that every single one is an asshole, it just can't. – So, if that's the story you're walking in with, it's worth asking, Is this the room, or is this my lens?” “She wasn't being excluded. She was reacting to a micro moment of uncertainty as if it were rejection.” PODCAST HOST BIO With over 35 years in the art world, Ceri has worked closely with leading artists and arts professionals, managed public and private galleries and charities, and curated more than 250 exhibitions and events. She has sold artworks to major museums and private collectors and commissioned thousands of works across diverse media, from renowned artists such as John Akomfrah, Pipilotti Rist, Rafael Lozano-Hemmer and Vito Acconci. Now, she wants to share her extensive knowledge with you, so you can excel and achieve your goals. **** Ceri Hand Coaching Membership: Group coaching, live art surgeries, exclusive masterclasses, portfolio reviews, weekly challenges. Access our library of content and resource hub anytime and enjoy special discounts within a vibrant community of peers and professionals. Ready to transform your art career? Join today! https://cerihand.com/membership/ **** Unlock Your Artworld Network Self Study Course Our self-study video course, "Unlock Your Artworld Network," offers a straightforward 5-step framework to help you build valuable relationships effortlessly. Gain the tools and confidence you need to create new opportunities and thrive in the art world today. https://cerihand.com/courses/unlock_your_artworld_network/ **** Book a Discovery Call Today To schedule a personalised 1-2-1 coaching session with Ceri or explore our group coaching options, simply email us at hello@cerihand.com **** Discover Your Extraordinary Creativity Visit www.cerihand.com to learn how we can help you become an extraordinary creative. This Podcast has been brought to you by Disruptive Media. https://disruptivemedia.co.uk/ | 9m 15s | ||||||
| 4/30/26 | You’re Not Bad at Networking. You’re Protecting Yourself | There’s something I hear all the time from artists, and it sounds very reasonable on the surface. “If I go to that event, it’s going to drain me", "I won’t have the energy.” “I’ll feel awkward.” Sometimes you are genuinely exhausted, and the most intelligent thing you can do is not push through, but actually attend to your body, your mind, your nervous system. That’s not avoidance. That’s care. But what I’m noticing more and more is that many artists aren’t making decisions from current exhaustion. They’re making decisions from anticipated exhaustion - From memory. Your brain looks at past experiences, and it says: “Last time this felt uncomfortable.” “Last time I felt out of place.” “I didn´t know what to say” - So, let’s not do that again. Before you’ve even left the house, your body has already decided: “This is going to be draining.” - “This is not for me.” That pattern doesn’t just shape whether you go - It shapes how you experience the room when you’re in it. This episode is about something deeper than networking. It’s about who you are becoming every time you choose to stay, leave, speak, or stay silent. The artist who leaves early…or the artist who stays for one more conversation. The one who performs…or the one who gets curious. KEY TAKEAWAYS You’re not bad at networking, you’re protecting yourself. Your brain remembers past discomfort and pre-loads you to expect the same discomfort at every event. The room isn’t the problem, the story is. Two people can have completely different reads on the same moment: one sees “they’re just busy,” another sees “they don’t care about me.” Neither is objectively right - the story you choose either opens or closes possibility. Your interpretation is often what limits you. Start small: go to one event, stay a bit longer than is comfortable, and have one non-performative conversation. Networking isn’t performance, it’s discovery. BEST MOMENTS “Many artists aren't making decisions from current exhaustion. They're making decisions from anticipated exhaustion. From memory.” “Instead of jumping to they don't like me, they're not interested. Try widening the lens. Maybe they're overwhelmed, maybe they're socially awkward... you don´t know.” “This isn't really about networking. It's about becoming somebody who can walk into a space, notice discomfort, and not immediately obey it.” HOST BIO With over 35 years in the art world, Ceri has worked closely with leading artists and arts professionals, managed public and private galleries and charities, and curated more than 250 exhibitions and events. She has sold artworks to major museums and private collectors and commissioned thousands of works across diverse media, from renowned artists such as John Akomfrah, Pipilotti Rist, Rafael Lozano-Hemmer and Vito Acconci. Now, she wants to share her extensive knowledge with you, so you can excel and achieve your goals. **** Ceri Hand Coaching Membership: Group coaching, live art surgeries, exclusive masterclasses, portfolio reviews, weekly challenges. Access our library of content and resource hub anytime and enjoy special discounts within a vibrant community of peers and professionals. Ready to transform your art career? Join today! https://cerihand.com/membership/ **** Unlock Your Artworld Network Self Study Course Our self-study video course, "Unlock Your Artworld Network," offers a straightforward 5-step framework to help you build valuable relationships effortlessly. Gain the tools and confidence you need to create new opportunities and thrive in the art world today. https://cerihand.com/courses/unlock_your_artworld_network/ **** Book a Discovery Call Today To schedule a personalised 1-2-1 coaching session with Ceri or explore our group coaching options, simply email us at hello@cerihand.com **** Discover Your Extraordinary Creativity Visit www.cerihand.com to learn how we can help you become an extraordinary creative. This Podcast has been brought to you by Disruptive Media. https://disruptivemedia.co.uk/ | 10m 24s | ||||||
| 4/27/26 | What Refusing to Stick to One Lane Does for Your Art with Guy Richards Smit | What can an ink drawing and one line of text really do? In the hands of Guy Richards Smit, it can hold horror and humour in the same breath. It can slice through politics while pretending to be an amuse-bouche between heavier courses. It can make you laugh, wince, and then realise you’ve been implicated. Born and raised in New York City, Guy is a painter, performer, musician, video artist and, more recently, a New Yorker cartoonist. But that barely scratches the surface. As you’ll hear, he’s always been fascinated by the vehicles that carry culture, whether pop songs, sitcoms, or the single-panel gag cartoon. From poring over old New Yorker anthologies in his grandparents’ dark apartment as a child, to submitting ten cartoons a week with no acknowledgement for over a year before finally getting one accepted, his journey has been about curiosity and commitment. We talk about what he learned from making protest banners at the age of 16 with Keith Haring, about the discipline of making work at speed and trusting that ideas will catch up with action. We explore the economics of cartooning, and how Guy has built a living not from the commission alone but from understanding how to connect with and cultivate collectors. We dive into what it means to stick your neck out politically at a time of deep division. And into his alter egos, those exquisitely awkward, ego-pricking characters that taught him what satire costs and what it can reveal. Above all, this is a conversation about quality and fear. About not hiding behind perfectionism. About being willing to wade knee deep through the messy, human, slightly off-key parts of your practice, because that is often where the gold lives. If you’ve ever wondered whether one small, strange idea is worth it, this episode is for you. KEY TAKEAWAYS You don’t think your small, “too obvious” ideas count. Guy shows us they’re often the ones that travel furthest. Guy sent ten cartoons a week into silence. The breakthrough wasn’t a lightning bolt; it was repetition. Instead of clinging to one identity, Guy keeps asking, “What’s the right container for this idea, right now?” BEST MOMENTS “Sometimes your thoughts, while they bore you, are more surprising to other people.” “Produce. Back your hunches. Don’t wait for the perfect idea to drop from the sky. Make ten things. Make a hundred. Let the work shape you as you shape it.” EPISODE RESOURCES https://www.instagram.com/guy_richards_smit HOST BIO With over 35 years in the art world, Ceri has worked closely with leading artists and arts professionals, managed public and private galleries and charities, and curated more than 250 exhibitions and events. She has sold artworks to major museums and private collectors and commissioned thousands of works across diverse media, from renowned artists such as John Akomfrah, Pipilotti Rist, Rafael Lozano-Hemmer and Vito Acconci. Now, she wants to share her extensive knowledge with you, so you can excel and achieve your goals. ** Ceri Hand Coaching Membership: Group coaching, live art surgeries, exclusive masterclasses, portfolio reviews, weekly challenges. Access our library of content and resource hub anytime and enjoy special discounts within a vibrant community of peers and professionals. Ready to transform your art career? Join today! https://cerihand.com/membership/ ** Unlock Your Artworld Network Self Study Course Our self-study video course, "Unlock Your Artworld Network," offers a straightforward 5-step framework to help you build valuable relationships effortlessly. Gain the tools and confidence you need to create new opportunities and thrive in the art world today. https://cerihand.com/courses/unlock_your_artworld_network/ ** Book a Discovery Call Today To schedule a personalised 1-2-1 coaching session with Ceri or explore our group coaching options, simply email us at hello@cerihand.com This Podcast has been brought to you by Disruptive Media. https://disruptivemedia.co.uk/ | 1h 20m 26s | ||||||
| 4/23/26 | When Someone You Love Laughs at Your Work | It’s one thing when a stranger laughs at your art. It’s another when someone who knows you well does. Who laughs matters. A friend scrolling your website and snorting at an image. A partner chuckling at a line in your artist statement. A respected curator friend laughing during a performance, but not at the moment you expected. Those laughs land differently. They don’t feel like feedback. They feel like exposure. And in that split second, something primal happens. We think: I’ve done something wrong. Artists tell me this all the time. “My partner laughed at the wrong bit.” “My friend said it sounded like nonsense.” “My mum thought it was hilarious.” And the sore feeling that follows is rarely about the joke itself. It’s about the rupture. When it’s someone close, their reaction doesn’t land as interpretation. It lands as truth. And we want those people to understand us. We want our family, our nearest and dearest, to see us wholly. Art and all the weird things we make and love. We want them to nod and say, yes, I get you. So, when they laugh, or go quiet, or wince, the temptation is to retreat. To soften the edges. To clarify more. To become more reasonable, more legible, more likeable. In this episode, I slow this down. Uncover the four things happening in that moment so you can keep everything in context. KEY TAKEAWAYS The hardest skill in a creative life is trusting yourself to take risks while still wanting love. That tension doesn't go away. You can want your partner to understand your work and still accept that they might not. The people closest to us are not neutral audiences. They carry history, projection, worry. They may fear we're embarrassing ourselves, or them. They may simply not share our taste for strangeness. They can adore you and still not be your audience. Who laughs and at what matters? A renowned curator laughing at the wrong moment might be data about where you place your emphasis in future. BEST MOMENTS “Wanting to engage an audience is healthy. Wanting to be liked is different. Engagement is about connection. Being liked is about approval.” “Humour and awkwardness in art are not accidents. Often, they are the work. They are access points.” “Small retreats accumulate, and slowly the special sauce disappears - When someone you love laughs at your work, pause before you retreat.” “If everybody nods politely and no one is destabilised, you may have made something tidy, but tidy is not the same as alive.” HOST BIO With over 35 years in the art world, Ceri has worked closely with leading artists and arts professionals, managed public and private galleries and charities, and curated more than 250 exhibitions and events. She has sold artworks to major museums and private collectors and commissioned thousands of works across diverse media, from renowned artists such as John Akomfrah, Pipilotti Rist, Rafael Lozano-Hemmer and Vito Acconci. Now, she wants to share her extensive knowledge with you, so you can excel and achieve your goals. ** Ceri Hand Coaching Membership: Group coaching, live art surgeries, exclusive masterclasses, portfolio reviews, weekly challenges. Access our library of content and resource hub anytime and enjoy special discounts within a vibrant community of peers and professionals. Ready to transform your art career? Join today! https://cerihand.com/membership/ ** Unlock Your Artworld Network Self Study Course Our self-study video course, "Unlock Your Artworld Network," offers a straightforward 5-step framework to help you build valuable relationships effortlessly. Gain the tools and confidence you need to create new opportunities and thrive in the art world today. https://cerihand.com/courses/unlock_your_artworld_network/ ** Book a Discovery Call Today To schedule a personalised 1-2-1 coaching session with Ceri or explore our group coaching options, simply email us at hello@cerihand.com ** Discover Your Extraordinary Creativity Visit www.cerihand.com to learn how we can help you become an extraordinary creative. This Podcast has been brought to you by Disruptive Media. https://disruptivemedia.co.uk/ | 7m 13s | ||||||
| 4/20/26 | Disaster as a Gift: The Long Game of Creativity with John Lloyd | Welcome to the 200th episode of Extraordinary Creatives: two hundred conversations with artists, thinkers, makers and cultural leaders about the strange, beautiful, often messy reality of building a creative life. And I couldn’t imagine a better guest to mark this moment than the brilliant John Lloyd CBE. One of the great creative architects behind some of the most loved comedy formats of the past fifty years. He began at the BBC in the 1970s and helped create programmes that have become cultural landmarks: The News Quiz, Not the Nine O’Clock News, Blackadder, Spitting Image, and the long-running curiosity engine that is QI. Along the way he co-wrote the original Hitchhiker’s Guide to the Galaxy radio series with Douglas Adams, directed the iconic Genesis “Land of Confusion” video, and has won more BAFTAs than almost anyone alive. But what struck me most, isn’t just the scale of his career, it’s the way he thinks about creativity itself. John talks openly about the difficult things that shaped him and the strange truth that some of the most uncomfortable moments in life later reveal themselves as gifts. He reminds us that every creative life includes adversity, and that the ability to transform those experiences into fuel - into insight, humour, empathy or invention – is what stops artists giving up. John is a powerful reminder that great ideas take time. Some of his shows took years to get made. Whether you’re a writer, artist, musician - or simply someone trying to make meaningful work - there is wisdom in this conversation. KEY TAKEAWAYS When we stay with an idea long enough - clearing away the sand, listening more deeply than we speak - what looks ordinary begins to reveal its own quiet, astonishing shape. There are two selves. There's the little yaky person in your head - then there's the true self, which only arrives when you're in the zone, when you're in the state of flow. The heartbreaks, the projects that fall apart - those “disasters” become compost, feeding the work we were actually meant to make. BEST MOMENTS “Creativity is like archaeology. You shovel mountains of sand… and eventually you uncover the sphinx.” “Ideas appear. The difference with creative people is they notice them.” “Deep listening means you're paying attention with not just your ears, with your whole body.” EPISODE RESOURCES https://www.instagram.com/johnlloydqi https://www.qi.com HOST BIO With over 35 years in the art world, Ceri has worked closely with leading artists and arts professionals, managed public and private galleries and charities, and curated more than 250 exhibitions and events. She has sold artworks to major museums and private collectors and commissioned thousands of works across diverse media, from renowned artists such as John Akomfrah, Pipilotti Rist, Rafael Lozano-Hemmer and Vito Acconci. Now, she wants to share her extensive knowledge with you, so you can excel and achieve your goals. ** Ceri Hand Coaching Membership: Group coaching, live art surgeries, exclusive masterclasses, portfolio reviews, weekly challenges. Access our library of content and resource hub and enjoy special discounts within a vibrant community of peers and professionals. Ready to transform your art career? Join today! https://cerihand.com/membership/ ** Unlock Your Artworld Network Self Study Course Our self-study video course, "Unlock Your Artworld Network," offers a straightforward 5-step framework to help you build valuable relationships effortlessly. Gain the confidence you need to create new opportunities and thrive in the art world today. https://cerihand.com/courses/unlock_your_artworld_network/ ** Book a Discovery Call Today To schedule a personalised 1-2-1 coaching session with Ceri or explore our group coaching options, simply email us at hello@cerihand.com ** Discover Your Extraordinary Creativity Visit www.cerihand.com to learn how we can help you become an extraordinary creative. This Podcast has been brought to you by Disruptive Media. https://disruptivemedia.co.uk/ | 1h 36m 35s | ||||||
| 4/16/26 | When Life Changes You and the Work Has to Change Too | In the last episode, we talked about rhythm. About what happens when life knocks you sideways and you walk back into the studio feeling foggy, brittle, or slightly foreign to yourself. We spoke about regulation, about re-entry, about restarting the engine gently instead of demanding brilliance on command. But there’s something else that often happens after the dust settles. Something quieter. More destabilising. Sometimes it isn’t only your creative rhythm that’s been interrupted. It’s you - You’ve changed. And that’s where things get complicated. You go through something significant. An illness that forces you to slow down. A divorce that reshapes how you understand intimacy. Redundancy after years in the same role. Children leaving home and the house suddenly carrying a different kind of silence. You step back into your studio, and something feels slightly off. The work you were making before isn’t wrong, it isn’t bad, but it doesn’t quite sit the same way in your body. It feels like clothes that used to fit and now don’t. We're taught that consistency matters, that we should maintain our voice, that we should build a recognisable trajectory, so people know what they're looking at. So, when something internal shifts, panic sets in. That can be deeply unsettling. Yet, as you will see, it is actually something to be welcomed, embraced and used as fuel. KEY TAKEAWAYS After big life events (illness, divorce, kids leaving, etc.), your old work can feel like clothes that no longer fit, not because it’s bad, but because you are different now. Life changes you - it should. If you are different, the work must reflect that difference, or you will begin to feel like an imposter inside your own practice. Instead of asking how to recover your old voice, a more honest question is, Who am I now? What occupies my thoughts when I wake up? What feels tender in me? Those recurring thoughts are not distractions. They're signals. They point towards the seam that wants to be mined next. BEST MOMENTS “You're not meant to return to who you were. You're meant to create from who you're becoming, life will change you. It should.” “If your work never shifts, if your questions never deepen, if your textures never evolve, something is probably stuck.” “So perhaps this week, instead of trying to replicate what once worked, you sit with a quieter question, what wants to be made now?” HOST BIO With over 35 years in the art world, Ceri has worked closely with leading artists and arts professionals, managed public and private galleries and charities, and curated more than 250 exhibitions and events. She has sold artworks to major museums and private collectors and commissioned thousands of works across diverse media, from renowned artists such as John Akomfrah, Pipilotti Rist, Rafael Lozano-Hemmer and Vito Acconci. Now, she wants to share her extensive knowledge with you, so you can excel and achieve your goals. ** Ceri Hand Coaching Membership: Group coaching, live art surgeries, exclusive masterclasses, portfolio reviews, weekly challenges. Access our library of content and resource hub anytime and enjoy special discounts within a vibrant community of peers and professionals. Ready to transform your art career? Join today! https://cerihand.com/membership/ ** Unlock Your Artworld Network Self Study Course Our self-study video course, "Unlock Your Artworld Network," offers a straightforward 5-step framework to help you build valuable relationships effortlessly. Gain the tools and confidence you need to create new opportunities and thrive in the art world today. https://cerihand.com/courses/unlock_your_artworld_network/ ** Book a Discovery Call Today To schedule a personalised 1-2-1 coaching session with Ceri or explore our group coaching options, simply email us at hello@cerihand.com ** Discover Your Extraordinary Creativity Visit www.cerihand.com to learn how we can help you become an extraordinary creative. This Podcast has been brought to you by Disruptive Media. https://disruptivemedia.co.uk/ | 8m 20s | ||||||
| 4/13/26 | What Performance Art Holds That White Cube Spaces Can’t with Wet Mess | In this episode I’m joined by the extraordinary Wet Mess - performer, shapeshifter, and maker of work that sits right on the ecstatic fault line between desire, politics, embodiment, confusion, and joy. We centre the conversation around their solo show Testo that’s been touring over the past year. It’s a work born from a live, personal question: whether or not to take testosterone, and what that decision means socially, physically, psychologically. We talk about how you can stretch a reveal across an hour. How pacing and punctuation shape tension. How repetition changes meaning depending on the intention you bring to it. How the same action can land differently in different cities and how trans experience is heard through different filters. We dig into training - how Wet Mess conditions both body and mind to hold euphoria, anger, and absurdity without collapsing under it. How they choreograph points of view. How entertainment spaces have taught them things the art world did not. And how stepping into cabaret felt, at one point, like a liberation and even a rejection of fine art’s constraints. There are real insights here about what performance can hold that white cube spaces sometimes struggle to contain. About how spectacle and seriousness are not opposites. About what you learn by attending to the same process over and over again until it deepens. And alongside the artistic revelations, we also speak candidly about touring, sustainability, hiring a producer, stacking the finances so the work can travel, and how to prepare and decompress when your body is the medium. I hope you enjoy it as much as I did! KEY TAKEAWAYS Spectacle isn’t a distraction from seriousness; it’s one of the few containers big enough to hold euphoria, rage, and politics at the same time. When your body is the medium, sustainability isn’t a luxury add‑on. Training and decompression are part of the choreography, or the work doesn’t last. Testo doesn’t resolve whether to take testosterone; it lets us sit inside the risk, desire, and possibility of not yet knowing. BEST MOMENTS “A lot of the process of performing is caring so much about what the audience receive, and then also letting go of that, because you can never fully control it.” “I got really interested in what it means to reveal, how you can stretch that out over an hour-long show taking off layers of costume, of self, and kind of getting deeper and showing different layers of oneself or possibilities.” RESOURCES https://wetmesswetmess.com/ https://www.instagram.com/wet_mess HOST BIO With over 35 years in the art world, Ceri has worked closely with leading artists and arts professionals, managed public and private galleries and charities, and curated more than 250 exhibitions and events. She has sold artworks to major museums and private collectors and commissioned thousands of works across diverse media, from renowned artists such as John Akomfrah, Pipilotti Rist, Rafael Lozano-Hemmer and Vito Acconci. Now, she wants to share her extensive knowledge with you, so you can excel and achieve your goals. ** Ceri Hand Coaching Membership: Group coaching, live art surgeries, exclusive masterclasses, portfolio reviews, weekly challenges. Access our library of content and resource hub anytime and enjoy special discounts within a vibrant community of peers and professionals. Ready to transform your art career? Join today! https://cerihand.com/membership/ ** Unlock Your Artworld Network Self Study Course Our self-study video course, "Unlock Your Artworld Network," offers a straightforward 5-step framework to help you build valuable relationships effortlessly. Gain the tools and confidence you need to create new opportunities and thrive in the art world today. https://cerihand.com/courses/unlock_your_artworld_network/ ** Book a Discovery Call Today To schedule a personalised 1-2-1 coaching session with Ceri or explore our group coaching options, simply email us at hello@cerihand.com This Podcast has been brought to you by Disruptive Media. https://disruptivemedia.co.uk/ | 1h 35m 15s | ||||||
| 4/9/26 | When Life Breaks the Creative Rhythm | You know that strange moment when you walk back into your office or studio after something big has happened……and it feels unfamiliar. The light’s the same. The table’s where you left it. Your brushes are exactly as you abandoned them. But you’re not. That’s the bit no one prepares you for. I was speaking to an artist recently who had just come back from caring for a parent after a sudden bereavement. She said, “I’m desperate to get back into my practice. I need it. But I can’t seem to think." That sentence, that tension, stayed with me – I need it, but I can´t. Because when life throws something heavy at you - death, illness, divorce, redundancy, even something that looks positive but is destabilising - your system shifts. You go into care mode. Logistics mode. Survival mode. You become vigilant. You are tracking hospital updates. Or legal emails. Or financial spreadsheets. Or your child’s temperature at 3am. Vigilance is not the same state as creativity. Creativity asks you to soften. To wander. To sit with uncertainty without solving it. After shock, your body doesn´t want to wander. It wants to secure. And then we stand in the studio and say to ourselves, “Right. Back to it. Let’s make something extraordinary.” – no wonder it doesn´t work. I explore why flow disappears after life shocks, what your nervous system is actually doing, and how to return to your work without bullying yourself. KEY TAKEAWAYS After a death, redundancy, illness, divorce, or any major life shift, creativity doesn’t just snap back into place. You don't restart at full speed. You idle the engine. Often, what we call lack of focus is actually grief that hasn't fully moved through. Grief doesn't always look like crying. Sometimes it looks like distraction, fog, a strange flatness. Creativity is a downstream of regulation. If the river is in flood, you don't shout at it. You wait for the waters to settle -You're not behind. You're rebuilding rhythm. Rhythm is different from output. Rhythm is showing up in small, contained ways, until your body trusts the space again. BEST MOMENTS “You can't out discipline a dysregulated body. You can't bully yourself back into flow. Flow requires safety, not perfection, not control, but safety.” “When athletes recover from injury, they don't return by running a marathon, they rebuild muscle memory. Creative practice is no different.” “Returning after shock is one thing - creating after you've changed is another.” HOST BIO With over 35 years in the art world, Ceri has worked closely with leading artists and arts professionals, managed public and private galleries and charities, and curated more than 250 exhibitions and events. She has sold artworks to major museums and private collectors and commissioned thousands of works across diverse media, from renowned artists such as John Akomfrah, Pipilotti Rist, Rafael Lozano-Hemmer and Vito Acconci. Now, she wants to share her extensive knowledge with you, so you can excel and achieve your goals. ** Ceri Hand Coaching Membership: Group coaching, live art surgeries, exclusive masterclasses, portfolio reviews, weekly challenges. Access our library of content and resource hub anytime and enjoy special discounts within a vibrant community of peers and professionals. Ready to transform your art career? Join today! https://cerihand.com/membership/ ** Unlock Your Artworld Network Self Study Course Our self-study video course, "Unlock Your Artworld Network," offers a straightforward 5-step framework to help you build valuable relationships effortlessly. Gain the tools and confidence you need to create new opportunities and thrive in the art world today. https://cerihand.com/courses/unlock_your_artworld_network/ ** Book a Discovery Call Today To schedule a personalised 1-2-1 coaching session with Ceri or explore our group coaching options, simply email us at hello@cerihand.com ** Discover Your Extraordinary Creativity Visit www.cerihand.com to learn how we can help you become an extraordinary creative. This Podcast has been brought to you by Disruptive Media. https://disruptivemedia.co.uk/ | 8m 18s | ||||||
| 4/6/26 | Inside The Artist’s Way: Simple Tools That Sustain Brave Creativity with Julia Cameron | Today’s guest has shaped the creative lives of millions. Julia Cameron has been called “The Queen of Change” by The New York Times, and whether you’ve done Morning Pages for decades or only heard of The Artist’s Way in passing, you’ve felt her influence ripple through contemporary culture. What struck me most in this conversation was her devotion to simplicity and trying. Her tools are not complicated. They are repetitive. Ordinary. Almost deceptively so. Three pages. A walk. A date with yourself. And yet — they ask for something many creatives resist: discipline without drama. Practice without novelty. Showing up without fireworks. We like complexity. We like newness. We like to overthink. Julia invites us back to something far braver - consistency. We talk about trusting internal wisdom, or what she describes as seeking guidance both inwardly and outwardly. We explore the stream of consciousness as something different from a diary, different from a sketchbook — a way of accessing the subcutaneous layers of knowing that we’ve often been trained to ignore. Decades on, she is still delighted. Still open. Still curious. Still learning from the community her work has helped to grow. She does not cling to authorship as ownership. She sees herself as a vehicle. The work belongs to the people who practise it. There is something quietly radical about that. This conversation is an invitation to return to the basics. To stop waiting for the breakthrough and instead build the ritual. To trust that the simplest tools, repeated, can change a life. KEY TAKEAWAYS Morning pages, walks, and artist dates aren’t self-help chores; they’re how you quietly outlast trends, algorithms, and your own boredom. Those simple tools become radically effective, especially when you are using them decades in. Julia Cameron doesn’t banish her critic. She calls him Nigel. Thanks him. And keeps creating anyway. Trust your inner wisdom, even when it´s messy. If you’ve been waiting for a breakthrough, maybe the breakthrough is repetition. BEST MOMENTS “I think procrastination is actually fear in a fancy dress.” “A believing mirror is somebody who reflects back to your strength and your promise.” “Fear can be present, and we continue. Criticism can speak, and we continue. Doubt can whisper, and we continue. Not because we’ve eliminated those voices. But because we’ve built a practice strong enough to hold them.” EPISODE RESOURCES https://juliacameronlive.com HOST BIO With over 35 years in the art world, Ceri has worked closely with leading artists and arts professionals, managed public and private galleries and charities, and curated more than 250 exhibitions and events. She has sold artworks to major museums and private collectors and commissioned thousands of works across diverse media, from renowned artists such as John Akomfrah, Pipilotti Rist, Rafael Lozano-Hemmer and Vito Acconci. Now, she wants to share her extensive knowledge with you, so you can excel and achieve your goals. ** Ceri Hand Coaching Membership: Group coaching, live art surgeries, exclusive masterclasses, portfolio reviews, weekly challenges. Access our library of content and resource hub anytime and enjoy special discounts within a vibrant community of peers and professionals. Ready to transform your art career? Join today! https://cerihand.com/membership/ ** Unlock Your Artworld Network Self Study Course Our self-study video course, "Unlock Your Artworld Network," offers a straightforward 5-step framework to help you build valuable relationships effortlessly. Gain the tools and confidence you need to create new opportunities and thrive in the art world today. https://cerihand.com/courses/unlock_your_artworld_network/ **** Book a Discovery Call Today To schedule a personalised 1-2-1 coaching session with Ceri or explore our group coaching options, simply email us at hello@cerihand.com This Podcast has been brought to you by Disruptive Media. https://disruptivemedia.co.uk/ | 1h 01m 36s | ||||||
| 4/2/26 | Stop Funding Your Own Burnout: Designing Commissions That Don’t Drain You | You don’t get a medal for exhausting yourself in the name of community. A brilliant artist in my world recently asked a question that so many of you will recognise. Let’s call them Kenny. Kenny runs socially engaged projects. They work with communities over weeks, sometimes months. Workshops turn into conversations. Conversations turn into drawings. Drawings become objects. Objects evolve into sound pieces. Eventually, it all lands as an installation with sculpture and layered audio. It is rich. It is generous. It is complex. And the budget never quite matches the reality. Kenny finds themselves topping up production costs. Paying for extra studio time. Covering additional fabrication. Giving more hours than were funded. Holding the emotional labour that was never costed. They asked me, should I scale up to bigger institutions with bigger budgets, or should I reduce what I deliver? If this sounds familiar, you are not alone. Here is what is really happening. If you’ve ever felt stretched thin by a commission that looked generous on paper but drained you in reality, this one will land. I break down how to design modular versions of your practice, how to cost invisible labour properly, and how to stop reflex over-delivering just to secure the opportunity. KEY TAKEAWAYS Many artists, especially socially engaged artists, end up producing three projects under one fee - Community workshops. Research and relationship-building. Drawings, objects, sound, sculpture. Installation. Coordination. Care – And when the budget only stretches for one strand of that work, they quietly top it up themselves. - More hours. More energy. Design the project to fit the budget, not the other way round. Always pay yourself properly, and if the full ecosystem of your practice costs more than the fee use one of the 3 options Ceri shares to bring balance back and avoid burnout. Designing modular versions of your practice means you stop pouring the whole symphony into every commission and instead offer clear tiers that match the budget, so the work stays true without draining you. BEST MOMENTS “When you consistently top up a commission with your own time and money, you are not being noble. You are subsidising someone else’s remit with your personal capacity.” “What you can't do is quietly over deliver and hope someone notices.” “Open your last project, calculate how many unpaid hours you gave, multiply that by your day rate, look at the number, then ask yourself, would I agree to that again knowingly?” HOST BIO With over 35 years in the art world, Ceri has worked closely with leading artists and arts professionals, managed public and private galleries and charities, and curated more than 250 exhibitions and events. She has sold artworks to major museums and private collectors and commissioned thousands of works across diverse media, from renowned artists such as John Akomfrah, Pipilotti Rist, Rafael Lozano-Hemmer and Vito Acconci. Now, she wants to share her extensive knowledge with you, so you can excel and achieve your goals. ** Ceri Hand Coaching Membership: Group coaching, live art surgeries, exclusive masterclasses, portfolio reviews, weekly challenges. Access our library of content and resource hub anytime and enjoy special discounts within a vibrant community of peers and professionals. Ready to transform your art career? Join today! https://cerihand.com/membership/ ** Unlock Your Artworld Network Self Study Course Our self-study video course, "Unlock Your Artworld Network," offers a straightforward 5-step framework to help you build valuable relationships effortlessly. Gain the tools and confidence you need to create new opportunities and thrive in the art world today. https://cerihand.com/courses/unlock_your_artworld_network/ ** Book a Discovery Call Today To schedule a personalised 1-2-1 coaching session with Ceri or explore our group coaching options, simply email us at hello@cerihand.com This Podcast has been brought to you by Disruptive Media. https://disruptivemedia.co.uk/ | 8m 20s | ||||||
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| 3/30/26 | How to Build Creative Worlds That Last with Jenn Ellis | In today’s episode of Extraordinary Creatives, I’m joined by Jenn Ellis, founder of APSARA Studio and a curator whose work moves between institutions, vineyards, churches, theatres, and digital space with remarkable fluidity. Jenn grew up in a family of theoretical particle physicists, studied law, and then pivoted into art history. That background shows. Her approach to art feels investigative, architectural, and deeply relational. She thinks about time not as something measured by clocks, but as something lived, layered, and tested. In this conversation, we talk about long-term commitment to artists, the power of positive disagreement inside collaboration, and why site matters as much as concept. We explore Terra, her exhibition across UNESCO heritage vineyards in Burgundy. We unpack AORA, the digital sensory world she built during lockdown. And we speak candidly about contracts, rate cards, negotiation, ego, Instagram performance, and what it really means to care for artists inside complex systems. Jenn is rigorous, warm, and clear-eyed. She understands budgets as well as beauty. She believes in boundaries. And she asks one of the most important questions a creative can ask: how is this bigger than you? If you are building a practice that needs both imagination and structure, I hope this episode will land with you. KEY TAKEAWAYS To curate is to care - sometimes care means challenging, tweaking. Testing. Pushing for something stronger. The absence of disagreement doesn’t mean the work is good. It might mean no one felt safe enough to question it. In a culture that rewards visibility over substance, the real work is shifting our focus from credit to contribution. When we stop performing for the headline and start caring about what’s genuinely built between people, the work gets deeper and is far more likely to outlive the moment. BEST MOMENTS “You might like the work, but if it's not a personality match, then it's going to be a very long upward hill…. Ask, can I make it sing? And can I make it sing with you?” “Long standing relationships often have healthy friction. Action where two people are trying to get to the best outcome.” “Professionalism is not the enemy of creativity. Contracts protect care. Rate cards protect energy. Boundaries protect longevity. These are not cold tools. They are scaffolding.” EPISODE RESOURCES https://apsarastudio.co.uk https://www.instagram.com/jenncellis https://www.instagram.com/apsara.studio HOST BIO With over 35 years in the art world, Ceri has worked closely with leading artists and arts professionals, managed public and private galleries and charities, and curated more than 250 exhibitions and events. She has sold artworks to major museums and private collectors and commissioned thousands of works across diverse media, from renowned artists such as John Akomfrah, Pipilotti Rist, Rafael Lozano-Hemmer and Vito Acconci. Now, she wants to share her extensive knowledge with you, so you can excel and achieve your goals. ** Ceri Hand Coaching Membership: Group coaching, live art surgeries, exclusive masterclasses, portfolio reviews, weekly challenges. Access our library of content and resource hub anytime and enjoy special discounts within a vibrant community of peers and professionals. Ready to transform your art career? Join today! https://cerihand.com/membership/ ** Unlock Your Artworld Network Self Study Course Our self-study video course, "Unlock Your Artworld Network," offers a straightforward 5-step framework to help you build valuable relationships effortlessly. Gain the tools and confidence you need to create new opportunities and thrive in the art world today. https://cerihand.com/courses/unlock_your_artworld_network/ ** Book a Discovery Call Today To schedule a personalised 1-2-1 coaching session with Ceri or explore our group coaching options, simply email us at hello@cerihand.com This Podcast has been brought to you by Disruptive Media. https://disruptivemedia.co.uk/ | 1h 14m 45s | ||||||
| 3/26/26 | Why Do I Keep Building Empires When I Just Want to Make Art | Do you ever ask yourself, why do I keep inventing massive projects when all I really want to do is make my own art? Why do I keep building infrastructures for other people when what I actually crave is to be in the studio, in rehearsal, on a stage? And why, at the end of these enormous, impressive undertakings, do I feel quietly resentful? If this lands in your chest, stay with Ceri and learn how to avoid this trap KEY TAKEAWAYS Impressive collaborative projects can be draining. Yet they feel far safer than standing there with one vulnerable artwork and saying, “This is enough.” - Empire projects offer access, validation, funding, titles - a sense of being legit. When you're the organ grinder, the monkey, the organ and the music, something shifts. You stop making decisions based on creativity. You start making decisions consciously or unconsciously based on compliance. It’s not that big structures are bad - some people are meant to build institutions. If you are not one of them, ask - If there were no funders, partners, or applause, what would I still make and what would I stop building altogether? – then, create the pieces you really want to make. BEST MOMENTS “Maybe the next bold move is not another empire. Maybe it's a small, precise, unapologetic piece of work, one performance, one painting, one body of work, one show. No Empire required.” “If you grew up believing art alone couldn't sustain you, building an infrastructure can feel like the sensible compromise.” “Collaboration can be electric. Working with people at your level or beyond, can sharpen you, stretch you make you braver.” “There's a difference between building something because it genuinely expands you and building something because you're trying to fill a gap.” PODCAST HOST BIO With over 35 years in the art world, Ceri has worked closely with leading artists and arts professionals, managed public and private galleries and charities, and curated more than 250 exhibitions and events. She has sold artworks to major museums and private collectors and commissioned thousands of works across diverse media, from renowned artists such as John Akomfrah, Pipilotti Rist, Rafael Lozano-Hemmer and Vito Acconci. Now, she wants to share her extensive knowledge with you, so you can excel and achieve your goals. **** Ceri Hand Coaching Membership: Group coaching, live art surgeries, exclusive masterclasses, portfolio reviews, weekly challenges. Access our library of content and resource hub anytime and enjoy special discounts within a vibrant community of peers and professionals. Ready to transform your art career? Join today! https://cerihand.com/membership/ **** Unlock Your Artworld Network Self Study Course Our self-study video course, "Unlock Your Artworld Network," offers a straightforward 5-step framework to help you build valuable relationships effortlessly. Gain the tools and confidence you need to create new opportunities and thrive in the art world today. https://cerihand.com/courses/unlock_your_artworld_network/ **** Book a Discovery Call Today To schedule a personalised 1-2-1 coaching session with Ceri or explore our group coaching options, simply email us at hello@cerihand.com **** Discover Your Extraordinary Creativity Visit www.cerihand.com to learn how we can help you become an extraordinary creative. This Podcast has been brought to you by Disruptive Media. https://disruptivemedia.co.uk/ | 11m 16s | ||||||
| 3/23/26 | Living Inside the Fourth Wall: Space, Colour and Care with Eddie Peake | Before we begin, a gentle note: in this episode we speak about death, grief, psychosis and depression. If you’re feeling tender, you might want to pause and come back when the time feels right. It will be worth it. Today, I am joined by the extraordinary artist Eddie Peake. Eddie builds exhibitions the way some artists use paint. Space, for him, is a material. He constructs environments that place you inside the liminal fourth wall, that charged threshold between viewer and viewed, between participation and observation, between ecstasy and horror. In his shows, the audience becomes a protagonist. We talk about masculinity stretched to breaking point, about desire and shame, about the theatre of intimacy and the politics shaping our cultural moment. Eddie pushes back on what the art world calls authenticity, questioning whether expression itself has become a learned, conservative language dressed up as radical. In an age of populist politics and market-ready aesthetics, he asks what it really means to resist. If you’re an artist wrestling with identity, politics, envy, burnout, or the fear that your work is either too much or not enough, this conversation will resonate. I hope it moves you as much as it moved me. KEY TAKEAWAYS · The fourth wall isn’t just a boundary; it’s a live material. Treating space as something you can sculpt, like Eddie does, lets the viewer become a character inside the work, not a distant observer. · Fluorescent colour can carry psychic weight. What looks euphoric on the surface can also signal overload, instability, and states of mind that don’t sit neatly in polite language. BEST MOMENTS “This is your reminder that creative life is not linear. There are seasons of immersion and seasons of withdrawal” “I really believe it's important to take Our time and not to feel a sort of outside pressure to be moving at 7000 million miles per hour at all times.” RESOURCES https://www.instagram.com/eddie_peake HOST BIO With over 35 years in the art world, Ceri has worked closely with leading artists and arts professionals, managed public and private galleries and charities, and curated more than 250 exhibitions and events. She has sold artworks to major museums and private collectors and commissioned thousands of works across diverse media, from renowned artists such as John Akomfrah, Pipilotti Rist, Rafael Lozano-Hemmer and Vito Acconci. Now, she wants to share her extensive knowledge with you, so you can excel and achieve your goals. ** Ceri Hand Coaching Membership: Group coaching, live art surgeries, exclusive masterclasses, portfolio reviews, weekly challenges. Access our library of content and resource hub anytime and enjoy special discounts within a vibrant community of peers and professionals. Ready to transform your art career? Join today! https://cerihand.com/membership/ ** Unlock Your Artworld Network Self Study Course Our self-study video course, "Unlock Your Artworld Network," offers a straightforward 5-step framework to help you build valuable relationships effortlessly. Gain the tools and confidence you need to create new opportunities and thrive in the art world today. https://cerihand.com/courses/unlock_your_artworld_network/ ** Book a Discovery Call Today To schedule a personalised 1-2-1 coaching session with Ceri or explore our group coaching options, simply email us at hello@cerihand.com This Podcast has been brought to you by Disruptive Media. https://disruptivemedia.co.uk/ | 1h 59m 02s | ||||||
| 3/19/26 | When Your Brain Says, “I Don’t Know How” (It’s Lying) | When your brain says - I don’t know who would buy this, I don’t know where to find them. I don’t know how this would ever work, it is lying to you. What if “I don’t know how” isn’t a fact. What if its anxiety dressed up as logic. What if your brain is quietly converting uncertainty into impossibility. Once that story settles, you stop try. You don´t need to test formats. You don´t need to ask different questions. You don´t need to risk being wrong. If this sounds familiar, you are not alone. In this episode, I unpack why “I don’t know how” is rarely a business verdict and more often a nervous system response. If your practice feels “hard to sell,” this one’s for you. KEY TAKEAWAYS “I don´t know how” is not a verdict, it's a skill gap. There are countless things you once didn't know how to do, invoice, negotiate, install, work, apply for funding, price confidently. Your brain doesn't predict your competence. It predicts your danger. Anxiety confuses unfamiliar with unsafe. Turn “I don’t know how” into a research brief. Instead of spiralling, ask: What exactly do I not know? Is it pricing? Editioning? Finding aligned collectors? Be precise, then fill those gaps - Ceri shares exactly how. Accept that certainty is a fantasy. No artist has a guaranteed buyer before they begin. They build belief alongside action. BEST MOMENTS “When your brain says, I don't know, it's often trying to protect you from visibility, rejection, or financial disappointment. It's not offering a business forecast.” “Instead of asking, how might this translate for me? Your mind asks, how can I prove this does not apply to me? - That’s anxiety trying to maintain control.” “Study their CVs. Look at collections listed, public and private. Screenshot it. Create a folder called Proof. You are not allowed to catastrophise without data.” “Test one price point. Anxiety hates experiments because experiments create reality.” PODCAST HOST BIO With over 35 years in the art world, Ceri has worked closely with leading artists and arts professionals, managed public and private galleries and charities, and curated more than 250 exhibitions and events. She has sold artworks to major museums and private collectors and commissioned thousands of works across diverse media, from renowned artists such as John Akomfrah, Pipilotti Rist, Rafael Lozano-Hemmer and Vito Acconci. Now, she wants to share her extensive knowledge with you, so you can excel and achieve your goals. **** Ceri Hand Coaching Membership: Group coaching, live art surgeries, exclusive masterclasses, portfolio reviews, weekly challenges. Access our library of content and resource hub anytime and enjoy special discounts within a vibrant community of peers and professionals. Ready to transform your art career? Join today! https://cerihand.com/membership/ **** Unlock Your Artworld Network Self Study Course Our self-study video course, "Unlock Your Artworld Network," offers a straightforward 5-step framework to help you build valuable relationships effortlessly. Gain the tools and confidence you need to create new opportunities and thrive in the art world today. https://cerihand.com/courses/unlock_your_artworld_network/ **** Book a Discovery Call Today To schedule a personalised 1-2-1 coaching session with Ceri or explore our group coaching options, simply email us at hello@cerihand.com **** Discover Your Extraordinary Creativity Visit www.cerihand.com to learn how we can help you become an extraordinary creative. This Podcast has been brought to you by Disruptive Media. https://disruptivemedia.co.uk/ | 8m 43s | ||||||
| 3/16/26 | Building a Visual Language of Colour and Symbols with Sarah Boris | Today I’m in conversation with the extraordinary Sarah Boris, an artist who treats symbols like building blocks and colour like architecture. Her practice moves between sculpture, drawing, printmaking, painting, and bookmaking, yet everything she makes feels connected by a rigorous, playful logic. You migaht know her Fragile UK Flag, a reimagined Union Jack made from delicate tape and paper, exhibited at the Design Museum in London and now held in major public collections including the Stedelijk Museum in Amsterdam and the Bibliothèque Nationale de France A national emblem made vulnerable. A bold gesture made breakable. But this conversation is less about icons and more about expansion. We dive into her modular works, a vast body of over one hundred drawings that evolved into nesting sculptures, furniture modules, and her largest sculpture to date. We talk about scale not as ego, but as curiosity. And then there is Time for Peace, a conceptual clock that quietly marks the peace symbol four times a day. No grand spectacle. Just a subtle interruption in the rhythm of time. This episode is about systems and softness. About building something precise without losing play. About committing to a visual language so fully that it begins to grow its own architecture. KEY TAKEAWAYS Nothing is fixed. Elements can shift, nest, expand, contract. A drawing can become a sculpture. A book can become a building. A word can hold two languages at once. Let your smaller works teach you how to build bigger ones. Let your practice evolve in modules rather than leaps. If you’ve been sitting on an idea that feels too playful, too colourful, too structural, or too ambitious - test it, stack it, and see what it becomes. There is quiet power in artists championing one another. If someone can’t find you, they can’t commission you. If they can’t commission you, they can’t support your ideas. BEST MOMENTS “Being in a different place, with different light, different language, different constraints, can unlock entirely new bodies of work - a reminder that context is not a backdrop. It’s a collaborator.” “If I hadn't had the website, this beautiful story wouldn't have happened.” “She handles cultural signs with care, but she isn’t afraid to rework them.” “I was self-sabotaging in so many areas.” EPISODE RESOURCES https://sarahboris.com https://www.instagram.com/sarahboris_ldn PODCAST HOST BIO With over 35 years in the art world, Ceri has worked closely with leading artists and arts professionals, managed public and private galleries and charities, and curated more than 250 exhibitions and events. She has sold artworks to major museums and private collectors and commissioned thousands of works across diverse media, from renowned artists such as John Akomfrah, Pipilotti Rist, Rafael Lozano-Hemmer and Vito Acconci. Now, she wants to share her extensive knowledge with you, so you can excel and achieve your goals. **** Ceri Hand Coaching Membership: Group coaching, live art surgeries, exclusive masterclasses, portfolio reviews, weekly challenges. Access our library of content and resource hub anytime and enjoy special discounts within a vibrant community of peers and professionals. Ready to transform your art career? Join today! https://cerihand.com/membership/ **** Unlock Your Artworld Network Self Study Course Our self-study video course, "Unlock Your Artworld Network," offers a straightforward 5-step framework to help you build valuable relationships effortlessly. Gain the tools and confidence you need to create new opportunities and thrive in the art world today. https://cerihand.com/courses/unlock_your_artworld_network/ **** Book a Discovery Call Today To schedule a personalised 1-2-1 coaching session with Ceri or explore our group coaching options, simply email us at hello@cerihand.com **** Discover Your Extraordinary Creativity Visit www.cerihand.com to learn how we can help you become an extraordinary creative. | 1h 35m 26s | ||||||
| 3/12/26 | How Artist Websites Quietly Lead to Sales, Enquiries and Opportunities | If you’ve listened to the last couple of shorty episodes, you’ll know we’ve been talking about structure. What should be on your website. What can go. And how clarity does far more work than cleverness. So today, I want to talk about what often happens next. Once your website is clear, calm, and coherent, something interesting starts to happen. Sales begin to trickle in. Enquiries land in your inbox. Commissioners get in touch. Brands reach out. Often quietly, often weeks or months after someone first visited your site. Your website is always working in the background, even when you don´t think anything is happening. KEY TAKEAWAYS Curators, collectors, commissioners, art advisors. They don't always announce themselves when they're browsing, but they browse repeatedly, and your website is where momentum turns into confidence Most people don't land on your website necessarily ready to buy. They arrive curious. Your website's job at that moment is not to persuade it's to reduce friction, clear work, clear information, clear invitations enable people to find out more. When a public art commissioner lands on your site, they’re not just thinking “Is this interesting?”—they’re scanning for proof you can deliver at scale: images that show your work in the world, a handful of clearly documented projects, and obvious next steps to contact you. Available works pages often outperform full e commerce shops. They feel human. They feel conversational. They invite inquiry rather than demanding commitment. BEST MOMENTS “Your website is not just selling artwork, it's selling readiness, readiness to be commissioned, readiness to work at scale, readiness to collaborate with brands or institutions.” “If someone has to hunt for how to engage you, they often won't, not because they're not interested, but because friction kills intent.” “If you are open to collaborations, say so.” EPISODE RESOURCES 1st episode of the Artist´s website series - https://podcasts.apple.com/gb/podcast/why-artist-websites-still-matter-and-how-to-make/id1709105337?i=1000751657709 Lakwena episode - https://podcasts.apple.com/gb/podcast/in-between-worlds-lakwena-maciver-s-journey-through/id1709105337?i=1000739050767 Marianna Simnett episode - https://podcasts.apple.com/gb/podcast/embracing-the-unconventional-marianna-simnett-on/id1709105337?i=1000658388496 HOST BIO With over 35 years in the art world, Ceri has worked closely with leading artists and arts professionals, managed public and private galleries and charities, and curated more than 250 exhibitions and events. She has sold artworks to major museums and private collectors and commissioned thousands of works across diverse media, from renowned artists such as John Akomfrah, Pipilotti Rist, Rafael Lozano-Hemmer and Vito Acconci. Now, she wants to share her extensive knowledge with you, so you can excel and achieve your goals. **** Ceri Hand Coaching Membership: Group coaching, live art surgeries, exclusive masterclasses, portfolio reviews, weekly challenges. Access our library of content and resource hub anytime and enjoy special discounts within a vibrant community of peers and professionals. Ready to transform your art career? Join today! https://cerihand.com/membership/ **** Unlock Your Artworld Network Self Study Course Our self-study video course, "Unlock Your Artworld Network," offers a straightforward 5-step framework to help you build valuable relationships effortlessly. Gain the tools and confidence you need to create new opportunities and thrive in the art world today. https://cerihand.com/courses/unlock_your_artworld_network/ **** Book a Discovery Call Today To schedule a personalised 1-2-1 coaching session with Ceri or explore our group coaching options, simply email us at hello@cerihand.com **** Discover Your Extraordinary Creativity Visit www.cerihand.com to learn how we can help you become an extraordinary creative. | 13m 20s | ||||||
| 3/9/26 | Making Ambitious Work is Never Just About Ideas with Alexandra Daisy Ginsberg | In today’s episode of the Extraordinary Creatives podcast, I’m joined by the inspiring Alexandra Daisy Ginsberg, whose work sits at the intersection of art, ecology, and emerging technologies. Daisy’s work explores the politics, value systems, and assumptions that shape how humans relate to the natural world. Her projects range from algorithmically designed gardens created for pollinators, to resurrecting the smell of extinct flowers, and translating living systems into materials such as tapestry and bronze. In our conversation, Daisy shares how working closely with scientists and researchers has refined her relationship to failure. What might be a dead end in scientific research can become, for her, the starting point for an artwork that asks better questions. We dig into Pollinator Pathmaker, shaped by insect vision rather than human taste, and her new public sculpture commission, The Length of a Moment, where the invisible movement of moths becomes permanent form. This episode is an invitation to think differently about how we apply our creativity, who we learn from, and the kinds of worlds our work helps to shape. I am certain you’ll be inspired, so please let me know if anything touches you. KEY TAKEAWAYS Making ambitious work is never just about ideas. It’s about labour, time, care, and responsibility. About how teams are treated, how boundaries are held, and how ethics show up not as statements, but as daily decisions. When you approach a project as a collaborator who is willing to learn how an organization works, you create the psychological safety needed to pull off truly ambitious, experimental work. Hold the line on your professional boundaries. Clarity is kindness, it’s not about being "difficult" - it's being precise. BEST MOMENTS “The flower looks red to us, but a bee can’t see red. They can see ultraviolet. So suddenly you realise that the way we think the world looks isn’t how it looks at all.” “Her methodologies show us what becomes possible when artists invite in knowledge from academics, technologists, children, and global perspective.” EPISODE RESOURCES https://www.daisyginsberg.com https://www.instagram.com/daisyginsberg https://pollinator.art HOST BIO With over 35 years in the art world, Ceri has worked closely with leading artists and arts professionals, managed public and private galleries and charities, and curated more than 250 exhibitions and events. She has sold artworks to major museums and private collectors and commissioned thousands of works across diverse media, from renowned artists such as John Akomfrah, Pipilotti Rist, Rafael Lozano-Hemmer and Vito Acconci. Now, she wants to share her extensive knowledge with you, so you can excel and achieve your goals. ** Ceri Hand Coaching Membership: Group coaching, live art surgeries, exclusive masterclasses, portfolio reviews, weekly challenges. Access our library of content and resource hub anytime and enjoy special discounts within a vibrant community of peers and professionals. Ready to transform your art career? Join today! https://cerihand.com/membership/ ** Unlock Your Artworld Network Self Study Course Our self-study video course, "Unlock Your Artworld Network," offers a straightforward 5-step framework to help you build valuable relationships effortlessly. Gain the tools and confidence you need to create new opportunities and thrive in the art world today. https://cerihand.com/courses/unlock_your_artworld_network/ ** Book a Discovery Call Today To schedule a personalised 1-2-1 coaching session with Ceri or explore our group coaching options, simply email us at hello@cerihand.com ** Discover Your Extraordinary Creativity Visit www.cerihand.com to learn how we can help you become an extraordinary creative. This Podcast has been brought to you by Disruptive Media. https://disruptivemedia.co.uk/ | 1h 51m 07s | ||||||
| 3/5/26 | What Should Definitely Be on Your Artist Website | Today, Ceri moves to the next step of the artist website journey. Once you’ve selected the work and gathered the words, the question becomes: what should definitely be on the website? And just as importantly, what should not. Most artist websites don’t fail because they’re missing things; they fail because they’re overloaded with too many pages, projects, and text and no clear entry point. Your website is not a storage unit - it’s a guided experience. You are leading someone through your work, whether you realise it or not, and the clearer that journey is, the more confident your website feels. Listen in to learn how to create a structure that supports your practice rather than draining it. KEY TAKEAWAYS If your website feels overwhelming, remove before you add. Take anything off your site you wouldn’t actively send a curator to today, such as old projects you’ve outgrown or sections you feel you have to apologise for. Navigation is your backbone. If the menu is messy, everything else feels messy. Ceri shares a simple menu that works. Give people a "front door" to each body of work. Instead of an endless scroll, group your work by year, medium, or series to provide an entry point that lets the work do the persuading before the language does. Consider how movement affects attention . Moving sideways through work slows the encounter down and deepens the relationship, while vertical scrolling carries the muscle memory of "doom scrolling" so people absorb less. Use text as an invitation. Strangers don't want to wade through long paragraphs before seeing images. Keep text short, place it after the work, and use it to orient the viewer toward your thinking or materials. BEST MOMENTS "Volume doesn’t build trust. Structure builds trust." "Your website gets stronger every time you remove something that no longer represents you." "Home is the doorway. Work is where they fall in. About is where they trust you. Contact is where they act." “I worked with an artist who had hundreds of images with no grouping. They thought it made them look prolific. Instead, it made the viewer do all the work.” EPISODDE RESOURCES Episode 122 - https://podcasts.apple.com/us/podcast/should-you-start-a-newsletter-as-an-artist/id1709105337?i=1000717594617 https://claire-morgan.co.uk HOST BIO With over 35 years in the art world, Ceri has worked closely with leading artists and arts professionals, managed public and private galleries and charities, and curated more than 250 exhibitions and events. She has sold artworks to major museums and private collectors and commissioned thousands of works across diverse media, from renowned artists such as John Akomfrah, Pipilotti Rist, Rafael Lozano-Hemmer and Vito Acconci. Now, she wants to share her extensive knowledge with you, so you can excel and achieve your goals. ** Ceri Hand Coaching Membership: Group coaching, live art surgeries, exclusive masterclasses, portfolio reviews, weekly challenges. Access our library of content and resource hub anytime and enjoy special discounts within a vibrant community of peers and professionals. Ready to transform your art career? Join today! https://cerihand.com/membership/ ** Unlock Your Artworld Network Self Study Course Our self-study video course, "Unlock Your Artworld Network," offers a straightforward 5-step framework to help you build valuable relationships effortlessly. Gain the tools and confidence you need to create new opportunities and thrive in the art world today. https://cerihand.com/courses/unlock_your_artworld_network/ ** Book a Discovery Call Today To schedule a personalised 1-2-1 coaching session with Ceri or explore our group coaching options, simply email us at hello@cerihand.com ** Discover Your Extraordinary Creativity Visit www.cerihand.com to learn how we can help you become an extraordinary creative. This Podcast has been brought to you by Disruptive Media. https://disruptivemedia.co.uk/ | 16m 28s | ||||||
| 3/2/26 | Building a Creative Career That Doesn’t Burn You Out with Rob Lowe (aka Supermundane) | Today’s guest is Rob Lowe, also known as Supermundane, an artist, illustrator, writer, and public speaker whose work uses geometric shapes, colour, pattern, and words to create playful, philosophical, and deeply generous work. With a background in graphic design and over 30 years working across the creative world, Rob has moved fluidly between indie magazine design, publishing, murals, community-led projects, and major global commissions, including designing the influential magazines Anorak and Fire & Knives and creating the visual identity for the Champions League London Final. Whether he’s working at the scale of a print, a rug, a classroom, or city walls, his focus is the same: making work that feels rooted in shared human experience. He’s also the author of Lost Ordinary Magic, a book of “simple things in a complicated world,” which feels like a neat distillation of his wider practice. In this conversation, we talk about how to make accessible work without flattening it, how projects grow through trust rather than ego, and what it really takes to build a sustainable creative career that protects both your voice and your energy. KEY TAKEAWAYS Caring about the people, the context and the conditions of the work isn’t extra; it’s the strategy that makes the work deeper, more trusted, and more sustainable. Big commissions don’t require a different version of you. They require the same thinking, just at a different volume. Scale doesn’t have to mean compromise. You don’t have to contort yourself to be legible. You don’t have to overproduce to be relevant. You don’t have to disappear inside other people’s frameworks to make meaningful work. BEST MOMENTS “You can work at the scale of a kid with scissors and glue, and also the scale of a city, and still be doing the same work, just with different volume.” “I work hard, but I don't like stress … I work within what I'm good at, so I'm always working with my strengths, rather than trying to force myself to do something that I think I should be.” “There is obviously a recognisable style, but it's more about how I work and how I think and… I have a certain way of looking and seeing the world.” EPISODE RESOURCES www.supermundane.com www.instagram.com/supermundane PODCAST HOST BIO With over 35 years in the art world, Ceri has worked closely with leading artists and arts professionals, managed public and private galleries and charities, and curated more than 250 exhibitions and events. She has sold artworks to major museums and private collectors and commissioned thousands of works across diverse media, from renowned artists such as John Akomfrah, Pipilotti Rist, Rafael Lozano-Hemmer and Vito Acconci. Now, she wants to share her extensive knowledge with you, so you can excel and achieve your goals. **** Ceri Hand Coaching Membership: Group coaching, live art surgeries, exclusive masterclasses, portfolio reviews, weekly challenges. Access our library of content and resource hub anytime and enjoy special discounts within a vibrant community of peers and professionals. Ready to transform your art career? Join today! https://cerihand.com/membership/ **** Unlock Your Artworld Network Self Study Course Our self-study video course, "Unlock Your Artworld Network," offers a straightforward 5-step framework to help you build valuable relationships effortlessly. Gain the tools and confidence you need to create new opportunities and thrive in the art world today. https://cerihand.com/courses/unlock_your_artworld_network/ **** Book a Discovery Call Today To schedule a personalised 1-2-1 coaching session with Ceri or explore our group coaching options, simply email us at hello@cerihand.com **** Discover Your Extraordinary Creativity Visit www.cerihand.com to learn how we can help you become an extraordinary creative. This Podcast has been brought to you by Disruptive Media. https://disruptivemedia.co.uk/ | 1h 32m 57s | ||||||
| 2/26/26 | Why Artist Websites Still Matter and How to Make Yours Work Harder | Despite what we’re told, websites are not obsolete. Curators still look at them. Gallerists still look at them. Collectors still look at them. Commissioners still look at them. Quietly. Carefully. Often before they ever contact you. Your website is where people go when they’re deciding whether to take you seriously. Social media shows momentum. Websites show coherence. If your website feels overwhelming, messy, neglected, or like a project you keep putting off, that doesn’t mean you’re behind. It usually means you’ve skipped a step. Most artists jump straight to design. Templates. Platforms. Fonts. Colours. And they do it before they’ve made the harder, quieter decisions. What actually belongs on here? What am I ready to stand behind? What story am I telling now, not five years ago? So, today´s episode isn’t about redesigning your website. It’s about preparing for it. KEY TAKEAWAYS Artist websites still matter - curators, gallerists, commissioners, and collectors actually use them. Your website isn’t dead. It’s quietly doing its job when the right people are paying attention. Your website is not a performance space, but a catalogue of your strongest thinking. It is not an archive. This is a selection of your best work - If someone only ever saw this work, they should understand the kind of artist you are. I don't want anyone landing on your site and thinking, well, now what? So, decide before you design how people can connect with you. This episode is about deciding what needs to be included on your site. The next one is about shaping. BEST MOMENTS “Ask yourself something important - if someone only saw these pieces, would they understand what kind of artist I am?” “Have a portrait image of yourself, ideally in your studio or somewhere that feels human. Smiley helps, warm helps, approachable helps. People want to know who they're connecting with. They don't need mystery here.” “A blank contact page with just an email address or an Instagram handle doesn't feel welcoming. It feels like a closed door.” PODCAST HOST BIO With over 35 years in the art world, Ceri has worked closely with leading artists and arts professionals, managed public and private galleries and charities, and curated more than 250 exhibitions and events. She has sold artworks to major museums and private collectors and commissioned thousands of works across diverse media, from renowned artists such as John Akomfrah, Pipilotti Rist, Rafael Lozano-Hemmer and Vito Acconci. Now, she wants to share her extensive knowledge with you, so you can excel and achieve your goals. **** Ceri Hand Coaching Membership: Group coaching, live art surgeries, exclusive masterclasses, portfolio reviews, weekly challenges. Access our library of content and resource hub anytime and enjoy special discounts within a vibrant community of peers and professionals. Ready to transform your art career? Join today! https://cerihand.com/membership/ **** Unlock Your Artworld Network Self Study Course Our self-study video course, "Unlock Your Artworld Network," offers a straightforward 5-step framework to help you build valuable relationships effortlessly. Gain the tools and confidence you need to create new opportunities and thrive in the art world today. https://cerihand.com/courses/unlock_your_artworld_network/ **** Book a Discovery Call Today To schedule a personalised 1-2-1 coaching session with Ceri or explore our group coaching options, simply email us at hello@cerihand.com **** Discover Your Extraordinary Creativity Visit www.cerihand.com to learn how we can help you become an extraordinary creative. This Podcast has been brought to you by Disruptive Media. https://disruptivemedia.co.uk/ | 10m 43s | ||||||
| 2/23/26 | An Invitation to Work Relationally, Make Space For Complexity and Trust That Your Questions Matter with Filipa Ramos | What if artists aren’t here to fix the world, but to reveal what’s really going on inside it. In this episode of Extraordinary Creatives, I’m joined by Filipa Ramos, a curator, writer, and educator whose work reframes art not as commentary on ecology, but as an ecological practice in itself. Filipa is Artistic Director of LOOP Festival Barcelona, Lecturer at the Academy of Art and Design in Basel, and the author of The Artist as Ecologist, Contemporary Art, and the Environment. In this conversation, Filipa shares vivid examples of inspiring artists and artworks that help us think differently about our relationship with animals and nature. We talk about why artists are often better at raising problems than offering fixes. Why responsibility can immobilise creativity. How beauty, affect, and emotion still matter. And how working relationally, slowly, and collaboratively can be a powerful alternative to extractive, spectacle-driven models of success. This conversation is for artists who feel the weight of responsibility and expectation. For anyone worried their work isn’t doing enough - for those searching for ways to make art that is rigorous, ethical, and deeply alive. KEY TAKEAWAYS Art does not need to rush toward answers. Your work does not need to explain itself in a single sentence to be valid; it’s allowed to be complex, relational, and full of questions that unfold over time. Ecology isn’t a theme you illustrate; it’s a way of relating – letting the places you move through, and the animals and people you share them with, reshape what you notice and how you see it. The promise of big institutions can be hollow. Often, real agency comes through the platforms you build with others, not the ones that “choose” you. BEST MOMENTS “Artists are not here to provide solutions, but to complicate the story. To expose fragility. To create space for shared sensing, shared listening, shared not knowing.” “That’s why art is so important. It’s not trying to remediate. It’s not trying to provide a simple answer. It’s attempting to find alternatives.” “The most meaningful, long-lasting work often happens outside the biggest institutions, through collaboration, care, and time.” EPISODE RESOURCES https://www.instagram.com/filipaaaaaaaaaaa https://loop-barcelona.com https://www.fhnw.ch/de/personen/filipa-ramos PODCAST HOST BIO With over 35 years in the art world, Ceri has worked closely with leading artists and arts professionals, managed public and private galleries and charities, and curated more than 250 exhibitions and events. She has sold artworks to major museums and private collectors and commissioned thousands of works across diverse media, from renowned artists such as John Akomfrah, Pipilotti Rist, Rafael Lozano-Hemmer and Vito Acconci. Now, she wants to share her extensive knowledge with you, so you can excel and achieve your goals. ** Ceri Hand Coaching Membership: Group coaching, live art surgeries, exclusive masterclasses, portfolio reviews, weekly challenges. Access our library of content and resource hub anytime and enjoy special discounts within a vibrant community of peers and professionals. Ready to transform your art career? Join today! https://cerihand.com/membership/ ** Unlock Your Artworld Network Self Study Course Our self-study video course, "Unlock Your Artworld Network," offers a straightforward 5-step framework to help you build valuable relationships effortlessly. Gain the tools and confidence you need to create new opportunities and thrive in the art world today. https://cerihand.com/courses/unlock_your_artworld_network/ ** Book a Discovery Call Today To schedule a personalised 1-2-1 coaching session with Ceri or explore our group coaching options, simply email us at hello@cerihand.com ** Discover Your Extraordinary Creativity Visit www.cerihand.com to learn how we can help you become an extraordinary creative. This Podcast has been brought to you by Disruptive Media. https://disruptivemedia.co.uk/ | 1h 38m 43s | ||||||
| 2/19/26 | How to Get the Things You’re Avoiding Done | Today, Ceri talks to those of you who know exactly what they need to do but still can’t quite bring themselves to do it. Not because you don’t care. Not because you’re incapable. But because the task feels loaded. It might be an email you keep rewriting. A proposal you keep circling. A conversation you know you need to have. You stay busy. You prepare. You research. You tweak. And somehow the hardest thing never quite gets done. It’s a common experience for so many of the artists Ceri works with. So, you only need to listen in to find out how to get the things you´re avoiding done. KEY TAKEAWAYS We tend to think prioritising is a logical skill. Decide what matters most. Do that first - In real life, especially in creative work, prioritisation is emotional. When a task carries emotional weight, the brain treats it differently. When you avoid a task, it’s rarely about laziness - it’s your nervous system protecting you from something that feels risky. You don’t need more discipline; you need systems that fit your brain: visible time slots, clear steps, templates, and processes to follow. The fewer decisions you have to make, the better. Separating thinking from doing and working alongside others makes emotionally heavy tasks feel doable, not overwhelming. BEST MOMENTS “Difficulty prioritising isn't about knowing what matters. It's about regulation. Attention, emotion, and effort are linked.” “Make time visible. Short defined time blocks with a timer help counter the feeling that a task is endless. When time is visible, the brain can relax.” “Separate thinking from doing.” “Use a shared presence, working alongside someone else, even silently, helps many people stay anchored. This is often called body doubling.” PODCAST HOST BIO With over 35 years in the art world, Ceri has worked closely with leading artists and arts professionals, managed public and private galleries and charities, and curated more than 250 exhibitions and events. She has sold artworks to major museums and private collectors and commissioned thousands of works across diverse media, from renowned artists such as John Akomfrah, Pipilotti Rist, Rafael Lozano-Hemmer and Vito Acconci. Now, she wants to share her extensive knowledge with you, so you can excel and achieve your goals. **** Ceri Hand Coaching Membership: Group coaching, live art surgeries, exclusive masterclasses, portfolio reviews, weekly challenges. Access our library of content and resource hub anytime and enjoy special discounts within a vibrant community of peers and professionals. Ready to transform your art career? Join today! https://cerihand.com/membership/ **** Unlock Your Artworld Network Self Study Course Our self-study video course, "Unlock Your Artworld Network," offers a straightforward 5-step framework to help you build valuable relationships effortlessly. Gain the tools and confidence you need to create new opportunities and thrive in the art world today. https://cerihand.com/courses/unlock_your_artworld_network/ **** Book a Discovery Call Today To schedule a personalised 1-2-1 coaching session with Ceri or explore our group coaching options, simply email us at hello@cerihand.com **** Discover Your Extraordinary Creativity Visit www.cerihand.com to learn how we can help you become an extraordinary creative. This Podcast has been brought to you by Disruptive Media. https://disruptivemedia.co.uk/ | 9m 13s | ||||||
| 2/16/26 | Creative Longevity, Instinct and Building a Practice That Remains True with Francesca Gavin and Seana Gavin | Today’s episode brings together two extraordinary creatives whose work has helped shape contemporary culture through a shared commitment to curiosity, counterculture, and championing unique voices. Ceri is joined by sisters Francesca Gavin and Seana Gavin, each working across different mediums but united by a belief in following instinct and staying close to what feels urgent and alive. Francesca is one of the most influential figures shaping how contemporary art is written about and presented today. She is Director of Visual Arts at Murmur, Editor-in-Chief of EPOCH, and a regular contributor to publications including the Financial Times. Her curatorial work spans major international contexts, from co-curating Manifesta 11 in Zurich to exhibitions at institutions such as Somerset House and the Palais de Tokyo. She is the author of eleven books on art and visual culture and has hosted Rough Version on NTS Radio for the past nine years, exploring the intersections of art and music. Seana is a London-based artist working primarily in collage, creating dreamlike worlds from vintage photographic material where past and future collide. Her work has been exhibited internationally, from Somerset House and the Serralves Foundation to the Nobel Prize Museum in Stockholm, with solo shows in Paris and London. Alongside this, her work features in major publications, brand collaborations, and collections including Soho House worldwide. Her photography monograph Spiralled, published by IDEA Books, is now in its fourth edition. In this conversation, they talk about creative longevity, instinct, and how to build a practice that remains porous, rigorous, and true over time. KEY TAKEAWAYS Creative longevity isn’t about having a perfect plan. It’s about staying close to what you’re genuinely curious about, paying attention to what keeps returning in your life, and trusting those repetitions enough to follow them. Work becomes more resilient when different strands feed one another - writing into curating, music into thinking, collage into archives, archives back into books and shows. BEST MOMENTS “For me, personally, originality is that unique point of view or something fresh that they're saying - there's often a spirit in there that you can sense in the way something's been made.” ““It’s very intuitive. It’s almost like I’m going into a meditative state… I gather up lots of material that might fit in with that imaginary world… and then something starts to happen.” RESOURCES https://www.presentfuture.be https://www.francescagavin.com https://www.instagram.com/seanagavin https://murmur.earth HOST BIO With over 35 years in the art world, Ceri has worked closely with leading artists and arts professionals, managed public and private galleries and charities, and curated more than 250 exhibitions and events. She has sold artworks to major museums and private collectors and commissioned thousands of works across diverse media, from renowned artists such as John Akomfrah, Pipilotti Rist, Rafael Lozano-Hemmer and Vito Acconci. Now, she wants to share her extensive knowledge with you, so you can excel and achieve your goals. ** Ceri Hand Coaching Membership: Group coaching, live art surgeries, exclusive masterclasses, portfolio reviews, weekly challenges. Access our library of content and resource hub and enjoy special discounts within a vibrant community of peers and professionals - https://cerihand.com/membership/ ** Unlock Your Artworld Network Self Study Course Our self-study video course offers a straightforward 5-step framework to help you build valuable relationships effortlessly. Gain the tools and confidence you need to create new opportunities and thrive in the art world. https://cerihand.com/courses/unlock_your_artworld_network/ ** Book a Discovery Call Today To schedule a personalised 1-2-1 coaching session with Ceri or explore our group coaching options, simply email us at hello@cerihand.com | 1h 13m 49s | ||||||
| 2/12/26 | Selling From One-Off Events: Designing Afterlives for Ephemeral Work | There is something quietly brutal about making work that only exists for a day. You build it. You rehearse it. You hold your nerve. The room fills. The moment happens - And then everyone goes home. You are left standing in the afterglow asking a question most artists feel ashamed to ask. How does something this ephemeral actually support my life? Not just my reputation. Not just my sense of meaning. My ability to keep making work. Today, Ceri talks about how one-off events, performances, and live moments can generate income and momentum without turning your practice into merch, without exhausting your audience, and without betraying the integrity of the work. This is about designing afterlives. KEY TAKEAWAYS Artists can sell from one-off events without cheapening the work, overpromoting, or burning out. They can design afterlives for ephemeral work, where income, integrity, and longevity can sit side by side. Think about the entire life cycle of a one-off event and where sales can happen quietly, intelligently and with integrity before and during the event. - You're not selling the event; you're selling what the event activates. You only need a small, aligned audience, 10–30 people who genuinely understand and care about your work, combined with simple release windows after an event, to sustain an ephemeral practice. BEST MOMENTS “You don't want to flatten something complex into a product, but you also can't afford for every major piece of work to disappear without trace.” “Many artists miss a trick because they think selling only happens after the applause. It doesn't. Before the event, the work is already alive in other forms.” “If an event cannot produce anything that can be held, shared or lived with afterwards, institutions can't sustain it, and collectors can't support it.” EPISODE RESOURCES Ep 166 - https://podcasts.apple.com/gb/podcast/the-why-and-what-of-hosting-your-own-artist/id1709105337?i=1000741761586 Ep 167 - https://podcasts.apple.com/gb/podcast/planning-the-how-turning-intention-into-a/id1709105337?i=1000742246860 Ep 168 - https://podcasts.apple.com/gb/podcast/what-happens-after-turning-one-evening-into-long-term/id1709105337?i=1000742648123 PODCAST HOST BIO With over 35 years in the art world, Ceri has worked closely with leading artists and arts professionals, managed public and private galleries and charities, and curated more than 250 exhibitions and events. She has sold artworks to major museums and private collectors and commissioned thousands of works across diverse media, from renowned artists such as John Akomfrah, Pipilotti Rist, Rafael Lozano-Hemmer and Vito Acconci. Now, she wants to share her extensive knowledge with you, so you can excel and achieve your goals. **** Ceri Hand Coaching Membership: Group coaching, live art surgeries, exclusive masterclasses, portfolio reviews, weekly challenges. Access our library of content and resource hub anytime and enjoy special discounts within a vibrant community of peers and professionals. Ready to transform your art career? Join today! https://cerihand.com/membership/ **** Unlock Your Artworld Network Self Study Course Our self-study video course, "Unlock Your Artworld Network," offers a straightforward 5-step framework to help you build valuable relationships effortlessly. Gain the tools and confidence you need to create new opportunities and thrive in the art world today. https://cerihand.com/courses/unlock_your_artworld_network/ **** Book a Discovery Call Today To schedule a personalised 1-2-1 coaching session with Ceri or explore our group coaching options, simply email us at hello@cerihand.com **** Discover Your Extraordinary Creativity Visit www.cerihand.com to learn how we can help you become an extraordinary creative. This Podcast has been brought to you by Disruptive Media. https://disruptivemedia.co.uk/ | 14m 04s | ||||||
| 2/9/26 | What It Takes to Build an Art World Artists Can Survive and Thrive In with Marcel Baettig | Today, I am joined by Marcel Baettig, artist, cultural leader, and founder and CEO of Bow Arts, one of London’s most influential arts and education charities. Over three decades, Marcel has quietly built a values-led social enterprise that provides affordable studios and housing for artists, reaches tens of thousands of young people, and continually reinvests in local communities. This conversation isn’t just about scale or success. It´s about precarity, why artists need infrastructure as much as inspiration, and how Marcel’s own experience of working as an artist shaped Bow Arts. We explore leadership without ego, the long game of cultural change, and why we need to stop treating artists as an afterthought in regeneration. This episode is for anyone who’s ever felt the system is stacked against them - and wondered what it looks like to build a different one. KEY TAKEAWAYS We need to stop accepting scarcity as inevitable, to question who systems are really designed for - building a better art world is not a theoretical exercise. It’s a daily practice. Sustainable creative lives are built through shared responsibility and leaders who remember what it feels like to be at the kitchen table wondering how the rent will get paid and still choosing to make the work. If we want artists to survive, we must design practical, long-term infrastructure - affordable space, stable income pathways, and owned assets, not just offer prestige moments or short-term opportunities. BEST MOMENTS “Artists thrive when they are trusted, resourced, and rooted in their communities.” “Artists don’t just need opportunities. They need conditions. Time. Space. Stability and a sense their contribution to society is not decorative, but essential.” THE GUEST Marcel Baettig is the Founder and CEO of Bow Arts, a pioneering London charity providing affordable, sustainable spaces for artists to live and work while contributing to their local communities. Originally trained as an artist, he founded Bow Arts in 1994, and it now supports over 1,100 artists across London, runs a major learning programme that reaches tens of thousands of young people, and reinvests significant funds into local cultural life. He is also a founding director of the National Federation of Artist Studio Providers and has advised bodies including the Mayor of London, Arts Council England, and DCMS on creative workspace and cultural regeneration. https://www.linkedin.com/company/1639152 https://www.facebook.com/bowarts/?locale=en_GB https://bowarts.org/ HOST BIO With over 35 years in the art world, Ceri has worked closely with leading artists and arts professionals, managed public and private galleries and charities, and curated more than 250 exhibitions and events. She has sold artworks to major museums and private collectors and commissioned thousands of works across diverse media, from renowned artists such as John Akomfrah, Pipilotti Rist, Rafael Lozano-Hemmer and Vito Acconci. Now, she wants to share her extensive knowledge with you, so you can excel and achieve your goals. ** Ceri Hand Coaching Membership: Group coaching, live art surgeries, exclusive masterclasses, portfolio reviews, weekly challenges. Access our library of content and resource hub anytime and enjoy special discounts within a vibrant community of peers and professionals. Ready to transform your art career? Join today! https://cerihand.com/membership/ ** Unlock Your Artworld Network Self Study Course Our self-study video course, "Unlock Your Artworld Network," offers a straightforward 5-step framework to help you build valuable relationships effortlessly. Gain the tools and confidence you need to create new opportunities and thrive in the art world today. https://cerihand.com/courses/unlock_your_artworld_network/ ** Book a Discovery Call Today To schedule a personalised 1-2-1 coaching session with Ceri or explore our group coaching options, simply email us at hello@cerihand.com | 1h 21m 41s | ||||||
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