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Estimated from 2 chart positions in 2 markets.
By chart position
- 🇮🇳IN · TV & Film#1651K to 10K
- 🇬🇷GR · TV & Film#773K to 10K
- Per-Episode Audience
Est. listeners per new episode within ~30 days
1.2K to 6K🎙 Daily cadence·264 episodes·Last published 4d ago - Monthly Reach
Unique listeners across all episodes (30 days)
4K to 20K🇮🇳50%🇬🇷50% - Active Followers
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1.6K to 8K
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On the show
From 10 epsHosts
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Recent episodes
Archive Episode - Toy Story (1995) (with Lucy Fife Donaldson)
Jun 22, 2026
1h 05m 45s
Archive Episode - The Prince of Egypt (1998) (with Francesca Stavrakopoulou)
Jun 8, 2026
1h 16m 16s
Footnote #80 - Netflix
May 26, 2026
14m 05s
KPop Demon Hunters (2025)
May 18, 2026
1h 11m 15s
Footnote #79 - Orientalism
May 11, 2026
13m 16s
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| Date | Episode | Topics | Guests | Brands | Places | Keywords | Sponsor | Length | |
|---|---|---|---|---|---|---|---|---|---|
| 6/22/26 | ![]() Archive Episode - Toy Story (1995) (with Lucy Fife Donaldson) | For this second archive episode, Chris and Alex revisit Episode 138 of the podcast that gave listeners their first taste of Pixar’s Toy Story (1995-) franchise thanks to this look at the 1995 original. The discussion of Pixar’s debut feature featured as its special guest Lucy Fife Donaldson, who is now Professor of Film Studies at the University of St Andrews and whose work focuses on film and television style, audiovisual design and 'below-the-line' labour, performance and the body. Topics in this episode included a closer look at the textures, surfaces, and scuff marks of Toy Story and its peripheral detail rendered in pristine computer graphics; worldhood and the toys’ own journey through digital space; play and plasticity; and the stylistic potential of registers of miniaturisation and magnification. **Fantasy/Animation theme tune composed by Francisca Araujo** **As featured on Feedspot’s 25 Best London Education Podcasts** **As featured on MillionPodcast’s Best 10 UK Animation Podcasts and Best 60 Movie Podcasts in the UK** | 1h 05m 45s | ||||||
| 6/8/26 | ![]() Archive Episode - The Prince of Egypt (1998) (with Francesca Stavrakopoulou) | To celebrate the summer, Chris and Alex take another trawl through the Fantasy/Animation archive to pick out some of their favourite past instalments of the podcast. For this first archive episode for 2026, they turn to their discussion of The Prince of Egypt (Brenda Chapman, Steve Hickner & Simon Wells, 1998) that took place way back in March 2021 that featured the insights of biblical scholar and broadcaster Francesca Stavrakopoulou, who is Professor of Hebrew Bible and Ancient Religion at the University of Exeter. Listen again at their analysis of this 1998 cel-animated and CG epic that took in conversations about musicality, animated adaptations, star voices, spectacle, and myth-making, as well as the film’s contribution to the industrial standing of DreamWorks as a successful Hollywood studio, the politics of white-washing and colour-coding, and the stylistic mobilisation of Christian iconography. **Fantasy/Animation theme tune composed by Francisca Araujo** **As featured on Feedspot’s 25 Best London Education Podcasts** **As featured on MillionPodcast’s Best 10 UK Animation Podcasts and Best 60 Movie Podcasts in the UK** | 1h 16m 16s | ||||||
| 5/26/26 | ![]() Footnote #80 - Netflix | Building off the recent podcast on KPop Demon Hunters (Maggie Kang & Chris Appelhans, 2025), Footnote #80 examines Netflix as a popular digital platform via both the context (and illusion) of choice and the algorithmic processes that create, tailor, and appeal to our audiovisual desires, but equally Netflix’s contribution to the contemporary landscape of media production and consumption. Topics include Netflix as a gatekeeper that manages and shapes our access to ‘content’; the digital architecture of streaming platforms and how their optimised capabilities for providing highly personalised recommendations interpellates the user into its structures; the politics of ‘making’ taste and questions of authorship; default narratives of loss and gain that frame digital forms of innovation; Netflix Animation as an emerging production studio; and what the curated library of platform content tells us about industrial and cultural categorisation of fantasy and animation. **Fantasy/Animation theme tune composed by Francisca Araujo** **As featured on Feedspot’s 25 Best London Education Podcasts** **As featured on MillionPodcast’s Best 10 UK Animation Podcasts and Best 60 Movie Podcasts in the UK** | 14m 05s | ||||||
| 5/18/26 | ![]() KPop Demon Hunters (2025) | The final episode of the current series of the podcast addresses the phenomenon of KPop Demon Hunters (Maggie Kang & Chris Appelhans, 2025), the most watched original animated film of all time on Netflix whose global reach, critical and commercial success, and intensified fandom has positioned it as central to the contemporary ‘Korean Wave’ marked by the international visibility and popularity of cultural exports produced by South Korea. In this instalment, Chris and Alex discuss the diversity of aesthetic styles that defines KPop Demon Hunters and how its design fits into post-Spider-Verse computer-animated filmmaking; images of manufacture and performance, and how they contribute to a highly reflexive engagement with the industry and business of pop music; the emphasis placed on the labour of creativity at the expense of physicality; the politics of female friendship and big-screen shift towards the “girlfriend action flick”; how the narrative’s celebration of a Golden Honmoon illustrates the pleasures of communality, collaboration, and joy; and what the didacticism of KPop Demon Hunters has to say about the struggles in finding your voice and ultimately defeating your demons. **Fantasy/Animation theme tune composed by Francisca Araujo** **As featured on Feedspot’s 25 Best London Education Podcasts** **As featured on MillionPodcast’s Best 10 UK Animation Podcasts and Best 60 Movie Podcasts in the UK** | 1h 11m 15s | ||||||
| 5/11/26 | ![]() Footnote #79 - Orientalism | For Footnote #79, Chris and Alex engage the seminal work of Edward Said and his coining and development of Orientalism as a critical framework for mapping the acceptance of the presence of a distinction between East and West, and the terms under which such a geographical and, crucially, conceptual division has been understood. Topics include the emergence of an Orientalist rhetoric during the 1970s and its alignment with psychoanalysis; the West’s constructed image of the East as the manifestation of what Gerald Sim calls a “European unconscious” and its identity as a repressed, hidden, and mystical Other; the implications for an essentialist attitude towards the Middle East, Asia, North Africa powered by the decorative - rather than in-depth - view of Arab “customs” and traditions; the value of Orientalism to Film Studies and its histories of representation in defining the “foreign”; and the Orient as a “repository” for certain types of colonialist and post-colonialist fantasies. **Fantasy/Animation theme tune composed by Francisca Araujo** **As featured on Feedspot’s 25 Best London Education Podcasts** **As featured on MillionPodcast’s Best 10 UK Animation Podcasts and Best 60 Movie Podcasts in the UK** | 13m 16s | ||||||
| 5/4/26 | ![]() Kirikou and the Sorceress (1998) (with Lewis C. Seifert) | For Episode 173, Chris and Alex introduce the films of Michel Ocelot with this close look at the filmmaker’s successful animated adventure film - loosely based on a West African folktale - Kirikou and the Sorceress (Michel Ocelot, 1998). The discussion into the film’s articulation of magical realism, power, and struggle features special guest Lewis C. Seifert, who is Professor of French and Francophone Studies at Brown University. Lewis’ research interests encompass early Modern France, gender and sexuality studies, folk narratives, and the environmental humanities, and he is the author of Fairy Tales, Sexuality, and Gender in France, 1690-1715: Nostalgic Utopias (Cambridge University Press, 1996) and Manning the Margins: Masculinity and Writing in Seventeenth-Century France (University of Michigan Press, 2009). Listen as the trio reflect on hyperrealism, Ocelot’s expressive and experimental pictorial styles, and the structural influence of fables upon the narrative; registers of innocence and intelligence in the depiction of Kirikou; tensions between the individual and the disassociation of community, alongside the function of empathy and superstition within the status of magic; and the possible risks of reading Kirikou and the Sorceress through a predominantly orientalist and essentialist lens. **This episode was produced and edited by Menelik Thaim-Lee* **Fantasy/Animation theme tune composed by Francisca Araujo** **As featured on Feedspot’s 25 Best London Education Podcasts** **As featured on MillionPodcast’s Best 10 UK Animation Podcasts and Best 60 Movie Podcasts in the UK** | 1h 03m 43s | ||||||
| 4/27/26 | ![]() Footnote #78 - The Imagination | Footnote #78 of the podcast focuses on the imagination as Alex takes Chris through the world of generative cognition and the many philosophical reflections that discuss our mental forces, which in turn allow us to conjure ideas, thoughts, concepts, and images that do not exist in the material world. Topics include early film theory and the question of imagined depth; the ‘use’ of the imagination to imagine and the distinction between imagination as a way to escape or transcend the real vs. a productive way to interrogate the world; the force of the imagination as a tool of meaning making, and the power in daydreaming certain fanciful ideas; cinema as an imaginary medium and the longstanding coding of fantasy as a genre of the imagination; and the productive tension between indulging or curtailing imagination with regards to the assumed non-realist and non-rational logic of fantasy cinema. **Fantasy/Animation theme tune composed by Francisca Araujo** **As featured on Feedspot’s 25 Best London Education Podcasts** **As featured on MillionPodcast’s Best 10 UK Animation Podcasts and Best 60 Movie Podcasts in the UK** | 13m 27s | ||||||
| 4/20/26 | ![]() Helen Hill (with Karen Redrobe)✨ | Helen Hillanimation+5 | Karen Redrobe | Vanishing WomenUndead+12 | UK | Vanishing WomenUndead+2 | — | 1h 18m 08s | |
| 4/13/26 | ![]() Footnote #77 - Expanded Animation✨ | expanded animationperformance+9 | — | FeedspotMillionPodcast+2 | UK | multimediainteractive+3 | — | 12m 20s | |
| 4/6/26 | ![]() Immersive Experiences and The Sphere Las Vegas (with Tim Jones)✨ | immersive experienceslive concert performances+5 | Dr Tim Jones | the Las Vegas SphereSphere Las Vegas+10 | UK | Sphere Las VegasU2+4 | — | 1h 08m 58s | |
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| 3/30/26 | ![]() Footnote #76 - Performativity✨ | performativitylanguage+6 | — | FeedspotMillionPodcast+1 | UK | power of languagemeaning creation+3 | — | 16m 51s | |
| 3/23/26 | ![]() SuperTed (1982-1986) (with Elain Price)✨ | SuperTedanimation history+5 | Dr Elain Price | Swansea UniversityS4C+12 | UK | S4CMike Young+4 | — | 1h 14m 32s | |
| 3/16/26 | ![]() Footnote #75 - Identification✨ | identificationcharacters+6 | — | FeedspotMillionPodcast+2 | UK | recognitionemotion+5 | — | 14m 02s | |
| 3/9/26 | ![]() Leeds Animation Workshop (with Terry Wragg)✨ | Leeds Animation Workshopwomen's animation+5 | Terry Wragg | Leeds Animation WorkshopFantasy/Animation+9 | UK | Gives Us a SmileBridging the Gap+2 | — | 1h 12m 37s | |
| 3/2/26 | ![]() Footnote #74 - Deconstructivism✨ | deconstructivismJacques Derrida+7 | — | FeedspotMillionPodcast+3 | UK | philosophyanimation theory+2 | — | 14m 46s | |
| 2/23/26 | ![]() Space Ghost Coast to Coast (1994-2008) (with Jacqueline Ristola)✨ | Space Ghost Coast to Coastanimation+6 | Dr Jacqueline Ristola | S4E1the Department of Film and Television+14 | U.S.UK | Cartoon NetworkAdult Swim+3 | — | 1h 06m 20s | |
| 2/16/26 | ![]() Footnote #73 - Rotoscoping✨ | animationrotoscoping+5 | — | Rotoshopthe Fleischer Studios+8 | UK | Fleischer StudiosOut of the Inkwell+5 | — | 12m 20s | |
| 2/9/26 | ![]() AI and Animation (with Mihaela Mihailova) | The creative - and highly controversial - relationship between animation and artificial intelligence provides the focus of Episode 167 of the Fantasy/Animation podcast, which features as its special guest Dr Mihaela Mihailova, an Assistant Professor in the School of Cinema at San Francisco State University. Mihaela is the editor of Coraline: A Closer Look at Studio LAIKA’s Stop-Motion Witchcraft (Bloomsbury, 2021), whose work has also appeared in the Journal of Cinema and Media Studies, The Velvet Light Trap, Journal of Japanese and Korean Cinema, Convergence: The International Journal of Research into New Media Technologies, Feminist Media Studies, animation: an interdisciplinary journal, Studies in Russian and Soviet Cinema, and [in]Transition. She has contributed to Animating Film Theory (with John MacKay), The Oxford Handbook of the Disney Musical, Animated Landscapes: History, Form, and Function, The Animation Studies Reader, and Drawn from Life: Issues and Themes in Animated Documentary Cinema, and was editor of the recent “AI and the Moving Image” dossier published in the Journal of Cinema and Media Studies. She is currently co-editor of Animation Studies and serves as co-President of the Society for Animation Studies. Listen as Mihaela introduces Chris and Alex to the AI-generated short films Generation (2022), PLSTC (2022), Bruegel the Younger (2022), and Dissolution (2023) as a backdrop to thinking about the trajectory of machine learning in relation to animated imagery and creative practice; the aesthetics and implications for labour prompted by AI as both an assistive and generative tool; the discourses of technophilia and technophobia that surround contemporary synthetic media; and what impact the ‘open secret’ of AI might have within the animation industry beyond some of its current applications. **Fantasy/Animation theme tune composed by Francisca Araujo** **As featured on Feedspot’s 25 Best London Education Podcasts** **As featured on MillionPodcast’s Best 10 UK Animation Podcasts and Best 60 Movie Podcasts in the UK** | 1h 10m 30s | ||||||
| 2/2/26 | ![]() Footnote #72 - The Hero's Journey | Building on their recent podcast episode on Kung Fu Panda (John Stevenson & Mark Osborne, 2008) with screenwriter John Yorke, Alex takes Chris through the mechanics and mysteries involved in the hero’s journey, Joseph Campbell’s famous structure and patterning of narrative, to discuss how such storytelling archetypes link to Jungian approaches towards the process of character individuation. Topics include the big-screen reworkings of the hero’s journey and its industry function as a screenwriting template; theorisations of form and formalist frameworks for understanding narrative organisation; Campbell’s interests in the traces of our unconscious mind as found in collective archetypes that surround culture; and the way that the formula for heroic action and its calls to adventure can and do work within the creative spaces of fantasy. **Fantasy/Animation theme tune composed by Francisca Araujo** **As featured on Feedspot’s 25 Best London Education Podcasts** **As featured on MillionPodcast’s Best 10 UK Animation Podcasts and Best 60 Movie Podcasts in the UK** | 15m 40s | ||||||
| 1/26/26 | ![]() Kung Fu Panda (2008) (with John Yorke) | Episode 166 of the Fantasy/Animation podcast high kicks its way into the world of DreamWorks’ successful Kung Fu Panda franchise (2008-) with this look at the series’ first big-screen instalment, Kung Fu Panda (John Stevenson & Mark Osborne, 2008), with very special guest John Yorke. John is a television producer, screenwriter, editor, and author, who was Head of Channel 4 Drama (2003–2005), controller of BBC drama production (2006–2012) where he founded the BBC Writers Academy, and more recently managing director of Company Pictures (2013–2015). He is now teaching screenwriting via his own company, John Yorke Story, and is the author of Into the Woods: How Stories Work and Why We Tell Them (Penguin, 2014) and Trip to the Moon: Understanding the True Power of Story (Penguin, 2026). Topics include the tension between showing and telling that underpins the character development of Kung Fu Panda’s protagonist Po (Jack Black); story as central to the film’s effectiveness as a martial arts animated comedy and the spectacle of the animated body in physicalising certain narrative beats; storytelling within a commercial animation context and how the medium’s narrative strategies are enabled by animation as an industrial art form; and how Kung Fu Panda functions as a popular fantasy film merging Chinese with American cultural concerns yet remains indebted to longstanding folkloric structures of narrative. This podcast is sponsored by the project “UK-China Animation: Co-Creating Research and Knowledge Exchange,” led by the University of Nottingham and funded by the British Council through an award from its Going Global Partnerships programme, which builds stronger, more inclusive, internationally connected higher education and Technical and Vocational Education and Training systems (TVET). **Fantasy/Animation theme tune composed by Francisca Araujo** **As featured on Feedspot’s 25 Best London Education Podcasts** **As featured on MillionPodcast’s Best 10 UK Animation Podcasts and Best 60 Movie Podcasts in the UK** | 1h 04m 44s | ||||||
| 1/19/26 | ![]() Footnote #71 - Synthespians | Listen as the brand new Fantasy/Animation Footnote tackles the complexities and contradictions of digital performance and cyber stardom via this discussion of synthespians, a term very much anchored to early-2000s concerns around the future of acting, agency, and authenticity whose popularisation was largely prompted by the rise of motion capture and other forms of computerised intervention. In this latest instalment, Chris takes Alex through the origins of (and key discourses surrounding) the cyberstar and the broader entertainment industry’s increased turn towards the creative possibilities of the “synthetic thespian”; how scholars have grappled with the divergent forms of labour and performance styles engendered by CG avatars, proxies, and digital doppelgängers; the role of celebrities in mediating shifts between old and new media, including the stakes of newer star-centred forms of digital replication; and the growing anxieties surfacing in late-2025 regarding the arrival of synthespian ‘Tilly Norwood’ and what artificial intelligence and machine learning might now mean for the next phase in digital cyberstardom. **Fantasy/Animation theme tune composed by Francisca Araujo** **As featured on Feedspot’s 25 Best London Education Podcasts** **As featured on MillionPodcast’s Best 10 UK Animation Podcasts and Best 60 Movie Podcasts in the UK** | 14m 50s | ||||||
| 1/12/26 | ![]() Wicked: For Good (2025) | Just as it did to kick off 2025, the Fantasy/Animation podcast returns once again following the festive break to celebrate the New Year with another visit to Oz, with Chris and Alex reflecting on movie musical Wicked: For Good (John M. Chu, 2025) that as with the first instalment released in 2024 discussed a year ago adapts Stephen Schwartz’s successful 2003 theatre production. Topics for this first episode of 2026 include Wicked: For Good’s heightened reflexivity around performance, deception, and the power of illusions that take place in front of and behind the curtain; Elphaba’s political radicalism vs. the pragmatism of Glinda; necropolitical action and the film’s targeting of who gets to live and who must die; ‘wickedness’ and the emptiness (and reclaiming) of language; and where Wicked: For Good succeeds - and ultimately fails - as it seeks to find its own narrative in the intriguing ellipses of the Oz lore. **Fantasy/Animation theme tune composed by Francisca Araujo** **As featured on Feedspot’s 25 Best London Education Podcasts** | 1h 16m 54s | ||||||
| 12/15/25 | ![]() The Polar Express (2004) | The Fantasy/Animation Christmas special pulls into the proverbial station with this look at The Polar Express (Robert Zemeckis, 2004), a computer-animated adaptation of the 1985 children’s book by Chris Van Allsburg and a film noted for its pioneering - if at times highly uncanny - application of motion capture technology as it portrays the magic of Christmas Eve through a young boy as he journeys to the North Pole. Topics for Chris and Alex in this episode include the state of computer graphics in the early-2000s and the emergence of the cyberstar; motion capture performance and the mechanics of virtual stardom; simulation, belief, time, and the digital long-take; strategies of narration and metaleptic transgressions between the world of the telling and the world of the told; fantasy and agency embodied through Tom Hanks as he inhabits multiple roles on- and off-screen; and how The Polar Express offers audiences a festive spectacular defined by the same shifting registers of fantasy that have shaped screen representations of Christmas and the magic of what it means to believe. Happy holidays! **Fantasy/Animation theme tune composed by Francisca Araujo** **As featured on Feedspot’s 25 Best London Education Podcasts** | 1h 06m 10s | ||||||
| 12/8/25 | ![]() Footnote #70 - Pantomime | Sound, performance, and the body come together in this Footnote episode discussing pantomime as an entertainment spectacle, as Chris and Alex seek to map the possible connections between pantomime as a popular theatrical tradition emerging in the 17th century and both animation’s own technologies and representations and legacies of fantasy. Topics include classical antiquity, gesture, and choric dramas; European precursors like commedia dell’arte and féerie stories; the invested interest by early animation scholarship in the medium’s multiple genealogies and the role of pantomime in defining animated points of origin; and how the self-reflexive staging and gestures of pantomime came to influence the different visual and comedy stylings of cartoon storytelling. **Fantasy/Animation theme tune composed by Francisca Araujo** **As featured on Feedspot’s 25 Best London Education Podcasts** | 12m 23s | ||||||
| 12/1/25 | ![]() Babes in Toyland (1934) (with Rob King) | Chris and Alex make their first foray into the world of Laurel and Hardy with this reflection on Babes in Toyland (Gus Meins and Charles Rogers, 1934), a film based loosely on the Mother Goose fairytale albeit with a few other nursery rhyme characters thrown in for good measure, all supported by the iconicity of Laurel and Hardy and the duo’s particular brand of slapstick comedy. Joining them to separate their Tom-Tom Piper from their Bo Peep is Rob King, Professor of Film at Columbia University and a film historian who has written wildly on American genre cinema, popular culture, and cultural history with a particular emphasis on silent-era stardom and comedy. Topics for Episode 163 include Laurel and Hardy’s starring role in smoothing out the transition from silent to sound cinema, and the early twentieth-century industrial importance of the slapstick genre; the sound of fantasy and the demise of the comedy short in Hollywood; the immersive worlds of childhood and the enchantment of drawings; toys, toyness, and child’s play; and what Babes in Toyland has to say about the emergence of consumer culture through its pointed citation of Mickey Mouse. **Fantasy/Animation theme tune composed by Francisca Araujo** **As featured on Feedspot’s 25 Best London Education Podcasts** | 1h 13m 23s | ||||||
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Chart Positions
2 placements across 2 markets.
Chart Positions
2 placements across 2 markets.
