Folger Shakespeare Library: Shakespeare Unlimited
Home to the world's largest collection of Shakespeare materials. Advancing knowledge and the arts. Discover it all at www.folger.edu. Shakespeare turns up in the most interesting places—not just literature and the stage,...
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On the show
- Daniel Hahn1 ep
- Blaine Swen1 ep
- Ross Bryant1 ep
Also: Adjoa Andoh, David Womersley, Rosie Dias, Michael Dobson, Whitney White, Rob Eastaway, Barbara Fuchs, Kate Loveman, Sam Bilton, Katherine Gillen, Kathryn Vomero Santos, Andrew Siañez-De La O, Len Niehoff, Antoni Cimolino, Caroline Bicks, Charles O'Malley, Scott W. Stern
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Total monthly reach
Based on 1 signal.
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By chart position
- 🇦🇺Australia · Arts#155235 to 1.2K
- 🇵🇱PL · Arts#19535 to 184
- 🇦🇷AR · Arts#19535 to 184
- Per-Episode Audience
Est. listeners per new episode within ~30 days
305 to 1.6K🎙 Biweekly cadence·307 episodes·Last published 2w ago - Monthly Reach
Unique listeners across all episodes (30 days)
435 to 2.3K🇺🇸71%🇦🇺22%🇵🇱3%+1 more - Active Followers
Loyal subscribers who consistently listen
174 to 920
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* Data sourced directly from platform APIs and aggregated hourly across all major podcast directories.
| Date | Episode | Topics | Guests | Brands | Places | Keywords | Sponsor | Length | |
|---|---|---|---|---|---|---|---|---|---|
| 10/6/26 | Brian Cox and Nicole Ansari-Cox | Long before his iconic portrayal of Logan Roy in Succession, Brian Cox trod the boards as a Shakespearean actor. For over 50 years, Cox has made his mark on both stage and screen, collecting Olivier Awards, a Primetime Emmy, a Golden Globe, and countless other accolades. He’s best known for roles in Super Troopers, The Bourne Identity, Braveheart, Rushmore, and, of course, Succession, but he’s also played Orlando in As You Like It, Petruchio in The Taming of the Shrew, Titus in Titus Andronicus, and the title role in King Lear at age 44. Cox is currently in Washington, DC to portray Johann Sebastian Bach in the Shakespeare Theatre Company’s production of The Score. His real-life wife, Nicole Ansari-Cox, plays the powerhouse role of Anna Magdalena Bach. An internationally acclaimed actor who began her career in Germany, Ansari-Cox has acted on Broadway, the West End, the Public Theatre Vienna, and the Thèâtre du Soleil in Paris as well as on film and television. In this episode, they discuss portraying the Bachs, revisiting Lear, finding the “flow” of a scene, and why Logan Roy is “one of the most misunderstood characters in drama.” From the Shakespeare Unlimited podcast. Published October 6, 2026. © Folger Shakespeare Library. All rights reserved. This episode was produced by Matt Frassica. Garland Scott is the executive producer. It was edited by Gail Kern Paster. Technical support was provided by Voice Trax West in Studio City, California. Web production was handled by Megan Fraedrich. Transcripts are edited by Leonor Fernandez. Final mixing services provided by Clean Cuts at Three Seas, Inc. | 35m 18s | ||||||
| 9/22/26 | The Complete Life of William Shakespeare, with Paul Menzer | How do you write a “complete” life of Shakespeare when very little complete information about his life exists? Four centuries after Shakespeare’s death, the legends that have grown up around him have taken on a cultural significance of their own. As Inaugural Folger Chair in Shakespeare Studies Paul Menzer puts it, “the verifiable facts of his life would fit on the back of a postcard. But the stories that we have told about them would fill a dozen phone books.” Menzer’s book, The Complete Life of William Shakespeare, dives into the life story of one of history’s most editorialized yet most enigmatic figures, navigating the space between fact and fancy. Did Shakespeare embark on a lone hero’s journey, or was his move to London more of a family road trip? Could such a great poet have also been a shrewd businessman? And why aren’t there more Shakespeares out there? In this episode, Menzer lays out the known facts of the Bard’s biography and posits how we might connect the dots on what’s missing—while throwing some “wobbles into the orbit” of well-trenched folk wisdom. From the Shakespeare Unlimited podcast. Published September 22, 2026. © Folger Shakespeare Library. All rights reserved. This episode was produced by Matt Frassica. Garland Scott is the executive producer. It was edited by Gail Kern Paster. Technical support was provided by Voice Trax West in Studio City, California. Web production was handled by Megan Fraedrich. Transcripts are edited by Leonor Fernandez. Final mixing services provided by Clean Cuts at Three Seas, Inc. | 35m 23s | ||||||
| 9/8/26 | ShakespeareLatinx experience+4 | Katherine GillenKathryn Vomero Santos+1 | Folger Shakespeare LibraryRomeo and Juliet+2 | Santa FeHouston | Shakespeareborderlands+7 | — | 33m 01s | ||
| 8/25/26 | Shakespeare and the lawlegal implications in literature+4 | Len Niehoff | University of MichiganFolger Shakespeare Library+1 | MichiganStudio City, California | Shakespearelaw+7 | — | 36m 56s | ||
| 8/11/26 | TheaterRetirement+3 | Antoni Cimolino | Stratford FestivalThis Above All+1 | CanadaNorth America | Antoni CimolinoStratford Festival+5 | — | 33m 42s | ||
| 7/28/26 | ShakespeareStephen King+4 | Caroline Bicks | Folger Shakespeare LibraryKing Lear+2 | — | ShakespeareStephen King+5 | — | 37m 34s | ||
| 7/14/26 | ShakespeareMargaret of Anjou+4 | Charles O'MalleyScott W. Stern | Folger Shakespeare LibraryHenry VI Parts 1+3 | — | Margaret of AnjouShakespeare+6 | — | 35m 27s | ||
| 6/30/26 | Shakespearescholarship+4 | Sean Keilen | University of California, Santa CruzFolger Shakespeare Library+3 | — | Shakespearescholarship+4 | — | 35m 40s | ||
| 6/16/26 | James Ihistorical relationships+4 | Gareth Russell | Folger Shakespeare LibraryVoice Trax West+1 | — | James IGareth Russell+5 | — | 40m 33s | ||
| 6/2/26 | Red ScareShakespeare+4 | Marjorie Garber | Federal Theatre ProjectA Treacherous Secret Agent: How Literature Spoke Truth to Power During the Red Scare | — | ShakespeareRed Scare+6 | — | 32m 51s | ||
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| 5/19/26 | Shakespearetheater+4 | Jacob Ming-Trent | Folger Shakespeare LibraryHow Shakespeare Saved My Life+7 | — | Shakespeareacting+5 | — | 31m 31s | ||
| 5/5/26 | Shakespeare's legacywomen's contributions+3 | Christine HainsworthJonathan Hainsworth | Shakespeare Ladies ClubWestminster Abbey+3 | — | ShakespeareLadies Club+5 | — | 27m 53s | ||
| 4/21/26 | translationShakespeare+2 | Daniel Hahn | If This Be Magic: The Unlikely Art of Shakespeare in TranslationThe Translator's Art and Shakespeare | — | metermetaphor+2 | — | 33m 40s | ||
| 4/7/26 | improvisationShakespeare+2 | Blaine SwenRoss Bryant | The Improvised Shakespeare CompanyShakespeare Unlimited+33 | Chicagothe United States+6 | improvised theateraudience participation+1 | — | 39m 02s | ||
| 3/23/26 | Shakespearetheater+3 | Adjoa Andoh | Apple PodcastsYouTube Music+12 | UKEngland+3 | Richard IIBrexit+2 | — | 37m 45s | ||
| 3/10/26 | Shakespearephilosophy+3 | David Womersley | OxfordThinking Through Shakespeare+1 | — | tragedyOthello+3 | — | 34m 10s | ||
| 2/24/26 | Boydell Shakespeare Gallerypublic art galleries+3 | Rosie DiasMichael Dobson | The Boydell Shakespeare Gallerythe University of Warwick+7 | LondonGreat Malvern+2 | John Boydellart history+2 | — | 36m 00s | ||
| 2/10/26 | theaterShakespeare+3 | Whitney White | All Is But FantasyJaja’s African Hair Braiding+45 | StratfordEngland+2 | Lady MacbethEmilia+3 | — | 34m 51s | ||
| 1/27/26 | Shakespearemathematics+3 | Rob Eastaway | Much Ado About Numbers: Shakespeare’s Mathematical Life and TimesOthello+3 | England | Much Ado About NumbersIndo-Arabic numerals+3 | — | 34m 36s | ||
| 1/13/26 | Spanish Golden Agetheater+4 | Barbara Fuchs | Fuente OvejunaShakespeare Unlimited+20 | SpainEngland+7 | dramaplaywrights+3 | — | 31m 21s | ||
| 12/29/25 | Samuel Pepysdiary+3 | Kate Loveman | The Strange History of Samuel Pepys’s DiaryShakespeare Unlimited+9 | EnglandStirling+3 | historical recordsordinary life+2 | — | 36m 51s | ||
| 12/16/25 | Elizabethan cookingShakespeare+2 | Sam Bilton | Much Ado About CookingShakespeare Unlimited+6 | EnglandStirling+3 | global tradehumoral medicine+2 | — | 34m 37s | ||
| 12/2/25 | Hamnet, with Chloe Zhao and Maggie O'Farrell | Hamnet, the acclaimed novel by Maggie O’Farrell, is now a major film. The story imagines the life and death of Shakespeare’s son, Hamnet, whose loss would later echo through one of his most famous tragedies, Hamlet. O’Farrell joins director and co-writer Chloé Zhao to reveal how they adapted the novel for the big screen. With Jessie Buckley as Agnes and Paul Mescal as William, the film reframes the Shakespeare family story as one of deep love, rupturing grief, and artistic creation. O’Farrell and Zhao discuss developing the screenplay together, interpreting Shakespeare as a husband and father, building the film’s immersive natural world, and shaping an unforgettable Globe Theatre sequence that anchors the emotional arc of the story. O’Farrell and Zhao talk about adaptation, artistry, and how a 400-year-old loss continues to inspire new ways of imagining Shakespeare’s life and legacy. From the Shakespeare Unlimited podcast. Published December 2, 2025. © Folger Shakespeare Library. All rights reserved. This episode was produced by Matt Frassica. Garland Scott is the executive producer. It was edited by Gail Kern Paster. We had help with web production from Paola García Acuña. Leonor Fernandez edits our transcripts. We had technical help from Hamish Brown in Stirling, Scotland, and Voice Trax West in Studio City, California. Final mixing services provided by Clean Cuts at Three Seas, Inc. | 36m 23s | ||||||
| 11/17/25 | London's First Playhouse and Shakespeare | Before Shakespeare became a literary icon, he was a working writer trying to earn a living in an emerging and often precarious new industry. In The Dream Factory: London’s First Playhouse and the Making of William Shakespeare, Daniel Swift explores the dream of making money from creating art, a dream shared by James Burbage, who built The Theatre, the first purpose-built commercial playhouse in London, and a young Shakespeare. Nobody had ever really done that before, with playwrights at the time notoriously poor. Swift shows that Shakespeare’s creativity unfolded in a rapidly changing London where commercial theater was just beginning to take shape. The Theatre offered Shakespeare the stability, a close team of actors and cowriters, and the professional home that he needed to develop his craft. Swift reveals a playwright who was learning on the job and becoming the Shakespeare we know today. From the Shakespeare Unlimited podcast. Published November 18, 2025. © Folger Shakespeare Library. All rights reserved. This episode was produced by Matt Frassica. Garland Scott is the executive producer. It was edited by Gail Kern Paster. We had help with web production from Paola García Acuña. Leonor Fernandez edits our transcripts. We had technical help from Hamish Brown in Stirling, Scotland, and Voice Trax West in Studio City, California. Final mixing services are provided by Clean Cuts at Three Seas, Inc. Daniel Swift is an associate professor of English at Northeastern University, London. He is the author of books on Ezra Pound, William Shakespeare, and the poetry of the Second World War, and editor of John Berryman’s The Heart Is Strange: New Selected Poems. His essays and reviews have appeared in the New York Times, New Statesman, and Harper’s. | 36m 07s | ||||||
| 11/3/25 | Mary, Queen of Scots, with Jade Scott | Imprisoned for nearly 20 years by her cousin Queen Elizabeth I, Mary, Queen of Scots, fought her battles through words, sending and receiving coded letters hidden in books, garments, and even beer barrels. Historian Jade Scott, of the University of Glasgow, Scotland, has uncovered the human and political depths behind Mary’s captivity through 57 recently decrypted letters, coded missives that reveal her as a strategist, an adept diplomat, and a woman navigating the perilous politics of Elizabethan England. In her new book, Captive Queen: The Decrypted History of Mary, Queen of Scots, Scott draws on these newly decoded letters to illuminate Mary’s time in captivity, her alliances and betrayals, and the intricate game of espionage that ultimately led to her execution. From the Shakespeare Unlimited podcast. Published November 4, 2025. © Folger Shakespeare Library. All rights reserved. This episode was produced by Matt Frassica. Garland Scott is the executive producer. It was edited by Gail Kern Paster. We had help with web production from Paola García Acuña. Leonor Fernandez edits our transcripts. Final mixing services are provided by Clean Cuts at Three Seas, Inc. Jade Scott, PhD, is a historian specializing in Mary, Queen of Scots and is an expert on her letters. She is a lecturer in historical linguistics at the University of Glasgow and an associate fellow of the Royal Historical Society, researching early modern Scottish women and their correspondence. Fascinated by Mary since she was a child, Jade was contacted by the DECRYPT Project to consult on the translations of Mary’s newly-decoded letters, which led to the writing of Captive Queen. Jade lives in Glasgow. | 36m 11s | ||||||
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