Folklife Today

This episode of Folklife Today explores an important collection of Gullah Geechee sound recordings in the archives of the American Folklife Center. The collection features over four hours of Gullah Geechee people singing sacred music, preaching to congregations, and giving testimonies in 1955 and 1956. Courtney Siceloff, then-director of Penn Community Services, recorded this collection at community centers and churches across St. Helena Island, South Carolina. Dr. Eric Crawford, Interim Chair of the Music Department at Claflin University and the author of Gullah Spirituals: The Sound of Freedom and Protest in the South Carolina Sea Islands (University of South Carolina Press), joins this episode to contextualize these recordings and to inform listeners about the people who made them.

In the second episode of the Folklife Today subseries focusing on Community Collections Grantees, AFC Folklife Specialists Nancy Groce and Meg Nicholas interview Neil Mellon, the Executive Director of the Habele Outer Island Education Fund and CCG project team leader Modesta Yangmog about their CCG project, “Warp and Weft of Yap’s Outer Islands: Backstrap Weaving in Micronesia.” The project documents the unique weaving traditions of 20 master lavalava weavers, and the cloth’s essential role in the region’s cultural traditions and community relations.

This episode features singer-songwriter Thea Hopkins, a member of the Aquinnah Wampanoag Tribe of Martha’s Vineyard, in discussion with staff members of the American Folklife Center. Hopkins adapted songs from the American Folklife Center archive several times. On the first occasion she sang a lullaby recorded by ethnomusicologist Willard Rhodes from a young girl named Margaret at the Haskell Residential School in 1943; the song is known as “Margaret’s Song” or “Creek Lullaby,” and according to Creek elders it was created during the Trail of Tears. For her second challenge, Hopkins wrote new lyrics for the song “Red Wing,” which originally contained damaging stereotypes of Native Americans. The new lyrics paid homage to pioneering Native film actress Lilian St. Cyr, who was known as “Red Wing.” Hopkins discussed her process and the meanings of the songs with AFC staff members Stephen Winick, Jennifer Cutting, and Meg Nicholas; Nicholas is one of the American Folklife Center’s specialists in Native song, and affiliated with the Munsee-Delaware Nation in southwest Ontario. The episode features the field recordings of both songs, as well as Thea’s new versions, and a fiddle tune by Chippewa fiddler Mary Trotchie.More information on the songs as well as photos of some of the singers and links to all the archival sources, can be found at https://blogs.loc.gov/folklife

This episode looks at storytelling and folktale traditions in the American Folklife Center archives, including “Jack Tales,” tall tales, animal tales, and other stories. Hosts Stephen Winick and John Fenn talk with AFC intern Hanna Salmon about the new guide “Folktales and Oral Storytelling: Resources in the American Folklife Center Collections.” We then listen to and discuss excerpts of tales from North Carolina storyteller Ray Hicks, professional tellers Connie Regan-Blake and Barbara Freeman (aka The Folktellers), Evelio and Evelia Andux (a father and daughter from Florida), Cuban-American storyteller and frequent AFC guest Carmen Agra Deedy, and Choctaw author and storyteller Tim Tingle.More information on the songs as well as photos of some the tellers and links to all the archival sources, can be found at https://blogs.loc.gov/folklife.

This episode looks back at the recent work of Joseph Z. Johnson and Deena Owens, interns who created research guides on African American Banjo Playing and on Sacred Harp singing for the American Folklife Center. The interns talked about their work and shared a few of their favorite field recordings from our collections.More information on the songs as well as photos of some the singers and links to all the archival sources, can be found at http://blogs.loc.gov/folklife.

In this episode for Asian/Pacific American Heritage Month, John Fenn and Steve Winick invite guests to talk about Asian collections in the American Folklife Center. Allina Migoni talks about the earliest known recordings of Korean music, playing segments of a lecture by Robert Provine and a song sung by Ahn Jeong-Sik. Sara Ludewig discusses the Linda LaMacchia collection, including recordings made of Tibetan singers in India. Steve discusses Asian and Pacific Island collections in the Homegrown concert series, and plays a song, a story, and a flute composition by Grammy-nominated Tibetan musician Tenzin Choegyal. More information on the performers and the selections can be found at https://blogs.loc.gov/folklife.For full audio of items excerpted in the podcast, and more great folklife content, visit the Folklife Today blog.

In this episode, John Fenn, Michelle Stefano, and Stephen Winick discuss Groundhog Day traditions. Drawing on the research of Don Yoder, they discuss the history and folklore of the holiday, including groundhog traditions among the Pennsylvania Dutch, groundhog songs, weather proverbs, and even cooking and eating groundhogs! Songs include two versions of “Groundhog,” one of “Fod,” and one of “Prowling Groundhog.” More information on the performers and the selections can be found at https://blogs.loc.gov/folklife.For full audio of items excerpted in the podcast, and more great folklife content, visit the Folklife Today blog.

In this episode, hosts John Fenn and Stephen Winick talk with Jennifer Cutting about items that caught their eyes and ears. Cutting discusses commercial recordings of tunes collected by Cecil Sharp, and Winick tells stories of the recording sessions, which Sharp personally supervised and described in his diaries. Cutting discusses her friend, the late Tony Barrand, an important collector of morris dances. John Fenn discusses the Nagra IV portable tape deck, and Winick discusses a picture of the late Mick Moloney using the Nagra in 1977. Winick discusses Moloney, and they play music recorded by Moloney on the Nagra, including jigs played on fiddle and accordion by Liz Carroll and Tommy Maguire, and reels played on the flute by Michael Flatley. More information on the performers and the selections can be found at https://blogs.loc.gov/folklife.For full audio of items excerpted in the podcast, and more great folklife content, visit the Folklife Today blog.

In this episode, hosts John Fenn and Michelle Stefano, with guest Thea Austen, explore Ukrainian materials in the American Folklife Center Archive. Interview segments include a discussion of Ukrainian embroidery and dance, between Geraldine Johnson and Taissa Decyk; and a discussion of a Ukrainian family bandura band who immigrated to the United States as refugees in the late 1940s, between Stephen Winick and Julian Kytasty. Musical selections include a song with bandura accompaniment by Kytasty and a set of instrumental tunes by Gerdan ensemble. More information on the performers and the selections can be found at https://blogs.loc.gov/folklife.For full audio of items excerpted in the podcast, and more great folklife content, visit the Folklife Today blog.

In this episode, hosts Stephen Winick and John Fenn, with guest Theadocia Austen, talk about songs of springtime, from agricultural and pastoral songs about farms and flowers to love ballads…and one dance tune. They also play the songs, including Pearl Nye’s version of “Early in the Spring,” the Copper Family’s rendition of “When Spring Comes On,” Baptiste Pierre’s version of the Haitian song “Fleurs, Certaines Jolies Fleurs” Rubén Cobos’s version of the alabanza hymn “El Alba,” Warde Ford’s version of “Nightingales of Spring,” and the Chicago Zither Club’s “Spring Polka.” More information on the films, including rights information, can be found at http://blogs.loc.gov/folklife.For full audio of items excerpted in the podcast, and more great folklife content, visit the Folklife Today blog.

This episode looks back at the 2021 Homegrown at Home Concert series. Hosts John Fenn and Stephen Winick interview the series producer Theadocia Austen and folklife interns Kennedi Johnson and Camille Acosta. The participants talk about the series as a whole, and each picks one or two songs for us to hear. The episode contains songs from Neli Andreeva (Bulgarian traditional song), Brother Arnold Hadd and Radiance Choir (Shaker hymn), Martin Carthy (English ballad with guitar), harbanger (turntable septet hip-hop composition), Samite (Ugandan song with African lyre or litungu), Hubby Jenkins (Blues with guitar), and Mamselle Ruiz (traditional Mexican song with small ensemble).More information on the songs as well as photos of some the singers and links to all the archival sources, can be found at https://blogs.loc.gov/folklife.

This episode looks at songs about summer, from the amorous adventures of young lovers to the backbreaking work done by convicts in the sun. Hosts John Fenn and Stephen Winick, along with guests Nicki Saylor and Jennifer Cutting, present their favorite summer songs. Songs include the Finnish “Kesa Ilta,” the Tuvan “Let The Sun Shine On My Verdant Summer,” the African American work song “Long Hot Summer Day,” the Appalachian nonsense song “On a Bright and Summer’s Morning,” the Anglo-Canadian lament “As I Walked Out One Fine Summer’s Evening,” and the Irish love song “Wild Mountain Thyme.” More information on the songs as well as videos of some of the performances, photos of some the singers, and links to all the archival sources, can be found at https://blogs.loc.gov/folklife.For full audio of items excerpted in the podcast, and more great folklife content, visit the Folklife Today blog.