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On the show
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Love
Apr 8, 2026
41m 47s
The Taming of the Shrew
Apr 6, 2026
49m 36s
Double Bill: Unmothered & BOXER
Feb 11, 2026
43m 11s
It Is Well With My Soul: The Musical
Feb 10, 2026
38m 08s
Stop Kiss
Nov 29, 2025
39m 23s
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| Date | Episode | Topics | Guests | Brands | Places | Keywords | Sponsor | Length | |
|---|---|---|---|---|---|---|---|---|---|
| 4/8/26 | ![]() Love✨ | theatreproduction+3 | Dr. Christina Hagger | Blackwood PlayersLove | Blackwood Memorial Hall | theatreBlackwood Players+5 | — | 41m 47s | |
| 4/6/26 | ![]() The Taming of the Shrew✨ | theatreShakespeare+4 | Heather CrawfordTom Tassone | Adelaide University Theatre GuildAdelaide Costume Shop+1 | Little Theatre | The Taming of the ShrewAdelaide University Theatre Guild+5 | — | 49m 36s | |
| 2/11/26 | ![]() Double Bill: Unmothered & BOXER✨ | theatrephysical theatre+4 | — | Dead Darling TheatreUnmothered+1 | — | theatreUnmothered+6 | — | 43m 11s | |
| 2/10/26 | ![]() It Is Well With My Soul: The Musical✨ | musical theatrecommunity theatre+4 | — | Maytide Theatre CompanyMurray Bridge Players & Singers+6 | Adelaide | musicalAdelaide Fringe+5 | — | 38m 08s | |
| 11/29/25 | ![]() Stop Kiss✨ | love storyfriendship+4 | Jehosheba ManoaElizabeth Lijo+4 | Theatre Guild Student SocietyStop Kiss | The Little Theatre | Stop KissDiana Son+5 | — | 39m 23s | |
| 11/2/25 | ![]() The Whale✨ | theatreinterviews+3 | Gilian CordelSandy Faithfull+3 | University of Adelaide Theatre GuildAustralia’s Stage Whispers+2 | Little Theatre | The WhaleSamuel D. Hunter+7 | — | 30m 47s | |
| 10/4/25 | ![]() The Revlon Girl✨ | theatreinterviews+4 | Sophie WallerOlivia Richardson+1 | St. Jude’s PlayersThe Revlon Girl | Wales | The Revlon GirlOlivia Jane Parker+5 | — | 59m 38s | |
| 9/5/25 | ![]() Hansard✨ | theatreinterview+3 | Sally Putnam | Stirling PlayersUniversity of Adelaide Theatre Guild+2 | AustraliaUK | HansardSally Putnam+3 | — | 29m 55s | |
| 8/3/25 | ![]() Neighbourhood Watch✨ | theatreinterviews+3 | Nathan BrownTaya Rose+3 | St. Jude’s PlayersLes Misérables+7 | — | theatreinterviews+3 | — | 30m 01s | |
| 7/14/25 | ![]() The Watsons✨ | theatreadaptation+4 | Matthew ChapmanLindy Lecornu+2 | The University of Adelaide Theatre GuildThe Watsons | The Little Theatre | The WatsonsJane Austen+5 | — | 35m 04s | |
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| 7/9/25 | ![]() Almost, Maine | ‘Almost, Maine’ Produced by The Stirling PlayersWritten by John CarianiDirected by Ben ProeveSEASON: 11-19 July 2025This episode of For the Love of Theatre Podcast features an interview with Director, Ben Proeve, Assistant Director & Music Composer, Toby Vincent & Cast Member, Harri Wolff. This discussion focuses on their production company and their latest show, Almost, Maine for The Stirling Players.SUMMARYWelcome to Almost, Maine, a place that’s so far north, it’s almost not in the United States. It’s almost in Canada. And it’s not quite a town, because its residents never got around to getting organized. So it almost doesn’t exist.One cold, clear, winter night, as the northern lights hover in the star-filled sky above, the residents of Almost, Maine, find themselves falling in and out of love in unexpected and hilarious ways. Knees are bruised. Hearts are broken.But the bruises heal, and the hearts mend. Well, almost. A delightful midwinter night’s story of different scenes that take place in the same 15 minutes.Cast: Oliver Medwell, Kodi Jackson, Harri Wolff, Sam Ewart, Annabel McGregor, Kaila Barton, Tim Stoeckel.VENUESTIRLING COMMUNITY THEATRE7 Avenue Rd,StirlingSouth Australia 5152SEASONFridays July 11 & 18 at 7.30pmSaturday July 12 at 3pmSunday July 13 at 3pmSaturday July 19 at 2pm and 7.30pmBOOKINGShttps://www.stirlingplayers.org.au/buy-ticketsor through Trybooking.comMUSICOriginal music for 'Almost, Maine' composed by April Strevens and Toby VincentThis episode features one of the original compositions, a track titled, 'Her Heart Magic Moment'.'Almost, Maine' has been an exciting opportunity for our Assistant Director and Production Manager to collaborate on original music. The direction was to enhance and complement the plot and emotions on display and create a sound design for each love story. With piano, acoustic guitar and strings, Toby and April have created musical motifs and themes which unite all the scenes but give each vignette its own musical 'stamp'.April Strevens, Production Manager and composer. April has been involved in music, theatre, film and the fine arts for many years.April says: "utilising music as a uniting tie between the various storylines of Almost, Maine was an important element to balance in composing the score. Altering melody, rhythm, and composition allowed us to connect the story whilst building different tones appropriate to the varying depictions of love throughout."Title Track For the Love of Theatre Podcast written and composed by Ben Waller.#FortheLoveofTheatrePodcast #Stage #Theatre #CommunityTheatre #AlmostMaine #TheStirlingPlayers #Podcast | 23m 56s | ||||||
| 6/4/25 | ![]() Querencia Calling | QUERENCIA CALLINGPRODUCED BY: PITCHWHITE PRODUCTIONSWRITTEN BY: SHARYN HENDERSONDIRECTED BY: GEOFF BRITTAINCAST: Cheryl Douglas, Georgia Stockham, Alicia Zorkovic, Perrin Abbas, & LA Foale.SEASON: 19TH - 28TH of JUNEVENUE: STAR THEATRESThis episode of For the Love of Theatre Podcast features an interview with Pitchwhite Productions Founder, Lochie Daniel. This discussion focuses on their production company and their latest show, QUERENCIA CALLING.SUMMARY“Everyone carries an invisible backpack. Filled with past experiences, emotions, dreams, pain, challenges and successes.Some days it feels too heavy to bear. On those days, who will you ask to help carry the load?”Five friends whose connection spans from their university days to their current “mid-life” examines the bonds that can remain strong even afterlife and distance get in the way.This original production was written by an emerging Melbourne Playwright, Sharyn Henderson.WHERE?VENUE: STARS THEATRE 2Stars Theatres145 Sir Donald Bradman Dr, Hilton South Australia 5033WHEN?Thursday 19 June 20257:00 PM - 9:00 PMFriday 20 June 20257:00 PM - 9:00 PMSaturday 21 June 2025Matinee 1:00 PM - 3:00 PMEvening 7:00 PM - 9:00 PMThursday 26 June 20257:00 PM - 9:00 PMFriday 27 June 20257:00 PM - 9:00 PMSaturday 28 June 2025Matinee 1:00 PM - 3:00 PMEvening 7:00 PM - 9:00 PMBOOKINGSwww.trybooking.com/DAVIBMUSICTitle Track - For the Love of Theatre Podcast composed and performed by Ben Waller.Beautiful, by Giulio CercatoMoody Acoustic Minor Folk Full catch22music from PixabayIMAGEPhoto by Connor Martin: https://www.pexels.com/photo/zigzag-road-between-green-trees-5526447/#FortheLoveofTheatrePodcast #Theatre #CreativeConversations #SharynHenderson #SouthAustralianArt #StarTheatres #AustralianPlaywright #QuerenciaCalling | 23m 56s | ||||||
| 5/9/25 | ![]() COMIC POTENTIAL | COMIC POTENTIALWritten by, Alan AyckbournDirected by Greg ElliottBlackwood PlayersThis episode of For the Love of Theatre Podcast is hosted by Mark Wickett, and features interviews with the Director of Comic Potential and Blackwood Players President, Greg Elliott, Assistant Director, Brooke DuBois, Tech lead and Blackwood Players Life Member, Tim Gladdis and Amber Faull who stars as Jacee Triplethree, Comic Potential's lead character.MORE ABOUT OUR GUEST HOST - Mark Wickett Mark has been working in Adelaide’s community and professional theatre for more than twenty years, much of it designing technical and creative solutions in video projection. Productions include: Les Misérables, Next to Normal and Oliver! For the last ten years, Mark has been directing corporate video and working with high schools in theatre and video, with productions including Matilda, The Book of Everything, and Where Words Once Were. Mark supports South Australia’s performing arts as a critic for Australia’s Stage Whispers magazine and through serving on the Board of the University of Adelaide Theatre Guild. He was Assistant Director for the Guild’s 2023 production of The Tempest, and directed The 39 Steps for them in 2024. Later this year, he will be Assistant Director to Lesley Reed for St. Jude’s production of Neighbourhood Watch.SUMMARYA sensation in London and New York, this is one of the funniest and most inventive plays by Britain's grand master of comedy.A hilarious satire of television and a touching romantic comedy, it begins in a television studio where a hospital soap opera is being taped. One actor starts speaking gibberish; he is an "actoid" a robot and his programming is off kilter.Adam, the young nephew of the producer and an aspiring writer who worships the director (once a great movie director and now a broken down has been), is on the set. Adam starts chatting with Jacie Tripplethree, the actoid (serial number JC333) playing the nurse and finds, to his surprise, that not only can she carry a conversation but, due to what she calls a fault in her programming, she has a creative imagination. Adam wants to build a new television series around her but the studio will not hear of it. He also finds he is falling in love with the charming robot!Will Adam get the green light on his series? Will love prevail? Jacie is one of Ayckbourn's greatest characters; her portrayer won all of London's major acting awards.VENUE BLACKWOOD MEMORIAL HALLFridays 16 & 23 May (8pm)Saturdays 17 & 24 May (2pm & 8pm)Tickets: $25pp; $20 concession; $15 studentsPlease note: No cabaret seatingBookings: https://www.trybooking.com/events/landing/1363859More info: 0402 616 924 / blackwood.players@gmail.comMUSICTitle Track For the Love of Theatre Podcast, Written & Performed by Ben Waller.'Glow' by Scott Buckley - released under CC-BY 4.0. www.scottbuckley.com.auIMAGEhttps://pixabay.com/illustrations/ai-generated-nurse-doctor-health-8846722/#FortheLoveofTheatrePodcast #GuestHost #NewEpisodes #ComingSoon #AdelaideArts #CommunityTheatre #SouthAustralianArt #StageWhispers #FortheLoveofTheatre | 40m 58s | ||||||
| 5/7/25 | ![]() The Penelopiad | This episode of For the Love of Theatre Podcast is Hosted by Mark Wickett, and focuses solely on The University of Adelaide Theatre Guild's upcoming production of The Penelopiad, written by Margaret Atwood, author of The Handmaid's Tale. It features an Interview with the Director, Kristin Telfer, as well as Cast Members, Jane Ford (Penelope), Jessica Merrick (Helen of Troy), Miriam Cwiek (King Laertes) & Heather Crawford (Penelope's Naiad Mother), with some of the original musical score for this production, composed by Kristin Stefanoff, to set the tone.MORE ABOUT OUR GUEST HOST - MARK WICKETT Mark has been working in Adelaide’s community and professional theatre for more than twenty years, much of it designing technical and creative solutions in video projection. Productions include: Les Misérables, Next to Normal and Oliver! For the last ten years, Mark has been directing corporate video and working with high schools in theatre and video, with productions including Matilda, The Book of Everything, and Where Words Once Were. Mark supports South Australia’s performing arts as a critic for Australia’s Stage Whispers Magazine and through serving on the Board of the University of Adelaide Theatre Guild. He was Assistant Director for the Guild’s 2023 production of The Tempest, and directed The 39 Steps for them in 2024. Later this year, he will be Assistant Director to Lesley Reed for St. Jude’s production of Neighbourhood Watch.STAGE WHISPERS ARTICLEClick the link below to read Mark Wickett's Stage Whispers Article on the For the Love of Theatre Podcast.https://www.stagewhispers.com.au/community-theatre/love-theatre-podcastActor and Director Olivia Jane Parker talks to Stage Whispers’ Mark Wickett about her role in promoting South Australian community theatre through a podcast.THE PENELOPIADBY MARGARET ATWOODMargaret Atwood's The Penelopiad is an adaptation of Homer's Illiad and Odyssey, told from the perspective of Odysseus' wife Penelope.Penelope tells her story from the afterlife, from her miraculous birth to her marriage to the wily Odysseus. Her life shaters when cousin Helen runs off with a foreign prince, sparking war. Odysseus departs, leaving Penelope alone to navigate a world of uncertainty. As years pass, suitors descend, eager for her wealth and hand. With few option, Penelope turns to her loyal maids, waiting for a husband who may never return.These maids are also with Penelope in the afterlife, to participate in her telling of the events of her life .. and to remind her of the role she played in the ending to theirs.Content Warning: stylised sexual violence and mild coorse language.SEASON23RD MAY - 1ST JUNE 2025including 4 matinees and 1twilight performance with Q&A.TICKETSAIl Concession cards accepted including Pensioners and StudentsCompanion cards acepted, please email theatreguild@adelaide.edu.auwww.trybooking.com/CXILPERFORMANCE DATESFriday 23 May at 7:30pmSaturday 24 May at 3pmSunday 25 May at 3pmWednesday 28 May at 6:30pm(with post-show Q&A)Thursday 29 May at 7:30pmFriday 30 May at 7:30pmSaturday 31 May at 3pmSunday 1 June at 3pmDURATIONApproximately 2 hoursVENUEThe Little Theatre The Cloisters, Victoria Drive, University of Adelaide.It is encouraged to allow extra time for parking.MUSICTitle Track For the Love of Theatre Podcast, Written & Performed by Ben Waller.Original musical score for this production of The Penelopiad composed by Kristin Stefanoff.If I Were a PrincessOh Wily Odysseus Weaving IIDreamboat#FortheLoveofTheatrePodcast #GuestHost #NewEpisodes #ComingSoon #AdelaideArts #CommunityTheatre #SouthAustralianArt #StageWhispers #FortheLoveofTheatre | 26m 50s | ||||||
| 4/20/25 | ![]() Wrong Turn at Lungfish | EPISODE: Wrong Turn at LungfishWritten by Garry Marshall & Lowell GanzDirected by Rosie AustProduction by Galleon Theatre GroupABOUT THE EPSIODEFor the Love of Theatre Podcast introduces cast members, Tony Busch, Dora Stamos, Wade Cook, along with Director, Rosie Aust, who discuss everything behind-the-scenes for this production of Wrong Turn at Lungfish by the Galleon Theatre Group.ABOUT THE PLAY"A Play Filled with Wit, Wisdom, and Second Chances"The title refers to an evolutionary hypothesis that man's path from bug to beast wasn't about developing the most sophisticated survival equipment; his development was simply the product of "a wrong turn at the lungfish". Funny, heartfelt, and filled with wisdom, Wrong Turn at Lungfish is a must-see for those who know that sometimes, life's best lessons come from unlikely places.SEASONPerformance Dates at the Domain TheatreFriday 2 May 2025 @ 7.30pmSaturday 3 May 2025 @ 7.30pmSunday 4 May 2025 @ 2:00pmThursday 8 May 2025 @ 7.30pmFriday 9 May 2025 @ 7.30pmSaturday 10 May 2025 @ 2:00pmBOOKINGShttps://www.galleon.org.au/html/wrongTurnAtLungfish.htmlVENUEDomain Theatre, Marion Cultural Centre287 Diagonal Road, OAKLANDS PARK SA 5046MUSICTitle Track For the Love of Theatre Podcast, Written & Performed by Ben Waller.GregorQuendel - PixabayBeethoven Symphony no1 option 2https://pixabay.com/users/gregorquendel-19912121/#WrongTurnatLungfish #GarryMarshall #CommunityTheatre #LowellGanz #GalleonTheatreGroup #GregorQuendel #FortheLoveofTheatrePodcast | 31m 46s | ||||||
| 3/14/25 | ![]() Life Without Me | Our first episode of Series Two of For the Love of Theatre Podcast.This episode of For the Love of Theatre Podcast is Hosted by Annabel Whitford, Admin Officer for the University of Adelaide Theatre Guild & The Theatre Association of South Australia (T.A.S.A) Committee Member. This episode focuses solely on The Stirling Players' upcoming production of Life Without Me, written by Daniel Keene, which is the play's South Australian Premiere. It features an Interview with the Director, Megan Dansie, Members of the Cast, Brad Martin (Nigel) & Michelle Hrvatin (Alice), and Vice President of The Stirling Players, Bronwyn Chapple. A quirky, heartwarming Australian comedy. Stirling Players are delighted to present this South Australian premiere with multi-award -winning director, Megan Dansie and an impressive cast.More About Our Guest HostAnnabel Whitford is a dedicated theatre enthusiast who has stage-managed several productions and serves as the Administrator of the Theatre Guild. An avid tap dancer, Annabel is part of the Dragonfly Dance performing company and believes in the importance of supporting the arts in all its forms. In her spare time, she co-hosts and edits the occasional podcast and has been fortunate enough to interview television writers and producers. Whether working behind the scenes, tapping out rhythms, or discussing TV shows, Annabel is committed to contributing to and promoting the arts community.MORE ABOUT THE PLAYSeven eccentric characters are thrown together in a rundown hotel. They are all trying to find meaning in their life and a way out of the hotel towards a re-imagined future.You will love their absurdist and humorous interactions and find yourself questioning your own purpose in life amidst the laughter.As one of the characters says, "My life just seems to go on, but without me in it".SEASONMarch 28 – April 12Evenings 7.30 pm and our very popular matinées at 3 pm.Running time 2hrs,15 mins.Tickets - TRYBOOKINGVisit Stirling Players for more information.www.stirlingplayers.sct.org.auVENUEStirling Community Theatre,7 Avenue Rd, Stirling.Accessibility. Drop off area at front door.Please call the Box Office, 0488 746 951 for wheelchair seats.HILLS HOSPITALITYWe welcome everyone to our beautiful theatre with a free glass of sherry on arrival. Bar opens half an hour before performance. Tea, coffee and excellent Adelaide Hills wines from our partners, Howard Vineyard.Photo by Anna Chaykovskaya: https://www.pexels.com/photo/a-goldfish-inside-a-glass-pitcher-with-water-4684718/Music by Music by DELO Sound Pixabay#TheStirlingPlayers #SouthAustralianPremiere #AustralianPlaywright #AustralianPlays #FortheLoveofTheatrePodcast #LifeWithoutMe #DanielKeene | 41m 35s | ||||||
| 11/21/24 | ![]() The Glass Menagerie | THE GLASS MENAGERIEWritten by TENNESSEE WILLIAMSDirected by Clinton NitschkeThe University of Adelaide Theatre Guild Student SocietyFeaturing interviews with CAST MEMBERS, Jessica Merrick (Amanda Wingfield), Connor Duncan (Tom Wingfield), Mia Livingston-Pearce (Laura Wingfield), Liam Warmeant (Jim O’Connor) and DIRECTOR, Clinton Nitschke, with SPECIAL GUEST HOST Laura McLeod (Stage Manager).An Amateur Production By Arrangement with ORiGiNTM Theatrical, on behalf of Samuel French Ltd.– A Concord Theatricals Company.'So what are we going to do now, honey, the rest of our lives? Just sit down in this house and watch the parades go by? Amuse ourselves with the glass menagerie, darling? Eternally play those worn-out records your father left us as a painful reminder of him?'A drama of great tenderness, charm and beauty, The Glass Menagerie is one of the most famous plays of the modern theatre.Amanda Wingfield is a faded, tragic remnant of Southern gentility who lives in poverty in a dingy St. Louis apartment with her son, Tom, and her daughter, Laura. Amanda strives to give meaning and direction to her life and the lives of her children, though her methods are ineffective and irritating. Tom is driven nearly to distraction by his mother's nagging and seeks escape in alcohol and the world of the movies. Laura also lives in her illusions. She is crippled, and this defect, intensified by her mother's anxiety to see her married, has driven her more and more into herself. When a gentleman caller arrives for dinner, the Wingfield family is flooded with hope. However, it is uncertain if this visitor will change things for the better.CASTJessica MerrickConnor Duncan,Mia Livingston-PearceLiam Warmeant.SEASONWednesday 4 December, 7:30pmThursday 5 December, 7:30pmFriday 6 December, 7:30pmSaturday 7 December, 7:30pmLOCATIONLittle Theatre, University of AdelaideThe Cloisters, Gate 10, Victoria Drive, AdelaideKaurna CountryTrain, tram and bus services are available nearby. Please allow extra time for parking, especially when there is an event on at Adelaide Oval or Botanic Park.BOOKINGSTickets at trybooking.com/CPVKJMUSIC BYTransitional Theme Written & Composed by Clinton NitschkeMusic by Josef Surikov from PixabayTitle Track For the Love of Theatre Podcast, Written & Performed by Ben Waller.TGSS'Experimental and progressive student theatre at the University of Adelaide.'TGSS acknowledges the traditional custodians of this land, the Kaurna people, and pay respect to elders past, present, and emerging.https://www.adelaide.edu.au/theatreguild/ Photo by Anderson Santos:https://www.pexels.com/photo/tender-girl-with-delicate-bouquet-of-blue-flowers-3680438/ | 46m 34s | ||||||
| 11/19/24 | ![]() MOTHER & SON | MOTHER & SONWritten by Geoffrey AtherdenDirected by Jude HinesThe Adelaide Repertory Theatre CompanyThis episode features interviews with CAST MEMBERS, Penni Hamilton Smith (Maggie Beare), Patrick Clements (Arthur Beare), Nikki Gaertner, Mollie Mooney, Sandy Whitelaw, Jess Corrie, Alifa Willoughby and Stephen Bills, along with the Director of Mother & Son, Jude Hines.Ageing isn’t for the old or faint-hearted….This poignant tribute to ageing is about dependence, love, and family and being driven up the wall by someone you love but never outsmart!The Rep breathes new life into the celebrated Australian TV series in this play, commissioned for stage by the original series writer, Geoffrey Atherden.Voted the best Australian TV series ever, this stage production is filled with laughter, nostalgia, and poignant moments exploring the themes of family bonds and the challenges of ageing.This production will entertain audiences young & old.SYNOPSISMaggie Beare is in the early stages of dementia, and her younger son, Arthur, reluctantly lives with her. Despite being increasingly forgetful, Maggie is lucid enough to strategically manipulate Arthur, usually for something outlandish and inconvenient. Their family is dysfunctional, and Arthur’s budding love life is ‘on the rocks’ before he gets to hand-holding. Audiences can expect a hearty, laugh-out-loud-great time.We introduce the renowned Adelaide performers Penni Hamilton–Smith in the Maggie Beare role, originally played by Ruth Cracknell, and Patrick Clements as Arthur Beare, originally played by Garry McDonald. A talented supporting cast includes Stephen Bills, Nikki Gaertner, Mollie Mooney, Sandy Whitelaw, Jess Corrie, and introducing Alifa Willoughby and Henry Bacon.SEASON21-24 and 28-30 November 2024 at 7.30 pm24 November 2024 at 3.00 pm and 30 November 2024 at 2.00 pmTICKET BOOKINGS: Phone: 8212 5777* Tickets may be available for purchase at the door *Website: adelaiderep.comhttps://artstheatresa.sales.ticketsearch.com/sales/salesevent/117484Photograph Courtesy of Ron Lach, Pexels.MusicTitle Track For the Love of Theatre Podcast, Written & Performed by Ben Waller. Mother & Son Theme SongChicago citation style: Dillon, William A, American Quartet, and Harry Von Tilzer. I want a girl just like the girl that married dear old Dad. 1911. Audio. https://www.loc.gov/item/jukebox-130708/Music by Paolo Argento from Pixabay | 1h 10m 19s | ||||||
| 11/9/24 | ![]() Twisted | Twisted: The Untold Story of the Royal VizierOriginally produced by the geniuses at StarKid ProductionsMarie Clark Musical Theatre Company SEASON: 15th - 23rd of NovemberThis episode of For the Love of Theatre Podcast features interviews with Cast Members, Sash Elliott (The Princess) Ben Todd (Ja'Far), Axel Moen (Aladdin), Darcie Yelland (Ensemble) and Director, Kristian Latella, of Twisted: The Untold Story of the Royal Vizier.Show Synopsis:Originally produced by StarKid Productions and written in the style of Wicked, Twisted cleverly re-tells the classic Disney movie, Aladdin, but from the perspective of the villain...Ja’far is a hardworking, honest politician in a magic kingdom that has fallen on hard times. Corruption is rampant on all levels, crime is up (thanks to the efforts of that thief, Aladdin!) and the kingdom is on the verge of bankruptcy. When the naive princess angers the prince of the Kingdom of Pik-zahr, Ja’far remembers a tale told to him by his deceased wife – that of an all-powerful Djinn, hidden in a common lamp. To save the kingdom from certain destruction and ensure a happy ending for all, Ja’far must do everything he can to get his hands on that lamp, even when the road gets a little... twisted!Content advice. While Twisted is a cheeky homage to Disney, this production contains strong language, sexual references and adult themes. Recommended only for mature audiences.Show Dates & Times:Friday, 15 Nov 2024 - 7.30pmSat, 16 Nov 2024 - 2.00pm and 7.30pmSun, 17 Nov 2024 - 4.00pmThu, 21 Nov 2024 - 7.30pmFri, 22 Nov 2024 - 7.30pmSat, 23 Nov 2024 - 2.00pm and 7.30pmVenue:Goodwood Theatre & StudiosTicketing Link:https://mcmt.net.au/MUSICMusic by Anastasia Kir from PixabayMusic by Geoff Harvey from PixabayMusic by Nicko Gloire from PixabayTitle Track: For the Love of Theatre Podcast,Written & Performed by Ben Waller. | 52m 23s | ||||||
| 11/5/24 | ![]() A Hard God | A Hard God, Written by Peter Kenna.Directed by Harry DewarProduced by St. Jude's Players SEASON: November 7th - 16thThis episode of For the Love of Theatre Podcast features interviews with Cast Members, April Stuart, Lindsay Dunn, Lochie Daniel, & Archie Rowe, alongside Director, Harry Dewar, with Special Guest Host, Adam Schultz.MORE ABOUT OUR GUEST HOSTAdam Schultz has become familiar to Adelaide theatre audiences over the last six years or so, having appeared on stage with many theatre companies. Some recent highlights are as follows, for St. Jude's Players he portrayed Alan in Scarlett O'Hara at the Crimson Parrot (2023), Therry Theatre, he was Jimmy Floyd in The Pitman Painters (2022), David O. Selznick in Moonlight & Magnolias (2024) The Adelaide Repertory Theatre & the Sorcerer in SA Light Opera's The Sorcerer (2024).SUMMARYIn 1946 post-war Sydney, A Hard God presented by St. Jude's Players immerses us into the world of the three middle-aged Cassidy brothers and their wives, as they navigate the joys and struggles, comforts and contradictions of their working-class lives and Catholic faith. And while the older Cassidys wrestle with the past, the next generation must confront the future and a new world, in conflict with old legalisms and certainties.DATESThursday November 7 and 14 and FridayNovember 8 and 15, 7.30 pm. Twilight showSaturday November 9, 4.30 pm.Matinee Saturday November 16, 2pmLOCATIONSt Jude's Players Inc.,444 Brighton Rd, Brighton SA 5048BOOKINGS https://www.trybooking.com/CUUASAlternatively, call 0436 262 628 or emailbookings@stjudesplayers.asn.auMUSICAnastasia Kir from PixabayNicholas Panek from PixabayTitle Track Written & Performed by Ben Wallerhttps://open.spotify.com/artist/5JtU7zVynRmPB3qJAKDsBH?si=EWLXM1JzTXuw0s978ixAGw #Adelaidetheatre #Adelaidearts #Adelaideevents #Adelaide #AHardGod #PeterKenna #FortheLoveofTheatre #FortheLoveofTheatrePodcast #StJudesPlayers #CommunityTheatre | 39m 01s | ||||||
| 10/29/24 | ![]() The Actress | THE ACTRESSWritten by Peter QuilterNovember 6th - 16th 2024Directed by Geoff BrittainTherry Theatre therry.org.auThis For the Love of Theatre Podcast episode features interviews with [Cast Members] Norm Caddick & Malcolm Walton, [Stage Manager] Louise Lapans & [Properties Manager & Set Designer] Leah Klemm, with Special Guest Host, Ben Todd.MORE ABOUT OUR GUEST HOSTBen Todd has been involved in theatre since he stumbled upon auditions for The Crucible. He has appeared in various plays with notable appearances as the Hickory-Wood brothers in 'One For The Pot' with Therry Theatre. He dipped his toes into the swim-spa of musical theatre for Marie Clark Musical Theatre's production of Young Frankenstein'. Other musical appearances include Jamie in The Last Five Years' (Segue Productions), Patsy in the award winning Monty Python's Spamalot' (Marie Clark Musical Theatre), Carmen Ghia in The Producers' (Marie Clark Musical Theatre), Nicely Nicely Johnson in Guys and Dolls (The Met), David in ' Company' (Therry Theatre). He directed the award winning Jekyll & Hyde: The Musical (Marie Clark Musical Theatre) in 2017 and Peter Morgan's The Audience' (Therry Theatre) in 2021. Most recently he appeared as Gomez Addams in 'The Addams Family' (The Met) in May and will next appear as Ja'far in Twisted' (Marie Clark Musical Theatre) in November, which will also be a future episode in which he will be featured.MORE ABOUT THE SHOW!SYNOPSISTHE ACTRESS, set in the 1940's, dramatises the events backstage as a colourful, complicated actress makes her farewell performance, while dealing with unexpected visitors. Drama and comedy collide as people say their goodbyes, declare their love, roar with laughter, exchange insults, grab a final embrace, and renew old battles.CASTLydia - Julie QuickCharles - Norm CaddickKatherine - Jean WalkerMargaret - Michelle HrvatinPaul - Malcolm WaltonNicole - Leah LoweHarriet- Olivia Jane ParkerSEASON [November 6th - 16th 2024]with the following show times:Wednesday, 6th of November,PREVIEW PERFORMANCE at 7.30pmThursday, 7th of November,OPENING NIGHT PERFORMANCE at 7.30pmFriday, 8th of November,EVENING PERFORMANCE at 7.30pmSaturday, 9th of November,MATINEE PERFORMANCE at 2pmSunday, 10th of November,MATINEE PERFORMANCE at 2pmWednesday, 13th of November,EVENING PERFORMANCE at 7.30pmThursday, 14th of November,EVENING PERFORMANCE at 7.30pmFriday, 15th of November,EVENING PERFORMANCE at 7.30pmSaturday, 16th of November,MATINEE PERFORMANCE at 2pmSaturday, 16th of November,FINAL PERFORMANCE at 7.30pmLOCATIONThe Arts Theatre, AdelaideAddress: 53 Angas St, Adelaide SA 5000BOOKINGSOnline - trybooking.comPhone Bookings - 0411 924 566Mon-Fri 10am-4pm*From the 4th of November12 noon until lateMUSIC for the Episode is from - PixabayTitle & Outro Track For the Love of Theatre Podcast Composed & Performed by Ben WallerPhoto used for this episode by cottonbro studio: https://www.pexels.com/photo/crop-photo-of-woman-standing-behind-a-curtain-6899775/ | 26m 13s | ||||||
| 10/9/24 | ![]() The Boy from Oz | EPISODE: The Boy from Oz The star studded story of the rise to fame of Australia's own Peter Allen! The Metropolitan Musical Theatre Company (the Met)The Arts Theatre, AdelaideThis episode is moderated by Special Guest Host, Ben Todd. Featuring interviews with Selena Britz (Director), Carmel Vistoli (Choreographer), Lindsay Prodea (CAST, Peter Allen), Bronwen James (CAST, Judy Garland), and Danielle Panfilo (CAST, Liza Minnelli). MORE ABOUT OUR GUEST HOSTBen has been involved in theatre since he stumbled upon auditions for The Crucible. He has appeared in various plays with notable appearances as the Hickory-Wood brothers in ‘One For The Pot’ with Therry Theatre. He dipped his toes into the swim-spa of musical theatre for Marie Clark Musical Theatre’s production of ‘Young Frankenstein’. Other musical appearances include Jamie in ‘The Last Five Years’ (Segue Productions), Patsy in the award winning Monty Python’s ‘Spamalot’ (Marie Clark Musical Theatre), Carmen Ghia in ‘The Producers’ (Marie Clark Musical Theatre), Nicely Nicely Johnson in Guys and Dolls (The Met) David in ‘Company’ (Therry Theatre).He directed the award winning ‘Jekyll & Hyde: The Musical’ (Marie Clark Musical Theatre) in 2017 and Peter Morgan’s ‘The Audience’ (Therry Theatre) in 2021. Most recently he appeared as Gomez Addams in ‘The Addams Family’ (The Met) in May and will next appear as Ja’far in ‘Twisted’ (Marie Clark Musical Theatre) in November.SYNOPSIS of The Boy from OzThe Boy From Oz is a class above all other ‘jukebox’ musicals with a plot skillfully weaved around the life and complexities of Peter Allen. The songs and lyrics sit easily with the rhythm of the show as characters enter and re-enter his life, sometimes in spirit, and it is Peter’s experiences and memories that ultimately become the stories he writes and sings from the heart.SEASONEvening Performances at 7.30pm17th - 19th Oct and 22nd - 26th Oct.Matinee Performances at 2pmSat 19th & 26th Oct.LOCATIONThe Arts Theatre 53 Angus Street, Adelaide, 5000TICKETShttps://themet.sales.ticketsearch.com/sales/eventsOr Phone 0407 457 821MUSICThis episode music was sourced from Purple Planet https://www.purple-planet.comTitle & Outro TrackFor the Love of Theatre Podcast written & performed by Ben Wallerhttps://open.spotify.com/artist/5JtU7zVynRmPB3qJAKDsBH?si=F_bZyCnuS-eurBSERS4IYQPhoto by Dang Khoa Nguyen: https://www.pexels.com/photo/white-piano-on-a-beach-20612416/#fortheloveoftheatrepodcast #theMet #MusicalTheatre #TheArtsTheatreAdelaide #fortheloveoftheatre #SouthAustralianart #themetropolitanmusicaltheatre #communitytheatre #PeterAllen #spotifypodcast #audiblepodcast #RedCircle #PODash #AmazonMusic | 48m 43s | ||||||
| 10/5/24 | ![]() MASKERADE | MASKERADESporadic ProductionsBy Sir Terry Pratchett.Adapted by Stephen Briggs. Directed by Danny Sag.MUSIC. MYSTERY. MAGIC. MURDER.The Arch, Holden Street Theatres, 32-34 Holden Street, HindmarshOctober 30 – November 2, 1.00pm and November 2, 7.30pmThis episode features interviews with Paul Messenger (Producer / Production Manager), David Dyte (Producer/Assistant Director), Xandra Roberts (Technical Director / Sets / Lighting), Natalie Haigh (CAST, Agnes "Perdita X" Nitt), Chris Coulter (CAST, Seldom Bucket) and Danny Sag (Director).Sporadic Productions is proud to present a stage adaptation of Sir Terry Pratchett’s bestselling. Discworld novel “Maskerade”. This comedic murder mystery parodies The Phantom of the Opera while weaving a fantastical tale about the masks – figurative and literal - that we all wear.SYNOPSISWelcome to the Ankh-Morpork Opera House, home to music, theatrics, and a masked ghost… where dying on stage is a bit more than just a metaphor. Young not-quite-a-witch, Agnes Nitt has left her home in Lancre to seek a career at the Opera House. Granny Weatherwax and Nanny Ogg, on their way to Ankh-Morpork for... unrelated reasons... would much rather she return home and join their coven.Opera is nothing if not dramatic, and now all three are caught up in a maelstrom of masked mayhem and maniacal laughter (delivered via handwritten note), but most certainly not featuring a precariously hanging chandelier. As the corpses pile up and the corps de ballet clamour for additional hazard pay, only one thing is certain – the show must go on!MUSICMaskerade Questa Maldetta, Barber of Seville La Ran Le La Ra & Bizet Habanera.Title track provided by Ben Waller.BOOKINGS:https://linktr.ee/sporadicproductionshttps://www.holdenstreettheatres.com | 1h 01m 49s | ||||||
| 10/2/24 | ![]() The 39 Steps | THE THIRTY-NINE STEPSUniversity of Adelaide Theatre Guild 25 October to 3 November 2024Adapted by Patrick Barlow From the novel by John Buchan & the movie by Alfred HitchcockDirected by Mark WickettThis episode of For the Love of Theatre Podcast is Hosted by Annabel Whitford (Admin & Stage Manager) for the University of Adelaide Theatre Guild. Featuring interviews with Mark Wickett (Director), Thomas Midena (CAST, Richard Hannay), Imogen Deller-Evans (CAST, Annabella/Margaret/Pamela), Maxwell Whigham (CAST, Clown) and Angela Short (CAST, Radio Announcer & Foley Artist).More About Our Guest HostAnnabel Whitford is a dedicated theatre enthusiast who has stage-managed several productions and serves as the Administrator of the Theatre Guild. An avid tap dancer, Annabel is part of the Dragonfly Dance performing company and believes in the importance of supporting the arts in all its forms. In her spare time, she co-hosts and edits the occasional podcast and has been fortunate enough to interview television writers and producers. Whether working behind the scenes, tapping out rhythms, or discussing TV shows, Annabel is committed to contributing to and promoting the arts communityMUSICAll music for this episode is provided by Scott Buckley -released under CC-BY 4.0 (www.scottbuckley.com); Giulio Fazio and Albert Behar, licensed from uppbeat.io; the Free Music Archive (https://archive.org/details/freemusicarchive).Apart from the Title/Outro theme tune, which was recorded and composed by Ben Waller - https://open.spotify.com/artist/5JtU7zVynRmPB3qJAKDsBH?si=ADNGkKWJTYKssfwvXcDIGgSYNOPSISMix a Hitchcock masterpiece with a juicy spy novel, add a dash of Monty Python and you have The 39 Steps, a fast-paced whodunit for anyone who loves the magic of theatre! This two-time Tony® and Drama Desk Award-winning treat is packed with nonstop laughs, over 150 zany characters (played by a ridiculously talented cast of four), an onstage plane crash, handcuffs, missing fingers, and some good old-fashioned romance! In The 39 Steps, a man with a boring life meets a woman with a thick accent who says she’s a spy. When he takes her home, she is murdered. Soon, a mysterious organization called “The 39 Steps” is hot on the man’s trail in a nationwide manhunt that climaxes in a death-defying finale! A riotous blend of virtuoso performances and wildly inventive stagecraft, The 39 Steps amounts to an unforgettable evening of pure pleasure!An Amateur Production by Arrangement with ORiGiN™ Theatrical, on behalf of Samuel French Inc. - A Concord Theatricals CompanySEASON25 October to 3 November 2024VENUELittle TheatreBOOKINGSTickets: www.trybooking.com/CNUIH#The39Steps #fortheloveoftheatrepodcast #AdelaideUniversity #TheLittleTheatre #fortheloveoftheatre #SouthAustralianart #UniversityofAdelaideTheatreGuild #communitytheatre | 44m 29s | ||||||
| 9/14/24 | ![]() The Sorcerer | EPISODE: The Sorcerer Produced by SA Light Opera (SALOS) 🫖✨️This episode features interviews with the Director of this production, Bronwyn Calvett, along with Cast Members, Adam Schultz (John Wellington Wells), Kaila Barton (Aline), and Andrew McKinnon (Alexis).SYNOPSISAs the operetta begins, the villagers of Ploverleigh are celebrating the betrothal of Alexis, son and heir of Sir Marmaduke Pointdextre, to the only maiden of suitable rank in the neighbourhood, Aline, daughter of Lady Sangazure. Alexis and Aline sign the marriage contract, but it appears that Alexis, even though he loves Aline, does not share his father’s outmoded notions that only men and women of equivalent rank should marry, without regard to such nonsense as romantic inclination.Alexis has, in fact, hired a sorcerer, John Wellington Wells, to test his theories. Wells casts a spell and creates a love potion that is administered to all the villagers through tea poured from a large teapot during the banquet following the betrothal. All who drink it immediately fall asleep, just as Wells has predicted. When they awaken, he promises, each will fall madly in love with the first person he or she sees (echoes of A Midsummer Night’s Dream!). Those who are already married are conveniently immune. As we might anticipate, when the villagers awaken at midnight, chaos ensues.Sir Marmaduke himself, much to his son’s displeasure, falls in love with the lowly and elderly Mrs. Partlett, the pew opener. Lady Sangazure falls in love with the sorcerer himself, who spends most of the second act trying to elude her grasp. Even Alexis’ own betrothed, the lovely Aline, drinks the potion and falls out of love with Alexis and in love with the vicar of the village. Order can be restored only by the sacrifice of either Alexis or Mr. Wells. Wells, chosen to die by popular vote, disappears into the earth. Everything returns to normal. “Jack shall have Jill/Nought shall go ill,” as the Bard says. The general rejoicing that results is increased by the betrothal of Sir Marmaduke and Lady Sangazure, who once loved each other in olden days.Ticket Information:& Production Dates:Thursday 26 th September @ 7:30pmFriday 27 th September @ 7:30pmSaturday 28 th September @ 2pmSaturday 28 th September @ 7:30pmSunday 29 th September @ 2pmLocation - Domain TheatreMarion Cultural Centre, 297 Diagonal Road, Oaklands Park SA 5046Bookings: Phone Pam on 8294-6582or through Trybooking.comhttps://www.trybooking.com/events/landing/1268274?fbclid=IwY2xjawFSFk5leHRuA2FlbQIxMQABHYjlJ1dpkuN_z0DGZRIfPBcH9kuPpJaQ1P1cnmVVJEfkB4xScRg7f9YNFQ_aem_83qDO4tkApt3dvoJsTkZqAMusic for this episode The Opening Chorus, John Wellington Wells' patter song, and the duet between Aline & Alexis from the Act 1 Finale are all from a recording made by the D'Oyly Carte Opera Company..Title track provided by Ben Waller.Photo for this episode by RDNE Stock project: https://www.pexels.com/photo/an-old-book-and-candles-on-wooden-table-with-glass-bottles-7978061/ | 47m 53s | ||||||
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