Frankely Judaic: Explorations in Jewish Studies

In this episode, cultural historian and literary scholar Golan Moskowitz discusses his current book project, which explores the cultural history of Jewish drag and its relationship with Jewish identity in America. Through detailed analysis of significant figures such as Adah Isaacs Mencken, Flawless Sabrina, Harvey Fierstein, Charles Busch, Sadie Sadie the Rabbi Lady, and Sasha Velour, Moskowitz highlights how Jewishness and drag have intertwined to challenge social norms and reflect shifting cultural and political climates. He also delves into the concept of 'transcreativity' and how Jewish drag performers have contributed to broader American drag culture, emphasizing the importance of recognizing queer, trans, and non-binary Jews in the art of drag.

In this episode, we explore the work of Raphael Rachel Neis, a professor of ancient history at the University of Michigan, whose book, When a Human Gives Birth to a Raven, delves into ancient rabbinic understandings of reproduction and identity, focusing on how the rabbis of the Talmud viewed the emergence of new life. The book aims to reveal a more complex, varied, and open ancient world, countering the traditional Judeo-Christian perspectives on family, reproduction, and identity.

In this episode, Debora Kantor, a lecturer at the National University of San Martin, Buenos Aires, discusses her research on the representation of Jews and Jewishness in Argentine modern and contemporary cinema. She delves into her specific project on Argentine nonfiction films about Israel, examining how these films reflect both collective and personal understandings of Jewish identity. The discussion includes her analysis of autobiographical turns in contemporary Argentine cinema and the transformation of Jewish portrayals in this context. Cantor highlights significant films and directors, illustrating how they address themes such as the imagination of Israel, the intergenerational transmission of the Holocaust, and the depiction of Jewish spaces in Buenos Aires. She provides detailed insights into specific films like Nicolás Abruj's 'Us, Them and Me', Ivo Eichenbaum's 'The Automatic Part', and Flora Resnick's 'Peromaisk', among others, elaborating on their thematic exploration of political utopia, left-wing melancholia, and the impact of the Israeli-Palestinian conflict on Jewish diasporic identity. The music used in this episode, "Moisesville", by Argentine Jewish musician Jevel Katz, is the name of one of the most important Jewish agricultural colonies settled by the Jewish Colonization Association in Argentina and his music is very relevant to the cultural heritage of Argentine Jews.

The history of European fashion typically focuses on singular, Christian European geniuses who conjured bold designs and created cutting-edge garments. But in Paris in the late 19th and early 20th centuries, Jews from the Middle East and North Africa played important roles in shaping European tastes in fashion. In this episode, Devi Mays, an associate professor of Judaic Studies and history at the University of Michigan, and Julia Phillips Cohen, an associate professor of Jewish Studies and history at Vanderbilt University, tell the story of the rise and fall of the Babanis, an Ottoman Jewish family with origins in Istanbul, Tunis, and Algiers, who built a fashion house that counted scored of prominent celebrities and socialites among its clients

Jews are no strangers to horror. They’ve encountered and dealt with horrifying events throughout their history - exile, destruction of two temples, expulsion, blood libels, ghettoization, genocide, terrorism. The list goes on and on. And so, it’s perhaps not surprising that Jewish critics and filmmakers have done some really interesting work in the horror film genre, creating what scholar Adam Lowenstein refers to as Jewish horror, although what that term means, exactly, is complicated. In this episode. Lowenstein, a professor of English and film and media studies at the University of Pittsburgh, guides us through the history of Jewish horror films, from The Golem in 1920 to the present day, exploring how Jewish (and sometimes non-Jewish) filmmakers have used film to investigate questions around what it means to be human, and the dark forces within us that, when unleashed can lead to dehumanization and horror.

2023-24 Frankel Institute "Jewish Visual Cultures" Today's Guest: Deborah Dash Moore Project Title: “Camera as Passport” During the 1930s, ‘40, and ‘50s, throughout the great depression and into the post-WWII era, photographers who were members of the NY Photo League, many of whom were Jews, documented working-class street life in New York City. And without quite realizing it at the time, they pioneered a new form of photography. In this episode, University of Michigan historian and Jewish Studies scholar Deborah Dash Moore tells the stories of these photographers, whom she chronicled in her latest book, Walker in the City: Jewish Street Photographers of Mid-century New York. The episode contains rich descriptions of photographs by Sol Libsohn, Dan Weiner, N.J. Jaffee, and other prominent Jewish members of the New York Photo League, whose self-imposed mission was to capture and ennoble the lives of working-class New Yorkers. The 2023-24 Frankel Institute for Advanced Judaic Studies, led by co-head fellows Deborah Dash Moore and Richard I. Cohen includes twelve scholars from four countries who are exploring various aspects of Jewish visual imagination. This exploration encompasses different periods and regions of the world and touches on interactions among the written word, sound, and image.

Like most Jews living in Muslim lands, the Jews of Algeria had over the centuries built a vibrant culture, with homegrown traditions, institutions, and religious practices. Tying it all together was the Algerian Jewish community’s unique dialect of Judeo-Arabic, which rendered Arabic in Hebrew script–much like Yiddish, a German dialect written in Hebrew, spoken by Jews of Eastern Europe. For centuries, the Algerian dialect of Judeo-Arabic was spoken and written by Jews as an everyday language, and also had some liturgical function. But starting around the 1860s, Judeo-Arabic began to be used by Jews throughout the Muslim world for writing and commenting about the modern world of ideas and politics. In this episode of Frankely Judaic, historian Avner Ofrath, a lecturer in modern history at the University of Bremen, in Germany, and a fellow at the Frankel Institute for Advanced Judaic Studies, explores the rise and fall of Judeo-Arabic political writing, delving into what drove the phenomenon, the impact it had on Algerian-Jewish life and culture, and why it matters today. The 2022-2023 fellowship year at the Frankel Institute for Advanced Judaic Studies, "Mizrahim and the Politics of Ethnicity," includes scholars from the United States and Israel who explore Mizrahi (Arab-Jewish) society and cultural as an interdisciplinary and intersectional field of study.