Fully Lit

In this episode of Fully Lit, Erin Vincent, in conversation with writer and academic Sarah Attfield, reflects on returning to a subject she once believed she had left behind in her verse novel, 14 Ways of Looking.Moving between memoir, research and constraint‑based writing, the book is a fragmentary work that reimagines how grief can be written, building a mosaic of memory around the the number fourteen — Vincent's age when she lost both her parents.Drawing on the playful constraints of the Oulipo movement, Vincent constructs the book through fragments, each linked by the repeated appearance of the number 14. The result is a work that is at once formally inventive and deeply personal, where meaning emerges through juxtaposition, white space, and the connections made by the reader.Together, they discuss the creative possibilities of constraint, the challenge of shaping fragments into a cohesive work, and the emotional and structural role of white space on the page. Vincent also reflects on the difference between writing in grief and writing about it — and how distance, precision and form can open up new ways of expressing loss.At the heart of this conversation is a question central to Fully Lit: how do we find new language for difficult experiences — and what happens when form becomes a way of thinking, feeling, and remembering?This episode was recorded live on Gadigal land at Sydney's Gleebooks.VoicesErin Vincent is the author of Fourteen Ways of Looking as well as Grief Girl, which was named a New York Public Library Best Book and an American Library Association Best Book Nominee. Her work has appeared in Meanjin, the Guardian, Electric Literature, and the Offing, among other publications. She holds a Master of Arts in creative writing from the University of Technology Sydney and is currently studying for a PhD in creative writing.Sarah Attfield teaches creative writing at UTS. Her academic work focuses on the representation of working-class life in literature, popular music, film, TV and art. She has published books on working-class cinema and Australian working-class literature and is currently working on a new book about working-class participation in popular music scenes. Sarah is also a poet, and her creative work is informed by her working-class background and continuing connection to her working-class family and friends.CreditsThis episode was recorded on Gadigal land at Sydney's Gleebooks - for more literary events like this one, see the Gleebooks events page.Fully Lit is brought to you by Impact Studios at UTS, the Sydney Review of Books, and the UTS Writing and Publishing Program, and is produced by Regina Botros.Edited and mixed by Regina Botros.Executive Producers: Sarah Gilbert and James Jiang.Find more episodes of Fully Lit wherever you get your podcasts.Further reading'Piecing Together in the Afterlife' - Rosalind Moran reviews Erin Vincent's Fourteen Ways of Looking for the Sydney Review of Books.You can buy Fourteen Ways of Looking at Gleebooks, in the bookshop and online.

In December 2023, the Sydney Review of Books  and Western Sydney University's Writing and Society Research Centre were delighted to announce renowned fiction writer, Yumna Kassab, as the inaugural Parramatta Laureate in Literature, a program delivered in partnership with the City of Parramatta. The program, now in its second iteration, recognises the unique and vital work of writers as contributors to narratives of place – through storying, remembering histories, and shaping a creative vision for our shared future.As the inaugural Laureate, Kassab has composed Parramatta: A Dictionary of Place and Memory. She writes in the introduction to her work: 'It was my idea that a dictionary could tell the story of a person (me) in connection with a place (Parramatta) with enough flexibility to take in detours, digressions, musings, and general quirkiness. I knew at the outset that the entries would be placed under titles and it would be fragmentary in spirit.' Extracts from the Parramatta Dictionary are free to read on the Sydney Review of Books website.Author note:Yumna Kassab is a Parramatta-based novelist and short fiction writer, a high school teacher, and a staunch supporter of the Western Sydney Wanderers. The Lovers (2023) was shortlisted for the Miles Franklin Literary Award, the Prime Minister’s Literary Award for Fiction, and the Victorian Premier’s Award for Fiction. She has also authored The House of Youssef  (2019), Australiana (2022), Politica (2024), and Theory of Everything (2025).GuestsHost: Kate Fagan - Director of the Writing and Society Research Centre Western Sydney UniversityInterviewer: James Jiang - Editor at The Sydney Review of BooksCreditsRecording engineer Sevan Dermelkonian recorded this episode on the 30th October, 2025 at PHIVE, Active Wellness Studios, Parramatta.Fully Lit is a collaboration between Impact Studios, UTS, and the Sydney Review of Books. Its producer is Regina Botros, and its executive producers are Sarah Gilbert and James Jiang.

In this special live episode of Fully Lit, we head to Parramatta for The Poets Speak, an evening of powerful readings and conversation presented by Giramondo Publishing.Recorded as part of Parramatta’s Lit Festival and the Sydney Fringe Festival, the event features acclaimed poets Eunice Andrada (Kontra), Kate Fagan (Song in the Grass), Hasib Hourani (rock flight), Šime Knežević (In Your Dreams), and Suneeta Peres da Costa (The Prodigal). With host Giramondo Publisher Ivor Indyk, the poets share their work and reflect on its origins, themes, and provocations.Eunice Andrada's first poetry collection, Flood Damages, won the Anne Elder Award and was a finalist for the Victorian Premier’s Literary Award and the Dame Mary Gilmore Award. Her second collection, TAKE CARE, was a finalist for the Judith Wright Calanthe Award, Stella Prize, Australian Literature Society Gold Medal, and two NSW Premier’s Literary Awards. Her third volume, KONTRA, will be published in October 2025. Kate Fagan is a writer, musician and scholar. Her book First Light was shortlisted for the NSW Premier’s Literary Awards and Age Book of the Year Award. Kate is an internationally esteemed songwriter, and is currently Director of the WSU Writing and Society Research Centre. Her most recent book is Song in the Grass. Hasib Hourani is a Lebanese-Palestinian writer, editor, arts worker and educator. His work has been published in Meanjin, Overland, Australian Poetry and Cordite, among others. He is a 2020 recipient of The Wheeler Centre’s Next Chapter Scheme. His debut book is rock flight. Šime Knežević is a poet and playwright from Sydney with Croatian heritage. His poems have been published widely in Australian and international literary journals. His first book-length poetry collection is In Your Dreams.Suneeta Peres da Costa was born in Sydney and is of Goan heritage. She writes fiction, non-fiction, plays and poetry. Her novella Saudade was shortlisted for the 2019 Australian Prime Minister’s Literary Awards. Her first book of poetry, The Prodigal, was published in 2024. Presented by Giramondo Publishing.This event was recorded live on September 25, 2025.Fully Lit is an Impact Studios podcast.

In this spirited discussion, three critics—Max Easton, Eda Gunaydin, and Lucy Van—join Sydney Review of Books editor, James Jiang, to explore the evolving role of the critic. Together, they delve into how they each came to criticism, the influences that shaped their voices, the ethics and implications of writing negative reviews, and whether we are truly living in a post-literate culture.This episode was recorded live as part of the Parramatta Lit Festival, held within the Sydney Fringe Festival on 6 September 2025 at Western Sydney University – Parramatta City Campus.Host: James Jiang — Editor, Sydney Review of BooksPanelists: Max Easton, Eda Gunaydin, Lucy VanRecording Engineer: Sevan Dermelkonian

Hear what poet and critic Sarah Holland-Batt has to say about Australia's as-yet-uncrowned Poet Laureate. She takes a close look at the tradition and explores poetry's relationship to power, highlighting the potential pitfalls and possible benefits of such a figure.Can a poet laureate bring poetry back in Australia, where it's long been an afterthought for cultural policymakers? How might such a person engage our politics? And can we (shall we?) build the infrastructure to support poetic careers—not just poetic moments?And, most urgently, how long will it take before someone dubs the be-laureled bard Australia's Poet Lorikeet?Further readingFor the written version of this address, see The Poet in the Public Arena by Sarah Holland-Batt, published in Sydney Review of Books.To learn more about her work, visit Sarah Holland-Batt.CREDITSFully Lit is brought to you by UTS Impact Studios, the Sydney Review of Books and the UTS Writing and Publishing Program.Executive producers, Sarah Gilbert and James Jiang.Producer Regina Botros.

On this episode Teela Reid and Merinda Dutton, the co-founders of Blackfulla Bookclub, talk about the online community they’ve built around First Nations storytelling and discuss their experiences of reading Fire Front, an anthology of poetry and essays curated by Alison Whittaker. It’s about seeing, and hearing, and reading the world through powerful First Nations perspectives. Listen up. We are republishing this episode from the Sydney Review of Books' very first podcast season, to mark this month's NAIDOC week celebrations. * Please note that this episode contains names and references to deceased persons* You can find Blackfulla Bookclub on Instagram @blackfulla_bookclub Merinda Dutton is on Twitter and Instagram @min_dutton Teela Reid is on Twitter and Instagram @teelareid Fire Front: First Nations poetry And Power Today was curated by Alison Whittaker and published by UQP. We acknowledge the traditional custodians of the lands on which we work, the Burramattagal people of the Darug nation and the Gadigal people of the Eora nation We pay our respects to elders past, present, and emerging. Sovereignty was never ceded, and the struggles for justice are ongoing. We acknowledge the traditional custodians of the lands this digital platform reaches.Fully Lit is brought to you by UTS Impact Studios, the Sydney Review of Books and the UTS Writing and Publishing Program.

Writer, editor and producer Charle Malycon (Penguin Random House and Overland literary journal) and co-founder and director of Amplify bookstore, Jing Xuan Teo, join Alice Grundy to dissect the current state of the industry. What goes on behind the scenes? What is the work of publishing today and who is doing it? Our guests share their personal experiences in publishing and bookselling, taking the listener through the complex process of getting a book from manuscript to reader and highlighting the many hands that shape the reader’s experience. Alice Grundy is Managing Editor of Australia Institute Press and a Research Manager at The Australia Institute. She worked in book publishing for over a decade before researching a PhD on editing and publishing history, the first half of which was published as a minigraph by Cambridge University Press. Charle Malycon (Shh-arl, she//her) is an editor, writer and critic. She is a fulltime editor at one of Australia’s largest publishing houses and has poetry, monologues, short stories and literary reviews published in ABR, Meanjin, Overland, UTS Writers’ Anthology, UTS Central and Voices for Woman. She has an MA Creative Writing, a BA Communications and is a professional member of IPEd, APA and ASA. Jing Xuan Teo is a freelance marketer and co-founder of Amplify Bookstore, Australia's first antiracist bookstore specialising in books by BIPOC authors. Her focus is on strategic content creation, community building and supporting marginalised authors throughout the publishing process. Readings Author and bookseller Laura Elizabeth Woollett reading from her essay, ‘Paying to Play’, at the Sydney Review of Books. CreditsFully Lit is presented by Anna Funder.The podcast series is produced, edited and sound designed by Regina Botros.Sound engineering by Simon Branthwaite.Executive producers are James Jiang and Sarah Gilbert.Fully Lit is a co-production between UTS Impact Studios and the Sydney Review of Books, with support from the UTS Writing and Publishing Program.To cite this episode: Impact Studios, Botros, R., Gilbert, S., & Jiang, J. (2025, May 15). Fully Lit: a podcast about Australian writing, Ep 8, Zenodo. https://doi.org/10.5281/zenodo.15421502