
58: The Neurotic Women of '70s Giallo, feat. Sharon Gissy of Mental Filmness
From Genre Grinder by Gabe Powers
February 10, 2026 · 1h 52m
About this episode
Gabe Powers and guest Sharon Gissy explore female-centric giallo films from the 1970s, discussing themes of neurosis and exploitation in horror cinema.
SPLIT PERSONALITIES! BURIED TRAUMA! DEMANDING CAREERS! SHITTY BOYFRIENDS! COLD-BLOODED MURDER! IT'S HARD OUT HERE FOR A WOMAN!! We've already talked about the giallo movies released during the genre's peak year of 1971 with Patrick and covered several of the American films found in the pages of Kier-La Janisse's House of Psychotic Women with Bill, so why not join Gabe and first-time guest host Sharon Gissy for a look at the female-centric gialli also found in Janisse's autobiographical topography of female neurosis in horror and exploitation film? This month's titles include Francesco Barilli's The Perfume of the Lady in Black (Italian: Il profumo della signora in nero, 1974), Carlos Aured's Blue Eyes of the Broken Doll (Spanish: Spanish: Los ojos azules de la muñeca rota; aka: House of Psychotic Women, 1973, released in '74), Armando Crispino's Autopsy (Italian: Macchie solari, 1975), and Luigi Bazzoni's Footprints (Italian: Le orme, 1975). Please note that the podcasting app I use mistakenly recorded Sharon's laptop's built-in microphone instead of the one she was using, so there are some muffling and static issues with her audio. I've done what I could to correct this, but be…
People in this episode
Host: Gabe Powers
Guest: Sharon Gissy
Topics covered
- giallo films
- female-centric horror
- neurosis in film
- 1970s cinema
- exploitation film
Keywords
- giallo
- horror
- female protagonists
- 1970s
- exploitation
- neurosis
- Italian cinema
- Spanish cinema
Mentioned in this episode
Organizations: Mental Filmness
Books & works: The Perfume of the Lady in Black, Blue Eyes of the Broken Doll, Autopsy, Footprints
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