Insights from recent episode analysis
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Insights are generated by CastFox AI using publicly available data, episode content, and proprietary models.
Total monthly reach
Estimated from 28 chart positions in 28 markets.
By chart position
- 🇺🇸US · Film Interviews#6330K to 100K
- 🇬🇧GB · Film Interviews#1115K to 30K
- 🇨🇦CA · Film Interviews#1385K to 30K
- 🇩🇪DE · Film Interviews#1965K to 30K
- 🇮🇹IT · Film Interviews#5710K to 30K
- Per-Episode Audience
Est. listeners per new episode within ~30 days
120K to 408K🎙 Weekly cadence·100 episodes·Last published 3mo ago - Monthly Reach
Unique listeners across all episodes (30 days)
239K to 816K🇺🇸12%🇵🇹12%🇲🇾12%+25 more - Active Followers
Loyal subscribers who consistently listen
72K to 245K
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* Data sourced directly from platform APIs and aggregated hourly across all major podcast directories.
On the show
Recent episodes
Cinematography of Love Story with Jason McCormick
Mar 11, 2026
Unknown duration
Good Luck, Have Fun, Don't Die Cinematography with James Whitaker
Feb 19, 2026
Unknown duration
What Puppetry Teaches Filmmakers with Andrew G Cooper
Feb 10, 2026
Unknown duration
The Bear's Filmmaking Secrets with Cinematographer Drew Wehde
Jul 16, 2025
Unknown duration
Filming Black Mirror's Craziest In-Camera Shots with Stephan Pehrsson (USS Callister & Bête Noire)
Jun 10, 2025
Unknown duration
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| Date | Episode | Description | Length | ||||||
|---|---|---|---|---|---|---|---|---|---|
| 3/11/26 |  Cinematography of Love Story with Jason McCormick | Cinematographer Jason McCormick returns to Go Creative Show to discuss his work on the FX series Love Story, beginning with the story of John F. Kennedy Jr. and Carolyn Bessette. Jason breaks down how he approached the visual language of a romantic story after working on darker projects like Dahmer and Menendez, and how the show's look evolved through instinct, collaboration, and trust. Jason shares how the project came together quickly when he stepped in just weeks before shooting the pilot, and how working with director Max Winkler allowed the show's style to develop organically on set. From choosing the 1.85 aspect ratio and developing a custom LUT inspired by 90s film photography, to navigating the challenges of shooting in New York City, Jason explains how cinematography can support emotion, character, and story. The conversation also explores the realities of working in today's film industry, the importance of pacing yourself during long production runs, and why great cinematography often comes from staying flexible and responding to the moment. What You'll Learn How Jason McCormick developed the visual style of Love Story Why aspect ratio and color pipeline are the first decisions he makes on a project Creating a custom LUT inspired by film photography The challenge of stepping into a project late and making it your own Shooting romance versus darker subject matter like Dahmer Navigating paparazzi and location challenges while filming in New York Why flexibility and instinct are key tools for cinematographers Topics Covered Entering the project shortly before shooting the pilot Working with director Max Winkler Developing the show's color palette and LUT Choosing lenses and aspect ratio for the series Building visual language for a romantic story The influence of paparazzi photography from the 1990s Filming in Manhattan and dealing with paparazzi on location Balancing creative instincts with production realities The current state of the film industry in Los Angeles Key Takeaways Cinematography starts with the shape of the frame and color pipeline, not the lighting. The best visual ideas often come from reacting to actors and locations in the moment. Trust between departments allows filmmakers to work faster and more creatively. Great cinematography isn't always about complexity — sometimes the right shot is simply putting the camera in the perfect place. LINKS 'Love Story' Series on Hulu Jason McCormick's Instagram Go Creative Show Instagram | — | ||||||
| 2/19/26 |  Good Luck, Have Fun, Don't Die Cinematography with James Whitaker | In this episode of the Go Creative Show, cinematographer James Whitaker discusses his work on the film 'Good Luck, Have Fun, Don't Die,' directed by Gore Verbinski. The conversation covers the film's unique genre-bending narrative, the challenges of cinematography within a limited budget and timeframe, and the creative decisions that shaped its visual style. Whitaker shares insights on lighting techniques, camera choices, and the importance of collaboration in filmmaking. He also expresses concerns about the impact of AI on the creative industry, reflecting on the balance between technology and human artistry. Takeaways The film's title reflects a parental warning about technology. AI poses real challenges that society must address. Working with Gore Verbinski is both fun and creatively fulfilling. Genre-bending films allow for unique storytelling opportunities. Realism in cinematography enhances audience engagement. Budget constraints require innovative solutions in filmmaking. Lighting plays a crucial role in conveying emotional depth. Collaboration with the crew is essential for success. Imperfection in filmmaking can serve the story. AI's impact on creative jobs is a growing concern. Follow our Guest https://www.instagram.com/jameswhitaker_dop/ Follow our Host https://www.instagram.com/benconsoli/ | — | ||||||
| 2/10/26 |  What Puppetry Teaches Filmmakers with Andrew G Cooper | What can puppetry teach filmmakers about acting, storytelling, and cinematography? In this episode of The Go Creative Show, host Ben Consoli sits down with puppeteer and filmmaker Andrew G. Cooper (Fraggle Rock) to break down the filmmaking discipline behind puppetry—and why it might be one of the most underrated tools for learning visual storytelling. Andrew shares how puppets demand clarity in performance, intentional framing, and disciplined direction, offering lessons that translate directly to working with actors and cameras. They explore in-camera effects, the resurgence of practical filmmaking, and how creative constraints often lead to stronger storytelling. Andrew also dives into his experience working on large-scale productions and how puppetry informs his work as a writer and director, including a feature film currently in development. Whether you're a cinematographer, director, or storyteller, this conversation will change how you think about performance on screen. TAKEAWAYS Andrew G. Cooper's journey into puppeteering began with his mother's local puppet TV show. The transition from theater to film puppetry involves understanding the frame and camera techniques. Bringing life to puppets involves weight, breath, and focus. Puppeteers are often actors and directors, integrating their skills into performances. The resurgence of practical effects is driven by a desire for tangible, real experiences in media. Constraints in puppetry can lead to creative solutions and improvisation on set. Andrew's experience on Fraggle Rock was a significant leap from theater to television production. Training and passion are essential for aspiring puppeteers and filmmakers. The collaborative nature of film production allows for puppeteers to contribute creatively. Andrew is developing a feature film that explores cosmic horror with puppetry. LINKS www.andrewgcooper.com 🎧 Subscribe to the Go Creative Show wherever you get your podcasts | — | ||||||
| 7/16/25 |  The Bear's Filmmaking Secrets with Cinematographer Drew Wehde | Join host Ben Consoli as he welcomes back Drew Wehde, the brilliant cinematographer behind The Bear Season 4. Drew dives deep into the chaos and beauty of shooting one of the most creatively daring shows on TV. From the philosophy of forgetting your work to designing lighting systems with 18Ks and Infinimats, Drew breaks down how The Bear achieves its raw, immersive style—and why sometimes, there's no storyboard at all. Whether you're a seasoned DP, an indie filmmaker, or a Bear superfan, this is a must-listen. 🎬 Topics Covered How to be present — stay focused on the moment while filming Why filmakers should forget past work to unlock fresh creativity Balance between filmmaking and family matters Drew's crew shares his "live in the now" mindset The Bear uses bold, evolving visual techniques Lighting and color are core to the show's style He built a custom lighting system for fast adjustments The Season 4 finale is driven by character, not chaos No storyboards or shot lists — pure flexibility on set Filmmaking is a true collaboration with his team 🎥 Watch The Bear Season 4 Trailer 🎧 Subscribe to the Go Creative Show wherever you get your podcasts 📸 Follow Drew Wehde on Instagram @andrewwehde | — | ||||||
| 6/10/25 |  Filming Black Mirror's Craziest In-Camera Shots with Stephan Pehrsson (USS Callister & Bête Noire) | In this episode of the Go Creative Show, cinematographer Stephan Pehrsson returns to discuss his visual approach to the latest Black Mirror episodes, including 'USS Callister: Into Infinity' and 'Bête Noire'. We dive into lighting technology, camera choices, in-camera effects, and the psychological tension behind every frame. 🎬 Topics Covered How Black Mirror's Visual Style Has Evolved Since Season 4 The LED Lighting Revolution: What's Changed Behind the Scenes Green Screen vs LED Wall: The Battle for Better Sci-Fi Keeping a Consistent Look Across Alien Worlds and Realities Realism vs Stylization: How Stephan Shapes Each Scene What It Took to Bring USS Callister Back to Life Inside the Camera Kit: Breaking Down the USS Callister Package Vintage Anamorphics Up Close: Getting That Cinematic Look How They Pulled Off Those Seamless "Double" Shots The Techno Dolly Trick: Making Handheld Magic Repeatable How Stefan Handles the Pressure When the Clock's Ticking Breaking Into the Industry: Stephan's Cinematography Journey Stephan's Big Break: From Soap Operas to Sci-Fi Giants Designing the Look of Bête Noire: Pastels, Paranoia, and Precision Creating Psychological Tension Through Cinematography Why Passion Still Powers the Best Film Work AI in Filmmaking: Helpful Assistant or Creative Threat? 🎥 Watch the BTS for USS Callister 🎧 Subscribe to the Go Creative Show wherever you get your podcasts 📸 Follow Stephan Pehrsson on Instagram @stephan.pehrsson | — | ||||||
| 5/30/25 |  Filming Incredible Oners with Adam Newport-Berra of The Studio | The Art of the Oner: In this episode of the Go Creative Show, acclaimed cinematographer Adam Newport-Berra joins us to discuss his work on the hit series 'The Studio'. Adam opens up about his process, the pressure and passion behind one-take sequences, lighting approaches, camera builds, and the philosophy that drives his visual choices. If you're into cinematography, collaboration, or breaking into the industry, this conversation offers both inspiration and tactical insight. 🎬 Topics Covered The storytelling power of long takes and why The Studio committed to the oner format Prepping like a maniac: location scouting, movement planning, and lookbooks Filming in a live Las Vegas casino The benefits (and madness) of shooting with one lens, one camera, no coverage Which celebrity cameo was Adam most nervous about... Spoiler...Martin Scorsese! Why embracing chaos creates more grounded and exciting performances Lighting for realism vs. stylization in high-glass, high-energy environments The artistic beauty of maximalism and intentional visual anxiety Balancing technical precision with raw human performance Why strong leadership and a positive set culture are essential for creativity Lessons on collaboration, adaptability, and protecting your inspiration outside of work 🎧 Key Takeaways A relatable script is the heart of great cinematography—it gives every shot purpose. Extensive prep is vital, especially when choreography, camera, and cast all move as one. The show's one-shot format pushed every department to be smarter, faster, and more creative. Working with a supportive crew makes bold risks possible—and fun. Technical constraints (like using a 21mm lens and the Alexa 35) unlocked visual freedom. Collaboration is everything: lighting, production design, and performance must all dance together. Performance always trumps perfection. Capture the moment—then make it beautiful. Spontaneity thrives when you're fully prepared. Your life outside film matters. Inspiration isn't just on set—it's everywhere. 🎥 Watch the trailer for The Studio 🎧 Subscribe to the Go Creative Show wherever you get your podcasts 📸 Follow Adam Newport-Berra on Instagram @adamnberra | — | ||||||
| 4/22/25 |  AI in Filmmaking: The Good, The Bad, and What You Really Need to Know with Caleb Ward | Are filmmakers right to fear AI? Not exactly. In this episode, Ben Consoli sits down with Caleb Ward, co-founder of Curious Refuge, the leading platform for AI storytelling, to break down the real impact of AI on the filmmaking industry. They dive into how AI can enhance—not replace—human creativity, streamline production, and even open the door to entirely new job roles. From ethical concerns to wild possibilities like generating full films from a single prompt, this conversation explores the exciting (and sometimes misunderstood) intersection of technology and storytelling. Whether you're AI-curious or AI-cautious, this episode is a must-listen for any modern filmmaker. Key Takeaways: Curiosity beats fear — filmmakers shouldn't be afraid of AI, but explore its potential. AI enhances, not replaces — it's a tool to support storytelling, not steal jobs. History repeats — every new tech in filmmaking faced initial skepticism. AI in action — it's already helping with pre-vis, post-production, VFX, and animation. Creativity still rules — AI lacks original storytelling ability; the human touch is essential. New visuals, new possibilities — AI enables visuals once too costly or impossible to achieve. The Sphere example — AI was used to enhance The Wizard of Oz experience in Las Vegas. Inspiration & iteration — AI can speed up creative brainstorming and refine ideas. Ethics & ownership matter — creators must consider legal and moral implications. Jobs are evolving — AI is creating new roles in the industry, not just replacing old ones. The future is hybrid — expect AI-assisted films, but human storytelling remains irreplaceable. Links: https://curiousrefuge.com AI Film News GoCreativeShow BC Media Productions | — | ||||||
| 3/3/25 |  Directing & Shooting Severance Season 2 with Jessica Lee Gagné | In this episode of the Go Creative Show, Jessica Lee Gagné returns to discuss her experience filming Severance Season two, plus her Episode 7 directorial debut. She shares insights into her creative process, the challenges of shooting in unique environments, and the evolution of cinematography from Season One to Season Two. Jessica emphasizes the importance of collaboration, the emotional journey of directing, and the innovative techniques used in the series, including transitions and lighting choices. The conversation highlights her growth as a filmmaker and her aspirations for future projects Takeaways Jessica's directorial debut was a significant milestone in her career. The opening shot of Episode 1 was a complex and collaborative effort. Cinematography choices were crucial in maintaining the show's visual language. Lighting evolved significantly from Season One to Season Two. Collaboration with colorists was essential for achieving the desired aesthetic. Directing Episode 7 allowed Jessica to explore new themes and storytelling techniques. The emotional journey of directing was both challenging and rewarding for Jessica. Trust and communication among the crew were vital for the success of the episode. Flashbacks were a unique storytelling device that added depth to the narrative. Innovative transitions in Episode 7 showcased the show's creative evolution. LINKS Jessica Lee Gagné GoCreativeShow BC Media Productions | — | ||||||
| 1/28/25 |  Anora Cinematographer Drew Daniels on Embracing Imperfection and Shooting on Film | In this episode of the Go Creative Show, cinematographer Drew Daniels discusses his work on the film Anora, exploring the choices made in shooting on film, the challenges of balancing family life with a demanding career, and the unique lighting techniques that evoke a 70s aesthetic. He shares insights into the language of film, the importance of capturing authenticity, and how chaos can enhance the storytelling process. Drew reflects on his evolving collaboration with director Sean Baker and the milestones in his career that have shaped his approach to cinematography. Takeaways Shooting on film was a given for Anora. The process of filmmaking can be challenging for family life. Anamorphic lenses add a layer of magic to the film. Lighting techniques were inspired by 70s aesthetics. Capturing authenticity is key to engaging storytelling. Chaos in filmmaking can lead to unexpected creativity. Collaboration with directors shapes the cinematographer's work. Career milestones can redefine a cinematographer's path. The importance of a supportive crew in filmmaking. Innovative techniques can elevate the visual storytelling. Links Drew Daniels IMDB | — | ||||||
| 1/13/25 |  The Cinematography of A Complete Unknown: Shooting 12,800 iso Sony Venice 2 to create a 1960's era film | In this episode of the Go Creative Show, cinematographer Phedon Papamichael discusses his work on the film A Complete Unknown, exploring the visual style, character development, and innovative techniques used throughout the production. He shares insights into the evolution of cinematography as it relates to Bob Dylan's journey, the importance of texture and authenticity in the film's aesthetic, and the collaborative process with director James Mangold. We also discuss his innovative techniques for shooting night exteriors, the importance of location filming, and the dynamic control of lighting on set. He reflects on the musicality of filmmaking and the collaborative process with actors and directors. Additionally, he shares his thoughts on the impact of AI on the future of cinematography and the importance of maintaining creative integrity in filmmaking. Takeaways This film is about capturing the protagonist's interior doings. The visual style evolved to reflect Bob Dylan's transformation. Using period photography as inspiration helped shape the film's look. The cinematography aimed for a more intimate character study. The film's texture was intentionally rough and less polished. Cinematography evolved with the character's journey and energy. Innovative low light techniques were explored for authenticity. Collaboration with the director was key to achieving the film's vision. The use of multiple cameras allowed for a dynamic shooting style. The final look was carefully calibrated to match the intended aesthetic. Shooting at high ISO allows for creative night exteriors. Controlling light is more about subtraction than addition. Location filming enhances the authenticity of a film. Dynamic lighting can create a more organic feel on set. Collaboration with actors can lead to unexpected creative choices. The use of technology can streamline the filmmaking process. AI poses challenges but also opportunities for filmmakers. Maintaining communication on set is crucial for success. Filmmaking should remain a human-centered process. Finding the right collaborators is key to creative filmmaking. | — | ||||||
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| 12/27/24 |  Nosferatu Cinematography Secrets: Jarin Blaschke on Crafting a Haunting Look with Robert Eggers | In this episode of the Go Creative Show, cinematographer Jarin Blaschke discusses his work on the new film Nosferatu, reflecting on his journey in cinematography and the collaborative process with director Robert Eggers. He delves into the unique visual style of Nosferatu, including the use of moonlight and lighting techniques, as well as the challenges faced during production. Jarin shares insights on camera movement, framing choices, and the emotional impact of the film on viewers. He also hints at future projects and his aspirations in the film industry. Takeaways The journey to becoming a cinematographer can be long and challenging. Collaboration with Robert Eggers has been pivotal in Jarin's career. Lighting techniques in Nosferatu were carefully developed over time. The film's unique look was influenced by historical context and artistic choices. Camera movement in Nosferatu aims to create an eerie viewer experience. Jarin emphasizes the importance of framing and composition in storytelling. The emotional impact of the film is enhanced by its visual style. Future projects may explore new techniques and styles in filmmaking. Jarin is open to directing in the future, exploring new creative avenues. Show Links Go Creative Show BC Media Productions | — | ||||||
| 12/9/24 |  WICKED Cinematography and Return of Practical Effects with Alice Brooks | In this episode of the Go Creative Show, cinematographer Alice Brooks discusses her work on the film Wicked, exploring its visual aesthetic, the return of practical effects in cinema, and the challenges of lighting large sets. She emphasizes the importance of collaboration and trust within her crew, the role of nature in storytelling, and the innovative use of Unreal Engine for pre-visualization. The conversation also touches on female representation in the film industry and the personal journeys of women in cinematography. Takeaways Wicked is a friendship love story Classic Hollywood inspired visuals Practical effects are making a comeback in cinema. How nature inspired the lighting choices. Collaboration and trust are crucial in filmmaking. Intimacy in cinematography enhances emotional connection. Pre-visualization with Unreal Engine was essential for planning. Alice Brooks emphasizes the importance of details in filmmaking. Female representation in cinematography is growing and inspiring. Show Links Go Creative Show BC Media Productions WICKED IMDb Alice Brooks IMDb | — | ||||||
| 11/19/24 |  Best Organization Tools for Filmmakers, New FCPX, Nosferatu Reactions | In this episode of the Go Creative Show, hosts Ben Consoli and Connor Crosby celebrate the recent rebranding of BC Media Productions and emphasizing the importance of organization in the filmmaking process. They share their top organizational tools, including Notion, for project management and staying organized amidst a busy production schedule. The conversation also touches on the significance of project codes for high-level organization. They discuss early reactions to the Final Cut Pro 11 release, and their excitement for upcoming films like Nosferatu and Wicked. PLUS, Ben's reactions to his first viewing of Wizard of Oz. Takeaways BC Media Productions has undergone a significant rebranding. Staying organized is crucial in the filmmaking process. Notion is a valuable tool for project management. Using project codes can enhance organization. Final Cut Pro continues to evolve with new features. Practical effects are making a comeback in modern filmmaking. Early reactions to the new Nosferatu film Excitement for Wicked movie Ben's first time watching Wizard of Oz Links: https://bcmediaproductions.com https://www.facebook.com/gocreativeshow https://www.instagram.com/gocreativeshow Have a show idea? Leave a comment! | — | ||||||
| 10/31/24 |  American Sports Story Aaron Hernandez Cinematography with Elie Smolkin | In this episode of the Go Creative Show, host Ben Consoli interviews Elie Smolkin, the director of photography for the series 'American Sports Story: Aaron Hernandez.' They discuss the unique storytelling approach of the series, focusing on the complexities of Aaron Hernandez's life beyond sports. Elie shares insights into the visual style, including the use of color to represent trauma and the innovative techniques used to depict CTE. The conversation also covers the challenges faced during filming, the importance of collaboration in filmmaking, and Elie's personal goals in the industry. The Go Creative Show is produced by Ben Consoli and Connor Crosby, Creative Director and Producer at BC Media Productions Takeaways The story of Aaron Hernandez is an anti-sports story. Visual storytelling is crucial for engaging narratives. Color plays a significant role in conveying themes. CTE representation required innovative cinematography techniques. Camera movement enhances the emotional connection to characters. Collaboration and communication are key in filmmaking. Preparation is essential for managing complex shoots. Flexibility in creative decisions leads to better outcomes. Finding a compelling story is a filmmaker's challenge. Building a strong crew is vital for a successful production. Chapters 00:00 Introduction to the Story of Aaron Hernandez 02:57 Visual Storytelling and Cinematic Techniques 05:31 Representing CTE Through Cinematography 11:45 Choosing the Right Camera Package 12:48 Using Camera Motion to Tell Visual Stories 17:45 Challenges in Filming Dramatic Episodes 19:34 The Challenges of Filming Episode 6 27:37 Maintaining Visual Consistency While Working with Multiple Directors 33:27 Joining the Ryan Murphy Family of Filmakers 33:57 Filmmaking Mistakes and How to Learn From Them 38:14 Goals and Aspirations in Filmmaking Links: https://eliesmolkin.com https://bcmediaproductions.com https://www.facebook.com/gocreativeshow https://www.instagram.com/gocreativeshow Have a show idea? Leave a comment! | — | ||||||
| 10/19/24 |  The Cinematography of Monsters: The Lyle and Eric Menendez Story with Jason McCormick | In this episode of the Go Creative Show, host Ben Consoli welcomes back Jason McCormick, the director of photography for 'Monsters: The Lyle and Eric Menendez Story.' They discuss the pressures and expectations of following a successful series, the approach to adapting controversial real-life stories, and the unique lighting and visual style of the show. Jason shares insights into preparing for the gruesome murder scene and the impact of the one-take format in episode five, highlighting the importance of storytelling in filmmaking. In this conversation, Jason McCormick discusses: His experiences and insights as a cinematographer Focusing on the creative process behind the series How he humanizing characters Using scattered light in cinematography The Importance of having a background in film Reflection on the future of immersive filmmaking and the communal experience of cinema. LINKS Go Creative Show BC Media Productions Jason McCormick Official Website Lightbridge | — | ||||||
| 10/11/24 |  Immersive Filmmaking, Joker 2 Review, Meta Movie Gen and AI tools for Video Production | Summary In this episode of the Go Creative Show, Ben Consoli and Connor Crosby discuss the latest happenings in the film industry, including their thoughts on Apple's new immersive film 'Submerge' and the controversial musical 'Joker 2'. They also delve into the impact of AI on filmmaking, highlighting the advancements in video generation technology and its implications for the future of cinematography. Takeaways Apple's Vision Pro enhances immersive film experiences. 'Submerge' showcases innovative storytelling techniques. Joker 2's musical format raises questions about its execution. AI is revolutionizing video production and editing. The importance of prompts in AI-generated content. Filmmakers are exploring new creative avenues with technology. The balance between risk and audience reception in filmmaking. Meta Movie Gen jumps into the AI video space The evolution of cinematography through technological advancements. Community engagement is vital for filmmakers and production companies. Links Go Creative Show BC Media Productions Ben's band Three Second Chances Behind the Scenes of Apple's Immersive Film "Submerge" Meta Movie Gen Firefly AI Video Generator | — | ||||||
| 10/3/24 |  Honing Your Producer Skills, Tips to Find Crew Around The World, Why You Need Specialized Demo Reels | In this episode of The Go Creative Show, Ben and Connor dive into the art of building production crews across different locations. They share fun and practical tips, from using Facebook groups and Production Hub to find local talent, to creating eye-catching specialized reels for cinematographers. Plus, they highlight why being a jack-of-all-trades is a filmmaker's secret weapon. It's all about staying flexible and thinking on your feet in the ever-changing world of production. Tune in for some great stories, pro tips, and a chance to share your own experiences with the hosts! Takeaways Assembling crews in unfamiliar locations is a common challenge. Facebook groups remain a valuable resource for finding crews. Specialized reels are crucial for cinematographers to showcase relevant work. Producers should be clear and concise in their requests to potential hires. Honing skills in various roles enhances a producer's effectiveness. Understanding local laws and conditions is vital for safety on set. Networking through established relationships can streamline crew assembly. Budget constraints often require producers to wear multiple hats. Engaging with the audience can lead to valuable insights and discussions. Continuous learning and adaptation are key to success in filmmaking. Links Go Creative Show BC Media Productions Ben's band Three Second Chances | — | ||||||
| 9/27/24 |  Is iPhone 16 the Next Cinema Camera, Tech's Impact on Filmmaking, Apologies and Reintroductions | In this episode of The Go Creative Show, host Ben Consoli and producer Connor Crosby discuss the recent hiatus of the podcast, their busy schedules, and the future direction of the show. They explore the impact of new technology, particularly the iPhone 16 camera capabilities, on the filmmaking industry. The conversation delves into whether iPhones can replace professional cameras, real-world applications of iPhone filmmaking, and the accessibility of filmmaking tools. They also reflect on the evolution of filmmaking equipment and the importance of skill in the industry. Links: Go Creative Show Website BC Media Productions Website Three Second Chances (Ben's New Band) | — | ||||||
| 6/4/24 |  Baby Reindeer Cinematography (with Krzysztof Trojnar) GCS331 | Cinematographer Krzysztof Trojnar discusses his work on the Netflix show Baby Reindeer, sharing insights into the visual approach, using the Alexa LF Mini camera package, lens choices, and creating a sense of claustrophobia in cinematography. He also delves into the challenges of depicting drug use and the impact of AI tools on the industry. CONNECT WITH US Subscribe: https://www.youtube.com/gocreativeshowpodcast Facebook: https://www.facebook.com/gocreativeshow Instagram: https://www.instagram.com/gocreativeshow | — | ||||||
| 9/21/23 |  Winning Time Season 2 Cinematography (with Todd Banhazl, Ricardo Diaz, and John Matysiak) GCS330 | WINNING TIME season 2 director and cinematographer Todd Banhazl joins cinematographers John Matysiak and Ricardo Diaz to discuss their use of mixed formats to create an authentic '80s aesthetic. They shed light on their collaboration in bringing the Celtics vs. Lakers rivalry to life on screen, their seamless blend of drama and humor, collaboration as cinematographers, and Todd's story of going from cinematographer to director. Subscribe Now! Subscribe + Follow Go Creative Show Twitter Facebook Apple Podcasts Stitcher Google Play Podcasts iHeart Radio YouTube Show Links WINNING TIME season 2 WINNING TIME IMDb Our Winning Time season 1 interview with Todd Banhazl and Mihai Malaimare Jr. Follow Our Guests Ricardo Diaz's IMDb Todd Banhazl's IMDb John Matysiak's IMDb Follow Ben Consoli BC Media Productions BenConsoli.com Twitter Instagram Follow Connor Crosby (producer) Ignition Visuals' website | — | ||||||
| 9/6/23 |  Gran Turismo Cinematography (with Jacques Jouffret) GCS329 | GRAN TURISMO director of photography Jacques Jouffret shares his adrenaline-inducing visual approach to creating this gripping and authentic racing film. We discuss his meticulous approach to capturing the racing world's intensity, blending realism and authenticity without relying on heavy VFX. Also find out about his meticulous approach to recreating the pivotal Nürburgring crash and much more. Subscribe Now! Go Creative Show is supported by: Sony VENICE Subscribe + Follow Go Creative Show Twitter Facebook Apple Podcasts Stitcher Google Play Podcasts iHeart Radio YouTube Show Links Gran Turismo IMDb Follow Our Guest Jacques Jouffret IMDb Follow Ben Consoli BC Media Productions BenConsoli.com Twitter Instagram Follow Connor Crosby (producer) Ignition Visuals' website | — | ||||||
| 8/24/23 |  The Righteous Gemstones Cinematography (with Paul Daley) GCS328 | THE RIGHTEOUS GEMSTONES director of photography Paul Daley breaks down his visual approach to season 3. We discuss the various camera movement, lighting, and lensing tricks he used to advance the latest season. Find out how the lotus scene was shot practically, how Paul makes studio sets look real, and so much more. Subscribe Now! What you will learn in this episode Shooting the Locust scene practically (02:26) Visual approach to season 3 (07:45) Using both Signature and Supreme lenses (16:35) Camera movement and lighting (20:35) Approach to night exteriors (25:33) Practical locations vs sets (29:12) Filming the racecar and monster truck scenes (36:43) Paul's favorite scene in season 3 (41:14) And more! Subscribe + Follow Go Creative Show Twitter Facebook Apple Podcasts Stitcher Google Play Podcasts iHeart Radio YouTube Show Links The Righteous Gemstones on MAX Follow Ben Consoli BC Media Productions BenConsoli.com Twitter Instagram Follow Connor Crosby (producer) Ignition Visuals' website | — | ||||||
| 5/26/23 |  The Little Mermaid Cinematography (with Deon Beebe ACS ASC) GCS327 | Disney's live-action adaptation of THE LITTLE MERMAID is a beautiful retelling of the beloved animated film. It's filled with the characters and songs you love while keeping it fresh and modern. Director of photography Deon Beebe ACS ASC shares how they used incredible rigs to pull off the spectaular underwater scenes. Deon and Go Creative Show host, Ben Consoli, discuss the inspriation from BBC's BLUE PLANET series, using different lens types above and below the water, cinematography tricks used when Ariel can't speak, why the Italian coast was perfect to portray the Caribbean, and so much more. Subscribe Now! What you will learn in this episode Bringing the animated film to life (03:26) Being inspired by BBC's BLUE PLANET (08:15) Filming the underwater world (11:30) Putting actors in rigs to simulate swimming (18:18) Using different lenses for above and below water (25:57) Why THE LITTLE MERMAID is so dark (28:11) Turning an Italian beach into the Caribbean (32:26) Why the underwater scenes were so difficult (40:33) Filming the shipwreck scenes (42:37) Cinematography tricks used when Ariel can't speak (46:01) Filming Under The Sea musical number (52:36) Dion's thoughts on the visual effects (54:27) And more! Subscribe + Follow Go Creative Show Twitter Facebook Apple Podcasts Stitcher Google Play Podcasts iHeart Radio YouTube Show Links THE LITTLE MERMAID (2023) trailer THE LITTLE MERMAID on IMDb Follow Our Guest Dion Beebe's Instagram Dion Beebe's IMDb Follow Ben Consoli BC Media Productions BenConsoli.com Twitter Instagram Follow Connor Crosby (producer) Ignition Visuals' website | — | ||||||
| 5/11/23 |  Beau is Afraid Cinematography (with Pawel Pogorzelski) GCS326 | Cinematographer Pawel Pogorzelski returns to Go Creative Show to discuss his latest film Beau Is Afraid and his collaboration with director Ari Aster. Pawel shares his experience filming with the Sony Venice and Rialto extension system, how he creates a cohesive palette for the film's many different looks, and the lens and lighting choices that gave Beau Is Afraid its many unique and surreal looks. We also answer audience questions and take a deep dive into how Pawel creates "vulnerability" in his cinematography. Pawel does his best to explain what the film is about, but after watching the 3-hour odyssey and our interview with Pawel, we still aren't completely sure… maybe that's the point? Regardless of your understanding, or even opinion of the movie, this interview will inspire and educate film enthusiasts and movie fans alike. Subscribe Now! What you will learn in this episode How BEAU IS AFRAID was pitched to Pawel (01:31) Camera techniques to show anxiety (06:15) Using wide lenses (12:37) The different looks of BEAU IS AFRAID (16:27) Using an LED wall for the cruise ship scenes (22:35) Why the Sony Venice was the best choice (30:46) Relationship with camera operators (37:08) Not putting yourself in a genre box with cinematography (40:11) Pawel's philosophy as a cinematographer (42:14) And more! Go Creative Show is supported by: Sony Cine For the month of May 2023, Sony is offering special financing on their entire cinema line, and extended financing on the VENICE and VENICE 2 cameras. Visit SonyCine.com for details. Subscribe + Follow Go Creative Show Twitter Facebook Apple Podcasts Stitcher Google Play Podcasts iHeart Radio YouTube Show Links BEAU IS AFRAID IMDb Follow Our Guest Pawel Pogorzelski's Instagram Pawel Pogorzelski's IMDb Follow Ben Consoli BC Media Productions BenConsoli.com Twitter Instagram Follow Connor Crosby (producer) Ignition Visuals' website | — | ||||||
| 2/21/23 |  Elvis Cinematography (with Mandy Walker, ASC, ACS) GCS325 | ELVIS director of photography Mandy Walker, ASC, ACS breaks down her incredible Oscar-nominated visual approach to the film. We discuss her great level of detail recreating iconic Elvis concerts, how different lenses were used for each of the decades, portraying Elvis' internal struggles through evolving lighting, and more. Subscribe Now! What you will learn in this episode Relationship with director Baz Luhrmann (03:17) How lens choice represented different time periods of ELVIS (06:10) Camera movement of ELVIS (13:20) The importance of meticulous prep (16:55) What to look for in a great camera operator (22:59) Lighting the Vegas hotel room (25:26) The evolving lighting in ELVIS (28:51) How historical accuracy can be a fun challenge (35:16) Detuning lenses for a custom look (36:33) Filming Elvis' last performance (41:13) And more! Subscribe + Follow Go Creative Show Twitter Facebook Apple Podcasts Stitcher Google Play Podcasts iHeart Radio YouTube Show Links ELVIS trailer ELVIS IMDb Follow Our Guest Mandy Walker ASC ACS IMDb Mandy Walker ASC ACS' Instagram Follow Ben Consoli BC Media Productions BenConsoli.com Twitter Instagram Follow Connor Crosby (producer) Ignition Visuals' website | — | ||||||
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Chart Positions
29 placements across 28 markets.
Chart Positions
29 placements across 28 markets.